National Museums Liverpool Blog - Sam

The photographs in the exhibition Liverpool People by Stephen Shakeshaft have struck a real chord with visitors and brought back a lot of memories, as the comments made during reminiscence sessions in the exhibition have proved. Some of these comments have been included with the photos on the exhibition website now, and there are more below.

If you would like to take part in a reminiscence session there are a few more planned, with the next one taking place tomorrow afternoon. Full details are in the exhibition events programme on the website.

And don't forget that there are just a couple more days left to enter the caption competition and win a signed copy of Stephen Shakeshaft's book 'No Illusions' - so get your thinking caps on if you haven't entered yet!

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"One thing which stands out is the expression of resilience mixed with hope on the faces of the people in our great city."

"We seem to have grown up in poverty but children always seemed to be laughing. The photographs made me realise this."

"The photo of the clothes rack reminds me of sitting at the kitchen table with wet clothes dripping into your dinner."

"The photograph of the lady with the washing rack reminds me of my gran's house. She always had the kettle on and cake in a tin."

"My son can't believe some of these photos. Why have an indoor washing line?"

"I love the photograph of the lady with the gas mantle. Looks like she's just come in from the wash house, is so pleased with her washing all done and is ready for that cup of tea. I can almost hear her sigh."

"The photograph of the carters reminded me of my dad and brother who used to be carters. They would dress up the horses with brasses and ribbons and go to shows. We used to take the horses back to the stables in Whittle Street."

"I'm reminded of the rag and bone man with his goldfish. Where did he put all those goldfish on his cart?"

"The photograph of the carter reminded me of having our milk delivered by Mabel in her pony and trap in West Derby in the fifties. Sometimes she'd give me a lift to the Saturday cinema in the village. I couldn't tell whether the smell was Mabel or the horse."

"The shop with the children reminds me of shops always having a bell that rang whenever the door opened."

Here's a behind-the-scenes look at one of the aspects of the work that our staff are involved in, courtesy of handling and transport technician Paula Frew. This week Paula travelled to Nottingham as a courier to supervise the installation of one of the Walker's most popular paintings, which has gone out on loan. Here's what she got up to, in her own words:

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"Monday morning at 7.30am I was on the train travelling to Nottingham to act as a courier for the installation of the Walker's David Hockney painting  'Peter getting out of Nick’s pool' by David Hockney, which is on loan to the Nottingham Contemporary art gallery for their Hockney exhibition. The painting had travelled ahead of me, having been collected from the Walker on the Friday by Momart, who handle and transport art works nationally and internationally.

Twenty minutes walk from the train station, Nottingham Contemporary art gallery stands on a corner like the raised prow of a ship looming in front of a sandstone gothic church, the opposing architectural styles complimenting the space.

Entering the gallery, construction work was underway installing interior features. I signed in and was introduced to the staff who escorted me into the exhibition space. Here was a quiet eclectic mix of organised disciplines consisting of painting conservators, curators a registrar and exhibition technicians.

I instructed the technicians on the safe removal procedure of the crated work. The work was carefully removed and placed on foam blocks and leant temporarily against the wall.

Painting conservators checked the painting against the relevant paperwork and images that I had with me from National Museums Liverpool's painting conservator David Crombie, who had supplied a full report. Content with the report and the painting's condition, the conservators allowed the technicians to continue with its installation.

I observed the technicians measure a space on the wall and install the original lifting brackets. Lifting brackets are used to support this painting, as a pretty chunky frame encompasses the canvas, giving it a weight of 105kgs.

A small lifting machine (SWL 227kgs) was used to elevate the painting onto the brackets. Once installed onto the brackets, the fittings attached to the back of the painting called ‘Oz- clips’ (nothing to do with a wizard’s hair!) were used to finally secure the painting to the wall, installation professionally completed.

Visitors to the Walker Art Gallery hoping to see a David Hockney painting over the next few months won't be disappointed as the Tate have kindly loaned 'Mr and Mrs Clark and Percy', which is going on display in gallery 15 for the duration of the Hockney exhibition in Nottingham."

As you will probably be aware from reading this blog over the years, there are many unsung heroes in our staff who put in a lot of effort behind the scenes to ensure that our exhibitions and events go off without a hitch. There are lots of examples of the handling and transport team hard at work in the Moving stories set of photos on Flickr.

With all that hard work, it's good to know that they have some light hearted fun occasionally, as the latest photos show. Their latest major project has been to dismantle the displays from The Beat Goes On exhibition, which closed recently. Handling and transport technician Paul Kelly took the opportunity to become a rock star with a giant guitar prop, while the joiners Jerry and Steve took a ride on a rather realistic 2-dimensional scooter.

It's competition time again and this month's picture comes courtesy of the rather wonderful exhibition Liverpool People by Stephen Shakeshaft, which is at the National Conservation Centre until 24 January 2010.

Have a look at this photograph from the exhibition - you can see a larger version on the exhibition website - and see if you can think of an amusing caption for it. Post your entry as a comment (please keep them clean) by the end of the day on Sunday 22 November and the winner will be notified the following week.

Stephen Shakeshaft himself has very kindly offered to judge this month's competition. The lucky winner will get a signed copy of his book 'No Illusions' which includes many of the pictures from the exhibition and more from Stephen's first 30 years as a newspaper photographer.

Soldiers often send things to their loved ones at home. During the First World War they often sent embroidered postcards, some of which are now in National Museums Liverpool's collection. The postcards, known as 'World War One Silks', were mostly produced by French and Belgian women refugees and became extremely popular with British and American servicemen on duty in France. Further information about them is on this web page about Silks.

This Saturday you are invited to make your own postcard in remembrance of those that gave their lives during the First and Second World Wars in a free drop-in workshop, 1-4pm in the Learning base in the basement of Merseyside Maritime Museum. If you leave your postcard with us we will include it in a banner which we hope to display in the The Liverpool Pals and the First World War exhibition in the Museum of Liverpool when it opens in 2011. At the workshop this weekend you will also have the chance to find out about life in the trenches and how to trace your family’s history through military records.

The Liverpool Pals and the First World War exhibition will tell the story of the First World War as experienced by the ordinary people of Liverpool, either through participation in the fighting - focussing on the story of the Liverpool Pals – or through involvement on the Home Front. The main emphasis of the exhibition will be the particular Liverpool aspects of the story, set in a national and international context.

Lord Derby recruited one of the first Pals battalions in England from Liverpool in August 1914 when he suggested that men would volunteer if they could remain with work colleagues, family or neighbours. In effect the social structure of Liverpool was transferred to the front line. This exhibition will confront the realities of the loss of 16,700 Liverpool men, how it happened, and how it impacted on – and in some cases devastated - Liverpool communities.

Details of all events this weekend are on the Merseyside Maritime Museum's events and activities page, including this workshop and a new roleplayer performance on Sunday, 'Never at sea - the Wren's story'.

Liam Physick, a student at Liverpool University and one of our fantastic youth volunteers, has recently achieved his v50 Award for volunteering for 50 hours for the Museum of Liverpool's urban history department. Liam did a fantastic job of logging 5,605 comment cards from The Beat Goes On exhibition, which asked for visitors' Liverpool music memories. The responses will be used in research at the University of Liverpool. Liam says,

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"The project developed my IT skills and taught me how to log records. It was very interesting to read people's experiences. One woman claimed that her husband had been the man who discovered The Beatles. It has clearly shown that people inside and outside Liverpool are fascinated by the city's musical heritage. Visitors came from all over the world including Malaysia, America, the Bahamas and Romania."

I wasn't quite sure what to expect from the On the Waterfront events over the weekend, which involved free films shown on a gigantic screen in the Museum of Liverpool's window. Any sort of open air event in this country is very much at the mercy of the weather, especially on a late September evening at an exposed spot like the Pier Head. I hadn't seen the classic Marlon Brando film 'On the Waterfront' before though, so armed with a flask of hot chocolate and some warm clothing I braved the elements.

I needn't have worried as it was a great evening. The Liverpool skyline with the docks and cranes made a very fitting backdrop to the film. The landscaping around the Pier Head also did a great job of protecting the audience from the worst of the wind.

You can see some photos from the weekend in our Museum of Liverpool Flickr group already. If you took some photos of the event or have any other recent pictures of the museum during construction then we'd love to see them so please do add them to the group.

Fay and Charlotte, two of our dedicated youth volunteers in The Beat Goes On exhibition at World Museum Liverpool, have both achieved their v50 Award certificate, having completed 50 hours volunteering each. Congratulations to both and a big thank you for all their hard work talking to the many visitors who have visited the exhibition this year.

If you are aged 16-25 and would like to find out more about youth volunteering at our museums please contact Claire Olson, Youth Volunteer Officer. You can also find out more on the v-inspired website. 

A few words from Fay and Charlotte:
 
"Volunteering at The Beat Goes On has provided me with valuable experience of working in a museum and has also helped me develop other skills such as communication and customer care. Working towards my v50 award gave me something to aim for and I am very pleased that I have achieved this goal." Fay
 
"Working on The Beat Goes On exhibition has given me the chance to combine my interest in museums with my love of music. Volunteering at the museum has given me the chance to gain experience and insight into different aspects of museum work, which will be useful for a future career in this area of work." Charlotte

As you can probably tell from my blog posts, I've been looking forward to the exhibition Liverpool People by Stephen Shakeshaft for months. The good news is that the exhibition is now open. The photographs on display present an honest and affectionate view of the many incredible characters that Stephen has encountered in the city over the last few decades. They are bound to bring back memories for many people, while the anecdotes that accompany them should raise a smile or two.

In addition to the photographs, Stephen's old Micro Press plate camera that he used during the 1960s is also on display. It's a real piece of history, and is fascinating to a digital camera user such as myself. I couldn't imagine lifting it, let alone taking a half decent photo with it, so it really does bring home what an accomplished photographer Stephen is. He recalled about using the camera:

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"Using this camera was the perfect discipline for a young photographer and quite the opposite of today's technology. To cover a football match at Goodison or Anfield I would have 10 slides which would carry 20 glass plates (5 x 4 inches), this gave me just 20 opportunities to get THE photograph.

The camera required strong shoulders, it was cumbersome but I carried it everywhere with me. In the dark room the only way to test if the plate had been loaded the correct way was to taste the emulsion with the tip of my tongue. Maybe that is the reason why I have silver hair today!"

Several statues from the Lady Lever Art Gallery have recently been out on loan to the V&A for the 'Thomas Hope:Regency Designer' exhibition. On their return they made a quick pitstop in the sculpture conservation studio, where they were checked and re-waxed before being ready to return to public display.

You can see the sculptures making their way back to the Lady Lever Art Gallery in our Moving stories Flickr set. As you can imagine, moving several large, heavy sculptures without damaging them is quite an operation, which required the combined efforts and specialist skills of the technical services team, sculpture conservators, conservation technologies and the handling and transport technicians, as well as some serious heavy lifting equipment. The good news is that the move was a success and the sculptures are now back on display.

In the build up to Liverpool People by Stephen Shakeshaft, which opens in a few days, I have been posting some of the photographs that didn't quite make it into the exhibition on the blog along with Stephen's funny and insightful stories behind each one. But I'm sure you're all dying to know about the pictures that are actually in the exhibition. One person who has seen them already is Nicky Lewis, who has mounted and framed them all ready for display. This included a few original prints, which required extra careful handling as she explains:

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"After days spent mounting brand new prints of Stephen Shakeshaft's work it was a real thrill to get my hands (gloved, of course!) on some of his original prints. All of his images have great stories to tell but there's something quite special about seeing the real thing. The creases, tears and fingerprints, the scribbled notes and pencil lines to show where the image was to be cropped, all transport you to the desk of the newspaper photographer and that - I imagine - frantic time before that day's newspaper went to print.

Although the images will be framed in a similar way to the copy prints I instantly have to think differently with original objects. We have a responsibility to not allow their condition to deteriorate any further. So I have chosen mounting materials that are acid free and controlled the amount of light that the photographs are exposed to, and will monitor them closely while they are on display. You can also take a closer look at them in the exhibition at the National Conservation Centre from Friday."

Many people will remember Stephen Shakeshaft's fantastic football photographs from the Soccer Shots exhibition a few years ago. The good news is that there are some more on show in Liverpool People by Stephen Shakeshaft, which opens a week today. Here's a picture of the crowds that didn't quite make it into the exhibition.

Being paid to go to football matches may sound like a dream job, but as Stephen recalls below, life on the touchline was far from easy:

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"Football crowds fascinate me, every emotion is on view - jubilation, frustration, anger, despair and a lot worse. Why don't photographers show excitement on a goal being scored? Because they are watching the aftermath from players and fans, the goal passes them by. Even now I watch football totally emotionless, after 40 years of sitting on the touchline it has taken its toll.

From the aching knees after lying prostrate in front of the Kop to the scars of European cup ties I have suffered for my sport. A bottle bounced off my temple in Rome, a police dog took part of my ankle in Rotterdam and a Bruges defender landed so heavily on my back I couldn't exhale for two days. I lost so many jackets after smouldering cigarettes landed on my back - 'Hey mister, you are on fire!' My shoes were taken off my feet at Wolverhampton Wanderers by a cheeky fan who was obviously annoyed that my body was blocking his view - I had to bribe him to give them back.

The problem was we had to lay flat on the grass on a groundsheet between the fans and the touchline, parallel with the goal post. This was not a position conducive with fast reactions - in other words we had to dodge the missiles from the crowd and the studs of the advancing winger heading for the penalty area. If a foul was committed on a home player in front of us the missiles showered down aimed at the offending player - coins (half crowns the favourite as they travelled the furthest, being the heaviest) hit me on the ear leaving me seeing stars for a few minutes, pop bottles, darts, meat pies. One night I counted five pellets that had been fired from an air pistol which I gave to the police. It wasn't all bad though, often after a stormy, eventful match there would be enough money scattered around the groundsheet to buy a round of drinks.

We would always follow the home team attack and at Anfield walking around the ground to the Kop for the second half on a wet cold day it was like walking into a giant hairdryer - the heat hitting us from the crowd. It was a great view and a dramatic angle to take photographs from, camera at pitch level. A wet day was miserable, the ground sheet resembling a pond. The secret was to dress accordingly - starting off with long johns underwear, two pairs of socks, thick jeans, two sweaters, scarf and cap and then a waterproof leather divers suit which had no ventilation. I just prayed I didn't need the loo at half time and at the end of a game, after a good soaking from the rain, I literally squeaked when walking.

Leaving the ground in the middle of the crowd my feet didn't touch the ground until I reached the main road, my elbows stood out like handles and I was lifted by the pressure of the throng as I hung on to my cameras.

Songs developed on the Kop from nowhere, it was if 20,000 people had been in a rehearsal room before the game, as one they developed the funniest anthems and hilarious chants against the opposition - but when they sang 'You'll Never Walk Alone' the hairs on the neck always stood up.

I couldn’t do it now but I'm glad I did it then."

With just over a week to go until the exhibition 'Liverpool People by Stephen Shakeshaft' opens at the National Conservation Centre, here's another photo from his archive that didn't quite make it into the exhibition. Stephen took many photos of the dockers during his career as picture editor and chief photographer of the Liverpool Daily Post and Echo, and remembers that they were real characters:

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"They provided the backbone to the city and its commerce. They also provided the material for the jokes of Liverpool comedians. They were very suspicious of a man with a camera. 'Don't take my picture, lad - take his - he has his makeup on!' Whoever sold caps went out of business when the dockers went. Walking around Canada Dock you had to keep your eyes skinned and spend as much time looking up as concentrating on your subject; 'Watch your 'ead, lad'.

I covered dockers' strikes and pickets, I was there when they received their redundancy notices and when they realised their jobs were gone - replaced by the container monsters of Seaforth.

All dockers had nicknames which fitted their personality or character such as 'Stanley Matthews' who, on the unloading of a crate, would always say 'I'll take the corner'."

This weekend our wonderful group of Discovery Volunteers each received their v50 Award Certificate, having completed 50 hours volunteer work at World Museum Liverpool during the summer.
 
Our fantastic Discovery Volunteers have been based on the World Cultures gallery throughout August. During this time they used objects from our handling collections to chat to many visitors - if you visited during the summer, you may even have chatted to some of them yourself!
 
The Discovery Volunteers project was aimed specifically at young people aged 16-25; to encourage younger people to become more actively involved in their museums as part of our youth volunteering scheme. As one of our young volunteers explained, the project "has shown that young people are still willing to listen, learn and teach; despite all the negative press".
 
Each of the volunteers received training from our curatorial and learning teams before finally being let loose on gallery to meet their public!
 
The volunteers team would like to say a big thank you each of the 20 young volunteers who offered their time, commitment and endless enthusiasm throughout the project.
 
More information about v, the v50 Award and youth volunteering can be found on the v-inspired website.

The upcoming exhibition 'Liverpool people by Stephen Shakeshaft', which opens at the National Conservation Centre on 18 September, is bound to bring back a lot of memories for people who have seen Liverpool evolve since the 1960s. However Stephen wasn't the only person documenting the changing face of the city, as this photograph from his archive shows. This one of a selection of images that didn't quite make it into the exhibition itself that Stephen has kindly agreed to share here on the blog instead. He recalls:

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"In a way we became unofficial archivists of the Liverpool scene. The post-war planners destroyed old Liverpool with a determination never matched by the Luftwaffe. Communities were wiped out. Slums went, but so did good houses. Folk songs were written about moving out to the housing estates in Speke and elsewhere. Uprooted families gazed from the windows of high rise flats.

The process was photographed by myself and painted by Frank Green. Our purpose was the same - to record the passing of the old city. This is Edge Hill as it was then. What would these houses have been worth today with modernisation and renovation?"

Here's a special report on this year's Slavery Remembrance Day Festival from our 'woman on the ground', Claire Benjamin:

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"Over 5000 visitors enjoyed a weekend-long programme of events during the Slavery Remembrance Day Festival 2009. Held from 21-23 August, it got off to a powerful start with the annual lecture delivered by civil rights activist Diane Nash at Liverpool's Town Hall. Vikki Evans-Hubbard in role as the young Diane performed a section of 'Keep Your Eyes On The Prize', a dramatic retelling of her struggle as a student, before introducing the real Diane Nash to the audience. 'Keep Your Eyes On The Prize' is staged regularly at the International Slavery Museum, check the Events and activities page to find out when you can see it next.

Diane spoke about the influence Mahatma Ghandi’s teachings on non-violent protest had on her when she was a student in Nashville, USA, during the late 1950s and 60s. It was inspirational the way she described how it helped to transcend the horrors of racism and eventually effect a positive change. As a key figure in the birth and development of America's Civil Rights Movement, her efforts to fight against injustice and inequality saw her beaten, fined and, when four months pregnant, sentenced to two years imprisonment for teaching these non-violent protest tactics to children. She was thankfully released on appeal. Her belief in Ghandi's teachings has influenced her own personal philosophy throughout her life and when responding to questions from the audience, she gave us all much to think about.
 
The two-day programme at the International Slavery Museum and Merseyside Maritime Museum saw visitors enjoying exhibitions, dance workshops and demonstrations, face-painting, wood-carving, music, poetry, films and plays. Stalls selling crafts and Afro-Caribbean food proved very popular. In the Maritime Museum organisations including the British Red Cross, Amnesty International, Merseyside Police, Christian Aid and Anti-Slavery International promoted community and human rights issues, reminding visitors of the themes that underpin the Slavery Remembrance Day Festival. The Libation ceremony, which has always been the focal point of the weekend, was held near to the Piermaster's House and was led by Chief Angus Chukuemeka alongside elders and community leaders from Liverpool and London.  The Libation commemorates and remembers the lives of enslaved Africans and their descendants and celebrates contemporary Black culture – one of the legacies of the Atlantic slave trade. 
 
The event's return to the Albert Dock proved to be popular and we were helped by the good weather, which despite the clouds, remained mainly dry."

