Over the past few days you will have seen news reports on the Australian government's apology for its role in the British child migration programme (you can see the PM's apology on the BBC website). The British government is expected to follow suit shortly.

From the late 19th century Britain operated schemes which sent more than 100,000 children to Canada, Australia and other Commonwealth countries. These children did not travel with mothers or fathers but alone, in groups. Taken from poverty and disadvantage it was believed that they would have a better life working in the clean expanses of the British Empire, where they were a source of much-needed labour.

The children's experiences varied. While some were orphaned, many left families behind, and separation from their homeland often led to a lonely, brutal childhood. Some found happiness with new families, while for others it was a disastrous move. They were made to work long hard hours on farms. Some were abused. Many ended up in institutions. Some were told their parents had died, only to discover years later that this wasn't the case.

The repercussions are still being felt. Many former child migrants and their families are still coming to terms with their dislocation. It's been difficult to watch some of the displaced people on news reports; their sorrow and anger is so clear. Their lives were obviously shattered by their experiences.

It's now recognised that the forced removal of children from their homeland was a bad idea, and one which caused more harm than good, hence the Australian government's apology.

Coincidentally we are currently planning an exhibition on this very subject. 'On their own - Britain's child migrants' is being organised in collaboration with the Australian National Maritime Museum. It opens in Sydney in November 2010 then comes to Liverpool in summer 2011 before being toured to other museums around the country. It will focus primarily on the 1860s to 1960s and the children who travelled to Canada and Australia. Along with Glasgow, London and Southampton, Liverpool was one of the main embarkation ports for children so it's fitting that the Maritime Museum will be hosting the exhibition.

We'll be launching a website in spring next year and will be looking for the reminiscences of people affected by the programme. If you were involved we'd be keen to hear from you.

Penguins are almost go at the warehouse. 'Look At Me' is front left. Image courtesy of Helen Burnley.

Those of you who live locally might already have heard about the imminent arrival of over 100 penguins to the streets and venues of Liverpool. Go Penguins! launches on 22 November, and National Museums Liverpool is providing homes for 13 of the happy but slightly homesick birds. They include 'Moon Waddler', aka Neil Flipstrong, at World Museum, while the Maritime is hosting 'Under the Sea' penguin. This photograph was taken at the secret penguin storage facility and shows another of our arrivals, 'Look at Me' (front left) along with some of his feathered friends.

Each of the birds has been created by either local artists, schools or community groups and adopted by a local organisation. Together they form A Winter's Trail which you'll be able to follow around the city centre, making Liverpool a proper Capital of Christmas.

As well as our usual programme of festive activities and events we'll be hosting a series of special penguin events that are guaranteed to keep the kids amused over the Christmas holidays. We're even creating a dedicated penguin shop at World Museum. There'll be more on our penguins and our other Christmas activities on our main site shortly. In the meantime there's more penguin information on the official Go Penguins! website.  

Update: Should have mentioned that some of the penguins have already been sighted in an Antony Gormley-esque arrangement on New Brighton beach (more on the Art in Liverpool website). Local comedian, Paul O'Grady, has also created his own, 'Owl Ma Penguin', and the BBC website has a slide show of some of the other designs you'll soon be seeing round and about.

We're pleased to report that we've been shortlisted for yet another award, and again we need your help to win. The nomination is for our Engaging Refugees and Asylum Seekers programme and recognises our efforts to help people for the benefit of the whole community and generally change society for the better.

There's more on the awards themselves, the DSC Social Change Awards, and details of how to enter on the award website. Voting closes on 6 November with the winners announced on 26 November. Vote for us now!!!

This Saturday (24 October) World Museum is running several events designed for our visually impaired visitors. Each is based around our highly successful 'The Beat Goes On' exhibition and covers the people, objects and stories behind Liverpool music history.

Events kick off at 12 noon (there's a full list of sessions on the exhibition events page), and you'll need to collect tickets from our information desk as places are limited. For more information contact the information desk on 0151 478 4353.

The conversation waned somewhat while they waited for the butler to appear with the superglue remover.

Remind me not to pick such a risque image next time. Some of the suggestions weren't exactly suitable for a family audience, even if rather amusing.

Anyway, a randomly gathered group of NML staff has decided that Clair Sharp has won the October caption competition with her caption: 'The conversation waned somewhat while they waited for the butler to appear with the superglue remover'. Well done to Clair. You can see all of the other suggestions on the original post.

Another image and another prize next month.

Françoise Chircop Rutland of the University of Liverpool, who is doing her PhD on NML Hittite collections, asked Annemarie Le Pensèe in Conservation Technologies to scan a mysterious mould from an excavation by Professor Garstang in 1907 to 1911 at Sakje Gözü, southern Turkey.  Making a computer positive from the scanned negative it turns out to be a mould for a type of axe known in Middle to Late Bronze Age Egypt - between 1300BC and 1180BC.

