National Museums Liverpool Blog - art

The Singh Twins next to Ranbindra's painting 'Oh Come All Ye Re-eds'

Is football a new religion? Can being a female artist be an advantage in some cultures? These are just some of the subjects covered in a brief interview I did with acclaimed local artists The Singh Twins. I chatted with Rabindra and Amrit at the private view of the Walker Art Gallery's latest exhibition The Rise of Women Artists, where Ranbindra's painting 'Oh Come All Ye Re-eds' is on display. One of the main things I was interested to find out was whether they ever actually define themselves as 'women artists' or if they didn't think about gender at all.

Amrit said; 'I think personally as artists we’ve never thought of ourselves as women, we’ve never defined ourselves as ‘British female artists’. I think that the gender issue is not really important, as ultimately I think the art should speak for itself and the quality of the work. Therefore it doesn’t matter if you’re a man or a woman.

But I think that it is important in the context of if you consider throughout history where there has been prejudice towards female artists then obviously that is something that needs to be re-addressed. I think there should be more incentives to support female artists especially since many of them are juggling a million things; family life and other commitments around the work they are trying to do. And it’s not always easy to take up a career in art alongside that and to commit to all your other daily activities. Essentially though, no I don’t think that gender matters. The work should speak for itself.

Rabindra said; 'From a personal perspective though, in terms of support for women, in the context of our own background and coming from an Indian family, actually we’ve had a lot more support being women than we would have done being men. Because traditionally it’s the men who are meant to be the breadwinners and go out and get a so-called ‘decent job’. There was less pressure on the women! So I think from our own cultural context I think it’s been an advantage that we’re women and we’ve had 100% support from our family in pursuing a career as artists.

You can listen to or download the full interview with The Singh Twins here and see photos from the private view on our The Rise of Women Artists Flickr set.

I thought my school days were over, but last week I was very excited to be able to join our class of Little Liverpool Designers on their very first school trip!

I had a lovely morning spent with Class R reception class from Kingsley Community School in Toxteth, touring Liverpool familiarising themselves with Liverpool’s famous landmarks to inspire artwork for the Museum of Liverpool’s dedicated children’s gallery Little Liverpool, opening 2011.

They will be working with illustrator Kate Pankhurst to develop the final artwork for display in Little Liverpool as part of our work with the ECHO in the Community programme, which aims to inspire young people by engaging in a cross section of activities, including the arts.

A Little Liverpool Designer gives the new Museum of Liverpool the thumbs up

At four years old, Mrs Randles’ reception class were a credit to their school, and it was fantastic to be surrounded by such young, inquisitive minds who were visibly impressed by everything they saw.

The first stop on our magical mystery tour of Liverpool was at the Anglican Cathedral, and I only wish I’d had a video camera with me to record their faces on walking into that grand, vast space and filling the air ‘wows’!

We also took a trip to the Catholic Metropolitan Cathedral, or Paddy’s Wigwam as it is affectionately known locally, where they were very taken with the colours and reflections coming in from the beautiful stain glass windows. Hopefully this will transfer to the marvellous artwork they’re soon to create for our Little Liverpool Gallery.

After the cathedrals, we also took a driving tour round many iconic buildings, including St George’s Hall and William Brown Street; home to World Museum, Central Library and the Walker Art Gallery.

Spotting the Radio City Tower overhead, our whistle-stop tour also took us past the Town Hall – "where the mayor lives" – and down to the waterfront where we met Museum of Liverpool buildings operations manager Martin Hemmings – "Bob the Builder" – and had a look at the location for Little Liverpool.

A lovely day out was had by all, so thanks goes to Mrs Randles and her ‘helpers’ for organising the trip, and for inviting Julia Bryan from the Museum of Liverpool team and I along. We look forward to seeing the wonderful artwork that Class R create in their roles as Little Liverpool Designers.

The conversation waned somewhat while they waited for the butler to appear with the superglue remover.

