National Museums Liverpool Blog - walker art gallery

Sorry to those of you who won't have seen the answer to July's Name That Object competition - slight technical hitch. The answer was 'Waiting for Legal Advice' by James Campbell, and the winner of the exhibition catalogue was A Porter of Liverpool. Another competition and another prize next month.

Today two halves of a medieval ivory diptych will be reunited thanks to a special collaboration between the Walker Art Gallery and National Museums Wales.

The diptych, which was made in the 14th century, portrays the birth of Christ, with the Virgin and Child flanked by Saints Peter and Paul, on the left-hand panel, while the right-hand side shows Christ on the cross flanked by Mary and John. Originally the leaves would have been joined together - you can see the holes for the hinges in the image above. However, over time they were separated and now the left hand panel is in the collections of the Walker Art Gallery, while the right hand one belongs to National Museums Wales.

The Walker's panel has been lent to National Museum Cardiff for a year-long display with the other half of the diptych, which starts today as part of National Archaeology Week.

When the original is returned to Liverpool visitors to Cardiff will still be able to see what the complete diptych would have looked thanks to a highly accurate copy of the left panel made by the Conservation Technologies team at the National Conservation Centre. Laser technology research scientist Annemarie La Pensee told me all about it:

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"Last year Conservation Technologies was commissioned by Amgueddfa Cymru - National Museum Wales - to make a replica of the left-hand leaf of the diptych that we have here at National Museums Liverpool. Using 3D laser scanning and CNC machining we made an accurate replica from polyurethane resin that was patinated to make it look like the original.

Here in the laser technology team, we found the project really great to work on. The leaves are quite small, only 10cm in height. However, because of the highly carved surface we used our most accurate scanner to record the sub-millimetre details and the resulting dataset was as big as those we create for much larger objects. It is also interesting to see how different the two original leaves are in colour and texture because they have been apart and have been exposed to different environments."

Director of art galleries Reyahn King has this update from the end of the judging process for this year's John Moores competition:

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"Friday was the last day of judging and the jurors came in to review the 41 paintings selected for the exhibition. Interesting that the competition with the most entries ever is going to become the exhibition with the fewest exhibits to date. The exhibition is going to be clearly about painting today and reflects an approach from the jurors that amongst them was coherent and much considered. As Sacha Craddock put it "We've argued a lot in the first stage but we found now we had a coherent sense of what we had got". All the jurors, Sacha Craddock, both Chapmans, Graham Crowley and Paul Morrison, agreed that the works selected all reflect a self conscious and sophisticated approach to painting that has absorbed and moved on from earlier debates. Jake Chapman put it well "All paintings have to emerge from conceptual rules. You can talk about pictorial art but not figurative".

The day finished up at lunchtime with a barbecue with guests from Tate Liverpool and Liverpool Biennial in A Foundation next to the paintings' warehouse – and despite their pleas, our lovely colleagues were not allowed in for a sneak preview! The art handlers had a well earned break over lunch – without their behind-the-scenes moving around of paintings and their flexibility – bringing out some paintings, taking them back, bringing them out again – the process could not have been so smooth or so well considered.

The next big dates are 8 and 9 September for the exhibition layout and hang. Between then and now we need to plan the exhibition, catalogue and so on and we'll keep you posted."

Here's the latest update from director of art galleries Reyahn King, who has had a busy couple of days at the critical final stages of selection process for this year's John Moores competition:

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"After sifting to make a first selection yesterday the judges looked again at their choices which our art handlers had set out around the warehouse so all were visible. Wandering around they then all pointed out works they wanted to discuss again and confirm whether they should stay in the exhibition or not and I had my work cut out as they moved about sometimes together sometimes separately marking the works to be reconsidered.  They decided to discuss about 15 in more detail.

As each work selected was brought before the panel back in the viewing area the discussions were almost always excited and occasionally sparks flew if only for a moment. Early on it had been agreed that critical distance was important and discussions were frequently about what could be understood about the intention of the artist when viewing the painting. Be prepared for an exhibition likely to challenge older concerns about painting. In relation to definitions, one juror commented "the competition's not about whether or not it's a painting, it's about whether or not it's good." And on those criteria, the judges selected the final show and with a surprising degree of agreement the prizewinners!"

We're getting to the business end of the John Moores competition process - judging the paintings that made it through the first round and picking a winner from them. Chair of the judges and director of art galleries, Reyahn King, has the latest.