Screenshot of a 3D computer model of the the cavity of a Hittite mould mirrored and reversed. The 3D model was created using non-contact laser scanning.

The axe - called a 'fenestrated "duck-bill" axe' on account of its window shaped apertures and its duck-bill shape - is known from other examples (not in our collections) though both moulds and axes of this type are rarely found outside of Egyptian collections. There's not many moulds about... and moulds, presumably, facilitate the production of more axes for use in the ‘smiting’ of which the Hittites were so fond according to the Old Testament of the Bible.  Some archaeologists now believe that these axes were used for ritual battles between prize fighters and symbolised high social status both in life and death – since these axes were buried with them. 

Alas, unlike the beat itself, this exhibition doesn't go on and on. We're into the final weeks of World Museum's The Beat Goes On exhibition and what a tune-tastic time we've had.

Paul McCartney's trousers made a visit as did half a million members of the public. Local bands had their tunes profiled in our on-gallery and online jukeboxes (check out the MySpace page and have a listen). Willing volunteers cut their museum teeth on the gallery, and we launched an online resource charting Liverpool's musical heritage.

But fret not! (fret...music...geddit?) You've still until 1 November to get down to the museum and to get down!  Take your kids during half term and show them what real music sounds like. And if you still need persuading the Guardian's video on Liverpool's music scene should do the trick.

And if you still don't manage to catch the exhibition you're going to have to wait until the Museum of Liverpool opens in 2011. The Creative City gallery will become home to items like the Woolton church stage where John Lennon and Paul McCartney first met in 1957, the vibrant 'All You Need is Love' bedcover from John and Yoko’s Bed-in-for-Peace in Montreal in 1969, and four Beatles stage suits.

And as it's the final month The Beat Goes On exhibition guide has been reduced to half price so now costs just £1.50. Get your copy in our groundfloor shop.

Millais' 'The Black Brunswicker' from the Lady Lever Art Gallery collection.

Post a comment to tell us what you think the caption should be for this image. It's 'The Black Brunswicker' by Millais (more on it and a larger image on our main site). The caption we think is funniest/quirkiest/most inventive wins this month's prize which is a rather nice hardback book, 'Women Artists In The 20th and 21st Century'. The book features Tracey Emin, Rachel Whiteread, Georgia O'Keeffe, Barbara Hepworth, Frieda Kahlo, Bridget Riley, Kara Walker and many, many more, and ties in nicely with the forthcoming exhibition, 'The Rise of Women Artists' which starts at the Walker on 23 October.

You've a couple of weeks to enter. If you're looking for inspiration September's entries are here.

The not-very-small-print: This is competition isn't open to NML staff or their families. The judge's decision is final. There's no alternative prize. Please keep your suggestions tasteful.

Update 27/10/09: October's caption competition has now closed although you can obviously still add your suggestions. The winner was 'The conversation waned somewhat while they waited for the butler to appear with the superglue remover'.

As a fervent Blue Nose (that's an Everton supporter in case you're football illiterate) I'm very excited that Thursday sees the launch of The Everton Collection website; the most complete treasury of football memorabilia in the world.  And if you're a supporter of another club or social history buff you should be excited as well as the collection isn't just about Everton Football Club. This is the history of football told through the story of Everton.

The collection is made up of over 18,000 items of football memorabilia, dating back to the founding of the club in 1878, itself a founder member of The Football League. Programmes, medals, tickets, transcribed ledgers, trophies, boots, shirts, contracts, cash books and photographs all feature and are now available to browse online. It features the earliest programmes of many clubs including Manchester United (then Newton Heath), Celtic, Aston Villa, Derby County, Bolton and Blackburn, and many of football's rarest artefacts.

I've had a sneak preview and think the transcribed ledgers are my favourites. The minutiae of life in the days before TV deals and big money transfers is fascinating. Players late for training because they missed their bus is a far cry from today's industry.

The collection will be launched with the major new exhibition at Liverpool's Central Library, ‘Everlution: The Everton Collection’. There's also a series of talks by Peter Lupson on topics such as joint Everton and Liverpool programmes, the birth of the football league and the man who many claim was responsible for that famous split that created Everton and Liverpool football clubs.

I should point out that my interest isn't totally partisan. The new Museum of Liverpool will be featuring many objects from the collection in the Creative City gallery, using the pieces to tell the story of Liverpool and its people.

Yesterday at the Liverpool Food and Drink Festival we ran a prize draw to win a three course lunch for four people and afternoon tea for two to celebrate the recent launch of the Maritime Dining Rooms. The winners were Mr C Ragan (first prize) and Ms B Lemp (second prize). Well done - we'll be contacting you in writing.

The Dodo's skeleton

A rare skeleton of the Dodo went on display in the Atrium at World Museum Liverpool today. The specimen is made up of bones found on Mauritius and has been in the collection since 1866, however it's not been on display for at least 40 years. The skeleton is on display for about a month as part of the museum’s popular Hidden Treasures series of displays featuring items rarely seen by the public.