Remind me not to pick such a risque image next time. Some of the suggestions weren't exactly suitable for a family audience, even if rather amusing.

Anyway, a randomly gathered group of NML staff has decided that Clair Sharp has won the October caption competition with her caption: 'The conversation waned somewhat while they waited for the butler to appear with the superglue remover'. Well done to Clair. You can see all of the other suggestions on the original post.

Another image and another prize next month.

What sort of paintings inspire you? Those with flame-haired Pre-Raphaelite muses or striking 20th century works?

National Poetry Day is on Thursday 8 October and we want you to be involved! Get inspired by a painting at the Walker Art Gallery, write a poem about it and send it to us. 

We'll publish a selection of them on the website and pick one winning poem. The winner can choose one poetry book from the ones listed below:

• 'Rapture' by Carol Ann Duffy (hardback)
• 'The Mersey Sound' by Roger McGough, Brian Patten and Adrian Henri (paperback)
• 'Andraste's Hair' by Eleanor Rees (hardback)

The theme for this year's National Poetry Day is 'heroes and heroines', so we have put together a selection of paintings that we think fit in with this idea. These range from ‘Dante's Dream’ by Dante Gabriel Rossetti to 'Pin Up 1963 - For Francis Bacon’ by Sam Walsh. So now it's your turn to look through our selected paintings and get inspired!

Send in your entry by Monday 2 November using the online form on the Get inspired...at the Walker page. Good luck!

Millais' 'The Black Brunswicker' from the Lady Lever Art Gallery collection.

Post a comment to tell us what you think the caption should be for this image. It's 'The Black Brunswicker' by Millais (more on it and a larger image on our main site). The caption we think is funniest/quirkiest/most inventive wins this month's prize which is a rather nice hardback book, 'Women Artists In The 20th and 21st Century'. The book features Tracey Emin, Rachel Whiteread, Georgia O'Keeffe, Barbara Hepworth, Frieda Kahlo, Bridget Riley, Kara Walker and many, many more, and ties in nicely with the forthcoming exhibition, 'The Rise of Women Artists' which starts at the Walker on 23 October.

You've a couple of weeks to enter. If you're looking for inspiration September's entries are here.

The not-very-small-print: This is competition isn't open to NML staff or their families. The judge's decision is final. There's no alternative prize. Please keep your suggestions tasteful.

Update 27/10/09: October's caption competition has now closed although you can obviously still add your suggestions. The winner was 'The conversation waned somewhat while they waited for the butler to appear with the superglue remover'.

Bridget Riley

I was lucky enough to get to photograph Bridget Riley this week, while she was here for the opening of a major exhibition of her work at the Walker. She was pretty in demand so I didn't get to talk to her, but Press Officer Laura Johnson got chatting with Bridget who told her how pleased she was with the look of the exhibition. (You can see the final adjustments made to the displays by the handling team on our Moving Stories Flickr set.)

Bridget also talked a little about how she creates her work, describing how she doesn't always know what her work will end up looking like and that letting accidents happen often takes her in new directions.

You can get more of an insight into the inspiration behind her work in a short video clip on our exhibition page. In the clip Bridget describes how even brief moments when she sees light in a certain way, can be a form of inspiration:

'I remember one very hot summer, it was in the South of France and I was climbing a hillside of broken shale and the light was so strong that it dazzled. It seemed to come at me from all directions, it was beating down from above and beating back into my eyes at the same time. One lost all sense of focus. Everything seemed to disintegrate in light, the landscape dissolved - it was like standing in a field of pure energy.'

Her paintings are certainly dazzling as a result. Looking at 'Ecclesia', it is almost a dizzying experience, but definitely a pleasant one all the same. You can also see some of Bridget's early sketches that have many annotations around them and show the development of some of her paintings.

See more photos from the exhibition in our 'Bridget Riley Flashback' Flickr set and experience these stunning paintings and drawings for yourself, until 13 December 2009.