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Paintings have been arriving from depots all over the UK to our judging venue in Liverpool over the last few weeks. Jurors arrive in the city tomorrow and I am rushing to get back to Liverpool in time myself after a trip to London. Two of our jurors, Jake and Dinos Chapman, have an exhibition on at White Cube which I went to see today - painful and painstaking revisitings of Hell - and appropriately enough new paintings. Their paintings are literal comments upon old bad paintings so I fully expect them to be tough critics in front of all the competition entries tomorrow.

There's just a few days left to submit your application for one of the 10 Creative Apprenticeships on offer. A number of Merseyside-based cultural organisations, including National Museums Liverpool, are involved in a project to foster emerging talent and give young hopefuls a solid grounding in the arts and culture industry.

By the end of the year-long apprenticeship you'll have earned a Level 2 Certificate in Creative and Cultural Practice, and a Level 2 National Award in Community Arts Management, but perhaps more importantly you'll have developed the skills and contacts you'll need for a career in the industry.

More details are available on the Creative Partnerships Liverpool website.

Claire Olson summarises National Volunteers Week, and thanks all the willing souls who help out here.

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Last week the Volunteers Team were out and about at different venues and events in the North West promoting volunteering opportunities at NML.

During the week we met with lots of people who are keen ‘volunteers in the making’ and eager to find out more. We also received lots of positive feedback about our museums, with many families telling us how much they enjoyed visiting! We also welcomed the launch of Mersey v’s; our new Young Persons' Steering Group, who will be championing volunteering across NML.

National Volunteers Week may only come once a year, but we would like to take this opportunity to thank our volunteers for all their support and hard work throughout the whole year – their positive involvement is much appreciated – as acknowledged by our director, Dr David Fleming:

“I have nothing but praise for volunteers, who devote their own time to helping make museums more popular and accessible. Volunteer effort is often overlooked, but without volunteers most museums would provide an immeasurably poorer public service.”

If you wish to find out more about becoming a volunteer at NML please contact the Volunteer Team on 0151 478 4775 or volunteerenquiries@liverpoolmuseums.org.uk and keep an eye on the blog for more volunteer updates coming soon!

Each day this week we will be handing the blog over to our fabulous volunteers as they tell us about their different volunteer roles at NML.

Today, Harriet talks us through her time volunteering on the Ben Johnson residency earlier this year at the Walker Art Gallery. Harriet is also a member of Mersey v’s.

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Day 1: Harriet

Volunteering on the Ben Johnson Cityscape project was a real privilege.  I was lucky enough to get to engage with the visitors and also work with Ben and the team on the practical side. As I talked to the public about the piece I met some brilliant characters with lots of interesting tales to tell about their city. I thoroughly enjoyed being able to do the hands on part too; I will always be able to point out which little bit I helped make the stencils for or try to guess where the paint I mixed was used!

The eagle eyed amongst you may have noticed that there wasn't a May Name That Object competition. We were rather busy with the redesign for the main site (check it out if you've not already) and it kind of took a back seat.

Anyway, June's is now up with the first clue available here. As ever you need to figure out which object from our collections (and our website) the detail is from and email us the answer using the contact link on the competition page. There's a new clue every day this week.

We've had lots of enquiries from people wanting to buy the Art In The Age of Steam exhibition catalogue so that's this month's prize. Good luck.

Our roving work experience reporter Isobel paid a visit to see Ben Johnson's Liverpool Cityscape 2008 and the World Panorama Series, here's Isobel's verdict on the Walker's latest offering:  

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I was lucky enough to be able to visit the opening event and preview of the new Ben Johnson painting of Liverpool. It is hanging in the Walker Art Gallery alongside the other completed paintings of the cities of Zurich, Jerusalem and Hong Kong.

The Liverpool painting is not what I expected it to be. I was anticipating a long, narrow panoramic view of the waterfront but I was greeted with a large rectangular view of the city reaching right back to Fiddler’s Ferry. It’s hard to predict what time of day the painting is supposed to be and it is strange to see a waterfront with buildings not yet constructed. However there is a feeling of pride amongst the people of Liverpool at having their city amongst these impressive paintings.

I do have some reservations about the painting though. It is not the Liverpool I know. It does not show the culture and the people and seems a little bit like a computer made image… leading onto the fact that Ben Johnson did not solely create this image of Liverpool! I had notions of an artist stood traditionally drawing out an image, pencil in hand. That was not the creation process however, behind the scenes lay a team of people working to create stencils (yes, stencils!) for the artist to use.

The sheer detail of the painting is very astonishing though - from the hands of the clock to the lettering of the Radio City tower. A lot of thought and consideration has evidently been put into this painting. It is the main focus of the room, commanding a whole wall, as well as being the largest. The glossy book that partners it tells an impressive story too.