Dr Clem Fisher, curator of vertebrate zoology, says: “The skeleton is quite complete although we have recently discovered that the foot bones have been skilfully carved from wood.” The Dodo is also missing the top of its head (cranium).

The Dodo was a member of the pigeon family that lived on the Indian Ocean island of Mauritius. Unfortunately it was also a rather tasty and flightless member so fell foul of the human and animal population. It's been extinct for more than 300 years with the last reliable sighting in about 1693. When alive they were rather large birds standing about three feet (one metre) tall and weighing around 50 pounds (about 23kg). They had grey plumage, a nine-inch beak with a hooked point, tiny wings and a tuft of curly rear feathers.

A random group of people who happened to be in our office at the time chose Linda Reeds' entry as the best caption. Well done to Linda. You can see all the entries here. Another image and another prize in a short while.

All I said was 'Back a bit!'

While I'm here and talking about artwork I'll tell you about the Flickr group we've just started that celebrates the weird and wonderful world of credit crunch art. There's no prize for this one - just the knowledge that you've far too much time on your hands. Pick an artwork from our collection and recreate it using whatever comes to hand - cats, toys, food, your children, your co-workers - the possibilities are as limited as your camera's battery life. Upload them to your Flickr page and add them to our group. Again, please bear in mind that this is a family site!

If the answer is 'yes' and you enjoyed your visit then you might want to vote for the restaurant in the Liverpool Food and Drink Awards. The awards are part of the official Food and Drink Festival 2009 which runs 13 – 21 September at venues across Liverpool. The festival launches on Sunday 13 September at Sefton Park with a free event where you can sample food and produce from dozens of bars, restaurants and stall holders, listen to live music and watch live cooking demos.

If you like a peek behind the scenes - and who doesn't - tune in to BBC2 tomorrow (Thurs 3 September) at 3.45pm for Flog It! There's a visit to the new Museum of Liverpool with a preview of some of the objects that will be featuring on the galleries. It's also available on BBC HD at 6.30pm later that day. And if you miss it you can always catch it on BBC iplayer.

This Thursday (3 September), the Lady Lever Art Gallery is hosting a special event to raise funds for the Hillsborough Memorial Appeal. During the early hours of Sunday 7 June 2009, the Hillsborough Memorial Garden in Port Sunlight Village was seriously damaged. Over 35 metres of stonework were destroyed in an act of mindless vandalism. The Port Sunlight Village Trust needs help to restore the garden.

You can support the appeal by visiting the Lady Lever Art Gallery this Thursday. Doors will be open 6-8pm. The cafe and shop will be open, plus there's entertainment from the Wirral based Capriccio Singers Chamber Choir. Bring your friends and family.

There's more on the appeal on the Port Sunlight Museum and Garden Village website.

We're competition crazy round here at the moment, and here's our latest offering - the caption competition! You probably already know the sketch. We show you an image (in this case a painting from our collections) and you come up with an amusing caption. This is the first pic (it's actually called 'What is it?' by Henry Stacy Marks).

Post your entry as a comment (please keep them clean!) We'll pick a winner next week who will receive a book of Cecil Beaton snaps (you can see it on Amazon - it's nicer than the price suggests!) which ties in nicely with the Beaton exhibition currently at the Walker Art Gallery.

As you may know, this weekend sees the Slavery Remembrance Day festival - there's more on the background to the event on our main website. A good number of the weekend's events are supported with British Sign Language, including Diane Nash's lecture. There's a good mix of activities, dramatisations, discussions, lectures and performances. A full list of the supported events can be found on our BSL interpretation events page.

You have until Monday to enter our competition and win a luxury weekend away in London.

This fabulous prize is being offered to tie in with the Royal Academy's exhibition, J.W. Waterhouse: The Modern Pre-Raphaelite, which includes one of the Walker's paintings, Echo and Narcissus.

The prize includes two nights accommodation at a five-star hotel, tickets to the exhibition and first class return tickets from Liverpool.

Competition details and how to enter can be found on our main site.

'The Scapegoat'

If you caught this week's episode of 'Desperate Romantics' you'll already know that some of our Pre-Raphaelite paintings featured pretty heavily. There was the Lady Lever's The Scapegoat looking resplendent; an imagined, in progress 'Dante's Dream' from the Walker's collection, and Millais' 'Bubbles' which was the cause of much amusement to the TV Brotherhood.

If you didn't catch the episode there's always the BBC iplayer.

Voting in the National Lottery awards closes at midday today so we REALLY need you to vote if you've not done so already. You can vote online on the National Lottery Good Causes website, or by calling 0844 686 6957.

And 'thank you' if you have already!