Does your child have artistic flair? © Simon Webb

We're currently working with Liverpool ECHO in the Community on a fantastic project for a class of under five-year-olds to have the chance to help develop the artwork for the dedicated children’s gallery in the new Museum of Liverpool.

Little Liverpool is a tailor-made gallery for children under six; a fantasy dreamscape where the youngest visitors will be able to relax, play and explore.

The Little Liverpool Designers competition is searching for a class from a Merseyside-based school to be appointed as designers, working with an artist to direct the final development of the artwork for the Little Liverpool gallery.

So, if you think your child has artistic flair and is within a class that you feel could win, encourage their teacher to enter the competition, and they could make their own historic and creative mark in the new museum!

Visit http://www.liverpoolecho.co.uk/community-projects for more info. The closing date is Thursday 24 September at 5pm, and the winning class will be appointed on Friday 25 September. Good luck!

You may think that retro fashion right now is all about shoulder pads, pink lippy and the influence of the 1980s. But some designers have shown that for the end of 2009, they are finding their inspiration in an era that is much more retro – try going back another 200 years to the 1780s!

Elle magazine has picked up on this trend, which they say is inspired by the paintings of the ‘Old Masters’ and did a whole spread on it in their September issue. Dolce & Gabbana have practically based their whole new collection around it, with sumptuous devoré velvet skirts, silk corsets in deep jewel colours and long flowing gowns with prints from paintings. We have several pieces of costume from the 18th century in our collections, one of which you can see here, which definitely has similarities to this D&G outfit and also this one!

She's in fashion

Reynolds created paintings that imitated the style of the Old Masters. He believed that by imitating the Old Masters he would help to ‘educate’ the British public, as he thought their taste was quite limited. You can also see works by these ‘Old Masters’ in our collections, such as Nicholas Poussin, Rembrandt van Rijn and Peter Paul Rubens.

But if all this expensive fashion seems out of step with the current economic climate, then have no fear. I read in one magazine that a ‘recessionista’ way of getting the look would be to borrow the tassled tie-backs from your parents’ curtains! Not too sure about that.

'The Doorway' by Whistler. © The Hunterian Museum & Art Gallery, University of Glasgow

The current Lady Lever Art Gallery exhibition, Whistler: The Gentle Art of Making Etchings, ends on 20 September, so you only have a couple more weekends to pay a visit.

To tie in with the exhibition's closure we're giving away a lovely hardback catalogue from another of the Hunterian's Whistler exhibitions. 'James NcNeill Whistler - Selected Works from the Hunterian Art Gallery' features 74 Whistler works (including three other versions of 'The Doorway' shown here), plus Japanese prints, manuscripts, silver and porcelain from the great man's collection.

To be in with a chance of winning the catalogue you need to tell us the name of the exhibition which follows Whistler at the Lady Lever Art Gallery (you'll find the answer on our main website). Send us your name, email address and answer using this contact form. Closing date is noon on Monday 21 September.   

A random group of people who happened to be in our office at the time chose Linda Reeds' entry as the best caption. Well done to Linda. You can see all the entries here. Another image and another prize in a short while.

All I said was 'Back a bit!'

While I'm here and talking about artwork I'll tell you about the Flickr group we've just started that celebrates the weird and wonderful world of credit crunch art. There's no prize for this one - just the knowledge that you've far too much time on your hands. Pick an artwork from our collection and recreate it using whatever comes to hand - cats, toys, food, your children, your co-workers - the possibilities are as limited as your camera's battery life. Upload them to your Flickr page and add them to our group. Again, please bear in mind that this is a family site!

We're competition crazy round here at the moment, and here's our latest offering - the caption competition! You probably already know the sketch. We show you an image (in this case a painting from our collections) and you come up with an amusing caption. This is the first pic (it's actually called 'What is it?' by Henry Stacy Marks).

Post your entry as a comment (please keep them clean!) We'll pick a winner next week who will receive a book of Cecil Beaton snaps (you can see it on Amazon - it's nicer than the price suggests!) which ties in nicely with the Beaton exhibition currently at the Walker Art Gallery.