The Jerusalem painting was a favourite of mine with its dusty dusk light. Unlike the image of Liverpool it does have an element of life, a historic settlement with a story to tell. Hong Kong was also eye-catching. The vibrancy of the trees caught in the corner shows something deep within the painting, the light shining from an individual window of a tower block deep in the hillside of a mountain is something special. The final painting is of a city I have never laid eyes on, so in some ways the painting holds a responsibility to show it off, and that it certainly does. The painting gives a glimpse of a romantic city bordering a river - it entices me.

I think the painting of Liverpool is special in its own right and commands attention to finite detail. It is definitely worth a visit, even to just see what it looks like. Take some time out to seek where you live, or find a place only you know then walk away knowing this archive will remain for generations to come to see the place you lived and the Liverpool before the city undergoes another era of transformation.

Here Michelle O'Callaghan, our youth arts officer, talks to two young people about fruit!

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Two weeks ago I made a visit to the Bridewell Studios on London Road to witness the ceremonial first brushstroke on the Superfiveadaybanana which will be installed in the Walker Art Gallery in June as part of the Go Superlambananas Project.

NACRO Kensington Junior Youth Inclusion Project was the lucky group selected with their winning ‘Superfiveaday’ fruit and vegetable themed ‘Lambanana. Working with professional artist Vince, the group will be working hard over the next three weeks to ripen their ‘Lambanana and bring him to life! During the session I took two of the young participants, Jessica and Ashleigh aside for a quick interview about their initial experiences of the project so far and this is what they had to say…

“Today was our first session with our ‘Lambanana and five of our group came to get started. ‘Lambanana started off purple – which was weird! We expected it to be white or cream.

The boys worked on painting the orange, the broccoli and the banana and we (the girls) worked on painting the strawberry – the 'Lambanana’s head. It felt boss painting the first bit on the ‘Lambanana, actually it was just boss painting it full stop! The best bit about today has been the actual painting, getting started and having fun!

We can’t wait to come down to the Walker Art Gallery when it’s finished to see what it looks like when it’s properly done. There is the proper space set out for it in the Walker and it’s going to be filled with our work - something we’ve done!

Working with Vince the artist has been boss, we didn’t know he was a professional artist at first but when we found out the session just kept on getting better and better. We really like painting and arts, so this is brilliant to be able to do this.

We’re going to be dead proud when we go into the Walker and see our ‘Lambanana, and people say “did you see that Superfiveadaybanana?” and ask us “wow, are you the one’s who did that?” We think that people will be surprised when they find out it is kids that have painted this ‘Lambanana! They might think that kids have designed it, but that it’s been painted by professionals, but when they find out it’s us kids that have done the painting, with a little help from Vince, I think they’ll be shocked!

Our ‘Lambanana will have different textures, details and effects and hopefully people will be able to stroke it. There should be some information next to it at the walker that can tell people about healthy eating and ‘five a day’ and tell people what to eat and where to get it from. So our ‘Lambanana not only looks good, but has a purpose too! The normal Superlambanana is just yellow but ours is dead bright and colourful!”

The next session will see the group adding more layers of paint onto the Superfiveadaybanana and starting to add textures to the fruit. A different group of young people from Kensington Junior Youth Inclusion Project will be coming along to work on the ‘Lambanana next time so more images, interviews and news on progress to follow… keep those eyes and those bananas peeled…

More from Reyahn King and the judging of the 25th John Moores prize.

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After what can only be described as an excitable breakfast, the jurors got going this morning in great good humour. They have reached a remarkable degree of agreement about what they are looking for. Their approach is to look not just for good paintings but for paintings that have a sense of “time and place” – in other words, that have taken on board the history of art and painting, that are intellectually up to date.  And they have  great enthusiasm for originality and unpredictability in works. At least twice today their comments made me look again, harder, at works the subtlety or cleverness of which I had initially missed. I think by the time they’d gone through all the entries, there was only one of the around 150 they have selected to go to the next stage that I would disagree with – I’ll never reveal which!

Watch this space for stage 2 when we get together with the actual works in Liverpool! I for one am really looking forward to June!

Director of art galleries, Reyahn King, is in London at the moment, presiding over the judging of the 25th John Moores Contemporary Painting Prize. Here's her report from the end of day one (yesterday).

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Today, 1 May 2008, the John Moores Contemporary Painting Prize jurors started stage 1 of judging the exhibition and prize. The jurors are artists Jake and Dinos Chapman (shown), Paul Morrison, Graham Crowley and critic Sacha Craddock. Jake and Dinos are in the midst of preparing for a big show, Paul Morrison's work is on currently in lots of places including Liverpool, London and Japan, Graham Crowley has been on the news commenting on the state of art teaching in London and Sacha Craddock is a legend for her longstanding reputation as a critic and Chair of another competition, New Contemporaries. Given all this it is wonderful to me that these five will come together to spend two days in a darkened room selecting work for our exhibition in Liverpool.