Here's another photograph that didn't quite make it into the upcoming exhibition 'Liverpool people by Stephen Shakeshaft'. Over the course of his career at the Liverpool Daily Post and Echo, Stephen met a huge number of celebrities. One that he remembers particularly fondly is the legendary Frankie Vaughan:

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"Frankie Vaughan, also known as Mr Moonlight, was one of the nicest people I've ever met. Sometimes entertainers or celebs disappoint when meeting them but Frankie was genuine and he loved Liverpool. In my teenage years I sat watching my mother swoon as he sang 'Give Me The Moonlight' on television's Sunday Night at the London Palladium.

He was everything that a pinup should be and he still had that Frankie giggle all those years later when he gave me a lift in his gold Rolls Royce along Lord Street in Southport. I can still see the expressions on the holidaymakers' faces as they
watched open jawed as we pulled up at the traffic lights. Looking in they saw that the driver was Frankie Vaughan and on the back seat there was ME!

I had persuaded him to be photographed on the beach at Southport when he was starring in the Summer Show. He walked in the sandhills with his wife Stella and was moved to tears. He told me as a child he would visit the same beach from his Dingle home for his one day’s annual holiday with his parents.

This photograph was taken in 1998 shortly before he died. He was in Liverpool and wished to visit the streets of his childhood."

Here's another one of Stephen Shakeshaft's fantastic photos, this time of a well known face. This photograph hasn't made it into his upcoming exhibition 'Liverpool people by Stephen Shakeshaft', which opens at the National Conservation Centre on 18 September, but it made me smile so I thought I'd share it with you. Stephen took this picture early on during Kenny Everett's career and remembers:

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"Celebrity Squares was a popular quiz show hosted by Bob Monkhouse. The voiceover as the prizes for contestants came on was from the irrepressible Kenny Everett - who went on to be a great DJ and television star. I was amazed how many bottles of cola he got through during the show."

As regular visitors will realise, there are always small changes taking place within our galleries, even in the 'permanent' displays, as objects do occasionally get removed for loans or conservation treatment. An example is the painting 'Elaine' painted by Sophie Anderson, which is going to be included in the exhibition 'The Rise of Women Artists' at the Walker from 23 October 2009. Framing conservator Roy Irlam is using this opportunity to address particular areas of the painting's framework, as access to this painting has been difficult due to its high position on the gallery wall. You can see photos of the de-installation in our Moving stories Flickr set. Handling and transport technician Paula Frew explains just how this large painting was safely removed from display below.

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"The handling and transport team use specialised equipment for paintings at this height which include a block and tackle system used to elevate and lower paintings. Each block and tackle section is equipped to take a safe working load of 250kg which are suspended from a lifting strap (SWL 1000kgs) which is attached to a load bearing picture rail.

Another piece of equipment which is an old favourite of the team's goes by the fanciful name of 'Airwolf'. It's a gas operated hydraulic lift that enables technicians to access the heights needed to reach the galleries picture rails.

The most recent addition to the team's repertoire of equipment is an electrical hydraulic lift embellished with the title of 'Leonardo'. This machine takes the weight of one person and can be operated at its base or by the operator in the caged platform area at various heights to move around the gallery area. Unfortunately it doesn't go as high as the 'Airwolf' and is therefore restricted.

The Mobile Elevated Towers named 'Pulpit Towers' are mobile platforms that have replaced ladders due to the new ladder regulations and adhere to the new safety rulings.

The large maroon coloured machine is called the 'Sumner lift'. This machine has been specifically adapted to take a 500kg weight, having counterbalanced weights in the enclosed basket. The machine can access heavy paintings at particular heights on its forks. It works on a ratchet and geared system operated manually, preferably by someone who has eaten a lot of spinach!

The equipment has to be condition checked before use which takes time, so the team started at 7.30am to make headway before the Walker opened to the public at 10am. Once it opened we barricaded off half of the gallery space rather than closing it completely to the public. We found that the visitors were more interested in our operation than they were in the collections!

Before taking down 'Elaine' we removed the painting beneath it 'The Expulsion of Adam and Eve from the Garden of Eden' using the Sumner lift machine. The team then set up the block and tackle for 'Elaine' and removed it safely.

The painting 'Daniel in the Lion's Den' by Riviere has recently returned to the Walker after going out on loan to the British Museum for their 'Babylon' exhibition. We installed this painting in place of 'Elaine' using the block and tackle system, then re-installed 'The Expulsion of Adam and Eve...' beneath it and re-opened the remaining gallery space."

There's just over a month to go now until the exhibition 'Liverpool people by Stephen Shakeshaft' opens at the National Conservation Centre. The exhibition will be packed full photographs spanning Stephen's career as photographer and picture editor at the Liverpool Daily Post and Echo.

There are lots of great photos that didn't quite make it into the exhibition itself, like this one, which prompted Stephen to reminisce about the time he spent behind bars - just visiting to take photographs of course.

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"I photographed Sister Marina visiting Walton Prison. Her smile and compassion were for all - she was there to comfort those who needed her faith, solace, prayers and hope.

A hand stretched through the bars of a locked cell and a finger tapped me on the shoulder - looking round all I could see were dark penetrating staring eyes and a finger that seemed to be 6 inches long - the other hand came through the bars and I was offered a tin cup full of tea. I hesitated, smiled and took a sip - the warden teased me with a suggestion that there was something else in the cup that I would not want to drink!

One of the most uncomfortable situations I found myself in was covering life in a women's prison. Entering the recreation room I was confronted by more than 20 women prisoners, their jokes and repartee was X certificate - all to the amusement of the Governor, who wore a long white mac with epilettes and black knee length boots!"

As I've mentioned many times before, there's never a dull moment for the handling and transport team. Since I last reported on their activities they have safely transported a huge variety of objects from our collections, including ship models, paintings, a stained glass window and some Hindu Gods (well, sculptures of them, anyway). Some have been moved from storage to the conservation studios for treatment and back again, other objects have been gone on or off display and a few have ben loaned to other organisations.

Some of the more unusual jobs have involved taking a whole rack of uniforms to the conservation freezer to treat a possible insect infestation and weighing weapons from the collection in order to determine the floor loadings of planned displays in the new Museum of Liverpool.

On a rare break from work a few weeks ago the team had a sneak preview of the new galleries currently under construction at the Museum of Liverpool. They were all impressed by the scale and design of the building. However in the back of their minds I'm sure they were all thinking the same thing - they'll have their work cut out installing all of the many objects in this huge building in time for the opening.

You can see what they've been up to in the Moving stories Flickr set of photos.

It's my first day back in work after a short break today, and I feel that I've returned with a whole new level of understanding of the works of art that I promote on the blog and website. For while I was off I did more than just DIY and sunbathing. I actually experienced what it feels like to be a work of art myself when I spent an hour on the Fourth Plinth in Trafalgar Square as part of Antony Gormley's One and Other project. One hour, one plinth, one Sam.

I've spent many hours amongst the crowds in Trafalgar Square but have never had those crowds watching and photographing me before. One man asked if I was going to do anything, which is a bit of a strange thing to ask a sculpture. I've never heard anyone ask any of the figures in the Walker's sculpture gallery if they were going to do anything, our visitors seem quite content to appreciate the sculptures as they are with no expectations of entertainment.

I did do something on the plinth though - I took lots of photos (which you can see in my Fourth Plinth Flickr set), I talked to people, I chased a very persistent pigeon and I waved at a lot of people on open top tour buses. That's something that I miss now that I've returned to ground level - I still wave at the tour buses that go past in Liverpool but nobody on them is remotely interested in waving back to me any more now that I'm just a regular person again.

With so many distractions the hour passed very quickly. I really enjoyed my time on the plinth but don't think I could handle that level of attention and public scrutiny every day. I'll try to be kinder and less critical of any sculptures I see in the future, now that I know the kind of pressures they face being viewed each day, some of them patiently sitting outside in all weathers for the public's enjoyment.

As usual, when I was down in the capital I caught up with a few familiar faces, in this case 'Echo and Narcissus', who appear in the Walker Art Gallery painting that is currently on loan to the Waterhouse exhibition at the Royal Academy. It's a fantastic exhibition which also features 'The Decameron' from the Lady Lever Art Gallery.

A little while ago I mentioned that preparations were already under way for the next exhibition at the National Conservation Centre. Opening from 18 September 2009 to 24 January 2010; 'Liverpool people by Stephen Shakeshaft', will include photographs spanning the career of the picture editor at the Liverpool Daily Post and Echo.

It has been a tough process whittling down the huge selection of images available to a suitable number for the exhibition. Unfortunately there just isn't space to fit everything in. So over the next few weeks I'm going to be featuring some of the photos that didn't make it into the exhibition itself here on the blog. This one in particular made me smile. Here's the story behind it in Stephen's own words:

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"The Eternal City was ready for the arrival ofthe Liverpool fans. I had arrived a week before to send build up features to the Echo. It was Liverpool's biggest match - ever!

The first train to arrive in Rome's main station could be heard a mile away, the L-I-V-E-R-P-O-O-L chant was getting louder by the minute.

Hundreds of fans stepped into the sacred city in red t-shirts and scarves - no suitcases, no toothbrush, no change of clothes - and marched towards the city. I watched a group swaying down a road tunnel still singing - when in Rome do as scousers do. The city was a festival of red, who were the other team? There seemed to be few German supporters around.

Liverpool won, even Tommy Smith scored, and at the end I made towards him to take a celebration picture. The other photographers waited for him to turn around as he jumped into the trainer's arms. I went the other wat and my picture was just what I wanted. I later asked Tommy why he had run straight to the trainer at the end of the match. 'He had my teeth in his pocket and I wanted them back before having my picture taken', he replied."

With the Summer Pops in full swing a huge variety of international musicians have descended on Liverpool. The festival always attracts a lot of new big names to the city but also features many familiar faces and bands who started in the area many years ago. It was interesting to read an interview with Mick Hucknall in the Daily Post in which he reminisced about rehearsing in Liverpool in the late 1970s and early 1980s. His first band The Frantic Elevators, which he played in for seven years before forming Simply Red, was managed by Roger Eagle, one of the co-owners of the legendary Eric's club.

Inevitably another familiar figure on the Liverpool music scene at the time, the photographer Francesco Mellina, met and photographed Mick Hucknall many times during that early part of his career. Here's one of Francesco's photographs taken in a back street behind Pickwick's club. It's just one of the fascinating glimpses of bands before they were famous that you can see in the Sound and Vision exhibition at the National Conservation Centre - which also includes U2 back in 1980 when they were the opening band for Wah! Heat and Pink Military.

This weekend was the 75th anniversary of the opening of the Queensway Tunnel. To celebrate this busy roadway was closed to traffic on Sunday, giving pedestrians the rare opportunity to walk 'Under and Over the Mersey' (well, actually they floated back over on a ferry). There have been some great photographs of the walk through on Flickr, like this one by mobilevirgin.

In contrast here's a picture of the official opening ceremony 75 years ago from the Stewart Bale collection held in the Maritime Archives and Library. The local photographic firm Stewart Bale Ltd documented the construction of the tunnel and produced an official souvenir album of the Queensway Tunnel opening ceremony in 1934.

Purely by chance the opening ceremony pictures also capture the extraordinary lengths that some people will go to for a good view of events like this, with a series of photos of a mystery figure climbing above the crowds in the background. See if you can spot him in the original photos with the zoomify facility.

Here's a special report from Isobel, who spent last week helping out behind the scenes at World Museum Liverpool for her work experience placement.

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"When asked to choose a work experience placement, the traditional primary school or office jobs didn't really appeal to me. So instead I decided to work in the World Museum. My mum works there, but I didn’t really have a clue what she actually does. Maybe the readers of this are more knowledgeable than I am, but 'curator of numismatics' doesn't mean much to me! I wanted to find out what museum work entails, as I, like a lot of people, didn't really know what goes on behind that 'no entry' door.

My first day was with Emma, head of Ethnology, in the museum stores. Along with Chrissy, I helped measure, handle and photograph Buddha figurines. I learnt so much about different types of Buddhas and symbolism in Buddhist figurines and felt so lucky to pick up and hold things that are usually behind a glass case! It was so amazing to think about the culture and history surrounding each Buddha.

On Tuesday I was lucky enough to be shown the zoology stores by Tony, including vast cabinets of insects, spirit stores full of interesting samples, and stuffed animals from old displays.  I was at the National Conservation Centre on Tuesday as well, watching an interactive activity for the Weston Discovery Centre being made. In the afternoon I was with my mum looking at a new acquisition, a set of bravery medals being awarded to a seaman who gave himself up to the Japanese during World War II to save his ship. The human story behind those medals was really interesting, and more valuable to me than the solid gold coin I had been handling minutes before!

Wednesday was back at the museum stores, putting together Egyptian pots. This is a challenge, but very rewarding when you find two pieces that fit together. I can describe it as the most difficult and oldest jigsaw I have ever attempted! I also held a pot that was seven thousand years old and still had the potter's fingerprints on it. Among the Egyptian stores I also saw a mummified cat's head, which looked disturbingly like my pet, Boots.

My favourite day had to be Thursday, spent at the Clore Natural History Centre. I'm interested in Biology and it was great to spark the kids' interests in something and see how excited they got. Additionally I had spent all my other days behind the scenes, so it was a nice change to be front of house. Although I didn't have the knowledge to answer all of the children's questions, I learnt through listening to the demonstrator's answers, and, like what I've been told by many staff at World Museum Liverpool, working here means you are constantly learning!

Finally, my last day, Friday, was spent in the museum stores working with Roman coins. I've learnt so much this week, and the variety of the work I've done has been wonderful. I enjoyed my time there so much I am considering doing some volunteer work at the museum!"

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If, like Isobel, you are interested in a career in the museums and would like to volunteer to get more experience you can find out more on the Volunteering pages on our website.

Here's a photo of a double celebration in the volunteers team. On the left is Sarah, who you may remember received her first v50 certificate for completing 50 hours as a volunteer in March. Sarah has just achieved her second v50 - bringing her total to more than 100 hours now.

With Sarah is another Big Art volunteer, Louise, who has just received her first v50 certificate. After all those hours of hard work with the younger (and therefore more energetic) visitors to the Walker Art Gallery, I'm sure you'll agree that they deserve a sit down!

The v50 certificates are awarded as part of National Museums Liverpool's dedicated youth volunteering programme aimed specifically at 16-25 year olds, funded by v, the youth volunteering charity.

If you would like to find out more about youth volunteering at National Museums Liverpool please email our youth volunteer officer Claire Olson.

Louise told us:
 
"I have enjoyed helping the children in Big Art to appreciate and be inspired by art through fun art activities. I have gained many skills and it has been a great opportunity."

There's less than a day to go now so I thought I'd take the opportunity to remind you to please vote for the International Slavery Museum in the National Lottery Awards before noon tomorrow.

There are lots of reasons to vote for this fantastic and groundbreaking venue, many of which were outlined by the head of the museum Richard Benjamin in his latest blog post. You only have to look at a few of the comment cards from the museum's visitors to see how the incredibly moving and poignant stories told within the galleries have affected people.

Further proof of the museum's importance and value is the standard of international speakers that it attracts. For example, US civil rights activist Diane Nash will be giving this year's Slavery Remembrance Day memorial lecture on Friday 21 August.

If you can't wait until then, Benjamin Nicholas Lawrance, the assistant professor of African history from the University of California, Davis will be giving a free lecture in the museum this Monday, 13 July, at 12 noon. Entitled 'All we want is make us free?' the lecture will look at the voyage of Amistad's children through the worlds of the illegal slave trade. Here is his synopsis of what he will be talking about:

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"In Steven Spielberg's 1997 dramatization of the infamous US Supreme Court trial of the occupants of the Spanish-Cuban slave ship Amistad, Cinqué, the African leader of the survivors, in a trance-like state, stands up, faces the judge, and begins chanting "Give us, us free!" It is a powerful and deeply persuasive testament to man's inhumanity to man and an unmistakable and universalizing call to correct past injustice.

It is also a complete and utter fabrication. Not only was Cinqué (a European rendering of the Mende Singbe Pieh) imprisoned in New Haven and thus not present in the courtroom, but the utterance itself is a corruption of the penultimate line of a letter penned by Ka-Le, one of four child captives from the Amistad, to former President John Quincy Adams. Film critics and historians have rightly rounded on the spurious ethnic formulations deployed with such great dramatic effect in the prison.  As if to anticipate an onslaught of criticism, Steven Spielberg claimed to be telling "everyone's story."  Notwithstanding the absence of "African agency," as Robert Harms points out, it is quite "unfortunate that the Africanness of the Amistad captives is shown largely through untranslated utterances and stereotyped inter-tribal conflict."

But a second, and I would venture more deleterious silencing is also enjoined in this scene, that of the voices of the four African child captives aboard the slave ship, and of Ka-le in particular. A number of kidnapped children were on board the Tecora when it sailed from Sierra Leone in 1838-9. After arriving in Cuba, where many of the slaves were sold, a group were boarded on the Amistad and set sail for another port town. Included in this group were at least five children, and the ship's crew included at least one. The status of these five children featured prominently in the trial of the Amistad captives. Among other matters, there were separate habeas corpus hearings for the three girls involved, and a separate ruling regarding ownership of the ship's cabin boy and slave, Antonio. Four African children returned to West Africa aboard the Gentleman in the Fall of 1841. And one of these, a girl called Mar-gru, subsequently returned to the U.S. and graduate from Oberlin College.

In this lecture I would like to reconsider historical evidence from the famous trial of the men and women found on board the Cuban-Spanish ship La Amistad. Documents from this unlikely and well-trodden source provide a rare window into the historical contexts of child smuggling in the nineteenth century. They also serve as a vehicle for helping historians navigate the complicated legal terrain of child slaves lives."

Congratulations to Qianer Sha, our latest volunteer to receive her v50 award for completing 50 hours. Qianer has volunteered regularly since November 2008, starting in Big Art for Little Artists at the Walker before helping out in The Beat Goes On exhibition. Qianer told us:
 
"It is a great experience for me to be able to volunteer in The Beats Goes On exhibition. It is a good opportunity for me to learn a lot of things about the city and its music and discover a lot which I took for granted before. Also, it is not only a chance to learn communication skills but also have so much fun."

Have a look at our website for further information about youth volunteering with v-involved at National Museums Liverpool.
 

Yesterday I saw the installation of a new display of Islamic ceramics in the Weston Discovery Centre at World Museum Liverpool. The display is a very personal project for technical services technician Helen Halliwell, as she has been closely involved from the outset.

Helen used to work as a demonstrator in the Weston Discovery Centre before joining the technical services team over at the National Conservation Centre recently. When the display of Islamic ceramics was proposed to tie in with the Arabic Arts Festival next month, Helen’s expertise was called on as she has a background in ceramics - she worked as a ceramics technician while studying for her Masters degree in the subject. So Helen worked with curator Emma Martin to select pieces of 13th and 14th century Islamic pottery from Iran, Iraq and Egypt for the display. The pieces, which have never been on display before, were chosen as they are great examples of the geometry and patterns in their designs, which Islamic ceramics are famous for.

After finalising the selection Helen joined technical services, which is the department responsible for creating mounts and installing displays. So she has been involved in that side of the project as well, including specifying the layout of the display case.

I caught up with Helen and senior technician Bill Sillitoe when they finished the display off yesterday. Bill made the supports for the wall mounted sherds in the display, using wire with a silicon tubing covering to protect the artefacts. Although they look quite simple, each one is specially made to support a specific sherd safely at the correct angle.

You can see more photos of the installation in our Islamic ceramics display set on Flickr.

It's National Volunteers Week, so our youth volunteer co-ordinator Claire Olson has asked me to thank all our wonderful volunteers for their continuing hard work and enthusiasm, not just this week but throughout the year.

If you would like more information about volunteering then have a look at our volunteering web pages or pop into one of our special Volunteers Week events. Drop in any time from 11am-3pm at World Museum on Tuesday and the Lady Lever Art Gallery on Thursday.

We asked Dashti, one of our youth volunteers, about his experiences as a volunteer and here's what he said:

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"Hi my name is Dashti and I’m 17. I have volunteered at National Museums Liverpool for 11 months. I started working in The Beat Goes On exhibition from July to September 2008. I worked in this exhibition talking to visitors, tidying up the play area and replacing comments cards.