I'm not holding out too much hope of seeing anything that looks like a Perseid tonight. The Beeb is suggesting a fair amount of cloud cover in the vicinity of my house 

In case you don't know the Perseids are an annual meteor shower that occurs when the Earth passes through dust debris from the comet, Swift-Tuttle. It reaches its peak tonight and should be a good show for people lucky enough to live in an area without too much light pollution or cloud cover. Plus you shouldn't need any fancy equipment to either see or photograph them, just look to the north east after dark.

And if you do get to see and photograph any of the shower you might want to tweet on the Astronomy2009 Twitter page - a 48-hour Twitter marathon being run as part of the International Year of Astronomy.

Excellent news. Thanks to your votes the International Slavery Museum has made it through to the finals of the National Lottery awards. We're up against two other venues in the Best Heritage Project category.

Votes aren't carried over into the final so we need you to vote again. You can vote online on the National Lottery Good Causes website. Alternatively you can call 0844 686 6957 to register your phone vote.

As we've said before this isn't just about winning an award (although obviously that's a nice thing) or a thumbs up for a good museum. As Richard said in his 'It could be us' post a few weeks ago, this is a major opportunity to raise awareness about the issues that the museum champions - it's about tackling human rights abuses. So, please vote, and ask people you know to vote as well.

Then tune into the National Lottery programme (we'll let you know when) to see Richard in his fabled Homer Simpson tie!

Photograph from 'Shoot Nations'.

Quick reminder that Sunday 2 August is your last chance to see the Shoot Nations exhibition at the International Slavery Museum. The display features photographs by young people, highlighting the global impact of our changing environment, particularly the effects of global warming and intensive farming on the earth's natural resources.

While there you could also catch our latest display which opens today. Trafficked looks at a form of modern slavery - human trafficking - and follows the stories of those affected by the trade. 

Night At The Museum 2 poster

Those nice people at ODEON Cinemas have given us some even nicer prizes to help mark the opening of the second Night At The Museum movie - Battle of the Smithsonian. We've got tickets to your local cinema, a telescope, night vision glasses, a torch and lots of other goodies to give away.

To be in with a chance of winning these all you have to do is sign up for our email updates here. For the next few months we'll be having monthly draws for free tickets, and at the end of the promotion one name will be drawn to receive the telescope and other bits. The first draw takes place this coming Monday.

There's more information, including terms and conditions, on our main site.

Better late than never I've put up last week's Museum of Liverpool progress snaps on Flickr. Everything is still progressing swimmingly. Last week's progress included cladding to the reveals of the end gables with corner pieces being fitted this week; pressure testing of pipework; installation of external drainage and services ducts; the suspended ceiling started to go in; concerte work on the north and south ramps, and concrete fire sealing works to structure/building cavities.

Update: Was so late with that last set that this week's have turned up as well - have just uploaded them. They include some nice shots of the interior so are well worth a look.

This week's snaps from the Museum of Liverpool building site have a definite smell of spring about them; sunshine, blue sky and crocuses. Pity this weekend's weather forecast is so lousy. I especially like this picture; the texture of the cladding highlighted by the morning sun. The lines are the rigging of the ship, De Wadden, in the adjacent graving dock. As ever higher-res versions this snap and more are in the Museum of Liverpool flickr set.

The build itself marches on. Our Twitter page charts the progress - become a follower.

We've just published a cute little pocket guide to many of the fab happenings at NML in 2008. It's good to revisit highlights like Ben Johnson's residency, the Superlambananas, the opening of Seized! and exhibitions like Art In The Age of Steam and The Beat Goes On.

You can download your copy of The Little Book of Big Highlights here (pdf 6mb).

Lots more snaps in our Flickr set including this one of the sun on the south window.

The build continues to progress really well. The vertical limestone cladding is nearing completion, the main roof is finished, and the windows are almost all in. Internally, the staircase structure is complete, internal walls are making good progress, and innards like the electrics, plumbing and air handling units are well on their way.

It's all really exciting, and judging by the number of people taking photos of the building (there's just a few of them here in the public Flickr group) lots of people feel the same. If you'd like to add your snaps to the group please do.

The 1911 census records for England and Wales have been made public, two years earlier than the 100 year embargo. The returns contain more information than previous years including length of marriage, the number of children in the household, any guests on the night in question and more occupational information. For the first time you can see the actual form your ancestor filled in, complete with crossings out, mistakes and any additional notes not transfered to the official enumerator's summary. You can search them on the 1911 census website.

It's thought that several thousand women boycotted the census in protest at women being denied the vote. Some of these refused to fill in the form but submitted a protest statement, so their presence will be registered although without details. The women who stayed away from home for the night and so evaded the count will not feature at all.

The final units go into the south-facing window

While many of us were embroiled in the orgy of excess that is the modern Christmas, certain hardy souls were installing the final glazing units at the Museum of Liverpool. It's cold enough at the moment without spending your days up a cherry picker, fitting windows on an exposed riverbank. Glazers, we salute you! On the up side they'll have seen a fair few beautiful sunsets lately, what with the clear skies and low winter sun.