At the beginning of the day over breakfast I stressed the sheer volume of art to see. With 3,448 entries I was worried that the process might run beyond the two long days everyone had set aside. Judging started at 9:30am and went on to 7pm with food breaks. Incredibly we finished ahead of schedule - the jurors were really keen, taking only short breaks before itching to get back to it.

My role is to keep the jury on schedule and coordinate with the technical team. In the main this means checking that all five jurors have agreed whether a work is to be selected or are they still pondering? Yesterday they were focused on a first sift, and if any one person liked a work it got put to one side without much debate. Already though you can see preferences for kinds of work emerging and I expect debate to really get going when we revisit the first sift.

Today we'll finish looking at all the entries and then go back to all those put on one side and reconsider them.

By the end of tomorrow, 2 May, we need to have decided which 250 or so artists will be invited to send their work to Liverpool to be judged at stage 2 in June. Watch this space!  

Our trading arm, NML Trading, is holding a Recruitment Open Day on Saturday 10th May. They're looking to recruit Team Leaders, Catering Assistants, Venue Supervisors, Chefs and Banqueting staff. They're looking for people who are passionate about catering for their daytime operation plus occasional evening work. You'll be working in Liverpool’s world class museums, providing high quality food and refreshments to over two million visitors each year.

To find out more about the roles on offer, bring your CV to World Museum Liverpool, William Brown Street, Liverpool between 10.30am and 4.30pm.

 

 

Standing Stones, a display of work by Liverpool-artist Terry Duffy, opened today at the Walker Art Gallery.

 

The display consists of two diptychs and a triptych, forms that work really well with the symmetry and the classic architecture of the gallery.

 

Standing Stones is on show at the Walker Art Gallery until 8 June 2008 and will be followed by further exhibitions of Terry's work in various locations throughout the city during Capital of Culture.

Today is day one in April's Name That Object competition and here is today's clue. To win a copy of the rather nice catalogue that accompanies the Art In The Age of Steam exhibition all you have to do is identify the object in question (it's an artwork this month) from the clues given every day this week, and email us your answer using the link on the competition page. Best of British.

You’d think that Michael Palin  would have had enough of travelling, wouldn’t you? Well apparently not, because he has kindly trekked up north to open the Walker’s new transport-themed exhibition, ‘Art in the Age of Steam’. I can’t help being stoked at the prospect. Not only are his travels compulsive viewing, he’s an ex-Python.

He won’t be the only star in the gallery though, as the exhibition features pictures from the likes of Manet, Monet, Van Gogh and Hopper. I haven’t actually managed to see the finished article myself yet - so more about that later - but we’re getting a great response from those who have.

At Liverpool Cathedral’s craft fair this weekend, another star of the rail Frank Hornby will be in the spotlight. As well as model trains on display there will be a track where model enthusiasts are invited to try their own Hornby trains out. (Rather bizzarely, one of the office has just spotted French and Saunders hanging out there).

If all this transport talk has whet your appetite, there are lots of steamy activities about - as long as you’re willing to travel of course. There’s East Lancashire Railway,  Ullswater Steamers,  Ffestiniog & Welsh Highland Railways , Snowdon Mountain, Ribble Steam Railway, Severn Valley Railway, and Middleton Railway, Leeds.  

As a special treat this Summer, you can also catch a steam train from Lime Street. 2008 is the 40th anniversary of the last ever scheduled steam train, which departed from Liverpool, so the Rail Touring Company will be running some special events.

Once you’ve run out of puff, come and relax in the exhibition. I hear it's first class.  

 

BBC’s Songs of Praise filmed at the Walker Art Gallery yesterday. Presenter Aled Jones met up with local artist Cecelia Matson who introduced him to the gallery by showing him work by her favourite artist and source of inspiration JMW Turner. Cecelia told Aled how the Walker was a great place for contemporary artists to learn from old masters.

The feature, which is part of a programme dedicated to Capital of Culture will be aired on Sunday 4 May.

There will be more Turners to feast on over at the Lady Lever Art Gallery this summer when Masterpiece Watercolours and Drawings opens from 28 June- 9 November 2008.  The exhibition features other big names such as Constable, Burne-Jones and Cox and offers a rare opportunity to see a selection of the gallery’s most delicate artworks.