After this, I began working with the Community Partnerships team. Every Wednesday I work with students from EMTAS (Ethnic Minority & Traveller Achievement Service). We have done many projects together including a project about the the Museum of Liverpool, learning about the history of Liverpool and making a film called 'Make Your Own Liverpool'. I also helped the students learn about ancient Egypt, space and national history.

I got my v50 award certificate in December, but I have now done 100 hours! I have learnt how to communicate well with lots of different people. I have learnt many things about the history of Liverpool and I also learnt about the exhibitions in the museum.

I have enjoyed talking to interesting people. The staff have been very helpful and because I feel more comfortable in the museum I will continue volunteering!"

One of the real privileges of my job is being able to see some of the behind the scenes work that goes into the creation of museum displays, the sort of things that most people take for granted. For example, not many people know that every single display stand supporting artefacts in our venues has been individually made by the highly skilled people in the technical services department, based in the National Conservation Centre. They don't just buy shelves and supports from the DIY stores, they hand craft every single display stand to suit the specific needs of the object it will be supporting.

The newest member of the team, Helen Halliwell, got to see her first major project go on display today. Helen worked with senior technician Bill Sillitoe to make a display stand for the World Cultures gallery at World Museum Liverpool to show contemporary netsuke figures. The smart circular stand has brushed Perspex shelves on both side to display the tiny figures from the Jonas Goro Gadelius collection, which was kindly donated to the museum by his widow Gabita. The really clever part is that it has a removable coloured disk in the middle, so when the display is refreshed each year to show different netsuke figures, it will be easy to change from its current red to a different colour that will suit the new figures.

You can see more photos of the installation in our netsuke display set on Flickr

Here's the last review of our venues written by visiting art historian Eleanor Beyer from the British Museum's conservation and science department. In addition to visiting the paper conservation department in the National Conservation Centre, Eleanor had a look round Sudley House and the Lady Lever Art Gallery. We couldn't really let her go back to London without seeing the Walker as well. Here's what she thought of it:

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"After visiting the National Conservation Centre it was great to go to the Walker to see where the conserved pictures go – some to newly decorated galleries like the sumptuous Georgian style gallery (room 5) which was a perfect setting for the full length Gainsborough and Reynolds portraits. I liked the way Liverpool mixed old and new, with contemporary displays in some of the galleries and old masters in others. The High Victorian gallery (room 8) was also fun, with Edward Burne-Jones' (1833-1898) painting, 'Study for The Sleeping Knights', showing the knights asleep on verdant green vegetation, beautifully offset by the gallery walls.

Having talked to Nicky at the Conservation Centre I could imagine how varied working to care for this sort of collection is. Staff mentioned how complex managing the building can be as well, for instance retaining the past context of the nineteenth century building at the same time as making displays visually appealing to a modern audience. Although much of the building was changed in the 1940s when new galleries were added and improved lighting put in, the museum still retains its character. I particularly enjoyed the sculpture gallery which reminded me of the casts court at the Victoria and Albert Museum, where statues of similar style jostle for space with one another.

I returned to The British Museum thinking of how much galleries in museums have changed since the nineteenth century with better lighting, stimulating gallery events, and with a mix of - often abstract - contemporary art with older pieces. At the British Museum for instance modern objects were displayed next to ancient objects in a recent exhibition in which artists like Damien Hirst and Marc Quinn were invited to contribute. In 'Living and Dying' (Room 24, The Wellcome Trust Gallery) the display ranges from a nineteenth century death mask from the Indian Ocean to the recent work 'Cradle to Grave' (2003) which consists of lines of pills. Seeing both recent art work and old master's works offer a different visual experience and interest to visitors."

Here's the latest report from art historian Eleanor Beyer. Eleanor usually works in the British Museum's conservation and science department but has been visiting the paper conservation department up here in the National Conservation Centre. During her time at National Museums Liverpool she has had a look round our art galleries. Here's what she thought of the Lady Lever:

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"The Lady Lever Art Gallery sits in a village designed by Lord Lever. He aimed to have every local facility his soap factory workers might wish for in Port Sunlight, so the gallery, like the local library, was purpose built to serve his employees. The gallery appears like a mausoleum to the objects, from outside and inside with its low height, shallow dome and columned entrance, one expects it to be much older due to the style. It is in fact reinforced concrete which was the best available material at this date, clad with Portland stone on the outside. With such an enthusiastic collector and his fascination with architectural design it should be the ideal gallery space particularly with the purpose built interior spaces and design. For instance the main gallery space is the ideal height for some wonderful paintings by Edward Burne-Jones, and the small galleries for the ceramics displays.

Coming from a much older museum I was curious to see how this worked, although there were still problems with the building, much of Lord Lever's forward thinking had paid off. For instance, with few windows the gallery has more room for hanging pictures and displaying objects. Lever was visually astute and the things he collected were visually attractive (like the soap adverts) and at the same time as being of academic interest. Much of the collection itself is relatively hardy - since ceramics and most nineteenth century paintings were mainly painted in durable materials - therefore if humidity levels fluctuate these types of objects can cope. However some more fragile collections have since had to be removed, such as works on paper and embroideries, and the walls in the main gallery are no longer black. The British Museum is a far larger museum, with an even more diverse collection, from ceramics to other more fragile objects like the mummies, and ancient wall paintings. The architects of the British Museum appear to have aspired to grandeur and style for the building: environmental control had yet to become a concern in the early nineteenth century!

On a basic level Lever's gallery showed me how one individual could make it happen - interest in design as well as providing a collection for everyone. Lever had one advantage - the gallery was built to house his collection, not to house future unknown objects."

Here's some news from press officer Ed Casson, who was down at the Maritime Museum yesterday to see a new acquisition go on display:

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"National Museums Liverpool has acquired another great piece of maritime history - a pennant from the flagship Cunard liner QE2.

The paying off pennant was originally presented to Liverpool City Council during the QE2's farewell visit to the city in October last year. It has now been presented to the Merseyside Maritime Museum, hanging proudly in the Life at Sea gallery.

The red 39 foot long pennant was presented to museum director Tony Tibbles yesterday by Liverpool's Lord Mayor Councillor Steve Rotheram.

Flown immediately prior to the liner leaving service, the QE2 paying off pennant is the longest in Cunard's history - one foot for each year the famous liner was in service. Because it is so big, the pennant has had be folded into sections to fit in one of the museums display cases. But to give you an idea, 39 foot is longer than three Mini Cooper cars put together!

Since her maiden voyage in 1969, the QE2 carried many famous passengers, including film stars, members of the Royal Family and world leaders. She was Cunard's flagship until succeeded by Queen Mary 2 in 2004 and is also the longest serving ship in Cunard's history."

Yesterday evening the National Conservation Centre resounded with the sights and sounds of the 1980s to celebrate the opening of the exhibition Sound and Vision - music and fashion photographed by Francesco Mellina, Liverpool, 1978-82.

The exhibition takes a look at the music and fashion scenes in the city at the time, including punk, New Wave, New Romantic and Rockabilly. There's also some great shots of some of the local and visiting bands who played in the city at the time, including an early photo of New Order still finding their feet without Ian Curtis. You may also recognise a certain unknown Irish band who opened for Wah! Heat and Pink Military on tour in 1980. What was their name again? Oh yes - U2!

As you would expect, the opening event was attended by lots of fashionable Liverpool faces, some of whom you can see in our Sound and Vision opening event Flickr set.

Here's another special report from art historian - and roving reporter - Eleanor Beyer. As you may remember from Eleanor's last review, she works in the British Museum's conservation and science department but has been working with Nicky Lewis in the paper conservation department up here in the National Conservation Centre. During her time at National Museums Liverpool she visited Sudley House. Here's what she thought of it:

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"Pitched with an expansive view across Liverpool from one side and all the way down to the docks on the other, Sudley sits in a great position. On approaching the house, I could imagine why this would be an ideal location for a rich shipping merchant. The house was purchased by George Holt, a partner in the shipping firm Lamport and Holt, in 1883 and as Assistant Visitor Services Manager Mark Harris pointed out, he would often have climbed the stairs to the rooftop turret to look out for his ships coming into the harbour.

Inside the ground floor is as close to how it would have been as possible - the painting collection covers the walls - except of course for the large TVs in each corner. But these TVs serve a valuable purpose: they show actors dressed up as Sudley's former residents who talk about life there, bringing the house to life. For example, we hear the scandals and gossip from the owner’s servant. 

Upstairs is more entertaining for children and frequent visitors, with displays on childhood, including a dolls house children can play with, and at the time of my visit, a temporary exhibition of a glorious display of dresses in the Costume room. With the changing exhibitions, including A Sweet Life at the moment, children’s areas with interactive material and interactive interpretation downstairs this makes a great visit for a browse or a more studied investigation of the homes and art collected in the late nineteenth century.

I really enjoyed visiting the house, and hearing about it from Mark. It was good to learn  about how the house had been changed to make it more welcoming and to provide more information about its history. The location away from the cultural centre of Liverpool makes Sudley more of a local museum, though it still attracts plenty of other visitors and was well worth a visit. I am hoping more to bring the house to life will be able to be done."

It's always interesting and sometimes extremely moving to read the comment books and cards in our venues and get direct feedback from visitors. Some of the comments cards that I noticed in the International Slavery Museum this week for example have been extremely poignant and are a testament to the power of the incredible real life stories told within the museum's walls.

You can read a small selection in our visitor comment card set on Flickr.

It may surprise you to know that obsessive shopping is not a recent phenomenon. Almost a century ago the shops of Liverpool were frequented by a certain Mrs Emily Tinne, a woman who made today's wannabe WAGs in Liverpool One seem like mere amateurs in comparison.

For Mrs Tinne shopping was more than just a necessity or a hobby, during the Depression she even elevated it to a charitable event. She was very concerned about conditions for women, especially the unmarried girls working in shops who received no salary and relied on the commissions from sales to make ends meet in those difficult times. Mrs Tinne would often buy expensive items like fur coats and glamorous evening gowns just so that the shop assistants would get the commission, even though she never wore many of these extravagant purchases.

Not surprisingly she amassed a huge collection of clothing for herself and her large family during the period from her marriage in 1910 until the outbreak of war in 1939. Many years later her youngest daughter, Dr Alexine Tinne, donated this collection to the decorative arts collection at National Museums Liverpool. Numbering more than 700 items, this is now probably the largest surviving collection of period clothes from one person's wardrobe in Britain.

Many people will remember the first exhibition about the collection, A Passion for Fashion, which was held at the Walker in 2006. Since then a large collection of letters has been discovered, which reveal a lot of background information about the well dressed family. Insights from this correspondence have been used to build up a broader picture of their lives for a new exhibition, A Sweet Life, at Sudley House

I was lucky enough to meet Dr Alexine Tinne when she came in today to give her approval to the exhibition before it opens to the public tomorrow. She talked fondly about her mother, who she remembered as being a very kind hearted and generous lady. Alexine's father, Philip Tinne, came from a wealthy family of sugar importers, a source of income that was relatively unaffected by the Depression in the 1920s. Besides doing her bit to support shop assistants, Alexine remembers that her mother was involved in running a couple of hostels for women where she was not afraid to roll up her sleeves and get stuck in with the practical work. She also worked with Bessie Braddock campaigning for pensions for spinsters. The whole family were involved in hosting garden parties for pensioners from Toxteth and Garston in the summer, which people queued for 2 hours beforehand to get into. Alexine and her sisters would prepare bunches of flowers for the guests in jam jars on the table, then give tours of the garden. The family also took part in Christmas concert parties at Garston hospital, inviting the whole cast back to the house for a cold turkey dinner afterwards.

Pictures of family life, including Alexine herself as a baby, and a number of accessories from the collection, help to round off what could only be described as a very sweet exhibition. You can have a sneaky preview peek at some of the displays in our A Sweet Life exhibition Flickr set.

It seems that Eros, the Greek god of love, has been working his magic again, as Liverpool.com have just named Café Eros in the National Conservation Centre at the top of their list of five secret coffee bars. Of course, if caffeine and rather lovely statues are not your thing then you may be tempted by some of the cakes and other treats on offer - check out the Café Eros menu on the website.

If you are immune even to the charms of giant muffins and wickedly rich hot chocolate then another reason to visit soon is that there's less than two weeks left to catch the fantastic Recollections exhibition of photographs by Philip Jones Griffiths, which has been extended until Easter Monday.

Earlier this month the Volunteers team attended the Working with Youth Boards seminar day at the Manchester Museum.

Harriet, one of our young volunteers, kindly agreed to help present a paper at this event. Here's what she thought of the day:

"National Museums Liverpool volunteers section spent a day at the Working with Youth Boards event at Manchester Museum discussing and sharing best practice for youth volunteering. I was able to join them and contribute to a presentation about young volunteers at National Museums Liverpool by sharing a bit about my experience as a volunteer and member of Mersey v’s volunteer steering group.

The highlight of the day for me was hearing other young volunteers talk passionately about their work and vision for youth boards, youth volunteering, youth parliaments and opportunities within museums and galleries across the region. It was encouraging to see how much people got out of what they do and good to know that there's a platform for people to share the wealth of that. While we were there we also made sure we caught a glimpse of the slighty creepy but interesting Lindow man!"

 If you are aged 16-25 and would like to know more about youth volunteering please email the youth volunteer officer.

Eleanor Beyer, an art historian from the British Museum's conservation and science department has been visiting the National Conservation Centre and working with Nicky Lewis in the paper conservation department. Here's a review that she has very kindly written about her impressions of our facilities.

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"I was excited to be given a tour of the National Conservation Centre by conservation mount cutter Nicky Lewis as it is fascinating to learn more about what takes place behind the scenes. I was looking forward to hearing about the day to day dramas which unfold in the conservation world, for example, how millions of tiny pieces of ceramic might be carefully pieced together to reconstruct a smashed museum object.

Though I did not see this aspect, I did learn more about how National Museums Liverpool's collections are preserved and cleaned for presentation to the public. The centre deals with an extremely varied collection from ceramics, paintings, prints and drawings, sculptures and other objects, very much like the British Museum's collections and conservation sections.

The mounting studio has up to the minute equipment which will be used in the coming months, for instance to supply mounts for the new displays at Liverpool's docks. In the painting studio, several paintings were being cleaned and conserved, for example the 'Virgin and Child in a landscape' by Luca Signorelli (or his nephew) where large parts were now exposed revealing original painting, and some later additions which are still be cleaned away.

The new centre with its airy light well equipped spaces provides an excellent facility for taking care of the collections, and even better you can get an idea of the work which goes on by visiting the Reveal gallery."

Today anyone passing through our Design offices might have thought they'd taken a wrong turn and ended up in the news room of the Echo, with picture editor Stephen Shakeshaft sifting though a selection of photographs to pick the perfect ones to illustrate a story.

We haven't started our own newspaper up though - Stephen was working on the selection process for an exhibition of his photographs which will open in the National Conservation Centre in September.

Many people will remember Stephen's earlier exhibitions, which took a candid behind-the-scenes look at the famous faces from the worlds of football (Soccer Shots at the former Museum of Liverpool Life) and celebrity (Shooting Stars, also at the Conservation Centre). 

His next exhibition will cover a broader and arguably more fascinating subject - the people of Liverpool itself. Stephen has been photographing the city's residents for the Liverpool Daily Post and Echo since the 1960s, so it could be the understatement of the century to say that he's a bit spoilt for choice in terms of material for this exhibition. As before his pictures will be accompanied by his fascinating anecdotes about the characters behind the pictures, giving an insight into the news and people that have helped shape the city over the last few decades.

Stephen has promised to keep the blog posted about progress and maybe even give a preview of some of the great stories behind some of his favourite pictures in the run up to the exhibition.

At National Museums Liverpool we have a dedicated youth volunteering programme aimed specifically at 16-25 year olds, funded by v, the youth volunteering charity. Young people can get involved with all kinds of interesting and fun volunteer projects and if they complete 50 hours of volunteer work they are awarded a v50 Award certificate.

Our latest volunteer to achieve their v50 is Sarah. Both the Learning team at the Walker Art Gallery and the Volunteers team would like to congratulate Sarah on her achievement and hard work within the gallery – well done Sarah!

If you are aged 16-25 and would like to find out more about youth volunteering at National Museums Liverpool, please email our youth volunteer officer Claire Olson.

Here’s what Sarah has to say about her time volunteering:

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"Hello I’m Sarah and I’m 24. I volunteer in Big Art for Little Artists at the Walker Art Gallery and I have just completed my v50 Award.

I love volunteering in Big Art, as you meet and get the chance to talk to many young children and each day is different. I enjoy helping the children to use the wide range of interactive and practical resources. I especially like assisting them with the craft activities, such as making magic maize pictures, finger puppets etc.

As well as logging my hours for when I volunteer in Big Art, I also went on a Disability, Diversity and Equality training course for my v50 Award, which I found really interesting."

I originally came to Liverpool to study architecture at uni, back in the days before computers took over the world when we made 'proper drawings' to millimetre accuracy. I'll never forget being told on work experience that I'd never be an architect if I couldn't draw a straight line.

I never did become an architect but have never lost my fascination with architectural drawings. It was a real treat therefore to see an exhibition of drawings by the local Victorian architects Culshaw & Sumners at Liverpool's Central Library. The exhibition has been curated by architectural historian (and former Walker curator) Joseph Sharples, who researched a huge archive of 6,000 drawings by the firm.

One of the firm's city centre buildings is the Midland Goods Warehouse, which was converted in the 1990s to become the National Conservation Centre. The elevation shown here isn't in the exhibition, but you can see a section through the building showing how the architects took advantage of the slope in the land to make it easier to unload carts.

Exhibitions of this type usually focus on grand designs, whether built or unbuilt, so it's a refreshing change see the inclusion of drawings for tiny court houses in Toxteth. The drawings were submitted in 1843 but were rejected as they fell short of the legal requirements for healthy housing established in the Liverpool Building Act the previous year. Together with the other drawings, showing grand business premises and housing with carefully routed staircases to keep servants out of the way, this gives a fascinating glimpse of life in the city at the time.

The exhibition is in the Piction Reading Room at the library until 31 March 2009.

It's Science Week so, as you'd expect, the folk in World Museum have had lots of free activities for budding scientists. Here's a pic of visitors making and painting plaster casts of fossils in the Clore Natural History Centre last weekend. If you missed that then don't worry, you can have a go this weekend.

There will also be a range of quizzes and colouring sheets and the chance to meet our resident dinosaur expert Dave Roberts who will be bringing out some specimens, including dinosaur poo. Full details are on the World Museum Liverpool events and activities page.

As I've mentioned many times before, life for National Museums Liverpool's handling and transport technicians is certainly never dull. This Flickr set of photographs of their activities this week look like scenes from a Victorian murder mystery - with dark, mysterious tunnels and body parts being wrapped.

The team were actually moving the mobile statue Jude the Giant. Many people will remember Jude, who was made in workshops at World Museum for the city's 800th birthday pageant in 2007, and has recently been on display in St Georges Hall.

She has now been dismantled, wrapped in protective packaging and taken to the National Conservation Centre for treatment before going back out on display in a new location later this year.

The handling team were assisted by textile conservators, especially when moving Jude's dress, which is a painted item that needs special care and attention. Handling technician and senior driver Paul Kelly thinks that the whole team deserves a big hand for doing such a great job.

The late George Melly had a long association with Liverpool's art galleries. This dates back to before the war when as a child he would visit his cousin Emma, who would tell him all about the paintings she owned and read him Beatrix Potter in her library. Cousin Emma just happened to be a certain Emma Holt and her library and painting collection were, and still are, part of Sudley House.

Years later Melly was a familiar figure at the Walker Art Gallery, whether on official duty as a judge of the John Moores 20 exhibition or opening speaker at the Aubrey Beardsley exhibition, or just as a visitor, unmistakable in his loud suits.

It's entirely appropriate then that an exhibition of portraits of 'Good time George' by the distinguished contemporary artist Maggi Hambling, is being shown together for the first time at the Walker. George always, which opens today, is a riot of colour and personality. Melly was a great friend of Hambling's and sat for her many times. After Melly's death in July 2007 she continued to paint a series of portraits from memory and imagination. The most recently completed triptych from this series has not been on public display before.