You have until Monday to enter our competition and win a luxury weekend away in London.

This fabulous prize is being offered to tie in with the Royal Academy's exhibition, J.W. Waterhouse: The Modern Pre-Raphaelite, which includes one of the Walker's paintings, Echo and Narcissus.

The prize includes two nights accommodation at a five-star hotel, tickets to the exhibition and first class return tickets from Liverpool.

Competition details and how to enter can be found on our main site.

As regular visitors will realise, there are always small changes taking place within our galleries, even in the 'permanent' displays, as objects do occasionally get removed for loans or conservation treatment. An example is the painting 'Elaine' painted by Sophie Anderson, which is going to be included in the exhibition 'The Rise of Women Artists' at the Walker from 23 October 2009. Framing conservator Roy Irlam is using this opportunity to address particular areas of the painting's framework, as access to this painting has been difficult due to its high position on the gallery wall. You can see photos of the de-installation in our Moving stories Flickr set. Handling and transport technician Paula Frew explains just how this large painting was safely removed from display below.

Installing 'Daniel in the Lion's Den' in the Walker

"The handling and transport team use specialised equipment for paintings at this height which include a block and tackle system used to elevate and lower paintings. Each block and tackle section is equipped to take a safe working load of 250kg which are suspended from a lifting strap (SWL 1000kgs) which is attached to a load bearing picture rail.

Another piece of equipment which is an old favourite of the team's goes by the fanciful name of 'Airwolf'. It's a gas operated hydraulic lift that enables technicians to access the heights needed to reach the galleries picture rails.

The most recent addition to the team's repertoire of equipment is an electrical hydraulic lift embellished with the title of 'Leonardo'. This machine takes the weight of one person and can be operated at its base or by the operator in the caged platform area at various heights to move around the gallery area. Unfortunately it doesn't go as high as the 'Airwolf' and is therefore restricted.

The Mobile Elevated Towers named 'Pulpit Towers' are mobile platforms that have replaced ladders due to the new ladder regulations and adhere to the new safety rulings.

The large maroon coloured machine is called the 'Sumner lift'. This machine has been specifically adapted to take a 500kg weight, having counterbalanced weights in the enclosed basket. The machine can access heavy paintings at particular heights on its forks. It works on a ratchet and geared system operated manually, preferably by someone who has eaten a lot of spinach!

The equipment has to be condition checked before use which takes time, so the team started at 7.30am to make headway before the Walker opened to the public at 10am. Once it opened we barricaded off half of the gallery space rather than closing it completely to the public. We found that the visitors were more interested in our operation than they were in the collections!

Before taking down 'Elaine' we removed the painting beneath it 'The Expulsion of Adam and Eve from the Garden of Eden' using the Sumner lift machine. The team then set up the block and tackle for 'Elaine' and removed it safely.

The painting 'Daniel in the Lion's Den' by Riviere has recently returned to the Walker after going out on loan to the British Museum for their 'Babylon' exhibition. We installed this painting in place of 'Elaine' using the block and tackle system, then re-installed 'The Expulsion of Adam and Eve...' beneath it and re-opened the remaining gallery space."

Earlier this month I was lucky enough to be allowed to tag along on a shoot of a video interview with internationally acclaimed artist, Emma Rodgers.

I went with our audio visual team to her house on the Wirral, where she has her studio. They needed to film Emma because her work is going to be included in our forthcoming exhibition ‘The Rise of Women Artists’ , which will be at the Walker Art Gallery from 23 October 2009 - 14 March 2010. This video would be used to create one of the interactive displays for visitors to explore in the gallery and also to make video clips for our website.

The team filmed her working on some of her sculptures, while she answered questions about her inspirations, early career and what it means for her to be a female artist.