In the normal scheme of things, art galleries are where you go to see paintings. However, in the fantastic work of the Singh Twins (deserved winners of the recent Liverpool Art Prize People's Award), you can look at art galleries in paintings instead.

You may remember that last year I spotted some of our venues in their painting 'Liverpool 800' when it went on display at St George's Hall. The talented sisters have just unveiled a new painting, 'Art Matters: The Pool of Life' to celebrate Liverpool's Capital of Culture year. As always, the picture is bursting with life, featuring a plethora of Liverpool people and landmarks infused with the vibrant colours of the traditional Indian miniature style of painting.

There's way too much detail to cram into a tiny space like this, but you can just about make out in this image that the Walker Art Gallery has made an appearance once again, half way down on the right hand side. It's being visited by the blue time-travelling taxi from the Magical History Tour exhibition, which appears to be driven by an escapee from World Museums Liverpool's Bug House. There's even a poster advertising the upcoming exhibition The Beat Goes On (thanks for the publicity ladies!)

Can't believe no one's got this yet - thought it would have gone yesterday. The prize in this month's Name That Object game is still not won and today is the last day. This is today's clue - bit of a give away. All of this week's clues, plus the link to enter the competition, are on the Name That Object page. The prize is the catalogue from the recent Joseph Wright of Derby in Liverpool exhibition.

We invited press to the Walker Art Gallery yesterday to see the Lord Mayor of Liverpool making his mark to the fabulous Liverpool Cityscape. We all held our breath as he sprayed in the clock hands of the Municipal building to point to the time 12.07. But as the picture above shows he didn't go over the lines and did a perfect job!

The time 12.07 was specially chosen to represents the year 1207 when Liverpool was granted its own status in King John’s Royal Charter, an important part of the city's history covered in Magical History Tour at the Merseyside Maritime Museum.

Ben Johnson has been working on the painting in front of a live audience for nearly six weeks. The last day for his public residency is 7 March 2008. The finished painting will be revealed in the exhibition Ben Johnson’s Liverpool Cityscape 2008 and the World Panorama Series.

Admit it - in your rush to get to see the portraits of Henry VIII and Elizabeth I at the far end of the Walker you've probably dashed past most of the other Medieval and Renaissance paintings without giving them a second glance. Which is a shame because there are some real gems on display.

Take 'St Bernardino Preaching' by Francesco di Giorgio for example, which is the Walker's picture of the month in March. It's being highlighted following recent conservation treatment, which has brought all of the vibrant colours and incredible detail in this busy scene back to vivid life. Have a look at our online feature about the conservation of 'St Bernardino Preaching' to see images of the painting before, during and after treatment, plus some fascinating insights into the techniques used by the artist.

There are also some gallery talks about the painting this month. Curator of continental European art Xanthe Brooke will be giving the first talk today at 1pm. Then Nicola Christie, the head of paintings conservation, will be talking about the conservation of the painting on Thursday 13 March, also at 1pm. See the Walker Art Gallery's What's On page for further details.

Thursday saw the 2008 Academy Ambassador Awards which celebrate excellence in customer care in Liverpool. Three members of staff were nominated: Emma Calver from the Weston Discovery Centre in World Museum, Ros Appleby from the Learning team at the Walker, and Eddie Harvey from Gallery Services at World Museum. Emma fills us in on the night's events.
 

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We all had a fantastic night. The awards ceremony was at the Crowne Plaza hotel in the city centre, and as it was Valentines night there were lots of hearts decorating the ceremony, and the theme of people leaving their hearts in the city when they come to visit.
 
Several NML staff attended plus the nominees and their partners, and we were treated to a lovely three course meal.
 
Ros won the Family Friendly Award, and I won in the Arts and Culture category. It was a real surprise to win - I was over the moon.
 
Edwin was highly commended in the Visitor/Event award, and judges commented that the quality was so high in his category that any of the nominees could have won.
 
After the awards we all danced along to the Merseybeatles band.

Emma

Even the Secretary of State for Culture, Media and Sport gets time off to enjoy a family day out. I got this photograph while Andy Burnham visited the Walker Art Gallery with his wife and three children. They had already been to Big Art where the girls had been fitted out with fairy costumes. When I found them the family were absorbed by Ben Johnson’s Liverpool Cityscape and trying to spot Everton’s football ground.