Calling all part time art and craft students - how would you like to have your artwork displayed in our venues during Adult Learner's Week in May 2009? You could if you win the 'Inspired by...' competition.

Entrants in this year's competition must submit a piece of artwork inspired by the collections, exhibitions or displays in either Sudley House, World Museum Liverpool or the National Conservation Centre. You may submit any art, craft, multi-media, digital work, video or animation. Participants must be over 18 and studying arts or crafts part time. Full entry criteria and downloadable application forms are on the Inspired by... web page.

As you will have seen if you've been down to Liverpool's waterfront recently, the structure of the new Museum of Liverpool building is really taking shape now. But what is going on inside those stone-clad walls? And how are staff preparing for the monumental task of fitting out the enormous galleries inside?

If you want the inside story there are two new ways to find out what's going on. Our quarterly e-newsletter has a summary of all the big news -  you can see the February 2009 e-newsletter online. To sign up for future editions complete the register with us form, remembering to tick the Museum of Liverpool box under 'Interests' and choose email updates under 'Contact options'.

You can now also follow the Museum of Liverpool on Twitter, for all the latest news about progress with the construction.

Don't forget, we'd like to hear from you as well if you have any photos of the museum building taking shape. You can add them to our Building the Museum of Liverpool group on Flickr.

As Richard Benjamin explained in his last blog post, February is Black History Month in America (unlike the UK, where we celebrate it in October). So as befits an International Slavery Museum, we held our own programme of US Black History Month events, culminating in the unveiling of three new American plaques for the Black Achievers Wall.

The smiling face of President Obama on the middle plaque surely needs no introduction. On the left is Fannie Lou Hamer, the civil rights movement pioneer from Mississippi who famously described herself as being "sick and tired of being sick and tired". Completing the trio on the right is Dr Mae Jemison, who has the honour of being the first African American woman to travel in space after completing a mission on the Space Shuttle Endeavour in 1992.

In a short ceremony yesterday afternoon the plaques were officially unveiled by Richard LeBaron, Chargé d'Affaires at the United States Embassy in London, Simon Woolley, the national co-ordinator of Operation Black Vote in the UK, and Wally Brown CBE, former Principal of Liverpool Community College. You can see more photos of the ceremony in our US Black History Month Flickr photo set.

Last summer Anne Gleave, curator of photographic archives, found a lovely picture in the Stewart Bale collection of the Valentine display in the London Road Woolworths from back in 1937, which she suggested would make a great Valentine e-card. Little did we know at the time that by the time the next Valentines Day came around the retail giant would be no more.

A Woolworths Valentine display e-card is now available on the website - what better way to tell the shopaholic in your life that you love them, or remind a forgetful loved one to get you a card? As you'd expect with a Stewart Bale image, it's packed with detail, so you can zoom into the detail of the Valentine display on a zoomify page.

Of course the full range of Valentine e-cards is still available, with a range of amorous items from our collections including a Beatles bedspread and a romantic shrimp pot as well as the more traditional cards and roses. 

You can see more tales of passion linked to the collections in our Romance online exhibition, although be warned, the path of true love doesn't always run smoothly and there's a sting in the tail (or at least a nasty bite from a kissing bug) of many of the items featured.

It has been another busy and varied week for the handling and transport team, who have been taking a lot of different objects from storage to the National Conservation Centre for routine condition checking to prevent deterioration. One item in particular caught their eye, as handling technician driver Paul Kelly explains below. You can see more of Paul's photos of this and other objects in our Moving Stories set on Flickr.

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"Way back in the mists of time in the 1960s lots of chaps built model buildings for their model railway layouts using Bayko building blocks. Some chaps obviously got into it in a very big way and produced a very large building - none other than the Empire State Building - which is now in the Museum of Liverpool's collections. It must have taken them weeks to do this and the cost would have been enormous - Grandma must have had a deep pocket money wallet.

This week the handling and transport team delivered the model from storage to the National Conservation Centre for conservation treatment. Naturally the urge to imitate King Kong could not be resisted, although due care and attention was of course paid to ensure the safe handling of the model. Happily the model made it safely to National Conservation Centre in the correct number of components. Afterwards though we had a big problem trying to get handling technician Danny John out of King Kong mode..."

How far would you go to get a good view of an important event? Curator of photographic archives Anne Gleave has spotted one mystery figure who went to extraordinary lengths to see King George V and Queen Mary at the official opening ceremony of the Queensway Mersey Tunnel in July 1934.

The man appears in a series of photographs from the Stewart Bale collection recording the historic event. In the background behind the royal stand the photographs show him climbing above the crowds, then clinging precariously onto the wall above their heads.

Have a look on a page of details showing the mystery climber, in the web feature about the official souvenir album of the opening of the Queensway Mersey Tunnel. The only thing that isn't recorded is how he got back down again, so we hope he made it safely back to terra firma.

If you were then Emma Walmsley from the learning team at Merseyside Maritime Museum would like to hear from you. Emma is currently preparing a new WREN roleplayer character who she is hoping to introduce to museum visitors later this year, to tell the story of Liverpool's role during the Battle of the Atlantic in the Second World War. She would like to make the character as realistic as possible so would be interested to hear the first hand memories of anybody who was a WREN based in Liverpool at the time - especially if they worked in Derby House itself.

If you can help or know somebody who can then please send Emma an email or call her on 0151 478 4307, before Easter.

Here's the latest picture from Superfiveadaybanana's travels to local schools. Today the handling and transport team shepherded the sculpture from Brae Street School to St Michael's School in Kensington.

This is the latest move in a busy month for the team, which has involved taking plant models from World Museum Liverpool to Wrexham Museum for an exhibition and returning the huge Peter Doig painting 'Blotter' to the Walker after it had been out on loan. Closer to home, the team have also transported some delicate pieces of sculpture from our stores to the National Conservation Centre for assessment and treatment, as well as helping to install the next big exhibition at the Walker, Fashion V Sport. You can see some of what they've been up to in the Moving Stories photographs on Flickr.

Another month, another 'Name that object' competition graces the National Museums Liverpool web pages. This month you could win the rather fantastic 'Recollections' book of photographs by Philip Jones Griffiths, a selection of which are currently on show in the Recollections exhibition at the National Conservation Centre. The book has page after page of stunning shots - but you don't have to take my word about how good it is, just read the review 'The early vision of Philip Jones Griffiths' in today's Independent if you don't believe me.

A copy of the book will be winging its way to the first person to correctly identify the mystery artwork in this month's competition. If you are not a winner then get down to the National Conservation Centre shop, where a limited number of copies are available at a special discounted price during the exhibition.

Today the last Woolworths shops will close their doors for the last time. The loss of this familiar household name from the high street marks the end of an era that actually started in Liverpool a century ago. The first British shop of the famous chain opened in this city in 1909.

I don't have a picture of that particular store, but for anyone who has been saddened to see the empty shelves of their favourite Woolies shop over the last few weeks, here's a photo of the Wavertree Road Woolworths during better times from the Stewart Bale collection, which was recently shown in the Metropolis exhibition. There's also a picture of the window display of the London Road Woolworths in 1931 from the same exhibition, advertising a 'Household week' sale with 'Nothing over 6D'.

Here's a great photo from the Stewart Bale collection. It may look like crowds of Christmas shoppers but it actually shows the very first cars to go into the Queensway Mersey Tunnel on 18 July 1934. After an official opening ceremony the cars took King George V and Queen Mary through the tunnel to Birkenhead.

The photo is one of a series taken by Stewart Bale Ltd which were collected in a souvenir album documenting the day's events. The entire Queensway Mersey Tunnel souvenir album is now available on our website. As always, I've enjoyed using the zoomify pages to have a really close look at some of the scenes - for example you can zoom into the picture of the tuinnel entrance shown here. If one of your relatives was at the opening ceremony then you might be able to spot them standing in the crowd or sitting on the roof of one of the Dale Street buildings. There's one thing that you can't see in the pictures though for the simple reason that it hadn't been built yet - the flyover next to the tunnel. It's quite strange seeing this scene without it.

I'm getting very excited now that there's less than a week to go before Christmas, especially as I've been fairly organised this year and have sent all my cards and bought or made all my presents already. Can you feel my smugness?

If you're still panicking about Christmas then don't worry, we're here to help. If you miss the last posting date for first class post tomorrow then you could always send a free vintage e-card from our selection from the Decorative Art collection.

Anyone worried about what to do with the family over Christmas may be interested in our programme of free events and activities throughout the Christmas holidays at our venues.

Looking further ahead, keep the evening of Saturday 10 January 2009 free in your diary for the Transition events, celebrating the end of the Capital of Culture in style. The Maritime museum and International Slavery Museum will be open until 10pm that evening with a programme of free entertainment, see our Transition: Liverpool Late Night page for further details.

The fun doesn't end there though as we have lots of great exhibitions to come featuring fashion, Freud, football, French Impressionists and more things that don't even begin with the letter f - see our exhibition programme for 2009 for further details.

And one last thing on the subject of great exhibitions, don't forget to vote for your favourite exhibition of 2008 in our poll.

Movie news is buzzing with anticipation now that Kate Winslett and Leonardo di Caprio are due to be reunited on screen in the film Revolutionary Road. The two first starred together of course in the blockbuster Titanic.

The tragic story of the Titanic has always captured people's imaginations, and many have flocked to see the Titanic, Lusitania and the Forgotten Empress gallery at the Merseyside Maritime Museum since it opened last year. In fact the popularity of this gallery is one of the factors that has made this a record breaking year for the museum. The millionth visitor to the Maritime Museum is due to walk through its doors today, possibly as I type, making it the first venue in the National Museums Liverpool group to attract one million visitors in a year since the organisation was founded in 1986.  

Even more visitors are expected with the announcement of a new display of previously unseen Titanic exhibits opening today. The exhibits are a five dollar banknote, pince nez spectacles, a White Star Line cup, a lead ventilation grille, a gold wrist watch and five tie pins, all of which are on long term loan to the museum. These personal items are an evoicative reminder of the human cost of the tragedy.

The stone cladding on the Museum of Liverpool building is almost complete. On the wall facing the river this morning there was only a small section at the top corner left to do, so from the ferry it looked as if a large monster had taken a bite out of it.

While the construction and fitting out of the building takes place some of the museum's collections have been out 'on the road', with displays of key objects in a variety of locations around the city. The latest object a the rather fancy silver presentation inkstand. It was originally presented to Rabbi Prag, the first minister to serve in Princes Road Synagogue, to commemorate 25 years of his service in 1881. So rather appropriately it is being displayed at the Princes Road Synagogue until December 2009.

Tours of the synagogue can be arranged by appointment only, there are full details on the Princes Road Synagogue website. The tours are recommended by Paul Kelly and Richard Roberts from the handling team and curator Georgina Young, who were shown round after they delivered and installed the display this week.

If you had a tricky trip to work this morning in the wintry weather then spare a thought for the poor folk on the steamship Britannia on 3 February 1844. The ship became stuck in the ice in Boston harbour at the start of a voyage to Liverpool. Luckily the Boston merchants helped pay for a channel 7 miles long and 100 feet wide to be cut through the ice to free her.

The scene has been captured in a sketch by JC King, which was then turned into this colour lithograph by A de Vaudricourt. The lithograph, which is in the Maritime Museum's collection, is featured in our winter online exhibition of objects related to the cold weather from several of National Museums Liverpool's venues. I've said it before but I'll say it again - possibly the coolest thing on the website.

Since the summer the Superlambanana at the National Conservation Centre has been a Super-lab-banana, complete with a lab coat, goggles and a magnifying glass, ready for action in the working laboratory in the Reveal gallery. This week though he has undergone a complete transformation ready for Christmas, and is now Rudolf the red nosed Superlambanana.

You can see more photos of the transformation, courtesy of Dave Abbott and the learning team at the National Conservation Centre, on our Rudolf the red nosed Superlambanana Flickr page. Dave tells me that just for Christmas Rudolf has found a new home in the window of Café Eros, which should give him a good view as Prancer, Dancer and the rest of the team go past with Santa.

He'll have plenty to do as there are lots of Christmas activities planned over the next few weeks, including carol singing at 10am on Monday, Christmas crafts on the next two Saturdays and Christmas box workshops on Tuesday and Thursday. Full details are on the National Conservation Centre events page.

Rudolf will also be in a great position to try out the brand new menu in Café Eros, so he may put a little weight on over the next few weeks.

For some people shoes are just a practical necessity to stop your socks getting wet and tatty, while for others shoes can be more of an obsession. Here's an early Christmas present for anyone in the second category.

There are lots of shoes of all shapes and sizes in the collections at National Museums Liverpool's venues. For the first time ever we've gathered together a selection of them in a brand new shoes online exhibition. The online exhibition features a range of fabulous footwear, from the rather bling Terry de Havilland platforms shown here, to a fragment of a leather heel from a 17th century shipwreck. There's also a lot of publicity material from the archive of local shoe makers and retailers J Collinson & Company, which is now held in the Maritime Archives and Library.

Most of the shoes and shoe-related items in the online exhibition are currently in storage, so the only place to see them all together is on the website. So indulge your inner Carrie Bradshaw and take an online stroll round the collections. Go on, you know you want to.

Monday will be an exciting day on the National Museums Liverpool website with the launch of two competitions.

Five lucky sports fans and their friends could win the opportunity to do what many footballers can only dream of - that is lift the UEFA Champions League trophy, which is currently on display in the Only a Game? exhibition at World Museum Liverpool. Keep an eye on the exhibition website from 9am on Monday to find out how - but be quick as you'll only have until 12 noon on Wednesday 10 December to enter.

Monday also sees the return of the Name that Object competition, with a new clue unveiled every day next week. This month's prize is a mounted print of the popular 'Liverpool Cityscape' by Ben Johnson and a 2009 desktop calendar featuring a different detail from the painting each month.

You've probably heard the expression that 'worse things happen at sea'. Sailor Robert Bruce wanted to make certain that these unspecified terrible things didn't happen to him when he was an engineer the Merchant Navy in the 1940s, so he carried this leather cosh and swichblade knife with him. Apparently he never needed to use them, but - to trot out another cliche - better to be safe than sorry, I suppose. The cosh and knife were donated to the Maritime Museum by his son Gary and are now on display in the Life at Sea gallery.

According to curator of port history, Ian Murphy, sailors were paid at the end of their voyage, sometimes getting several months back pay at once. This made them targets for all sorts of unsavoury types once they were ashore, so sailors felt most at risk in port. However, the tensions created by crews being shut up together for long periods and the presence of weapons on board, meant that many incidents actually happened aboard ship.

Have I mentioned recently that the new Ancient Egypt gallery opens tomorrow at World Museum Liverpool? Only a few dozen times! There's a sneaky look at part of the new gallery, along with lots of other photos of the preparations over the last two years, on our Ancient Egypt gallery Flickr page.

If you come to see the new gallery over the next few days you may notice that Mandy the Superlambanana, who usually stands in the atrium at World Museum, isn't there. This is because we need lots of extra space over the opening weekend so we sent our best shepherds (also known as Richard Roberts and Andrew Mountfield from the handling and transport team) to herd her away to the safety of a side room. You can see them settling her into her temporary abode on our Moving stories Flickr page. Mandy will be back out on display from Monday.

Here's the latest photo from the installation of the new Ancient Egypt gallery at World Museum Liverpool. It shows one of the 14 coffins on display in the gallery being installed by the handling team.

This is the coffin of Padiamunnebnesuttawy, who worked in a temple as a ‘Wab-priest of Amun’. His coffin (dated from about 664-525 BC) is decorated with images of different gods and events from the Book of the Dead. At the centre of the coffin you can see an image of Anubis preparing the mummy for the Afterlife.

The new gallery was reviewed on the Night Waves programme on BBC Radio 3 yesterday by Mike Pitts, editor of British Archaeology Magazine. If you missed the programme it's available on the BBC website for one week in their How to make a good Egyptian gallery feature.

Many people will be going to the new Ancient Egypt gallery when it opens on Friday to see the incredible Egyptian artefacts from our collections, many of which haven't been on display for decades. But have you ever looked underneath and behind these priceless objects at the display stands and mounts that are supporting them? It may surprise you to know that these have all been specially custom made by the highly skilled technicians in our technical services studio at the National Conservation Centre.

I popped into the studio earlier this week to see Bill Sillitoe and David Whitty busy preparing the last few display stands for the Ancient Egypt gallery. They produce everything pretty much from scratch, cutting and bending sheets of Perspex to create stands and soldering together the wires to make supports for some of the objects. You can see more photos of them at work in our Making display mounts for the Ancient Egypt gallery Flickr page and I hope that you go to the gallery to admire their handiwork from Friday.

It's Friday so the handling and transport team decided to go fishing. Not in the Mersey though, they fished through the museum stores to find this giant turtle which needed to be taken to the taxidermy department at the National Conservation Centre for restoration.

They finished the week, which has included transporting everything from a Superlambanana to some ancient Egyptian artefacts, by helping taxidermmist James Jackson to install some scenic material on the Chirotherium display at World Museum Liverpool. You can see some of the highlights of their week on our Moving stories Flickr photo page.

Anyone who has ever carefully wrapped their best china in newspaper before moving house will appreciate what a tricky challenge the handling and transport team faced this week. They had to collect this incredibly delicate 5000 year old Egyptian pot from North Devon and transport it to World Museum Liverpool - a distance of 267 miles.

The good news is that drivers Paul Kelly and Andrew Mountfield delivered it safely, so visitors will be able to see it on display when the new Ancient Egypt gallery opens on 5 December.  You can see their photos of the trip - including a shot of the stunning scenery they saw along the way - in our Egyptian gallery Flickr photo page.

Curators can find themselves doing all sorts of unusual things in the name of duty. However Tony Parker, assistant curator of zoology, never expected to be signing the transfer papers for Peter Beardsley.

The Peter Beardsley in question was not the famous footballer though but a mounted specimen of a duck. Peter the duck is thought to be a cross between a Pekin and an Aylesbury duck. He was once the beloved pet of local lady, and was named after Peter the footballer's spell at Everton. Unfortunately it was never discovered whether he would live up to his namesake's skills on the football pitch, as he was tackled and killed by a dog (presumably not an Everton supporter) when he was 8 months old.

Peter's owner had him mounted in a display case after his death 16 years ago. She recently donated him to World Museum Liverpool, as she wont be able to take him with her when she moves house. Although she'll miss him, she decided that he would be in good company with the other mounted bird specimens in the museum's collections. Peter is currently on the reserve bench in the museum's stores but is available for researchers and study groups.

Over the last few weeks the handling and transport team have been helping to prepare the Ancient Egypt gallery, which will open at World Museum Liverpool on 5 December. However in complete contrast to the ancient Egyptian artefacts, today they transported one of the newest works of art in our collections, the popular Superfiveadaybanana.

After spending the summer at the Walker Art Gallery, Superfiveadaybanana has been on display in local schools. Today Paul Kelly, Richard Roberts and Andrew Mountfield took the sculpture from Kensington New Park School to Kensington Junior School. Paul says that the children were really excited to have this unusual guest displayed in the main entrance to the school. You can see more of his photos of Superfiveadaybanana on the move on our Flickr page.

I went to a great knitting workshop at Merseyside Maritime Museum at lunchtime. It was organised by the Seized learning team who normally hold events looking at how smugglers try to get firearms, drugs and other illegal substances through customs - and how customs officers stop them. Apparently wool also used to be smuggled out of the country centuries ago - I never knew that I had been knitting with such a precious material before!

As a fledgling knitter I had great fun learning some new techniques and making a few mini projects. If you want to have a go then the good news is that Ildi will be back at the Maritime Museum on Sunday afternoon with some fun things for knitters of all ages and abilities to make in the 'Where there's a wool there's a way' workshop. Have a look at the Seized! events page for further details.

Here's some great news from the v-involved youth volunteering project at National Museums Liverpool. Our first participant has been awarded the v50 Award certificate, after contributing 50 hours of her time as a volunteer. I'll let her tell you all about it:

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"Hello. My name is Christine, I’m 24 and I’ve been volunteering here at World Museum Liverpool since 5th June. I have recently achieved my 50 hour target for which I received a v50 Award certificate for my contribution to the museum.