Anyhoo, the fruits of their labours can be seen in the Museum of Liverpool flickr group. And, as we've come to expect, the general public have been producing a few gems of their own. They can be seen in the public group.

If you've yet to see the building yourself the evening of 10 January would be a good time to visit. The area around the building is the stage for 'Transition: The People's Celebration', a public event to mark the end of Liverpool's reign as European Capital of Culture. The north window is being used as a projection screen, part of the 'sound, light and visual review of Liverpool's history from 7,000,000,000BC to the present day'.  That all kicks off at 6.15pm with fireworks at 7pm. The Merseyside Maritime Museum and International Slavery Museum will both be open until 10pm, with activities for the kids, a new menu in the cafe and music from The Fourmost - more than enough to make an evening of it. More on our main site. 

November's name that artwork competition begins on Monday morning. If you're a regular you probably know that you'll need to be quick - they often go in the first few hours. If you're new to the game the gist is that you are shown a detail from a painting in our collection and you've got to name the artwork and the artist. There's a new clue every day for the week, with the winner receiving a copy of the John Moores exhibition catalogue.

The Liverpool Echo website is featuring the latest in a series of video updates on the progress of the build. You can watch the video here. 

Our Building the Museum of Liverpool Flickr group is still getting a fair few submissions. Special thanks should go to Cassini2008 who has taken some great shots right the way through the build.

The cladding going up

The latest photos are now available on Flickr. The main development has been the cladding which is going up at a rate of knots. I like this side-on snap of the surface - you don't realise how 3D it is until you get right up close.

Some nice new additions to the Building the Museum of Liverpool group as well. Interesting to see the building in different weather conditions, at different times of the day and from various angles. You put my own feeble photographic skills to shame.

There's an interesting story on the Guardian site today (and in the paper too I guess) about HMHS Britannic, sister ship of RMS Olympic and RMS Titanic. Apparently it lies in the Mediterranean after sinking off the Greek island of Kea in 1916. It's been purchased from the British government and there are plans to turn it into a tourist attraction, with submersibles taking visitors down to the seabed to visit the wreck - Britannic is far better preserved than Titanic and in shallower water. Not sure how I would feel about visiting it - claustrophobic more than anything and presumably a lot lighter in the pocket.

Just seen a new activity pack we've put together and the illustrations alone are inspiring me to grab a pencil and get drawing, which is quite impressive when you consider I've two left hands.  Liverpool's Biggest Big Draw Activity Pack (you can download a copy) is full of good ideas to get your creative juices flowing, and the artist, Sally Pankhurst, has done a fab job. Some of the ideas, like 'draw your dreams as soon as you wake up' are pretty cool, while 'draw yourself thirty years from now' are definitely the stuff of nightmares.

The pack links in with Big Draw month (the last few activities are this weekend) but I guess is also Find Your Talent - I'd be really envious of anyone who discovered that their hidden talent was drawing. If the pack inspires you let me know and we might feature your masterpiece.

Just seen a Black history interactive on the Guardian site that's worth a look. It's a timeline that runs from AD43 and the arrival at Hadrian's Wall of an African auxiliary unit from the Roman Army, to Barack Obama securing the Democrat's nomination. There are also links to Guardian articles of relevance and a guide to key Black figures - not unlike our own Black Achievers Wall at the International Slavery Museum. Have a look. It's been produced to coincide with October being Black History Month - we've a full schedule of events to link in as well.

It now seems but a dream, but I'm told that the other day it was sunny. These latest snaps of the Museum of Liverpool construction seem to bear that out. Check out the Flickr set - you can almost feel the heat! 

We're still looking for Flickr snaps from the public - there are some beautiful efforts in this group.

The build is progressing well. The cladding is still going on, the window frames are going in and internal walls are going up.

October's 'Name That Object' competition starts today. Here's the first clue with a slightly larger version on the competition page. As ever there'll be another clue every day this week with the answer on Saturday. The first person to mail me the correct answer, using the contact form on the competition page, wins the prize which this month is a copy of the John Moores 25 exhibition catalogue. Lotsa luck.

The clue for day 1

All four European trophies - UEFA European Championship (EURO) trophy, UEFA Champions League trophy, the UEFA Cup and the UEFA Cup Winners' Cup.

Yesterday saw the official launch of our UEFA exhibition - Only A Game? at World Museum Liverpool. Focusing on the pride, passion, cups and culture of European football it's bound to be a hit in such a footie mad city. Ex-Liverpool player, Phil Thompson, was there to do the honours.

Only A Game isn't all Everton and Liverpool, although there's plenty from both clubs. There's lots for every fan of the game including all four European trophies (shown here) which are rarely displayed together. They're not all on show for the duration of the exhibition (dates are here) so if you want to see all four you'd best get down to the exhibition pretty soon. It opens to the public this Saturday (11th).