Well, the proportion who have visited the Walker in the past few weeks have. We've been asking visitors to the Ben Johnson residency to tell us their favourite building in the Ben Johnson cityscape of Liverpool. The winner, if you hadn't guess by the image, is Liverpool Cathedral (that's the Anglican Cathedral) with the other buildings we love on this Valentines Day being:

1. Liverpool Cathedral
2. The Liver Building
3. St George's Hall
4. The Metropolitan Cathedral of Liverpool
5. Port of Liverpool Building
6. St. John's Beacon
7. St. Nicholas Church
8. Albert Dock
9. White Star Building
10. Walker Art Gallery

Despite asking visitors for their favourite in the painting we got several strange suggestions including the Pilgrim Pub, which if you know Liverpool you'll know is difficult to see from the end of Pilgrim Street never mind on the artwork. It amused me though.

Today we've launched what will hopefully become a regular feature on the site - our 'Name that Object' competition. We'll be revealing a new detail of an object (it's an artwork this time - bit of a clue for you there) every day for a week with the answer at the end. This is today's clue. There's a prize of a miniature Superlambanana to the first person to correctly identify the piece and to email us the answer using the form on the competition page.

If you're as forgetful as me you can always subscribe to the rss feed to get updates, or just click backwards to see previous clues. And as a final hint I'll tell you that the object is somewhere on our website. There, I've said too much already...

DefNet Media have recently teamed up with Ian Jackson to start the Art in Liverpool podcast, providing a relentlessly enthusiastic look at the Liverpool visual arts scene. The latest show features "Out of Body at the Open Eye Gallery, Ian Meets the new Culture Secretary, Andy Burnham MP, ArtFinder Gallery... Ben Johnson... FACT PV, Tate PV... and the opening of the Arthur Dooley archive at the Liverpool Academy of Arts featuring Bryan Burgess and Carl Hodgeson".  

In a bonus this week, they've also released a recording of an interview with Ben Johnson at the Walker Art Gallery on Monday. Ben and Ian begin by discussing a 2005 press call (photograph above) and look at the development of the painting over the period since.

I’ve just recently got slightly obsessed with Tracey Emin. It started when I picked up her diary-style book, ‘Strangeland’ from my local second-hand bookshop (Amorous Cat Bookshop, really cool). It has crept up on me, to the point where I now buy the Independent every Friday to read her column and look at the accompanying artwork. And then recycle the rest of the paper. Ignoring the celebrity element, she is pretty fascinating and now I want to find out more about her actual work. Luckily my obsession has not gone un-noticed and I was given another book about her for Christmas, so I can start to read more about what she has produced. From what I already know, her work seems to be intensely personal and her sketches are appealingly messy and haphazard looking. I’ve started taking some polaroids which are mostly blurry, messy and definitely haphazard (because I’m not very good), so maybe I’ll carry on trying with that technique!

 I also found out that Tracey also has strong links with Liverpool, having co-judged John Moores 24 and created the ‘bird on a pole’ bronze sculpture, which stood outside the Anglican Cathedral in 2005. She was even immortalised in Lego form in ‘Art Craziest Nation’ by The Little Artists (John Cake and Darren Neave) in an exhibition at the Walker Art Gallery! Her latest venture in Liverpool will be a neon installation, which is due to go on display in September 2008 at the Anglican Cathedral. She is now sober and has a growing interest in religion, so I can’t wait to see what that will be like…

Wow what a mammoth painting! Like Angela (below) I came along to jostle with the local paparazzi (well, Jayne Barrett from North West Tonight, pictured above) and national press, to catch the first glimpse of Ben Johnson’s Liverpool Cityscape. Taking a closer look, I could see that a few essential bits are still missing…where are the Liver Birds? And the burning question – why have the hands on the clock of the Liver Buildings not been added in yet? Is Ben waiting until the last minute to add them, showing the exact time he finishes? That’s my theory anyway. Ben is also asking for your opinion on your favourite building in The Liverpool Cityscape. You can vote for your favourite by filling in a voting card in room 15 of the Walker and dropping it in the box that’s there. If you submit your entry before 11 February, you will be entered into a draw to win a signed print of your favourite building by Ben Johnson. A pretty unique prize!

It’s been all go at the Walker over the past few days. A herculean effort from our handling team to bring in one of the biggest works the gallery has ever seen, the installation of our very own artist in residence and a swarm of local, regional and international press can mean only one thing: the Ben Johnson residency excitement has begun.

On Friday I was lucky enough to witness our handling team brave the notorious William Brown Street winds and skilfully transport Ben’s huge Liverpool cityscape (it measures a whopping 8 ft by 16 ft) up the steps of the Walker and through the gallery to it’s new home in Room 15. Trust me it’s no mean feat getting something that size through the door - next time I’m struggling with my shopping bags I’ll think back and count myself lucky!