I’ve been helping out on the information desk and making sure leaflets are available for everyone. I occasionally work in the learning office doing bits of admin.

I really enjoy working at the museum, particularly on the information desk as I like giving tickets out to the public.

I am proud that I am the first vinvolved youth volunteer to reach over 50 hours and I feel that it has been time well spent as I have gained more confidence and feel it’s a worthwhile experience to be a volunteer."

The Railway Heritage Committee have kindly donated a fragment of the original Edge Hill Station in a commemorative box to the Museum of Liverpool's collections. Believed to be oldest station in world still in normal service, Edge Hill was built as a stop on the Liverpool to Manchester railway. The fragment will be used in the Port City gallery in the new Museum of Liverpool, to illustrate the impact of that historic railway.

On the subject of transport, those of you who prefer trains small enough to fit in your pocket may be interested to know that the Frank Hornby Experience is back at Maghull Town Hall this weekend, 10am-5pm on Saturday 15 and Sunday 16 November. The experience celebrates the achievements of local legend Frank Hornby, with lots of examples of the popular toys that he invented.

As you are probably aware, the popular Ben Johnson exhibition at the Walker closed earlier this month. Most of the paintings in the exhibition were on loan from other collections, so they have been packed up ready to be returned. One of them, the 'Jerusalem' painting, was too big for the lift, so it was carefully carried down the stairs this morning. This was quite an operation - for every person supporting the painting on one side in the photo above, there's another person hidden on the other side.

The good news is that one of the paintings hasn't left the Walker. The Liverpool Cityscape belongs to National Museums Liverpool, so it will go back on display on 21 November once the gallery it is in has been rehung.

Have you ever wondered what exactly goes on behind closed doors after an exhibition has closed though? Here's your chance to find out, as there are some photos of the handling and transport team taking down the Ben Johnson exhibition on our Flickr pages. I'll let handling technician, senior driver and ace photographer Paul Kelly explain what's going on in them:

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"When works of art are to be moved from one location to another one of the principles we utilise is the creation of micro climatic conditions for the protection of the artwork. We achieve this by essentially wrapping the painting in large sheets of polythene which is then sealed. It sounds easier said than done simply because some of our works are extremely large and the Ben Johnson works fall into this category. The process is quite involved requiring assessment of the job in hand and almost telepathic communication between each member of the team if the goal is to be achieved safely. This work is seldom if ever seen by the general public because after the works are wrapped in Polythene they are put into large wooden crates then onto the vehicle that will transport them to their new location. Other work involved in dismantling an exhibition is the wrapping of the safety barriers and miscellaneous information boards - all part of just another day's activity for the handling team.

The crates used to transport large paintings need to be handled with extreme caution as they tend to be rather unstable when on the move and can be very heavy. We do have a wide range of skills and equipment to draw on and this enables members of the team to move these big objects effectively and safely."

We are only weeks away from the opening of the newly refurbished Egypt gallery at World Museum Liverpool, on 5 December 2008. Conservators at the National Conservation Centre have been working hard for months to prepare the objects for display, such as this funerary shroud and - of course - some Egyptian mummies. Now that the artefacts are ready for installation the handling team have been carefully transporting them over to the museum.

Handling technician and senior driver Paul Kelly has sent this update and photo - and you can see more of his photos of the move, as well as others of the objects being prepared for display, on our Egyptian gallery Flickr page.

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"This week the handling team drivers Andrew Mountfield and myself have been involved in moving some seriously ancient and delicate Egyptian artefacts from the National Conservation Centre to World Museum Liverpool.

Naturally before such artefacts are moved consultation with the curators is absolutely essential. The advice and recommendations of our curators is a must to enable the safe transportation of these rare and nationally important objects. Some artefacts are quite large, heavy and delicate so need the utmost care when handling.

Our thanks for their knowledge and assistance ultimately go to our curators, conservators and project team members Tracey Seddon, Graham Usher, Richard Roberts, Barbara Rowan, Ashley Cook, Helen Thomson, Pete Spinks. Without their help and their team's assistance we as drivers could not possibly do our job to the standards required to move these artefacts safely.

I am happy to report that the artefacts shown are now safely transported and awaiting installation in show cases at World Museum Liverpool."

Visitors to World Museum Liverpool over the last couple of days will have noticed a distinctly Irish flavour to the events. Our very own leprechaun from the learning department, Ann-marie McGaughey, explains what was going on:

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 "This weekend World Museum Liverpool played host to the Liverpool Irish Festival. The festival takes place every year and celebrates the special connection between Liverpool and Ireland. This year the festival runs from 17 October – 2 November.

This year, we had a number of events including drama workshops, singing workshops and traditional storytelling, using the tale of The Children of Lir. George Ferguson School of Irish Dance returned for a second year running and treated us to a fabulous display of Irish dancing, before getting us all up to join in with the Ceili!

This weekend we also learned about a very special lady called Kitty Wilkinson, who was brought vividly to life by a roleplayer. Kitty was born in Derry, Ireland and came over to Liverpool in the late 1700s when she was still a child. Kitty settled in Liverpool in later life and lived here around the time of the cholera epidemic of 1832. At this time a lot of people in Liverpool were living in poor squalid conditions, with a lot of overcrowding in houses. Kitty was fortunate enough to live in a house with a hot water boiler (the only one in her street at the time) and she worked out that if people boil-washed their clothes and bed linen, they would be less likely to catch cholera, as the disease could not spread so easily. She invited families in the street to use her boiler to wash their clothes and as word spread, she eventually ended up with 80 families using her boiler! She began to charge families a penny to use the boiler and was able to set up the first public wash house in Liverpool. Kitty’s work played a massive role in stemming the cholera epidemic in Liverpool at the time and she is commemorated with a stained glass window in the lady chapel of the Anglican Cathedral in Liverpool."

Here's a recommendation for anyone who like me (I'm ashamed to say) doesn't often make it further into the Walker than the exhibition galleries. If you venture as far as the far end of room 3 upstairs you can see a study for the Murillo painting 'Virgin and Child in Glory', which is really rather sweet.

The study is on long term loan to the Walker and is on display in a cabinet in front of the finished painting. Apparently the small oil sketch was probably painted as a 'modello' to show Murillo's patron Ambrosio Ignacio Spinola, Archbishop of Seville, before starting on the large altarpiece that is now in the Walker's collection. It's rather cool to be able to see them together and compare the two

They might look like wild creatures but these dinosaurs seemed happy to oblige and form an orderly queue for the cloakroom!

This is a scene from World Museum Liverpool earlier today, when a delivery had arrived for the shop.

I'm a bit of a fan of Titian - an artist who I must admit I knew very little about before the fantastic Titian exhibition at the National Gallery in 2003. Since then I've enjoyed any opportunity to see his work, so was very excited when the painting 'Supper at Emmaus' came to the Walker on long term loan the following year (it's still there - have a look next time you're in and see if you can spot the cat under the table!)

So as you can imagine, I'm looking forward to a trip down to London next month when I'm hoping to catch the exhibition Campaign for the Titians at the National Gallery, which reunites two of his paintings for the first time in two centuries - 'Death of Actaeon' from the National Gallery's collection and the prequel painting 'Diana and Actaeon', which is visiting London for one month only. This is a rare opportunity to see both paintings together but hopefully wont be the last chance we get, as the National Gallery and National Galleries of Scotland are hoping to jointly purchase 'Diana and Actaeon'. Fingers crossed...

This photograph may look like a scene from a horror movie but it’s actually just part of a fairly normal day’s work for driver and handling technician Andrew Mountfield. He captured the scene when the former Inspiration display at the Walker’s Craft and Design gallery was taken down and the new display of 1950s evening dresses was installed. I’ll let him explain:

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"After the decorative art curators had taken down the old display, we turned up to transport the bodies (sorry mannequins!) from the Walker Art Gallery to their final resting place at the Decorative Arts department.

Dave Moffat, assistant curator of decorative art, was the technical adviser for the day, with myself and Richard Roberts on the Transport and Handling team’s van. As you might imagine the restraint techniques involved in securing the multi positioned mannequins proved problematic to say the least, but luckily I was able to draw upon my years of experience in shifting bodies... (just kidding!).

The mannequins were actually from France, apart from the heads, which were sourced from the UK, and they were dressed in clothes by designers from around the world, which made the whole thing even more cosmopolitan and surreal than it was macabre!!

After everyone (sorry, the mannequins) were secure in the back of the van, and a final check of straps and protective coverings were in place we bid a momentary yet fond farewell to Dec Arts and left the Walker, happy and smiling.

As Richard and I drove along Dale Street, we both heard some scraping noises from the back and then some banging, followed by voices screaming 'Let Me Out, Let Me Out!' from the back of the van. We glanced at each other but we were both too scared to stop, after all, it is Halloween next week..."

If you have you ever wondered what the North West was like millions of years ago then get yourself down to 'From coal to carnations', the new exhibition at the Grosvenor Museum in Chester, which runs until 30 November 2008.

The exhibition tells the story of plant evolution starting more than 500 million years ago, when the local area was positioned on the equator on a dense forest-covered plain. The displays include fossilised evidence of the ancient plants that thrived in this environment, including material from a recently discovered fossil forest near Wrexham.

A number of items from National Museums Liverpool's Science collection are on loan to the exhibition, including seven Brendel plant models from the Botany department which are shown in this photo. The Geology department have also loaned nine fossil plant specimens, the oldest of which is around 370 million years old, and a replica of an ancient Argentine arthropod called Megarachne, that lived in forests during the Carboniferous age.

Here's an update from curator of Egyptology Ashley Cooke about the work on the new Ancient Egypt gallery which opens at World Museum later this year:

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"Last week a team of forensic Egyptologists from the KNH Centre for Biomedical and

Forensic Egyptology at the University of Manchester came to visit two mummies in our collection. The one you can see in the photograph will soon be displayed in the new Ancient Egypt gallery that opens on 5th December. It is the mummy of a young adult woman of the Roman Period (probably about AD 100 - 400) but actually quite little is known about this type of mummy and this is why the team from Manchester came to visit us. Painted bandages carefully reproduce the shape of her body and her feet have been wrapped to appear as if she is wearing sandals. Across the chest of the mummy a plant fibre framework supports gilded amulets to protect the dead person in the Afterlife. Unlike other Egyptian mummies the top of the skull is left uncovered and her hair is still preserved in places. The other mummy the team looked at shares similar characteristics.
 
The mummies were donated to the museum in 1867 by the goldsmith and antiquarian Joseph Mayer. He purchased the mummy from the collection of Joseph Sams (1784-1860) who visited Egypt in 1832-3 and brought back an important collection of antiquities, much of which is now in World Museum, Liverpool and the British Museum. The mummies belong to a group of eight that all share distinctive characteristics and may indeed all be related. The mummies are divided between 5 museums: 2 in Liverpool, 3 in Leiden, 1 in London (British Museum), 1 in Rio de Janerio and 1 in Avignon. Over the next few years we are looking forward to learning more about these remarkable mummies that are quite unlike others in our collection."

A few weeks I introduced the Philadelphia ornithologists Nate Rice and Robert Driver, who came to World Museum Liverpool to skin and preserve bird specimens both for our collection and the Academy of Natural Sciences in Philadelphia.

During a busy few weeks in Liverpool they completed an incredible 150 specimens, all of which were salvage birds kept in frozen storage. Salvage birds are local birds that members of the public have donated to the museum after finding them dead. We had an excess of common local breeds in storage, which were not represented in the Academy of Natural Science's collection. So in return for being given the surplus salvage birds that we didn't need for our collections, Nate and Robert prepared 19 specimens for the World Museum collections.

There are too many bird skins to put into one small blog post, but you can see more in our Flickr slideshow of the Philadelphia ornithologists, including early photos of some of the first bird skins that they worked on pinned out to dry. There are also photos of Nate and Robert on their last day in Liverpool with all of the specimens that they prepared.

Nate would like to collect more European bird specimens, particularly species that were not available this time, and is hoping to return to Liverpool in a year or two. So if you find a bird then World Museum Liverpool would like to hear from you. Please don't bring any in without contacting the museum first. You can email Clem Fisher or Tony Parker in the zoology department to find out if the bird you have found would be of interest and to make arrangements.

Here's a special report from our curator of port history Ian Murphy, who has just got back from Norway:

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"I was lucky enough to visit the Norwegian Maritime Museum (Norsk Sjøfartsmuseum) in Oslo last week to attend the opening of their Båtfolk (Boat People) exhibition, which explores the refugee experiences of Norway's Vietnamese communities. I'd been invited as they had loaned a Vietnamese fishing boat from the Maritime History collection at Merseyside Maritime Museum, which was a centrepiece of the display.

The exhibition is part of Norway's Year of Cultural Diversity which is a national initiative, and has been created using the stories and memories of the Vietnamese Norwegians who - as the exhibition puts it - used "the sea as an escape route" in the 1970s and 80s. The exhibition also looks at other uses of boats by refugees, including a display of a boat that was rowed from Norway to Shetland during World War 2, but the main focus is on the experiences of Vietnam's boat people.

I was shown around the museum by senior curator Peder Figenbaum, which gave me a chance to see their excellent displays which cover traditional Norwegian vessels, the country's fishing industry, marine art and a number of interior ship recreations. I never managed to see the museum's 20 minute panoramic film of Norway's coastline unfortunately, which sounds fairly spectacular. After the opening I then travelled across to visit the Bergen Maritime Museum, which is also hosting an associated boat people exhibition.

The exhibition in Oslo runs until August 2009 and is well worth a visit, as is the rest of the museum. I can also recommend taking the train to visit the exhibition in Bergen; it's an eight hour journey, but the scenery is truly stunning."

Update:

We've just received this photograph of our fishing boat receiving two very important visitors. Ian says:

"The exhibition was opened by Norway's Queen Sonja, which indicates the level of importance attached to the exhibition as part of the year long diversity initiative." 

Here's a sneak preview of a brand new model of the 'Mimosa', which commemorates the ship’s role in taking the first Welsh emigrants from Liverpool to Patagonia, in southern Argentina, in 1865.

The Merseyside Welsh Heritage Society commissioned the model from Tony Fancy of Trade Wind Models in Poole, Dorset, with sponsorship from the Liverpool Culture Company. The model will be officially presented to the Merseyside Maritime Museum by the Merseyside Welsh Heritage Society this weekend, and will go on permanent display in the Emigration gallery soon.

Many people emigrated from Wales in the 19th century to escape poverty, mostly to the United States. However, as the Welsh language and traditions were being neglected and forgotten by these settlers, it was decided to create a Welsh colony. Land for the colony was granted by the Argentinian government in Patagonia.

'Mimosa' was a wooden clipper built in 1853 by Alexander Hall and Sons of Aberdeen and owned by Vining and Killey of Liverpool. On 28 May 1865 Mimosa sailed from Liverpool for Patagonia carrying 160 Welsh emigrants. After a 2 month voyage the settlers landed at Porth Madryn, then trekked 40 miles south to create the first settlement by the Chibut River.

Today there are more than 150,000 people of Welsh descent living in Patagonia. Although Spanish is the main language, Welsh is still spoken there.

Here's an update on the refurbishment of one of Wold Museum's most popular galleries from antiquities curator Carolyn Routledge:

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"In putting together the new ancient Egypt gallery at World Museum Liverpool we are introducing many new objects, but also bringing back some old friends. One favourite from the old Egypt gallery was a statue base that once held a statue of the famous pharaoh, Ramses II. 

The base was on open display and, for over 30 years, thousands of hands have traced the king's names and the pictures of prisoners carved on its sides. All this touching left the statue base very dirty. In order to show it to its best in the new gallery, our conservators have cleaned it and now the beautiful travertine stone can be seen by all.

The Ramses II statue base will be back on display when the Egypy gallery opens on 5 December this year."

You can't really see it in this photograph but trust me, this photograph shows a c19th century Greenland kayak that belongs to Trinity House in Tyne and Wear - inside a lot of packaging. The kayak is quite rare as boats of this type are very fragile and tend not to survive. It has a wooden framework, with baleen bindings (the filtering material from inside a whale's mouth) and sealskin covering. However, the kayak was extremely dirty and showing signs of water damage when it first arrived at the National Conservation Centre for treatment. Parts of the skin and cockpit hoop were coated with a brittle black resinous coating, which had to be removed. The skin also appeared to have been waterlogged at some point in the past, resulting in severe shrinkage, distortion and blackening on drying.

Conservation of the kayak was a real team effort, with senior organics conservator, Tracey Seddon, working on the skin, while head of engineering and maritime conservation, Jonathan Carr, treated and repaired the internal framework. Once they had finished, furniture conservators Graham Usher and Malcolm Broadbere helped to adapt a special frame to support and protect the kayak on its journey back to the North East.

Its conservation complete, the kayak left yesterday for the journey back to Trinity House. At 5.4 metres long it was not an easy thing to move so Tracey called on the help of several colleagues to carefully guide it down the corridors and out of the building. That's nothing compared to what is to come though, as a first floor window is being removed in order to get the kayak safely back into Trinity House. Once inside it wil be displayed in a newly refurbished room.

As you probably already know, the Best of Merseyside exhibition at the National Conservation Centre features the highlights of this year's open exhibitions held at galleries throughout Merseyside. Having made it through the rigorous selection process for the exhibition, the artists then faced perhaps their toughest critics - the visitors.

Since the exhibition opened visitors have been voting for their favourite artwork. Today Paul Cousins was announced as the winner of the Visitors' choice award for his painting 'Night Flight'. He was presented with a bottle of champagne and some Rennies vouchers in the exhibition.

If Paul looks familiar that may be because he was the man responsible for 'Cloudorama', the Superlambanana that was displayed at the Lady Lever Art Gallery over the summer.

Paul is not the only artist whose fate lies in the hands of our visitors, as you can now vote for your favourite painting in the John Moores 25 exhibition at the Walker Art Gallery, which opened at the weekend.

The Zoology department at World Museum Liverpool is currently taking part in an important international collaboration with the Academy of Natural Sciences of Philadelphia that will enhance the collections of both institutions.

The Academy of Natural Sciences has a huge ornithology collection of more than 200,000 specimens, which they add to every year. This usually involves a field trip to a pristine location such as remote parts of Australia or Africa, where they collect specimens as an important record to benchmark environmental conditions before the impact of human disturbance.

This year however Nate Rice, the Collections Manager of Ornithology at the Academy in Philadelphia and Robert Driver, a student and acting curatorial assistant, have travelled to the exotic location of Liverpool. They are here to improve their collection of European birds, which are currently under-represented in the Philadelphia collections. World Museum Liverpool on the other hand has a lot of salvage birds in frozen storage. These are local birds that were killed by pets or found dead after flying into windows or other accidents, which members of the public have donated to the museum. The birds have been stored in freezers until they were needed. However, over time a surplus of birds has built up and staff in Liverpool have not had time to treat and preserve the specimens.

Nate and Robert are spending 3 weeks at World Museum skinning and preserving our bird specimens. This involves taking tissue samples, then removing the internal organs and bones and replacing them with cotton, then drying the skins. They will take most back to Philadelphia but in return for these specimens 10% of the skins they prepare will stay here for World Museum Liverpool's collections, including any significant local items.

Researchers around the world use specimens such as these for the study of evolutionary biology and local ecologies. Important information about environmental conditions can be gained from the feathers and tissue samples of the birds. Nate was keen to point out that the Philadelphia collections, like those at World Museum Liverpool, are seen as belonging to the world of science and are readily available for research purposes internationally.

Nate and Robert have been joined at World Museum for a couple of days by Henry McGhie, the Head of Natural History at Manchester Museum, who is taking the opportunity to hone his skinning skills by working alongside them. Curators in American museums routinely take part in field skinning so have a lot of expertise in this area, whereas UK curators usually rely on taxidermists to preserve specimens. Nate has been happy to work with UK curators in this way, as he has often used our expertise in other areas. For example, Clem Fisher, Curator of Vertebrate Zoology at World Museum Liverpool, is a Research Associate at the Academy in Philadelphia and has visited several times since 1993 to work on their historical collections, which complement our own.