It was really interesting to hear about the processes that Emma goes through when creating a sculpture, whether this is of animals or humans. Sketches form the foundation of her work, sometimes from observations at Chester Zoo and also during animal autopsies at Leahurst on the Wirral. Through her work, Emma also travels abroad regularly. This also helps her study of animal’s bodies as she is sometimes lucky enough to hold animals like monkeys. She said she had been able to get to know the character traits of different primates, which also influences the way she depicts them in her sculptures. Emma clearly loves animals as well as finding them inspiring – we even met her pet hare, Mr. Redfern, who she said has helped her think about joints and bone structures in her work.

Emma has also spent time observing and sketching dancers and said she is fascinated by their muscle structures and how their bodies become altered through dancing. As she was answering questions from curator, Robin Emerson, she was building up a sculpture of a woman’s body, piece by piece.

You’ll have to wait until the exhibition opens on 23 October 2009 to see the video clips and find out how that sculpture turned out! In the mean time you can find out more about Emma's work on her website or browse through our Emma Rodgers Flickr set.

When they handling team say they're moving houses they usually mean literally!

As I've mentioned many times before, there's never a dull moment for the handling and transport team. Since I last reported on their activities they have safely transported a huge variety of objects from our collections, including ship models, paintings, a stained glass window and some Hindu Gods (well, sculptures of them, anyway). Some have been moved from storage to the conservation studios for treatment and back again, other objects have been gone on or off display and a few have ben loaned to other organisations.

Some of the more unusual jobs have involved taking a whole rack of uniforms to the conservation freezer to treat a possible insect infestation and weighing weapons from the collection in order to determine the floor loadings of planned displays in the new Museum of Liverpool.

On a rare break from work a few weeks ago the team had a sneak preview of the new galleries currently under construction at the Museum of Liverpool. They were all impressed by the scale and design of the building. However in the back of their minds I'm sure they were all thinking the same thing - they'll have their work cut out installing all of the many objects in this huge building in time for the opening.

You can see what they've been up to in the Moving stories Flickr set of photos.

Send us your memories about Liverpool!

Here at the Walker Art Gallery, in partnership with the University of Liverpool, we are launching an exciting new programme of adult and family events inspired by Ben Johnson’s 'Liverpool Cityscape.'

Join us for cultural walks around the city or bring your little artists to Big Art and try out making collages inspired by this impressive panorama. Like all our events and exhibitions, it is all free!

We'd also like to hear about your memories, views and opinions of Liverpool past and present in our event; 'We Love Liverpool' taking place at the Walker.  All of the comments we get from you will be recorded to form a living history of the Liverpool.

If you can't make it to the gallery you can still submit your memories by adding a blog comment below. So let us know what you think...

My view of Trafalgar Square from the Fourth Plinth

It's my first day back in work after a short break today, and I feel that I've returned with a whole new level of understanding of the works of art that I promote on the blog and website. For while I was off I did more than just DIY and sunbathing. I actually experienced what it feels like to be a work of art myself when I spent an hour on the Fourth Plinth in Trafalgar Square as part of Antony Gormley's One and Other project. One hour, one plinth, one Sam.

I've spent many hours amongst the crowds in Trafalgar Square but have never had those crowds watching and photographing me before. One man asked if I was going to do anything, which is a bit of a strange thing to ask a sculpture. I've never heard anyone ask any of the figures in the Walker's sculpture gallery if they were going to do anything, our visitors seem quite content to appreciate the sculptures as they are with no expectations of entertainment.

I did do something on the plinth though - I took lots of photos (which you can see in my Fourth Plinth Flickr set), I talked to people, I chased a very persistent pigeon and I waved at a lot of people on open top tour buses. That's something that I miss now that I've returned to ground level - I still wave at the tour buses that go past in Liverpool but nobody on them is remotely interested in waving back to me any more now that I'm just a regular person again.

With so many distractions the hour passed very quickly. I really enjoyed my time on the plinth but don't think I could handle that level of attention and public scrutiny every day. I'll try to be kinder and less critical of any sculptures I see in the future, now that I know the kind of pressures they face being viewed each day, some of them patiently sitting outside in all weathers for the public's enjoyment.