Ben has already spent 3 years working on his masterpiece and you can watch him and his busy team beavering away on the picture for the next 6 weeks. Ben’s arrival has already caused quite a stir, journalists from Bangor to Paris have been along to check out the monumental panorama and chat to the man himself. One of the most exciting things about the piece for me is the inclusion of projects still under construction in the city such as the Paradise Project, canal link and the picture’s eventual home, the Museum of Liverpool.

I’m definitely going to keep popping in to see the progress but if you can’t get to the Walker that often yourself our web team have installed a webcam for your viewing pleasure so you can keep an eye on the action. 

I've just noticed from the Google homepage that they are celebrating 50 years of the lego brick today. A great excuse to look again at 2005's Walker Art Gallery installation by the Little Artists, Art Craziest Nation, which has consistently remained one of the most popular features on our site for the last couple of years.

Ahead of the comprehensive Peter Doig exhibition at Tate Britain  (5 February - 27 April 2008), yesterday's Observer carried a great interview by Tim Adams with the artist.

When his 'White Canoe' sold for £5.7m last year it became the most expensive work ever sold by a European living artist, but his first big break was winning our John Moores prize in 1993 with 'Blotter'.

Doig discusses 'Blotter' in Saturday's interview, including an interesting explanation of the painting's title. The deadline to register for this September's John Moores 25 is 15 February 2008.

You can't have failed to notice that Liverpool is European Capital of Culture this year. The official People's Opening takes place this Friday, 11th January, at St George's Hall plateau on Lime Street. Took a snap this morning to show you the progress made with staging. The blue containers seem to form a stage area at either end of the plateau with another stage in the centre. Also looks like there's going to be staging around Steble Fountain, just outside the Walker.

As well as Ringo Starr on the roof and a community choir there's also what the Liverpool 08 website is describing as, "an epic aerial ballet of dancing cranes, containers and scissor lifts, as Liverpool celebrates the transfromation of the 'Big Dig' into the 'Big Gig'". All kicks off at 8:08pm (20:08?)

To mark the occassion, and because we are literally a minute away from the main event, both the Walker Art Gallery and World Museum Liverpool will be staying open until 10pm, with last entry at 9.30pm which is also when the venue cafes and shops close. If you're planning to take the kids to Big Art at the Walker we suggest you go early rather than later as it will be closing at 7.30pm.

The museum will be hosting a number of environmental organisations, which will complement the launch of an international school environmental project exploring climate change and disaster risk reduction.

And to cap it all there will be fireworks! Huzzah!

Last year (!) the Antiques Roadshow visited St George's Hall and unearthed the usual hoard of gems. While there Michael Aspel popped over the road to see some more treasures at the Walker Art Gallery. If you're a fan of the AR, the Walker or both tune into BBC 1 this Sunday (13th) at 6.40pm to see the show. 

Just when I was feeling hard-done-by for being back at work after Christmas when someone people have until Monday, I was sent this image which had the dual effect of being both depressing and uplifting. It's a rather huge piece by Gustave Doré called ‘Flower Sellers of London' which entered our collections in 1880.  The reason I'm flagging it is because it's about to undergo pretty extensive conservation before going on display at the Walker, where I'm sure it'll be very popular with the public - a nice painting with a sad story, pretty protagonists and a bit of social realism thrown in.

Doré was a French illustrator and painter who, like other Romantic artists, often visited London specifically to paint such scenes of poverty. At the time London was the largest and richest city in the world with extremes of opulence and misery. Apparently Doré "was touched by the sad beauty" of such flower sellers, many of whom are thought to have been prostitutes.  

Will keep you posted on the progress of the conservation work.

Not long now until Ben visits the Walker to finish The Liverpool Cityscape. In the meantime there are a few more progress pics on Flickr - all are named 'Jan 08' and are towards the end of the set. As you can see from this image lots of progress has been made on the Albert Dock area, including the building that holds the Merseyside Maritime Museum and the International Slavery Museum.

Now it’s coming to the end of the year. Your reindeer antlers are drooping after the office Christmas party, the sequins on your party dress are fading and you’re wondering what happened to that pile of sprouts you hid behind the piano to avoid eating them (and avoid upsetting your host). So while you consider if you can stomach another mince pie, why not have a think about your favourite National Museums Liverpool exhibition from 2007 and vote in our online poll!

Did ‘Doves and Dreams’ inspire you way back in Spring of this year? Or did you enjoy getting an intimate glimpse of The Beatles with Michael Peto’s revealing photography exhibition? Have your say and come back to find out the results in January. Once you’ve voted, you can also check out our program of events for 2008 here…

Note: Now These Days Are Gone, Victorian Visions, Magical History Tour and Merchant Palaces are continuing into 2008.