Don't forget that if you haven't sent in nominations yet for the 4th annual Black History Month Achievers Awards then today is your last chance to do so - you can either drop a form in or email it to the organisers, the Merseyside Black History Month Group.

Full details, downloadable nomination forms and the address to send them to are in the Black History Month section of the International Slavery Museum website (and please don't forget your favourite venue when filling out the form!)

Full details of the events programme for this year's Black History Month at our venues will be available on the website next week.

Here's a photo of a slightly surreal scene on William Brown Street today. In what looked like the world's largest game of marbles, these enormous inflatable balls were rolled down the World Museum Liverpool steps. Apparently this wasn't a re-enactment of the cult TV series The Prisoner or a new Olympic sport - it was all in aid of a bingo advert.

As you are probably aware, our conservators - and talented sculptors - Chris Dean and Sam Sportun have been involved in a major project to recreate three missing bronze relief plaques from Sefton Park's monuments. We have been following their progress on the blog as they have recreated clay masters for the missing bronzes using traditional techniques.

Today I was fortunate to get to see them at work while they finish off the fine details - such as adding fingernails - on the clay masters before they are taken to the foundry to be cast in bronze. Photos of them at work and some of the details of the clay masters are on our Sefton Park monuments Flickr slideshow, which has pictures from the very beginning of the project right up to date.

As I mentioned yesterday, the fantastic Metropolis exhibition closes this week. The exhibition is packed full of incredibly detailed photographs of recognisable Liverpool landmarks and some unfamiliar places.

The project team for the exhibition had the difficult task of selecting just 60 photographs for display from almost 200,000 negatives in the Stewart Bale collection. Here Nicky Lewis from Paper Conservation explains a bit about this process and chooses her favourite Metropolis shot:

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"Picking a favourite Stewart Bale photograph is not an easy task.

During the image selection process for Metropolis: capturing modern Liverpool I spent time, as part of the project team, weighing up the merits of many of Bale’s photographs. We searched the archive for striking images that best portrayed Liverpool as a developing, modern metropolis- a reflection of the city today. The most difficult part was choosing only 60.

To me Abbey Cinema exterior is a stunning photograph - much more Hollywood than Wavertree. By taking the image at night the photographer could exploit the building’s illuminated architecture. You can see why we chose this as an image to enlarge for the exhibition.

I‘m also captivated by Crowds at the launch of Mauretania II. The launch of a ship was obviously a very popular event in those days, something we no longer experience. The amount of detail in the photograph is exceptional. Take a look at the extent people will go to for a good view. Some are perched on top of shed roofs and cars, whilst other dare-devils cling to steel work. 

That brings me to my favourite Metropolis image. It is not a highly iconic shot and does not depict a famous event or landmark architecture. It is Anglia Vans on the Assembly Line. Obviously Ford played an important role in Liverpool’s history and the image shows cutting edge technology of the time but my reason for picking it is much more personal. We always wanted to include ‘never-seen-before’ images from the Bale archive in the exhibition, not an easy task considering that our film negatives are frozen to stop them deteriorating (see How have the photographs survived? for more detail).

Using the order books from the Bale company combined with documentation from the storage process we were able to pinpoint a box (out of just over 1300), that contained images commissioned by Ford - we had no idea what they would look like however. The box was removed from its freezer and transferred to an insulated bag, where it would defrost at a slow rate. Twenty-four hours later, after removing the protective packaging layers I had a bundle of film negatives. It’s so thrilling to be the first person to look at these images since they were originally commissioned- you just never know what you may find.

As you look through them on the light box, the anticipation builds and you fear the image you are hoping for isn’t there... Then in a eureka moment it appears. The image stood out instantly as fitting the Metropolis theme and had all of the expected high qualities of a Stewart Bale work. Its composition is striking, with the assembly belt giving a great line of perspective. Not only is it satisfying to have brought this image into public view but I also see it as a symbol of how much hidden potential the Stewart Bale archive has.

NML’s long term aim is to digitise the Stewart Bale collection, to allow the public to view them more easily."

We've reached the last few days of the rather fabulous Metropolis exhibition at the National Conservation Centre, so if you haven't seen it yet then do try to get over there this week.

Preparations for the next exhibition, 'Best of Merseyside', which opens at the National Conservation Centre on 22 August, have been taking place all year and seem to have involved a mammoth operation. Sarah Craven from Knowsley Arts Service was on the selection panel, and has kindly explained the process below. You can also see some behind-the-scenes photos in our Best of Merseyside selection process Flickr slideshow.

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"Best of Merseyside is a selection of the best from the open exhibitions run by the Merseyside boroughs: Halton, Knowsley, St Helens, Sefton and Wirral. In putting together this exhibition we have drawn on entries to existing exhibitions and selected from them. 10 artists have been chosen from each of the 5 exhibitions and together they give 50 artists; 50 works that reflect the variety, the breadth of work that is being produced in the area. The majority of these are not professional artists, who often do not enter the local open exhibitions, but semi-professional or talented amateur artists who are glad of the platform these open shows offer.

The selection process is now over. The selectors for this exhibition were Jo Dry and myself from Knowsley Arts Service, Louise Hesketh from The Brindley, Runcorn, Jess Bowstead from St Helens Arts Service, Colin Simpson from the Williamson Art Gallery and Phillip Wroe from Sefton Arts Development. We all have very different Open exhibitions in our Boroughs so the selection process has been fantastic. We have had laughs, arguments, stamping tantrums and lengthy debate over the artworks. We were looking for technical ability, use of medium, creativity, subject matter, composition and sheer genius which we have found in excess as we travelled around greater Merseyside.

One of the highlights of the selection was 'Man in a Blue Sweater' by Michael Kirby, from Kirkby, Knowsley. This small but powerful image has been used to promote the exhibition in the publicity so the portrait will be printed on thousands of flyers and banners. 

We will be running workshops to support this exhibition which will be announced shortly so watch this space for details.

Thanks are due to Arts Council England and to National Museums Liverpool, we couldn't have done it without you."

This summer our talented sculptors in the sculpture conservation department have been recreating three missing bronze panels from Sefton Park's monuments. Here's the latest news on the project from Kathy Wedge in Conservation Technologies, and pictures following the progress of the project from the beginning are on our Sefton Park monuments Flickr set.

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"The clay models for the three missing relief panels from the Sefton Park monuments to William Rathbone and the Right honourable Samuel Smith have really taken shape now as the photograph shows. They are almost ready to be sent to the fine art bronze casting foundry.

The warm weather, although lovely for us, has caused a few problems for the sculptors to overcome. The clay has been drying out faster than normal and even started to crack in places that were more exposed to the air than others.

The way around this was to make sure that the clay was kept as hydrated as possible. Each clay panel has been sprayed with water on a regular basis and covered with damp flannelette blanket and then a polythene sheet to keep the moisture in when not being worked on immediately. Even so a few cracks were noted after a weekend break when there was nobody here to spray and it took some gentle but steady applications of water to bring them back to the right condition to be worked on. Fortunately they had not dried out too much.

On Friday 1 August the officials responsible for Sefton Park will give their approval (hopefully) for the clay models to then be sent to the fine art bronze casting foundry where they will then be made into the magnificent reliefs that will complete the monuments. More pictures will follow in a couple of weeks when they get to the next stage."

Well, Toxteth TV in fact. Here's the lowdown from Jo Connor, the Treasure House Theatre co-ordinator at World Museum Liverpool, who was there to see all the action (and you can see some of her pictures in our Ancient Egyptians at Toxteth TV Flickr slideshow):

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"Curator Carolyn Routledge, Paul Browne, Mark Saunders and Paul McMullan from the AV team and myself have been involved in filming excerpts to be shown in the new Ancient Egypt gallery when it opens in December 2008. We had four fantastic actors - Colin, Eddie, Nalini and Maria - as Pharaoh Rameses, his architect  Bakenkhonsu, a Chantress and a House Maid. These characters from the world of ancient Egypt were all brought vividly to life.

It was fascinating watching the costume and and make up ladies weave their magic spells. And I was incredibly jealous that I didn't get chance to wear the wig Nalini had on for filming which Bill Watson from Design nicknamed 'the sofa' because of its size and shape.

Unfortunately we didn't get to film on location,(didn't want to spend a week in Egypt anyway... honest) but with 3 days in Toxteth (apart from the rain and the wind) I could almost believe I was there!"

Today two halves of a medieval ivory diptych will be reunited thanks to a special collaboration between the Walker Art Gallery and National Museums Wales.

The diptych, which was made in the 14th century, portrays the birth of Christ, with the Virgin and Child flanked by Saints Peter and Paul, on the left-hand panel, while the right-hand side shows Christ on the cross flanked by Mary and John. Originally the leaves would have been joined together - you can see the holes for the hinges in the image above. However, over time they were separated and now the left hand panel is in the collections of the Walker Art Gallery, while the right hand one belongs to National Museums Wales.

The Walker's panel has been lent to National Museum Cardiff for a year-long display with the other half of the diptych, which starts today as part of National Archaeology Week.

When the original is returned to Liverpool visitors to Cardiff will still be able to see what the complete diptych would have looked thanks to a highly accurate copy of the left panel made by the Conservation Technologies team at the National Conservation Centre. Laser technology research scientist Annemarie La Pensee told me all about it:

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"Last year Conservation Technologies was commissioned by Amgueddfa Cymru - National Museum Wales - to make a replica of the left-hand leaf of the diptych that we have here at National Museums Liverpool. Using 3D laser scanning and CNC machining we made an accurate replica from polyurethane resin that was patinated to make it look like the original.

Here in the laser technology team, we found the project really great to work on. The leaves are quite small, only 10cm in height. However, because of the highly carved surface we used our most accurate scanner to record the sub-millimetre details and the resulting dataset was as big as those we create for much larger objects. It is also interesting to see how different the two original leaves are in colour and texture because they have been apart and have been exposed to different environments."

Here's a quick update on the project to recreate missing bronzes for two of the Sefton Park monuments.

The clay models that Conservation Technologies are making for the reconstruction of the three missing relief panels from the Sefton Park memorials are now really taking shape. They will be used to produce the foundry cast bronze panels that form part of the memorials to William Rathbone and the Right Honourable Samuel Smith. Two of the panels have reached the stage where the fine detail is being sculpted and the third panel has been blocked out. Blocking out is the term the sculptors use to say that the main body of the clay shape is in place, before being fashioned into a more accurate form.

The sculptors are off at the moment so the clay panels have been wrapped in damp flannelette sheeting and are being sprayed everyday to keep them moist until work starts again. It's best not to disturb them while they are wrapped up like this so we don't have any updated photos to show at the moment.

Here's a reminder of what one of the clay plaques looked like a couple of weeks ago. You can see the rough shape of one of the figures sketched into the clay on the right, while other figures are starting to be 'fleshed out' in three dimensions. Further pictures of the early stages of the process are on our Sefton Park monuments Flickr slideshow and we will be adding more when they are available, so do check back in a couple of weeks to see the progress.

Michelle O’Callaghan, our youth arts officer, has this great news:

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"Young people from National Museums Liverpool Youth Theatre, Lady Lever Art Gallery Junior Guides and Culture Vultures course participants achieved a rip-roaring success when they joined forces last Saturday to have their Young People's Arts Awards moderated.

The Young People's Arts Award, run by Arts Council England and Trinity Guildhall, enables young people to achieve a nationally recognised qualification at three levels (Bronze, Silver and Gold) through their participation and enjoyment of the arts.

It encourages the young people taking part to think about their own development as artists and encourages development of leadership, communication skills and confidence, as well of development of their own artistic skills.

At Bronze level the award involves taking part in arts activity, enjoying the arts as an audience member, researching an arts hero or heroine and leading an arts activity for peers.

This is the first assessment and moderation since NML became an Arts Award Centre in 2007 and there are currently two trained Arts Award advisors within NML; myself and Lauren Gould, learning officer at the Lady Lever Art Gallery.

16 young people's work was moderated last Saturday and we are very pleased and proud to confirm that all 16 were successful in achieving their Bronze Arts Award.

Certificates will be winging their way to the young people very soon and they will be treated to a presentation evening to mark and celebrate their success.

A big thanks goes to all of the young people involved for all their hard work on the award and a massive well done on their success! It is well deserved!

Congratulations to the following young people who successfully passed their Bronze Arts Awards:
 
Sarah Kenny, James Garland, Deniece Courtney, Natasha Sweeney, Marcella May Rick, Kezia-Jaye Atherton-Davis, Charlotte Clynch, Dominic Hughes, Laura Baker, Craig Parry, Kaz Worrall, James Woodfinden, Beckie Clarke, Keily Hogarth, Abigail Hill and Marc Taylor."

In the latest of our 'hidden treasures' displays, two exceedingly rare gold medals crafted by Tiffany and Co of New York have gone on display at World Museum Liverpool for the very first time. The medals commemorate the role of forgotten hero Captain Joseph Dayman RN  in one of the most important naval expeditions of the Victorian age.

In the summer of 1858 Dayman commanded HMS Gorgon, a support vessel involved in the joint British-American attempt to lay the first transatlantic telegraph cable. The Navy assigned the Gorgon to assist the Niagara, the American ship laying half of the cable. Early in the attempt the officers recognised that the Niagara was off course.  Commander Dayman successfully guided the Niagara to its destination in Newfoundland. A reporter on the Niagara noted that Dayman did not sleep for five days during this time. Without his attention the project would have failed. 

In recognition of Joseph Dayman's contribution the Common Council of New York and the City of New York commissioned medals for him from Tiffany's. The medal awarded by the City of New York (shown here) is one of only nine large gold medals they commissioned. The other medal on display is one of only three medals ever awarded by the Common Council. It is decorated with a gilded piece of the telegraph cable around the edge.

You can see the medals in the atrium at World Museum Liverpool for the next 2 weeks. There isn't a confirmed closing date for the display yet so please check with the information desk - 0151 478 4393 - nearer the time if you don't want to miss them.

A couple of weeks ago I mentioned that the sculpture conservation team are recreating missing bronze relief plaques from two of Sefton Park's monuments completely from scratch using traditional techniques. As you can see from this photo, they are making good progress with some of the sculpted figures starting to take shape in the clay. Further photos are on our Sefton Park monuments Flickr slideshow and more will be aded as the project progresses, so do keep an eye on it. Kathy Wedge from Conservation Technologies has this update:

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"The project to produce the clay master models that will be used to cast the bronze relief panels that will reconstruct the memorials to William Rathbone and the right honourable Samuel Smith is now well under way. As seen in the first pictures in the Flickr slideshow the wood supports were fixed into place to support the clay and create a rough shape. The clay has been applied and then the design was sketched out in the clay before building out the 3D contours. More wood and metal armatures have been added to support parts of the relief which are almost free standing, such as some of the arms, legs and the occasional head.

Whilst Christopher Dean and Samantha Sportun are sculpting some of the sculptures, elements which have more air around them are drying out faster than the other sections of the panels which can be quite critical to the working of the clay. For this reason both sculptors need to keep a careful watch over the condition of the clay in all areas whilst also concentrating on the area that they are working on. If it appears to be drying out too fast it is sprayed with water and when the work has to stop at night they are covered with a polythene sheet and a wet flannelette blanket.

Once Christopher and Sam are satisfied with the general shape of an area of the sculpture it can then be allowed to dry to leather-like consistency which will allow them to then develop and work on the fine detail of the relief.

So far so good, and for once we are grateful that the weather has not been too warm, but watch this space as the panels develop."

Antiquities curator Carolyn Routledge has been busy as her excavation project at Abydos, Egypt draws to a close. Here's her latest report:

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"Today we are packing up at Abydos. It is something of a bitter-sweet time here. Up until now we have been working frantically to finish all our work on time. Now the pace has slowed while we wait for the Egyptian inspectors to seal the magazines in which we store the archaeological finds. This means we can relax a bit after all the hard work, which is really enjoyable. What is a bit sad is that for most of us we don't know when, or maybe even if, we will return to Abydos.

Over the past week I have been working with the pottery from the tomb of Senwosret III. By studying the pottery we can separate any ceramics that date to the burial of the pharaoh from the material that dates to when the tomb was robbed. This task is quite difficult. The best way I can explain it is to say that it is similar to having put all your jigsaw puzzle pieces into one box because each of your many puzzles was missing some pieces. Many years later you decide to sort them out and put them together again to see what is missing. For the pottery we sort the pieces just as you would sort the puzzle pieces - by size, colour, type - and then try to fit the similar pieces together. I am happy to say we had some success. It is a good day when you get two pieces to join together!

After today our work will be done because everything is locked away. This will give us some free time to explore the area and then to pack our personal belongings for the 8-10 hour train trip to Cairo. I think I might go visit the Seti Temple again. It is only a 15 minute walk away from our house. This temple has its roof and the coloured scenes painted on the walls are still bright. This is extremely rare for an ancient Egyptian temple that is about 3,300 years old. It is well worth a final visit!"

Director of art galleries Reyahn King has this update from the end of the judging process for this year's John Moores competition:

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"Friday was the last day of judging and the jurors came in to review the 41 paintings selected for the exhibition. Interesting that the competition with the most entries ever is going to become the exhibition with the fewest exhibits to date. The exhibition is going to be clearly about painting today and reflects an approach from the jurors that amongst them was coherent and much considered. As Sacha Craddock put it "We've argued a lot in the first stage but we found now we had a coherent sense of what we had got". All the jurors, Sacha Craddock, both Chapmans, Graham Crowley and Paul Morrison, agreed that the works selected all reflect a self conscious and sophisticated approach to painting that has absorbed and moved on from earlier debates. Jake Chapman put it well "All paintings have to emerge from conceptual rules. You can talk about pictorial art but not figurative".

The day finished up at lunchtime with a barbecue with guests from Tate Liverpool and Liverpool Biennial in A Foundation next to the paintings' warehouse – and despite their pleas, our lovely colleagues were not allowed in for a sneak preview! The art handlers had a well earned break over lunch – without their behind-the-scenes moving around of paintings and their flexibility – bringing out some paintings, taking them back, bringing them out again – the process could not have been so smooth or so well considered.

The next big dates are 8 and 9 September for the exhibition layout and hang. Between then and now we need to plan the exhibition, catalogue and so on and we'll keep you posted."

Here's the latest update from director of art galleries Reyahn King, who has had a busy couple of days at the critical final stages of selection process for this year's John Moores competition:

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"After sifting to make a first selection yesterday the judges looked again at their choices which our art handlers had set out around the warehouse so all were visible. Wandering around they then all pointed out works they wanted to discuss again and confirm whether they should stay in the exhibition or not and I had my work cut out as they moved about sometimes together sometimes separately marking the works to be reconsidered.  They decided to discuss about 15 in more detail.

As each work selected was brought before the panel back in the viewing area the discussions were almost always excited and occasionally sparks flew if only for a moment. Early on it had been agreed that critical distance was important and discussions were frequently about what could be understood about the intention of the artist when viewing the painting. Be prepared for an exhibition likely to challenge older concerns about painting. In relation to definitions, one juror commented "the competition's not about whether or not it's a painting, it's about whether or not it's good." And on those criteria, the judges selected the final show and with a surprising degree of agreement the prizewinners!"

Here's an update on prgress with the excavation at Abydos from antiquities curator Carolyn Routledge.

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"We are now half-way through our excavation project at the tomb of the Pharaoh Senwosret III here at Abydos in Middle Egypt. Jen Wegner and I have been working very hard on our drawing and recording of the small objects. The work at the tomb is winding down as Josef Wegner turns to drawing and planning the portions of the tomb that have been cleared. It has been quite a task with around 60 Egyptian workmen breaking up and moving large quantities of stone in extreme temperatures.  During this time we have been experiencing a heatwave with daytime highs consistently in the mid 40 degrees Celsius. At night it has not been getting below 30 degrees Celsius.  

Under these conditions we need to take some breaks. Our first day off we were invited to have a meal with one of the workmen and his family. Josef, Jen, their son Alexander (who turns 5 this month!) and I went to eat lunch made by Umm-Ibrahim. Because of the heat, we sat in the courtyard of their home cooled by fans. Alexander ran around chasing the chickens and searching for lizards. Umm-Ibrahim served us a typical Egyptian meal of chicken, molokhia, and a mix of rice and pasta. Molokhia is a particular favourite here. It is a gelatinous soup made of the leaves of the molokhia plant flavoured with garlic and spices.