The QE2 in Liverpool with the Museum of Liverpool in the foreground

The latest batch of Museum of Liverpool construction progress snaps is on our Flickr page. The cladding is going on and the end is in sight!

On a vaguely related subject (I say vaguely because I hurriedly took this slightly blurry snap at the dock at lunchtime - it was very cold!) the QE2 is in Liverpool at the moment. The Liverpool Echo have a video of it sailing into the Mersey, past Crosby Beach and the Antony Gormley ironmen (or 'Another Place' as they're officially known). Wonder how close the two ships in the video really were? Anyhoo, it's a good vid and worth a peek. 

The following poem was written in September 2008 by Matthew, aged 20, following a visit to see ‘The Liverpool Cityscape’ by art teachers and inmates from the Learning and Skills section at Thorn Cross Young Offenders Institute in Warrington.

In the video on the gallery Ben Johnson (who painted the cityscape) says he hopes that visitors will put themselves in the picture - populate it with their minds - and Matthew seems to have been inspired by this. We think his poem is really good and Matthew has been kind enough to allow us to share it with other visitors.

What if the painting was in our imagination?

What if boats docked at the train station?

What if the picture was just vegetation?

I wouldn’t be here with a look of fascination.

As far as the eye can see I stare

I am a massive work of art

I was made with pencils, paints and stencils

I am a piece of Ben Johnson’s heart

About 18 months ago John Edmondson used this blog to appeal for living descendents of William Roscoe to get in touch. Plenty of people did contact him and some met up (see John's follow up below). If you'd like to contact John about this project use this contact form.

The eight descendents of the Roscoe family

To mark the publication of Jyll Bradley's book "Mr Roscoe's Garden" on the history of Liverpool's botanic gardens, and the launch of her photographic exhibition "The Botanic Garden" at the Walker Art Gallery, a reunion of William Roscoe's relatives took place on 17 September 2008. Eight descendents of the Roscoe family (the youngest only twelve days old) met at World Museum Liverpool for a chance to inspect Roscoe's cultivated plant collections from the original Liverpool Botanic Garden, after which they visited the City Library where Janet Graham, special collections librarian, showed them some of his botanical drawings in the Oak Room. The visit concluded with lunch at the Athenaeum, founded by William Roscoe in 1797.
 
Plans were discussed for a more extensive reunion of Roscoe family members in 2010, by which time we hope that the contacts established today will have led to a 'joining up' of the various family trees. One family has traced its ancestors back to William Roscoe's grandparents and beyond, to the delight of others who had been unable to progress beyond his father. We look forward to hearing from other Roscoe relatives so that we can update them with these plans.

Just added a few more Museum of Liverpool construction snaps to our Flickr page  - the slideshow of the set is embedded here (roll over the image and click the bottom right icon to see a full screen view).

Update 18.09.08: Been meaning to point out that the Flcikr slideshow doesn't seem to be working too well with IE7 - fine with Firefox I think. You might want to skip straight to our Flickr page 

More on the progress of this reconstruction project from Kathy Wedge (here's the background to the project in case you've missed previous instalments), plus progress snaps on Flickr.

Wax model at foundry showing sprues and top of head cut off

The finished clay sculpting has now been approved by Liverpool City Council, but that is only part of the story. We now have to produce the actual foundry cast bronze reliefs from these clay sculptures.

The clay panels which as previously mentioned are very heavy were loaded onto a van using a hoist and fork lift truck and taken to a fine art foundry.  The panels are being cast using the ‘lost wax’ method of casting. This involves a thin layer of silicone rubber being painted over the clay models which defines the detail of the sculpting, further thicker layers of silicone are then applied until an accurate mould is produced. But of course  silicone rubber is not rigid, so a plaster jacket to hold the rubber stable and reduce the risk of distortion also has to be made.

Once this mould and jacket have been produced, wax is painted into the mould to form a wax model. The mould is taken off leaving a hollow wax sculpture which is cleaned and the detail checked for imperfections. The hollow wax sculpture is cut into sections for ease of casting, particularly where there are extending features, and wax sprues are added to the sections of the wax model, that will act as air vents when the wax melts at the casting stage.

The pieces of the hollow wax model are the dipped several times into a ceramic mixture which form ceramic shell around the sections which are strong enough to withstand the high pressures and thermal shock of the molten metal used in the casting.

The molten bronze is poured into the shell via a cupped sprue or air vent and as it is poured the wax melts running out of the air vents leaving the bronze casting encased in the ceramic shell.

The ceramic shells are broken off the bronze castings and the sections are welded together very carefully, and polished so that the joins cannot be seen. That is the end of the actual casting process but not the end of the story. More about the rest of the process in our next post.

Ashley Cooke on the mummies in the new Ancient Egypt gallery.