Yet again the Walker has won an award, this time it was the Visitor Award at the Juice FM Style Awards on Friday night. For the last 6 weeks Liverpool has been voting through street surveys, web votes and focus groups for who they want to see crowned the people's style favourites. The Walker fought off the Tate Liverpool and Albert Dock to claim that accolade. Tracey McGeagh (Director of Marketing and Communications) and Reyahn King (Director of Art Galleries) collected the award which is now on display in the gallery foyer. The image shows Tracey and Reyahn in the centre with Aisleyne Horgan-Wallace from Big Brother on the left and Naomi Mills from Shipwrecked on the right.

Update 06.12.07: Forgot to credit Juice FM for the use of the photo - thanks very much chaps! 

I went to the Walker Art Gallery yesterday to catch a talk by artist Phil Sayers about the Changing Places project he has produced with fellow artist Rikki Lundgreen. It consists of reinterpretations of certain paintings and sculptures that are on display in the Walker and the Lady Lever Art Gallery. Phil told us that one of the main reasons for doing the project was his and Rikke’s love of dressing up! They seem to have used this interest to great effect in their re-workings of the paintings, giving them a 21st century twist. Phil explained that he felt the women in the paintings they had chosen were portrayed as passive or dependent on men, so the artists’ idea was to ‘free’ them from this in their versions of the work.

Rikki’s video installation, ‘Ascension’, was inspired by Segantini’s ‘The Punishment of Lust’. Her version shows the central woman as a living, breathing person whose heart you can hear beating. Phil explained that his, ‘St Agnes’ Eve with hindsight’ was inspired by the painting ‘Madeline After Prayer’ by Daniel Maclise. The original depicts a young woman ‘looking to the heavens’ as a ritual before sleeping, so that she will dream of her future husband. This idea is turned on its head in Phil’s digitally created image, as he dresses as Madeline and looks towards the floor, holding a string of eye-shaped beads. He told us that he wanted to show Madeline as an independent woman who sees everything around her and is rebelling against the ritual in the original.

Some of the pieces in the collection have an eerie, almost ghost-like quality, using double exposure to layer images on top of each other. As you can see from my great photograph (!) of a blurry Phil Sayers on the left and his transparent hands, I have accidentally paid a small homage to their work!

The installations will be on display at the Walker and the Lady Lever Art Gallery until 20 April 2008.

There are seven more Ben Johnson progress photos up on our Flickr page, all taken on 31st October. They include the work just beginning on the Museum of Liverpool, Neptune Developments and the Paradise Street Development. Admittedly none of these developments are actually finished yet but they will be, and so are being included. Ben has been in close contact with city planners and architects throughout the process and is including buildings which will definitely appear on the city skyline, ie have planning permission, detailed architects' plans etc. 

Michael Aspel and some huge white trucks were stationed at St Georges Hall on Sunday as the Antiques Roadshow came to town. The broadcasting legend that is Mr Aspel was recording his final roadshow and we were delighted he popped into the Walker Art Gallery and Merseyside Maritime Museum beforehand to record some links for the programme. He had a look at some of our treasures including 'And When Did You Last See Your Father?' and our outstanding sculpture collection. I’ll certainly be glued to the TV when the programme airs in January to see whether the experts uncovered any hidden gems from dusty Liverpool lofts.

I had the chance to have a sneak preview of Ben Johnson’s Liverpool Cityscape last night. Blocking my view of the painting were several famous faces including the artist Peter Blake whose studio is next door to Ben’s and Weakest Link presenter Anne Robinson who came to see the portrait of her home city.

Seeing the work close up really enables you to appreciate the amazing amount of work and effort that goes into each tiny detail. I chatted to Ben’s assistants who help produce the separate computerised drawings of each building in the painting. We discussed the enormous amount of time that goes into each key building, some taking several weeks. One mentioned that a few months ago they had worried about how they would possibly get such an enormous painting finished on time. Thankfully he seemed quite confident it was all on schedule now!

Visitors to the Walker Art Gallery will get the chance to see Ben complete the artwork from 28 January - 7 March 2008.

Is the Walker Art Gallery your favourite place in Liverpool? Do you love its beautiful pre-raphaelite paintings for a stylish date on a Sunday afternoon? Then vote today!

We were pleased to find out that this week that our very own Walker Art Gallery has been nominated in TWO categories at the Juice FM Style Awards.

The Walker has been recognised in both the culture award and visitor award sections and we're asking for your votes!

If you think that the Walker is one of the best places to visit in Liverpool and deserves an award, then please sho