The next weekend we took an extra day off and travelled to Luxor. It is about 2½ hour train ride from here. While there are many ancient Egyptian monuments to see in and near Luxor, the main attraction to us was staying in a nice hotel in order to get a rest from the heat through air-conditioning and swimming in the pool. We arrived back at Abydos refreshed and ready to take on the next few weeks of work."

Here's a sight you don't see every day when you're waiting to cross the road! The Edward VII monument returned to Pier Head today after being conserved at the National Conservation Centre's sculpture studio.

The tall sculpture had to be carefully manoeuvred out of the building then lifted onto the back of a lorry with specialist cranes and equipment, watched by staff, the press and a growing crowd of passers-by. The operation went smoothly, despite a bit of rain. You can see photos of the move on our Edward VII monument Flickr slideshow.

Work has started on the installation of the summer's big exhibition at World Museum, The Beat Goes On, which opens on 12 July 2008. The exhibition will explore Liverpool's musical identity over the last 60 years. As you'd expect, there will be a number of items on display relating to a certain fab four.

Head of furniture conservation Graham Usher is currently putting together one of those items - the very stage that Paul McCartney and John Lennon met on when John's band The Quarrymen played at a garden festival in Woolton in 1957. The Museum of Liverpool acquired the stage a couple of years ago and it was featured on the blog last year but this will be the first time that it has been on display in our venues. I'm sure it'll be a must-see for Beatles fans when the exhibition opens.

The sculpture conservation studio has recently had to squeeze in one of the largest sculptures that has ever been cleaned in-house. The equestrian monument to King Edward VII was removed from its plinth at Pier Head for conservation last year and brought to the studio, where it only just cleared the ceiling.

Now fully conserved, the monument will be returned to Pier Head this week. Here's a sneaky peek of how it now looks. You can see more photos, including some of the statue from last year before it was conserved, in our Flickr slideshow of the conservation of King Edward VII. From these pictures you can see that our sculpture conservators have been very busy - compared to its blackened, dirty state last year the monument now looks as good as new.

Every day thousands of cars travel through the Queensway tunnel under the Mersey. However, it is being reclaimed by pedestrians on Sunday when the traffic will be stopped to allow a special walk through the tunnel. 

This picture from the Metropolis exhibition of Stewart Bale photographs captures a rare moment of calm and solitude in the Queensway tunnel when it was still under construction back in 1931. I expect it'll be considerably busier on Sunday with 5,000 people expected to do the walk and the Liverpool Philharmonic Youth Orchestra playing in the middle.

Conservation Technologies are probably best known for the cutting edge work they do using laser technology to clean and replicate sculpture and other precious objects. However for their latest major commission they will mainly be using traditional techniques to hand sculpt missing elements of Sefton Park's monuments.

The memorials to William Rathbone and the Right Honourable Samuel Smith in Sefton Park both originally had four bronze relief sculptures on their bases. Over time the some of the bronze reliefs have been damaged and three of them have gone missing. The only record of the missing bronzes is a small black and white photo of each, so Conservation Technologies will be recreating them from scratch using these pictures as a guide.

The first stage of this process involves sculpting master models of the replicas in clay. As they are quite large pieces the process involved is quite a feat of engineering. The amount of clay used to provide the master models weighs a ton (literally) in weight, so special frames have been built to support that amount of wet clay and then enclose the finished pieces in order to transport them safely to the foundry for casting. The frames are shown below; the first is empty, the second has wooden supports in place to support the clay and the third has a layer of clay in place already.

As this is such a large and ambitious project two members of the team will be working to recreate the missing reliefs. Christopher Dean will be sculpting the two larger pieces, while Sam Sportun works on the third smaller bronze.

You can see further photographs in our Sefton Park monuments Flickr slideshow, which we'll be adding to over the next few weeks. At the moment there are also photographs of the damaged bronze relief of 'Charity' from the base of the memorial to William Rathbone, showing where the arm of a woman kneeling at the front has been broken off. This will be replaced as part of the conservation process.

We'll be bringing you updates as this ambitious project progresses, so watch this space.

Here's some news from antiquities curator Carolyn Routledge, who has temporarily left her desk at World Museum Liverpool to work at an excavation in Egypt.

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"My time so far in Egypt has been fantastic! We flew into Cairo on 26 May very early in the morning and then set out by car on 28 May for the excavation. It was a 10 hour trip through the desert. It felt like a very long journey as taking the desert road meant the scenery didn't change much. Luckily we had air conditioning in the car. We don't have such luxuries where we are living at Abydos. We are staying in the American dig house set back in the desert along the ancient road that led to the tombs of the First Dynasty kings. The weather is very hot, reaching the low 40s Celsius.  Thank goodness we have fans!

We finally arrived at the dig house very late at night and very tired. The next day it was right to work setting up our desks and getting the objects organised to draw. I am working on the South Abydos project directed by Josef Wegner of the University of Pennsylvania. He is excavating the earliest known hidden subterranean royal tomb, which belonged to the pharaoh Senwosret III of the Middle Kingdom (approx 1850 BC).  Jen Wegner and I are drawing the objects that come from the tomb and the surrounding area.

It is early days yet, so not much has come from the tomb itself. This week we are drawing the mud sealings that were found near the entrance.  These are very small and can be very hard to read. The ancient Egyptians liked to 'lock' their things by tying them up and putting mud on cords marked with a seal, often a scarab seal. This is a lot like sealing a letter with sealing wax. On Thursday we went out to the tomb. I overcame slight feelings of claustrophobia to go down in the tomb and was able to go all the way to the burial chamber.  It was exhilarating to be sitting beside the sarcophagus of the king. 

The other reason it is great being here is that a number of the objects we are preparing for the new Egypt gallery opening in September come from Abydos. I can look out my window and see the area where John Garstang had his house and played golf among the dunes that hide the many ancient Egyptian tombs where he found some of our objects."

Alex Shears has had another busy day at the Aigburth Family Centre, who started making their own Liverpool cityscape yesterday. Here's her update on their very own work of art:

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"The second day at Aigburth Family Centre began with tons of excitement as we met Chris; a brilliant cartoon artist who helped the children to draw pictures of each other (not to mention power rangers!) We stuck on lots of cartoons and photos of the children’s faces but made sure to leave room fo children who come to the centre in the future. In the afternoon we came up with a name for the picture and made a big sign so everyone could see what it is called... 'My Liverpool'.

The picture is going to go on display in the entrance to Aigburth family centre to welcome everyone in."

The week beginning 1 June sees the Volunteers Team out and about as part of National Volunteers Week, promoting the diverse range of opportunities and projects  volunteers can take part in across each of our venues and departments.

You can meet them and find out more about volunteering on Wednesday 4 June, 12.30-4pm at World Museum Liverpool or on Thursday 5 June, 12.30-4pm at Merseyside Maritime Museum. There will also be an opportunity to learn more about our new v-involved Youth Volunteering programme, aimed specifically at 16-25 year olds.

Here's some more information and a few fascinating facts from our youth volunteer officer Claire Olson.

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"Did you know that:

- In the past year we have had 361 brilliant volunteers working on a multitude of different projects and placements.

- People regularly travel from as far away as Anglesey, Isle of Man and Yorkshire to volunteer at National Museums Liverpool.

- Volunteers have been an integral part of many successful and unique projects; for example we recently had 30 volunteers who facilitated on gallery during the recent Ben Johnson residency at the Walker Art Gallery. Not only did they work closely with a world renowned artist but they helped directly in the completion of the Liverpool Cityscape. (Photo of Ben Johnson vols)

- In October 2007, one of our Big Art volunteers David Whitby was a finalist in the Unsung Hero category for the Art 07 (Arts Council Northwest) Awards. David didn't win the on the night, but it was a huge achievement for him to be one of the four finalists and his presence is very much appreciated on the gallery.

Look out for more volunteer news and stories all next week on the blog, starting on Monday with a report from the launch of the Young Persons Steering Group on Sunday 1 June. The group consists of young volunteers (aged 16-25) who will meet monthly to discuss all things relating to Youth Volunteering and its role at NML. We'll give you all the breaking news on their new name!

If you have any queries or what to find out more please visit the volunteer section on the website, ring the Volunteers Team on 0151 478 4775 or send the volunteer team an email.

Finally, a big thank you to all our volunteers and staff working with volunteers for their hard work. I hope they know how great we think they are!"

Anne Gleave, our curator of photographic archives, has had an interesting phonecall from a sharp-eyed lady, who discovered a mysterious presence in the Stewart Bale photograph of the Anglican Cathedral under construction from the current Metropolis exhibition.

In the middle of the photograph there is a figure walking along the street, but only their legs are visible. Anne says this is probably the result of somebody walking past during a long exposure photograph.

Update 23/06/2008: After further examination of the image Anne has this update: "It could be that the figure was standing approximately in one place with the top half moving more than the lower half and a slightly long exposure only captured the lower half as the legs were more still. It is also possible that a dye may have been used on the negative to obscure a figure that was not wanted in the photograph; however, examination of the negative does not show any obvious signs of dye use. The detail of the image on the website does indicate a certain change of tone, as if a dye may have been used to remove the top half of the figure but then the question is if a dye was used, why wasn't it used to remove the feet; it does seem to be a bit of a mystery."

However there could be a more eerie explanation - after all, the mysterious figure is walking past the graveyard...

See what you think in this picture.

Ben Johnson isn't the only person who has made a large painting of the Liverpool cityscape recently. His enormous artwork has inspired some creative half term activities, as community development officer Alex Shears reports:

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"Staff from the community partnerships team have been out and about at Aigburth Family Centre this half term meeting Raymond, Warda and Issa.

We were all inspired by the Ben Johnson panorama and decided to get creative and make our own fantastic picture of Liverpool's skyline. We started by thinking of important places in Liverpool and then we drew a plan to mark out where everything would go in our picture. The children worked really hard drawing, cutting out, colouring in and taking photos.  After a short break for lunch we played some games in the Family Centre's garden and then came back inside to stick our picture together.

We are back at the centre for another exciting day tomorrow, when the children are going to meet a cartoon artist who will help them put the finishing touches to their work!"

Strange things are afoot in the basement of Merseyside Maritime Museum, where a brand new permanent gallery 'Seized! Revenue and Customs uncovered' opens this weekend.

The gallery reveals the mysterious world of smuggling and surveilance that's all in a day's work for Customs Officers, with help from unusual exhibits including exotic birds, dangerous weapons and a highly suspicious garden gnome.

To celebrate the opening a busy weekend of events is planned, including displays by sniffer dogs and hopefully a visit by a Customs cutter - as long as it isn't called away for an official operation.

Also in the basement, the newly refurbished Emigration gallery reopens this weekend.

Everyone dreads airport delays but this week our touring exhibition officer Mary Hesling had to deal with an unusual delayed departure caused by a fire several miles away. Here's her report of how her latest project was cleared for take off:

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"I was very pleased to be involved in the installation of seven stunning black and white photographs from the Stewart Bale collections at the Wetherspoons Lloyds Imperial, Liverpool John Lennon Airport. The display follows a broad theme, with images of the old Liverpool Airport, Liverpool city centre and docks.

After more than a year in development, all involved were delighted to see the final display going up. The installation, originally planned for 13 May 2008, was not without its problems! The awful Bluecoat fire in the early hours of Tuesday morning called all our handling and conservation teams in to help. This caused the airport installation to be postponed at short notice - and our thanks to Wetherspoon for their understanding about this!

We finally got out to the airport on Wednesday 14 May and, after only a few more hic-cups (not least of which being two inexplicably flat batteries for the power drill, despite them being charged over night!!!) our wonderful handlers put the display up beautifully, using only hand-powered tools and sheer determination!

The final display will be in place for one year, and I think it looks great. Next time you’re flying out of Liverpool why not get a drink at Wetherspoons and admire the show.

Thanks to Wetherspoons Pubs PLC for their contribution to this project."

Have you ever had one of those afternoons when you want to see some artwork, network with some artists, listen to some performances of poetry and music, maybe join in for a bit of a sing-along yourself, or maybe even listen to a talk about some Liverpool artists but you just can't decide which one to do? I bet it happens to you all the time.

Well the good news is that this weekend you don't need to choose if you go to the Face of the City showcase event at Merseyside Maritime Museum, which features all these things and more.

The free afternoon of fun takes place this Saturday, 17 May, from 1-4pm at the museum's dockside gallery. Have a look at the Maritime Museum What's On page for further details and times of performances.

On this day in 1915 the Lusitania left New York on what would be her last voyage across the Atlantic. As the liner approached southern Ireland on 7 May 1915 she was torpedoed by the German submarine U-20. She sank in under twenty minutes with the loss of 1,201 of the 1,962 people on board.

To commemorate the tragedy the Merseyside Maritime Museum have added a lifebuoy (or ring lifebelt) from the liner to the displays in the Titanic, Lusitania  and the Forgotten Empress gallery.

The lifebuoy was found by the skipper of a fishing boat from Kinsale who helped to rescue Lusitania survivors. He gave it to a visiting fish merchant, Arthur Miller, who displayed it in his office. It is now on long term loan to Merseyside Maritime Museum courtesy of Arthur Miller's grandson Dr Arthur Neiland.

There will be an act of remembrance for those lost in the sinking of the Lusitania led by the Rev Steven Brookes, Rector of Liverpool, on the 93rd anniversary of the tragedy. Everyone is welcome to the event, which will take place at 1.30pm Wednesday 7 May on the quayside outside the Piermaster's House - see this handy city centre map for the location.

Update: please note that the remembrance event will now be led by Father Robert Mackley.

Some objects in our collection are so large that conserving them is a two-person job. A good example is the 'All you need is love' bedspread, which is currently being prepared for display is the upcoming exhibition The beat goes on - opening on 12 July 2008 at World Museum Liverpool.

To prepare it for display the bedspread has been stitched to a backing sheet on wooden stretchers, which support it and keep it in place. Today textiles and organics conservators Vivien Chapman and Anne-Marie Hughes have been strengthening the bedspread with supporting stitches to key areas - a delicate process which involves passing the needle through the fabric from one person to the other, without being ever able to see each other. These stitches are so small that you wouldn't know they were there when you look at the bedspread but they play an important role in supporting it when it's on display.

The bedspread was originally used in John Lennon and Yoko Ono's Montreal 'Bed-In For Peace' in room 1742 of the Queen Elizabeth Hotel, Montreal in 1969. It is just one of the fascinating pieces of memorabilia that will be on display in the exhibition.

There are more pictures in a Flickr slideshow of the bedspread being conserved.

Rachel Porter from the Aquarium at World Museum Liverpool has exciting news about nine youngsters who have made their first public appearance this week. As she's the expert I'll let her tell you all about them:

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"These adorable little babies were born in July 2007 and are now big enough to go on display on our Aquarium gallery.  They are only about 4cm long but will grow to be 20cm long and are being fed little shrimp called Brineshrimp or Sea Monkeys. 

The Seahorses were bred here at the museum from the parents who we keep in our quarantine area.  The male actually gives birth to the babies after brooding them in a pouch for only 2 weeks."

Here's some great news to start the week with, the International Slavery Museum has been shortlisted in the 'Large Visitor Attraction of the Year' category in The Mersey Partnership Annual Tourism Awards 2008. The winner will be announced at the end of May.

If you haven't made it over to the museum yet to see what all the fuss is about this is a great week to go, as the Living Memorial to Nigerian activist and writer Ken Saro-Wiwa will be visiting from 23 to 25 April as part of Celebrate Earth Week 2008. There's also a talk at the museum with the artist who created the memorial, Sokari Douglas Camp, on Thursday 24 April at 2pm.

Here's the final blog post from Tom McConnell, our work placement student and Beatles fan, who has been lucky enough to see some rather special objects from the band's history.

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Hi

On Tuesday and Wednesday I have been working on the Beatles stage that John Lennon played on when Paul McCartney first met him. I had to sand parts of it and help take it apart before it is fully constructed.

Today I have been in paper conservation where I found all the Beatles autographs!! and I also saw many other Beatles items such as a Beatles writing pad.. Beatles stockings.. Beatles tickets.. Beatles newspapers.. and much more.

You know what it's like, you wait ages for a cultural bus then two turn up at the same time.

One bus, 'The Living Memorial', is actually a unique mobile memorial to the Nigerian activist and writer Ken Saro-Wiwa by the Nigerian-born artist Sokari Douglas Camp. It will be visiting the International Slavery Museum from 23-25 April as part of Celebrate Earth Week 2008. The programme of events for the week involves three days of African-inspired live music, art and poetry across Liverpool, including an artist's talk in the International Slavery Museum.

The week before that Liverpool City Council, the Culture Company and English Heritage are offering free coach tours of Liverpool's World Heritage Site - an area of the city including several of our venues. Appropriately enough the tours will take place on International World Heritage Day, 18 April at 11am and 2pm. Each 2 hour tour starts outside St George's Hall and takes in sights including the Albert Dock, Pier Head, Stanley Dock, Ropewalks and the historic commercial district. For further details or to book a free place see the Liverpool World Heritage website or ring 0151 233 2880.

 

In the normal scheme of things, art galleries are where you go to see paintings. However, in the fantastic work of the Singh Twins (deserved winners of the recent Liverpool Art Prize People's Award), you can look at art galleries in paintings instead.

You may remember that last year I spotted some of our venues in their painting 'Liverpool 800' when it went on display at St George's Hall. The talented sisters have just unveiled a new painting, 'Art Matters: The Pool of Life' to celebrate Liverpool's Capital of Culture year. As always, the picture is bursting with life, featuring a plethora of Liverpool people and landmarks infused with the vibrant colours of the traditional Indian miniature style of painting.

There's way too much detail to cram into a tiny space like this, but you can just about make out in this image that the Walker Art Gallery has made an appearance once again, half way down on the right hand side. It's being visited by the blue time-travelling taxi from the Magical History Tour exhibition, which appears to be driven by an escapee from World Museums Liverpool's Bug House. There's even a poster advertising the upcoming exhibition The Beat Goes On (thanks for the publicity ladies!)

Here's the latest update from Tom McConnell, our work placement student, who in case you hadn't noticed is a big fan of a certain Liverpool band!

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Hello,

Today I have been checking up on the music desk at the International Slavery Museum. This basically involved listening to many tunes on the desks and writing if it was working and to see if any improvements could be made to improve it for the benefit of the visitor… I particularly enjoyed "Sail Away" by Ray Charles but was disappointed that The Beatles had been taken off!!

Here's the latest update from Tom McConnell, who seems to be keeping busy on his work placement at National Museums Liverpool:

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Hello,

I’m now on my third day here at NML. I had a good day yesterday at World Museum Liverpool. Highlights for me were seeing the new Egypt galleries taking shape and a visit to the zoology department. I also fitted in a visit to the National Museums Liverpool stores where I spied a fab looking Paul McCartney poster.

Today I was back at the stores helping with the Museum of Liverpool project. There I had to locate and find objects for the up and coming The Beat Goes On exhibition. These objects included Stuart Sutcliffe’s Guitar, a Beatles 7 inch vinyl singles folder, a piece of fabric from the original Magical Mystery Tour bus in the film and Beatles bobbing-head dolls.

Here's the first post from a new contributor to the blog. As you can see from this picture, Tom is already hard at work on his first day at National Museums Liverpool.

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Hello,

I'm Tom McConnell and I'm in Liverpool on my work placement for two weeks. I will be working in various NML venues throughout the city. I live in Newcastle Upon Tyne and have done since I was 2 years old, but was born in Liverpool.

I've spent an interesting day today with Community Partnerships learning about the new Museum of Liverpool.  I am particularly excited about the Beatles section of the museum as I have worshipped them since I was 5 (and I'm 15 in two weeks).

There are many many reasons why the exhibition Metropolis: capturing modern Liverpool, which has just opened at the National Conservation Centre, is really rather brilliant.