As usual, when I was down in the capital I caught up with a few familiar faces, in this case 'Echo and Narcissus', who appear in the Walker Art Gallery painting that is currently on loan to the Waterhouse exhibition at the Royal Academy. It's a fantastic exhibition which also features 'The Decameron' from the Lady Lever Art Gallery.

We've been following the progress of Kensington Youth Inclusion Project on the blog, from when they first started working on ideas based on the John Moores 25 exhibition, to doing paintings of their own with artist Keiron Finnetty, right up to now, with the final display of their paintings in the gallery at the weekend. The group have even tried their hand at Haiku and rhyming couplet poems inspired by the exhibition! We recorded their readings of these poems and they'll be available to download as a podcast on the website soon.  Here is Learning Officer Lauren Gould's final words on the work of these budding artists:

Be sure to make a trip down to the Walker to see these unique takes on paintings in the John Moores 25 exhibition before the show closes on 4 January 2009; a great way to walk off those extra Christmas calories!

Artist Keiron Finnetty with artists from the Kensington Youth Inclusion Project and Learning Officer Lauren Gould.

The public have spoken! After several weeks of voting, you have chosen Julian Brain's painting, 'Special Relativity', as the worthy winner of the Visitors' Choice Award. Julian was also chosen by this year's jurors as one of four runners up in the main John Moores 25 competition and is the only self-taught artist in the entire exhibition. 

He was at the Walker Art Gallery this morning to collect his prize. Alex Richmond from Rathbone Investment Management presented him with a cheque for £2008 to celebrate the 2008 Capital of Culture year. Julian was also given a bottle of champagne - though he said it was a bit early in the day for him to open it!

Alex Richmond (right) presents Julian Brain (left) with a cheque for £2008.

As promised in an earlier post, here's an update on the work of Kensington Youth Inclusion Group who have recently been creating their own versions of paintings from the John Moores 25 exhibition. Their interpretation of 'Black Bile' is certainly a refreshing new take on the painting, using an attractive candy pink! Here's Learning Officer Lauren Gould to tell us more...

Over four after-school sessions at the Kensington Youth Inclusion Project centre, we have created some fabulous works.  Local artist Keiron Finnetty help each of the two groups to create a large work based on some of their favourite paintings from the John Moores exhibition.

They collectively worked on a re-interpretation of 'Fontana' by Peter McDonald and 'Black Bile' by Alex Gene Morrison.  I highly recommend making a visit to the Walker Art Gallery once these unique works go on show at the beginning of December!

Each young artist then created a painting of their own, based on sketching done during their visit to the John Moores 25 exhibition in October.  This coming Saturday they will make their final visit to the Walker to write poems responding to the paintings that inspired them most. 

I'm good at making spaghetti bolognese, I'm not bad on bass guitar, but I am no good at drawing! I'm envious of anyone who's good with a pencil and we've been lucky enough to have some budding artists at the Walker Art Gallery recently, from Kensington Youth Inclusion Group. Here's Learning Officer Lauren Gould to explain what the group have been up to...

Making great art together: budding artists from the Kensington Youth Inclusion Group.

You may remember that some fantastic young artists took part in completing the 'Superfiveadaybanana' that was in the Walker Art Gallery as part of 'Go Superlambananas' over the summer.  Once again, these young people are participating in a project that will bring their work into the gallery for a unique display. 

Eleven young people from Kensington Youth Inclusion Group visited the John Moores 25 exhibition during the October half term.  They explored the exhibition looking at texture, colour, pattern and light as well as discerning the difference between abstract and figurative art.  The group focused on 'Fontana' by Peter McDonald, 'Sometimes We Sense the Doubt Together' by Roland Hicks and 'Special Relativity' by Julian Brain and explored the themes of; artists at work, everyday objects and home. Each young person did a drawing that they are going to develop into their own painting with local artist Keiron Finnetty.

