Friday, August 14, 2009

A Les Paul called Lucy


Friday 14 August 09

A guitar shaped cut-out in an exhibition wall

I wanted to write something in tribute to Les Paul who died yesterday at the age of 94. Les Paul was a jazz musician who persuaded guitar maker Gibson to create a solid-bodied electric guitar. He’d already cobbled together such a guitar from a railway sleeper and a couple of pick-ups, but when Gibson refined ‘The Log’, the Gibson Les Paul was born. The Gibson Les Paul is an iconic guitar played by some of the most innovative rock guitarists the world has ever seen. Pete Townsend, Jimmy Hendrix, Jimmy Page, Eric Clapton, Slash to name but a few. I visited The Beat Goes On exhibition at World Museum to see if any trace of Les Paul’s influence could be found, and although there aren’t any Les Pauls in the exhibition I did find this rather familiar walk-through! (I should mention there are several other splendid guitars such as Will Sergeant's customised Telecaster and one owned by Billy Fury). Perhaps I should have also looked in the recording section because Les Paul also developed revolutionary multi-tracking techniques, but that is another story.

I then popped into St George’s Hall to see ‘For George – A Tribute to George Harrison’. (That's a lot of Georges). If you are a Beatle fan or enjoyed The Beat Goes On then make the effort to see this small but heart-warming exhibition dedicated to George. The display was created by fans for fans and features some lovely pictures, a few taken by Patti Boyd. It is like a little snapshot of all things George – his music projects, his film interests, his racing, Friar Park, The Beatles of course. There’s incense burning and a devotional feel, reflecting George’s dedication to his spiritual development, as well as his fans devotion to him.  It is only a small room but there is a lot to see if you take the time to have a proper look.

In particular I really enjoyed seeing some of the instruments that shaped George’s music, including a rare Gibson longneck banjolele (a cross between ukulele and a banjo) and a sitar. There wasn’t a Les Paul in sight – but it matters not, because here is where we find our Les Paul connection. George is associated with all manner of guitars, such Epiphone, Gretsch, Rickenbacker, and Fender , yet that mellow, rich and warm Les Paul sound will always define one song in particular - ‘While My Guitar Gently Weeps’. The guitar solo was played on a cherry red 1957 Les Paul Standard – a gift from Eric Clapton – which he christened Lucy. (Infact it was Eric that played on the track)

Just put on the record. It’s as fitting tribute as any to Mr Les Paul – and it will explain better than my words just what all the fuss is about.


Posted by Dawn | 14/08/2009 15:57   | Comments [0]

Posted in: exhibitions | world museum liverpool
Tagged with: Beatles | George Harrison | Les Paul | music

Post a comment

All comments require the approval of the site owner before being displayed.
Name
E-mail

Comment (HTML not allowed)  

Enter the code shown (prevents robots):

Live Comment Preview
By posting your comment you have agreed to the terms and conditions below

Terms & Conditions

National Museums Liverpool welcomes your comments. All comments are moderated and will only be published if they adhere to the following standards. The editors reserve the right not to publish comments which they deem inappropriate:

  1. Our Maritime Archives and Library deals with enquiries relating to all aspects of Liverpool's maritime history including ships, passengers, seafarers, shipping and maritime companies. Their web pages describe the information they hold and how to get in touch, along with useful research guides on popular subjects such as tracing seafaring or emigrant ancestors. Please do not submit requests for this type of information as comments on this blog.
  2. Specific enquiries, as opposed to comments on blog posts, should be submitted using our contact system. Please note that we do not provide valuations.
  3. Posts must be text only and under 1000 characters (including spaces). Html code, links or multimedia are not permitted.
  4. We will aim (but do not guarantee) to publish approved comments within 72 hours although there may be delays over weekends and during public holidays.
  5. Please do not post anything that is libellous, abusive, obscene, prejudiced or unlawful.
  6. Do not contravene any rights to privacy (such as personal contact details), copyright or trademark legislation.
  7. Please do not spam or post commercial promotional information.
  8. By posting you agree that you are wholly responsible for the content that you post. Although the blog comments will be moderated National Museums Liverpool will publish comments in the good faith that they comply with the law.
  9. By posting your comment you agree that it may be reproduced by National Museums Liverpool online or in print without compensation.