Examining the lamb mummy

The museum has about 60 animal mummies of various kinds, from crocodiles to dogs. In the new Ancient Egypt gallery there will be eight animal mummies on display in a showcase dedicated to animals. One of the mummies appears to be that of a very young lamb (museum accession number M13648). It was given as a gift to the museum in 1867 by the jeweller and antiquarian, Joseph Mayer. The intricate pattern of the bandages suggests it is of the Roman period (about 30 BC - AD 200). The National Museum of Antiquities in Leiden has 3 similar mummies that have been X-rayed and proven to contain the bones of very young lambs. We decided to X-ray our mummy to confirm the identification and the mummy's association with the god Khnumn, who is often depicted with a ram's head. We used the digital X-ray machine within the Reveal exhibition gallery at National Conservation Centre. We are now examining the results with the assistance of other colleagues.
 
But why was this little lamb killed and mummified? From the 26th Dynasty and on into the Roman Period (about 664 BC - AD 395) animals would be mummified en masse at cult centres for gods that were associated with animals. One such site was the temple at Bubastis which was sacred to the goddess Bastet. Bastet was often depicted in the form of a cat and pilgrims would purchase mummified cats so that they could make a votive offering (a gift) to the goddess.
 
Hundreds of thousands of cat mummies have been found in catacombs in Egypt. In 1890 about 9 tons of cat mummies from a catacomb at the cemetery of Beni Hasan were shipped into the port of Liverpool. They were sold off by the ton to be used as fertilizer. Bidding started at £3 per ton and gradually advanced to £5 17s 6. Thankfully this no longer happens!  If you'd like to learn more about animal mummies and how you could help care for the largest collection of animals mummies in the world visit the Egyptian Museum's 'Animal Mummies' website.

This morning I saw an article on the BBC site on the megalodon - a giant prehistoric shark - and the strength of its bite. It seems its jaws exerted something between 10.8 and 18.2 tonnes of pressure as it bit down which is pretty impressive for an animal that had a cartilege jaw.

It reminded me of a quiz we did a good few years ago now where a fossilised megalodon tooth was one of our exhibits (the quiz is here if you want a go, or just skip to the megalodon bit and see the tooth). It was pretty awesome handling that tooth.

Something that did strike a chord in the article was the bit about your average house cat. Apparently pound for pound the cat has the stronger bite, which if you've ever tried to push a pill down your cat's throat you'll know full well.

You might remember a while ago I mentioned a rather large painting that was about to undergo conservation, 'Flower Sellers of London'. A few people commented on it, thought it was an interesting piece. Conservation work has now begun and painting conservator, Rebecca Kench, has the latest.

This image shows a detail from the flowers section of the painting. Before consolidation is on the left and after on the right. You can see that the section on the right is noticeably cleaner and smoother.

The painting came into the Conservation Centre for treatment at the end of last year. It's been in need of treatment for a while and we have finally been able to fit it into our schedule.  The painting was bought from the artist shortly after it was painted in 1875 by Henry Thompson. He gave it to the Walker in 1880.  "The Flower Sellers" is painted on canvas attached to a stretcher and the figures are a little larger than life size.  Treating this painting presents me with several problems. Firstly I need to deal with anything which could lead to paint loss. When the painting arrived in the studio, the paint was flaking and needed to be consolidated, or reattached, to the canvas.  This mainly affected the area of the flowers where there is damaged and broken impasto (thick brush strokes of paint), and old paint losses down to the canvas.   Although this area has been consolidated (stuck back down to the canvas) in the past, there are still some areas which are loose and fragile.  In order to fix this, I laid the painting flat on a table, with a support behind the canvas, and any flaking areas of the painting were laid flat and consolidated using a water based fish glue.

You might have seen that we're currently preparing for the opening of the new Egypt gallery in December, however the antiquities team are also working with some of the Near Eastern collections. Ashley Cooke has more.

Dr Cripps examines and copies the cuneiform on a tablet

For the past few years the museum has been receiving visits from Semitic scholar Dr Eric Cripps. Eric is producing a new edition of some forty-five cuneiform tablets from the Old Akkadian period (2210 BC), held in the Near Eastern  antiquities collection at World Museum. These tablets are over 4000 years old and were excavated in Iraq and purchased by the Honourable Arnold Keppel, 8th Earl of Albemarle, who was a Member of Parliament for Birkenhead. The museum purchased the collection in 1956.

The cuneiform script was invented in the fourth millennium BC. Cuneiform is a wedge-shaped script that was developed by Mesopotamian cultures. Mesopotamia is the area  located between the Tigris and Euphrates rivers, that now incorporates Iraq and parts of Iran, Syria and Turkey.

The museum has about 335 cuneiform tablets which is a sizeable amount for a museum outside of London. One tablet dates to the Early Dynastic Period (about 2900 - 2350 BC), 47 to the Akkadian Dynasty (about 2350 - 2150 BC) and over 200 to the Third Dynasty of Ur (2100 - 2000 BC). The Near East collection also includes other objects such as bricks and cones with cuneiform inscriptions. Eric's new edition of the Akkadian Dynasty tablets will provide hand drawn copies of each accompanied by transliterations, appropriate translations and full cataloguing. Eric's new edition should be published next year and will make a valuable contribution to Mesopotamian archaeology.