Watch this space for images of their work progressing on the blog and for their paintings, which will be up in the resource area in the John Moores 25 exhibition at the end of November.

Sunday 2 November will be your last chance to vote on who you think deserves the Visitors' Choice award, from the John Moores 25 Contemporary Painting Prize exhibition. You can get a voting card at the Walker Art Gallery and have your say about who should win the prize of £2008.

Take a look at my earlier post about the Visitors' Choice award, and watch a video with some of this year's judges talking about a selection of paintings from the exhibition.

Get inspired and get voting!

I'd seen the preview photos of the new 'unfolding' exhibition at Sudley House, but seeing the sculptures in reality was still quite a surprise! The sheer size of each piece was much bigger than I had imagined, which gave them real impact. Seeing them in situ at the house allowed you to see how they fit in with the building and its rooms. Each sculpture has subtle details that link them to each room - whether this is its furnishings or the original use of the room. At the same time, each piece has been designed to represent different aspects of the mind. 

Below is the 'Shell' sculpture that is in the morning room (also known as the study), which you can see has a floral pattern on the inside. This is inspired by the wallpaper that is in this room.

The red pointy creations seen below are laid out on the dining room table of the house.You can see that the darkest shades match the red upholstery on the chairs.

These sculptures represent the industrious self (left) and the social self (right).

It is as if the sculptures are almost chameleon-like, taking on a feature of the room but still standing out as they are so contemporary in comparison.

It makes you wonder what the Holt family might have thought if they came downstairs for breakfast and saw these sculptures on their dining room table!

Wow. What a great feeling it is to give rather than to receive, yes?! Well you have the power to help decide who will get the grand sum of £2008! All you have to do is get voting in our Visitors' Choice award for the painting you like best in the John Moores Contemporary Painting Prize exhibition at the Walker Art Gallery.

Take a good look through the exhibition and think about which painting deserves your vote. Which one jumps out at you? Which one leaves a lasting impression? Is there one that really gets under your skin?

Once you've made your decision, just cast your vote while you're in the gallery by filling in a Visitors' Choice card by Sunday 2 November 2008.

To get you thinking, here is a video with some of our judges;  Sacha Craddock, Paul Morrison and Graham Crowley, talking about some of their favourites:

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Want to help with a project about how drawing helps us relate to the world around us? Then come along to the Lady Lever Art Gallery this month and you can assist PhD student Pippa Sherriff from the University of Leicester, who is researching this very subject for her thesis. Pippa is inviting visitors to get involved in drawing activities at the gallery and to talk to her about their experiences to help with her research. Read on for more details from Pippa herself...

My name is Pippa Sherriff and I am a Research Student in the Museum Studies Department at the University of Leicester. My doctorial project explores the experience that adult visitors have when they are encouraged to draw in Museums and Art Galleries of Art and Design. I am interested in how the process of drawing encourages a closer engagement with the world around us and may enhance the understanding and appreciation of the object(s) encountered. 

Get drawing at the Lady Lever

I am inviting adults to come and participate in a drawing activity at Lady Lever Art Gallery, Monday to Friday from now until the end of September 2008. I have in situ a good supply of drawing materials or people may prefer to bring their own. Following the activity I am seeking people to talk to me (approx 10 minutes) about the experience and so contribute to my research findings.

In essence this is an opportunity for people to express their feelings about the drawing process itself and engagement with the object(s) encountered. The conversation will be conducted in a quiet space, audio recorded and then transcribed at a later date. There are no written questionnaires to complete and any confidential or sensitive information is neither expected nor required. Participants may also withdraw at any time if they so wish. 

My final thesis will include descriptions and quotations of the experiences related by drawing participants. However, importantly, each will decide how their individual contribution is attributed. A research consent form will detail this information. If anyone is also interested in being kept informed about the progress of my research I am willing to establish email contact.

