National Museums Liverpool Blog - conservation

Head of objects conservation,Vivien Chapman, (left) inspecting the flag in the textile conservation studio

This special Rainbow Flag was recently donated to the Museum of Liverpool's permanent collections and will be displayed pride of place in the People's City gallery in the new Museum of Liverpool when it opens in 2011.

This flag represents a very important first in Liverpool. It was flown above Liverpool Town Hall for the first time for the International Day Against Homophobia on 17 May 2009. It is just one of the many objects with amazing stories which curators seek out to ensure contemporary issues and events in the city are represented for the future. International Day Against Homophobia marks the day in 1990 when the World Health Organisation took homosexuality off its list of mental illnesses. It is hard to believe that until relatively recently this was still the case but with recent homophobic attacks in Liverpool it is all too apparent that there is a long way to go in challenging prejudice and intolerance.

The flag was kindly donated by Liverpool City Council. It is a fitting time to add it to the collection at the start of Liverpool's annual Homotopia festival. National Museums Liverpool has always supported the festival and will be holding a free talk about the secret language of Polari at 2pm this Saturday at Merseyside Maritime Museum as part of the programme of events. Further details are on the Sailing Proud page on the Merseyside Maritime Museum's website.

You can see more photos in the Rainbow Flag set on Flickr.

Here is Laura Healy from our Development Office to tell us why she is mad about Thornback Rays and how you can support our RayWatch project to help protect them.

Laura and her furry new friends

According to local anglers, October is the best month to find Thornback Rays in the River Mersey. One of the most popular animals on display at World Museum's aquarium in Liverpool, they are also the focus of our new public appeal called RayWatch.  

We're working with the Sharktrust to tag Thornback Rays in the Liverpool Bay area and monitor them in the wild. I work in the Development Office and volunteer in the aquarium so I've been making 'Ray Champion' packs and I'm currently on-call to go on an all-day tagging trip on the Mersey once the weather is right!

It's funny how many people don't realise we have Thornback Rays in the Mersey. I'm excited that RayWatch is going to help us learn more about the rays and most importantly, how we can help to protect them. 

The first thing I noticed about the Thornbacks when I saw them at World Museum, was that they are such a beautiful colour. They are covered in a pattern quite similar to that of a leopard. They also have thorny tails (hence their name!), which aren’t dangerous to humans. I've been told that Thornbacks rays aren’t actually rays at all – they are skates, who lay eggs rather than give birth to live young.  

For £10 you can adopt a ray; add your Thornback Ray's name to our RayWatch web page and get updates on it's location and the whole RayWatch project. For £25 you can become a Ray Champion. In addition to adopting a ray, you also get a cuddly ray toy (pictured) and a family ticket for a behind the scenes tour of the aquarium at World Museum in Liverpool.  

I'm telling all my friends and family about RayWatch - it's for a great cause - so join me in supporting our conservation effort!

Françoise Chircop Rutland of the University of Liverpool, who is doing her PhD on NML Hittite collections, asked Annemarie Le Pensèe in Conservation Technologies to scan a mysterious mould from an excavation by Professor Garstang in 1907 to 1911 at Sakje Gözü, southern Turkey.  Making a computer positive from the scanned negative it turns out to be a mould for a type of axe known in Middle to Late Bronze Age Egypt - between 1300BC and 1180BC.

Screenshot of a 3D computer model of the the cavity of a Hittite mould mirrored and reversed. The 3D model was created using non-contact laser scanning.

The axe - called a 'fenestrated "duck-bill" axe' on account of its window shaped apertures and its duck-bill shape - is known from other examples (not in our collections) though both moulds and axes of this type are rarely found outside of Egyptian collections. There's not many moulds about... and moulds, presumably, facilitate the production of more axes for use in the ‘smiting’ of which the Hittites were so fond according to the Old Testament of the Bible.  Some archaeologists now believe that these axes were used for ritual battles between prize fighters and symbolised high social status both in life and death – since these axes were buried with them. 

Several statues from the Lady Lever Art Gallery have recently been out on loan to the V&A for the 'Thomas Hope:Regency Designer' exhibition. On their return they made a quick pitstop in the sculpture conservation studio, where they were checked and re-waxed before being ready to return to public display.

You can see the sculptures making their way back to the Lady Lever Art Gallery in our Moving stories Flickr set. As you can imagine, moving several large, heavy sculptures without damaging them is quite an operation, which required the combined efforts and specialist skills of the technical services team, sculpture conservators, conservation technologies and the handling and transport technicians, as well as some serious heavy lifting equipment. The good news is that the move was a success and the sculptures are now back on display.

Nicky Lewis examining original photographs by Stephen Shakeshaft in the paper conservation studio

In the build up to Liverpool People by Stephen Shakeshaft, which opens in a few days, I have been posting some of the photographs that didn't quite make it into the exhibition on the blog along with Stephen's funny and insightful stories behind each one. But I'm sure you're all dying to know about the pictures that are actually in the exhibition. One person who has seen them already is Nicky Lewis, who has mounted and framed them all ready for display. This included a few original prints, which required extra careful handling as she explains:

"After days spent mounting brand new prints of Stephen Shakeshaft's work it was a real thrill to get my hands (gloved, of course!) on some of his original prints. All of his images have great stories to tell but there's something quite special about seeing the real thing. The creases, tears and fingerprints, the scribbled notes and pencil lines to show where the image was to be cropped, all transport you to the desk of the newspaper photographer and that - I imagine - frantic time before that day's newspaper went to print.

Although the images will be framed in a similar way to the copy prints I instantly have to think differently with original objects. We have a responsibility to not allow their condition to deteriorate any further. So I have chosen mounting materials that are acid free and controlled the amount of light that the photographs are exposed to, and will monitor them closely while they are on display. You can also take a closer look at them in the exhibition at the National Conservation Centre from Friday."