Firstly the photographs, which all come from the Stewart Bale collection held at the Maritime Archives and Library, are all stunning. If you don't believe me, The British Journal of Photography (who know a bit about these things) described the name of Stewart Bale as being "associated with a quality of performance never equalled in the field of photography".

Secondly, they document a period of tremendous change and significant events in Liverpool's history, including the construction of the Anglican cathedral and launch of the Mauretania II at Cammell Laird to name just a couple.

Thirdly, there are lots of instantly recognisable local streets and landmarks in the photographs. Some of them have changed significantly, others are only subtley different now, but all of them make really absorbing images. I really like the view across the city's rooftops from 1934, which includes St Luke's church and the partially built Anglican cathedral. Since then the cathedral's tower has been finished but the church (known locally as 'the bombed out church') is now an empty roofless shell, so you still wouldn't get a completed view of both buildings today.

Need I say more? Do pop in if you have a chance, you've got until 10 August when the exhibition closes.

Here's the latest report from our School Champion Charlotte Osborne from St Margaret Marys Junior School, who has been on a visit to check on progress with the new Museum of Liverpool and explore some of the city's famous waterfront.

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"I really enjoyed our second champions visit to the museum to learn more about the Museum of Liverpool visit and the three Graces.

We were very lucky to have a tour of the Liver buildings and also visit the Port of Liverpool and Cunard buildings. We all felt really excited inside the Three Graces because not many members of the public visit there!

I concentrated on all the different objects in them and wondered whether any of them would be good to put in the Museum of Liverpool. In the 'Port of Liverpool Museum' there was a marble effect compass and when you looked up the view was really cool! In the 'Cunard Building' there were posters that read 'Cunard to Canada' and many more different posters! In the 'Liver Building' I enjoyed concentrating on the stained glass window. On the top of the Liver Building there was a Liver Bird on each side, one of them looked at the sailors wives and the other looked at the sailors!

We then went over to look at the new Museum of Liverpool with Karen, Dave and Curtis this was the first time we had looked at the building very close up and we are hoping to get inside the building for a tour next time.

I enjoyed watching the slide show of how the new Museum of Liverpool was going to look like, and all the different galleries. Liz asked us questions and I was really excited of how it is going to look when it is finally finished.

In the afternoon we all made a poem about Liverpool and the New Museum with Curtis and mine was about the history of Liverpool and the new galleries in the Museum. I enjoyed doing the creative writing and would really like do it again.

Dave set out loads of objects all about ships and the river and I was really interested in what he was talking to us about and I was focused on everything he was saying! I thought it was amazing that you can measure the angle of the sun from the horizon.
 
Thank you for my wonderful day out again, we are really looking forward to the next time we visit!"

Today many people across Liverpool will be celebrating St Patrick's Day, or maybe even continuing the festivities which seem to have kicked off on Friday evening.

If you are stuck for ideas of a fitting way to spend the day, here's a blast from the past in the form of a handbill from the Museum of Liverpool's collections. It's advertsing a 'St Patrick's Gala Night' held in Liverpool's Rialto Ballroom back in 1939. 

With cocktails, cabaret, dancing until 2am, 'Irish novelties' (whatever that means), a running buffet (for moderate charges) and Ben Reynold's Irish music it sounds like it was a top night. And all for the meagre price of 2/6 - which sounds cheap but somebody will probably tell me that was most your week's wages back then...

Here's a report from Ann-marie Cassidy, our project worker for engaging refugees and asylum seekers, about some of this weekend's activities.

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"Saturday was International Women's Day. This special day is celebrated every year on 8th March. Throughout the world thousands of events are held to inspire women and honour their achievements.

Here at World Museum Liverpool we celebrated International Women's Day with a number of special activities.

We began in the atrium, with an activity called 'Home Sweet Home?' We erected a temporary shelter, which we hoped would represent the shelters often used by displaced people fleeing their homes in times of crisis. We wanted visitors to think about the things that were really important to them, by asking the question:

'If you had three minutes to leave your home, what would you take with you?'

We asked visitors to write or draw their answers on the shelter. Answers ranged from the emotional: mum, dad, dog, rabbit; to the practical: tent, Swiss army knife, torch, matches; to the sentimental: photographs, jewellery. A number of people also said that they would bring their computer games - until their friends pointed out that there would be nowhere to plug in their computer! All in all, it was a very thought-provoking activity.

This was followed by a textile workshop with Maryam Patala, based on the textile piece Freedom - who’s set the borders? (currently on display on the World Cultures gallery). Visitors had the opportunity to improve their sewing skills and learn about the appliqué technique used by Maryam to create the piece." 

You can see more photos of the 'Home Sweet Home?' shelter on our Flickr page.

Admit it - in your rush to get to see the portraits of Henry VIII and Elizabeth I at the far end of the Walker you've probably dashed past most of the other Medieval and Renaissance paintings without giving them a second glance. Which is a shame because there are some real gems on display.

Take 'St Bernardino Preaching' by Francesco di Giorgio for example, which is the Walker's picture of the month in March. It's being highlighted following recent conservation treatment, which has brought all of the vibrant colours and incredible detail in this busy scene back to vivid life. Have a look at our online feature about the conservation of 'St Bernardino Preaching' to see images of the painting before, during and after treatment, plus some fascinating insights into the techniques used by the artist.

There are also some gallery talks about the painting this month. Curator of continental European art Xanthe Brooke will be giving the first talk today at 1pm. Then Nicola Christie, the head of paintings conservation, will be talking about the conservation of the painting on Thursday 13 March, also at 1pm. See the Walker Art Gallery's What's On page for further details.

You can now see a Flickr slide show of photos of the School Champions documentary team in action earlier this week. They've taken some fantastic shots, including some really good views of the Museum of Liverpool construction site from the ferry. I really like their description of the mixture of old and new building styles on the waterfront as, which they've called 'architexture'.

It's a few weeks since the last update on the School Champions project, which offers pupils from local schools the opportunity to get involved with the development of the Museum of Liverpool. In that time the budding Spielbergs who are filming a documentary about the construction of the new museum have been busy. Yesterday pupils from Weatherhead Media College and St Margaret Mary's RC Junior School took a ferry across the Mersey to film and photograph the Museum of Liverpool build. Afterwards Weatherhead pupils were also allowed onto the construction site to film.

Below is a report on the day's activities from Champion Libby Brunskill. Photographs from the day will be available on our Flickr page soon.

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"We all met up at 10.00am at the Maritime Museum and went through the action plan for the day. First, we began filming outside the Maritime, and did some establishing shots of Liverpool and the Liver Buildings. Then we walked down to Mersey Ferries and took shots from different angles and distances whilst on the Ferry. We managed to get some stills of St Mary and Margaret’s primary school, who were also on the Ferry at this time.

After this we went onto the construction site of the new Museum of Liverpool. We spent roughly an hour taking shots of the museum and came up with some really creative images of the reflection of the sun’s light on the pillars. Also cranes, the size comparison between the old museum and new one, workmen in action, skips and tyre tracks were very interesting. The best shot was probably the JCB, which we filmed at different angles with the Liver Buildings in the background.

Next we went back to the Maritime Museum and took various shots of the anchor and spiral outside it. We were able to capture the new museum and the Liver Buildings through the hole in the anchor, which looked really effective when zoomed out. Then, we finally took shots of the celebrity wall in the Maritime museum."

Any Welsh mothers out there should be spoilt rotten this weekend, for not only is it Mother's Day on Sunday but it's also St David's Day on Saturday.

E-cards for both occasions are available online, including a host of golden daffodils (well, 3 daffodils including a white one, but they're all very beautiful botanical prints from the fantastic collections at World Museum Liverpool) in the brand new St David's Day e-card selection.

Then for Sunday you can choose from a painting or an Egyptian mummy in the Mother's Day e-card selection.

If you haven't seen the Hello Sailor! exhibition yet, here's a great video by our friends at Homotopia TV to show you what you're missing. The short clip features Jo Stanley, whose research formed the basis of the exhibition, talking about the background to the whole project and showing some of her favourite things inthe displays, including some very bling shoes.

I just wanted to wish a Happy Chinese New Year to everybody out there, as today is the start of the best year in Chinese astrology (in my completely unbiased opinion) - the Year of the Rat. Anyone lucky enough to be born in the Year of the Rat like myself will appreciate that we are charming, quick witted and generally fantastic people. So now that it's our year I think that's something to celebrate.

If you're in town at the weekend for the festivities you can see some Martial Arts demonstrations at World Museum Liverpool on Saturday or make colourful Chinese dragons, lanterns or fans in workshops at the Maritime Museum on Sunday - check out the What's on listings for further details.

I haven't got a picture of a Chinese rat from our collections, so instead here's a piece of 19th century netsuke which does at least demonstrate the sociable nature of us rats. Sharp eyed visitors to the Magical History Tour exhibition may also spot some hidden amongst the displays in a trail for children (don't worry, they are soft toys, not real rats...)

It seems that everybody wants to be in Liverpool this year - and who can blame them with everything that's happening for the Capital of Culture festivities during 2008.

However, I hadn't realised just how well connected the city was until I started looking into it. Our museums and galleries seem to be littered (metaphorically speaking anyway) with little known links to well known people.

So in a homage to the well known trivia game 'Six degrees of Kevin Bacon' and Liverpool's Capital of Culture year in 08, we now bring you '08 degrees of separation'

For example, find out how even the man himself, Kevin Bacon, is connected to our collections.

The recent refurbishment of Sudley House gave our conservators the opportunity to spend some quality time with the paintings and objects on display there. A new online feature about the conservation of one of Sudley's paintings, Gainsborough's portrait of 'Viscountess Folkestone', reveals some interesting discoveries that conservators have made about the materials and techniques used.

Their analysis has shown that Gainsborough completely changed the composition of the portrait, painting over the initial landscape in the background to move the setting indoors. This may seem quite considerate for the elderly Viscountess, bringing her inside into the warmth (especially on a windy day like today). However, he also abandoned her initial seated pose and made her stand up in the finished painting, which is no way to treat an elderly widow if you ask me.

The study of the painting has also revealed information about the pigments and paint medium used. It's a great example of how conservators use modern techniques to study old objects in the collections and try to piece together information about their past.

Hot off the press, here's some fantastic news from our communications manager Joanna Rowlands.

Update: do you think that the International Slavery Museum should win? Leave your comments on the Art Fund Prize website.

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"We heard today that the International Slavery Museum has been nominated for the Art Fund Prize (formerly the Gulbenkian) and I’m sure I’m not the only one on the staff at National Museums Liverpool that considers it a real honour. 

The response to the museum has been quite overwhelming. Since it opened in August 2008 more than 150,000 people have been through the doors and the staff there have organised learning sessions for over 12,000 school children and members of the public.

Following the craziness of the opening week (meeting Harry Belafonte and observing the media circus around Jesse Jackson, pictured below, among my personal highlights) it was hard to know how the museum would be received. While we always hoped it would be popular we didn’t realise quite how significant the place would be to people from all over the world.

As we start work on Phase 2 of the work on the museum the feedback we get is essential. Comments from visitors such as ‘I think this was an achievement opening this slavery museum to let people understand what slavery is all about. This should have been done a long time ago’ give us an indication of its importance.

The judges for the Art Fund Prize, which recognises originality and excellence in museums and galleries, are coming up later on this month so we’ll be giving them a taste of just some of the events and activities on offer. Watch this space for more news."

I'm looking forward to seeing the latest adventures of Indiana Jones on the big screen later this year. If you want to see what real archaeologists do though, then you don't have to wait until the summer to find out. Our Field Archaeology Unit are holding open days on 1 and 2 February in Tarbock to showcase the findings of their latest excavation at the site of a new link road between the M62 and M57. The team excavated the site in a project sponsored by the Highways Agency and Laing O'Rourke Infrastructure.

Full details of the open days with pictures of some of the finds are on our website. Ron Cowell, director of this archaeological project, will be there to answer any questions. Here's a bit more information from him about the initial findings:

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"We have found sites along the line of the road belonging to several periods and visitors will be able to see the background at the open day. We have not long finished the excavations so the finds work is still at an early stage but here are a few preliminary findings of what will be available at the open days.

We found early prehistoric period hunter gatherer camps, some dated to 5000 BC and some possibly a bit later, possibly to 3-4000 BC. There will be some flint tools from the site on display including a Mesolithic flint from 5000 BC and a flake which possibly dates from c4-3000 BC.

We also found the industrial part of the Roman farmstead we excavated in 1993, when the original roundabout was built. That produced stamped tile of the twentieth legion, who were stationed at Chester, so the site was being used to make roofing tile and bricks which were then sent to Chester. The example here is dated to 167-8 AD. We have several of these already in the museum's collection from the previous excavation but we did find a lot of other tiles and bricks this year as well as some Roman pottery, so some of that will be available for viewing.

We found the metalworking area for the farm where they were making iron objects and examples of the iron slag will be available for viewing. We didn't find any metal objects other than two Celtic coins and seven Roman coins. They are being conserved so won't be available at the open days but there will be photos of them and the background to their finding.

We also found a medieval settlement dating from around 1200-1400 AD. There will be examples of the pottery from that site and photos of some medieval metalwork that was found there but is also currently with conservation."

Learning officer Carol White and museum demonstrator Dave Brown have met up with the second group of students taking part in the School Champions project, which is giving local schools the opportunity to get involved in the development of the new Museum of Liverpool. By the look of this photo and Carol's update below, they are going to be quite hard taskmasters during the course of this partnership, expecting great things from the Champions!

More photos from this visit, during which the students found out the truth about the Liver Bird and had a site visit to see the Museum of Liverpool construction, plus the trip earlier this week by St Margaret Mary's School are on the School Champions Flickr slideshow.

Over to Carol:

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"Sixth form students from Weatherhead High School Media Arts College, Wirral visited the Magical History Tour exhibition for a whistle stop tour of Liverpool's history with Dave Brown. 

The students will be producing a short documentary film about the new Museum of Liverpool during 2008 and will act as our 'School Champions'.  They will follow and report on the progress of the new museum's development.   ................ or else!"

I can never resist a nice map. I could easily spend hours poring over them, finding all the places I've been to (which doesn't actually take very long) and all the places I want to explore (a much longer list).

One of the factors that has made Liverpool the place it is today is that over the years a lot of Liverpool people have taken advantage of the opportunities offered by the port and have travelled all over the world. At the same time, the city has also welcomed many visitors from these exciting far off lands through the port.

A new temporary display from the collections of the Maritime Archive and Library, Liverpool - port of cultures, features photographs and documents showing how all this travel has brought a huge variety of cultural influences to the city from all over the world. It includes the map shown above and you can also zoom into the map on the website for a closer look, which could be handy if you're planning a world cruise - or just dreaming of one like I am.

This is the first blog post from one of the roving reporters in our School Champions project. Over the months ahead our learning team at Merseyside Maritime Museum are going to be working with the Champions to get their input into the plans for the new Museum of Liverpool, as part of the community consultation process. 

They have promised to let us know what they get up to, so here's a letter from one of the Champions from St Margaret Mary's School, who came on the first visit:

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"Thank you for a lovely day out at the museum and the piermasters house. I really enjoyed it. When I found out that we were going to see what the new Museum of Liverpool was going to look like I felt really excited to be part of the School Champions. I looked at the building and thought about what it was finally going to look like.

I really enjoyed helping with the History Detectives timeline and finding out what different things were, such as the 'Great Pyramid of Geeser'. I now know what order of events these things came in!

I was also really intrested in the activity where we had to find out what the different objects were, and I found out what things were that I didn't already know.

One of the best things of the day was sticking a china cup back together with tape (from hundreds of years ago). I really felt like an archaeologist!

I enjoyed going to the seafront to talk about the river Mersey. My favourite part of the day was going to the 'Piermasters House' because we were treated like wartime children. My mum's friend's Grandad was the Piermaster.

Thank you for my lovely day at the Museum.

From Charlotte Osborne, St Margaret Marys"

You can see a Flickr slideshow of photos of the School Champions, which we'll be adding to as the project continues 

You may have noticed some reports in the media recently about the possible discovery of a Viking boat at Meols in the Wirral. There has been considerable interest in the story and our Field Archaeology Unit have had a lot of enquiries about it, so they have put together some helpful information for the website with a summary of the facts that are actually known about the discovery.

So if you have been wondering 'Has a Viking boat really been discovered in Meols?' then you need look no further for the answers you seek. It's also interesting to find out what happens when a possible discovery is made, how archaeologists go about investigating it and why sometimes the best way to protect a site is not to investigate it at all but to preserve it for the future.

If you want to see some actual Viking treasure then don't forget that the Huxley hoard of Viking silver is currently on display in the Magical History Tour exhibition at Meresyside Maritime Museum, before touring to other venues in the area.

I've got some exciting news from my favourite Christmas fairy, namely Claire Noble from World Museum Liverpool.

Tomorrow at 2pm the Treasure House Theatre will be hosting a performance of the classic Grimm’s Brothers story 'Snow White and Rose Red'.

This adaptation by Tiny Giants theatre company promises to bring the strange, magical tale to life before your very eyes. Walk into a forest of dreams and watch out for the twists as this version of the classic tale has more Christmas spirit than a fairy on a tree.

Then don't forget that after Christmas the National Museums Liverpool's Youth Theatre are performing 'A Dickens of a Christmas' - their own retelling of 'A Christmas Carol'. If you didn't catch their antics in the museum over the weekend then try to make it to one of these shows.

Full details of all the free events and exhibitions taking place during the Christmas holidays at our venues are available on the website.

You wait ages for a great Christmas themed performance on William Brown Street then two arrive at once. Not only is the BBC Three Liverpool Nativity taking place there on Sunday, as I reported yesterday, the characters from 'A Christmas Carol' will be invading World Museum Liverpool over the weekend as well.

The theatrical invasion is in anticipation of the retelling of the famous Dickens story in the museum's Treasure House Theatre later this month. This Saturday and Sunday members of the National Museums Liverpool Youth Theatre will be roaming the museum in costume as Dickens characters, chatting to the public and sharing a good dose of Christmas cheer or ‘humbugs’. So come along and join in the Christmas spirit - or spirits, depending on who you meet!

The Treasure House Theatre’s production 'A Dickens of a Christmas' premieres on Thursday 27 December and is on every day until Monday 31 December with performances at 1pm, 2pm and 3pm. See the World Museum Liverpool What's on page for further details.

And while I'm on the subject, here's some trivia about the author to impress your family with over Christmas dinner. Did you know that Charles Dicken's daughter Kate was the model for the painting 'The Black Brunswicker' shown here? Usually on display in the Lady Lever Art Gallery, the painting is currently on loan to the fantastic Millais exhibition at Tate Briatin in London.

Anyone walking up William Brown Street this week will have noticed a large stage being constructed for BBC Three's Liverpool Nativity which is being broadcast live on Sunday.

It's a long time since I've seen a nativity play but I remember the last guests to arrive at the stable were the three wise men, who had travelled from far away to get there.

BBC Three have taken the 'moving the mountain to Mohammed' approach to choosing a location by building their stage right outside the workplace of at least three wise men and women - namely World Museum Liverpool. I don't know if any of our wise staff will be invited to this nativity but at least they don't have far to go if they do - they might even beat the shepherds.

They wont have to look far for inspiration for gifts either as the three traditional gifts brought by the wise men are all well represented in the collections. There is some frankincense and myrrh in the botany collections and plenty of gold in the antiquities collections, like this Anglo-Saxon gold medalet for example.

Personally I always like to get sweets at Christmas, so I quite like today's page on the National Museums Liverpool online advent calendar, which shows a special Christmas card from the famous local sweet factory Taveners.

Update 14/12/2007: Here's a photo of the nativity stage as it looked yesterday afternoon, on Flickr.

Did anyone mention that it's almost Christmas? Just a few times so far this year but it is only the first week of December.

This year we've got some brand new Christmas e-cards on the website. The latest selection features images from the fantastic Stewart Bale archive, which is held at Merseyside Maritime Museum.

They're accompanied by a Stewart Bale at Christmas online exhibition, with zoomifiable pages of all the photos. You could for example zoom in even closer to the photo shown here of the giant Father Christmas in Blackler's department store. But be warned, he's quite scary up close. Obviously designed to be seen from much further away...