Contact the Lady Lever Art Gallery for more details on: 0151 478 4136

This week saw the unveiling of the mysterious 'Arbores Laetae' or 'Joyful Trees' which started spinning near the Cains Brewery in Liverpool, to herald the run up to this year's Liverpool Biennial.  It all kicks off on 20 September, with the announcement of the winner of the John Moores 25 Contemporary Painting Prize at the Walker Art Gallery.

The creation of artists Diller Scofidio + Renfro, these spinning trees are certainly a bit spooky, but also not great if a dog decides to spend a penny nearby I think. Here is a video so you can check it out for yourself:

Today we've launched what will hopefully become a regular feature on the site - our 'Name that Object' competition. We'll be revealing a new detail of an object (it's an artwork this time - bit of a clue for you there) every day for a week with the answer at the end. This is today's clue. There's a prize of a miniature Superlambanana to the first person to correctly identify the piece and to email us the answer using the form on the competition page.

If you're as forgetful as me you can always subscribe to the rss feed to get updates, or just click backwards to see previous clues. And as a final hint I'll tell you that the object is somewhere on our website. There, I've said too much already...

The first clue in the name that object competition

I’ve just recently got slightly obsessed with Tracey Emin. It started when I picked up her diary-style book, ‘Strangeland’ from my local second-hand bookshop (Amorous Cat Bookshop, really cool). It has crept up on me, to the point where I now buy the Independent every Friday to read her column and look at the accompanying artwork. And then recycle the rest of the paper. Ignoring the celebrity element, she is pretty fascinating and now I want to find out more about her actual work. Luckily my obsession has not gone un-noticed and I was given another book about her for Christmas, so I can start to read more about what she has produced. From what I already know, her work seems to be intensely personal and her sketches are appealingly messy and haphazard looking. I’ve started taking some polaroids which are mostly blurry, messy and definitely haphazard (because I’m not very good), so maybe I’ll carry on trying with that technique!

An early attempt with my polaroid camera

 I also found out that Tracey also has strong links with Liverpool, having co-judged John Moores 24 and created the ‘bird on a pole’ bronze sculpture, which was placed outside the Anglican Cathedral in 2005. She was even immortalised in Lego form in ‘Art Craziest Nation’ by The Little Artists (John Cake and Darren Neave) in an exhibition at the Walker Art Gallery! Her latest venture in Liverpool will be a neon installation, which is due to go on display in September 2008 at the Anglican Cathedral. She is now sober and has a growing interest in religion, so I can’t wait to see what that will be like…

You've missed a bit...

Wow what a mammoth painting! Like Angela (below) I came along to jostle with the local paparazzi (well, Jayne Barrett from North West Tonight, pictured above) and national press, to catch the first glimpse of Ben Johnson’s Liverpool Cityscape. Taking a closer look, I could see that a few essential bits are still missing…where are the Liver Birds? And the burning question – why have the hands on the clock of the Liver Buildings not been added in yet? Is Ben waiting until the last minute to add them, showing the exact time he finishes? That’s my theory anyway. Ben is also asking for your opinion on your favourite building in The Liverpool Cityscape. You can vote for your favourite by filling in a voting card in room 15 of the Walker and dropping it in the box that’s there. If you submit your entry before 11 February, you will be entered into a draw to win a signed print of your favourite building by Ben Johnson. A pretty unique prize!

Now it’s coming to the end of the year. Your reindeer antlers are drooping after the office Christmas party, the sequins on your party dress are fading and you’re wondering what happened to that pile of sprouts you hid behind the piano to avoid eating them (and avoid upsetting your host). So while you consider if you can stomach another mince pie, why not have a think about your favourite National Museums Liverpool exhibition from 2007 and vote in our online poll!

Did ‘Doves and Dreams’ inspire you way back in Spring of this year? Or did you enjoy getting an intimate glimpse of The Beatles with Michael Peto’s revealing photography exhibition? Have your say and come back to find out the results in January. Once you’ve voted, you can also check out our program of events for 2008 here…

Note: Now These Days Are Gone, Victorian Visions, Magical History Tour and Merchant Palaces are continuing into 2008.