Ashley Cooke

'Waiting for legal advice'

Sorry to those of you who won't have seen the answer to July's Name That Object competition - slight technical hitch. The answer was 'Waiting for Legal Advice' by James Campbell, and the winner of the exhibition catalogue was A Porter of Liverpool. Another competition and another prize next month.

Basically, we need you to help us to help you. We're developing a new feature for our main site and need to understand how teachers - one of our biggest user groups - would use the system.

We've got well over a million objects in our care, ranging from microscoping plants to ships. Of these collections we currently have about 1,500 objects on our website but want to increase this number substantially. We also want to make our collections more easily searched and to provide much more in depth information, so are creating a single, comprehensive online collections system. We already know that teachers use our website in their work and want the new system to meet their needs as closely as possible.

The questionnaire, which you will find here http://www.surveygizmo.com/s/57097/online-collections, basically asks teachers how they are currently using the site and what features they would like to see. We've given you a bit of a shopping list to chose from plus the option to mention anything we've missed. There are eight questions which should take about 5 minutes. Any feedback teachers, or other learning professionals, could give will help us enormously and will in turn allow us to support you as best we can. I realise we're right at the end of term so any feedback would be doubly welcome.

Any questions just email me using the link below this post.

Plenty to look at here.

On our Flickr page there's a series of snaps from the build including some interesting angles that were recently taken. There's also a new group we've set up of public pictures of the build. Lots of nice sunrises there. Will be adding more to both of these shortly.

And on the Liverpool Echo website Samantha Parker presents the fourth of her video progress reports from the site.

If you're in Liverpool you won't have failed to have noticed that there's been a veritable fall of Superlambananas around town the past few days (apparently 'fall' is the collective noun for lambs). That includes our own colourful trio. Just been sent this snap of the Cloudorama at the Lady Lever being lifted into place outside the gallery. Thankfully the 'fall' noun wasn't appropriate to the operation and it made it to the ground in one piece.

© Paul Cousins 2008

There's just a few days left to submit your application for one of the 10 Creative Apprenticeships on offer. A number of Merseyside-based cultural organisations, including National Museums Liverpool, are involved in a project to foster emerging talent and give young hopefuls a solid grounding in the arts and culture industry.

By the end of the year-long apprenticeship you'll have earned a Level 2 Certificate in Creative and Cultural Practice, and a Level 2 National Award in Community Arts Management, but perhaps more importantly you'll have developed the skills and contacts you'll need for a career in the industry.

More details are available on the Creative Partnerships Liverpool website.

The answer to last week's Name That Object competition was Salem by Sidney Curnow Vosper which hangs in the Lady Lever Art Gallery. Coincidentally, this year sees the centenary of the painting, and this weekend S4C is showing a programme on the painting. It will be broadcast at 8.30pm on Sunday 15 June (in Welsh with English subtitles).

If you don't know the painting it's really quite a strange piece but one which, I'm told, has hung in many a Welsh home after Lord Leverhulme bought the original and then gave away prints with his soap. It's said to show the Devil's face in the folds of the shawl of the central character, Siân Owen. There's more on the programme on the icWales website.

The eagle eyed amongst you may have noticed that there wasn't a May Name That Object competition. We were rather busy with the redesign for the main site (check it out if you've not already) and it kind of took a back seat.

Anyway, June's is now up with the first clue available here. As ever you need to figure out which object from our collections (and our website) the detail is from and email us the answer using the contact link on the competition page. There's a new clue every day this week.

We've had lots of enquiries from people wanting to buy the Art In The Age of Steam exhibition catalogue so that's this month's prize. Good luck.

More from Reyahn King and the judging of the 25th John Moores prize.

After what can only be described as an excitable breakfast, the jurors got going this morning in great good humour. They have reached a remarkable degree of agreement about what they are looking for. Their approach is to look not just for good paintings but for paintings that have a sense of “time and place” – in other words, that have taken on board the history of art and painting, that are intellectually up to date.  And they have  great enthusiasm for originality and unpredictability in works. At least twice today their comments made me look again, harder, at works the subtlety or cleverness of which I had initially missed. I think by the time they’d gone through all the entries, there was only one of the around 150 they have selected to go to the next stage that I would disagree with – I’ll never reveal which!

Watch this space for stage 2 when we get together with the actual works in Liverpool! I for one am really looking forward to June!

Director of art galleries, Reyahn King, is in London at the moment, presiding over the judging of the 25th John Moores Contemporary Painting Prize. Here's her report from the end of day one (yesterday).

Dinos (left) and Jake Chapman. Image courtesy Mike Marsland Photos

Today, 1 May 2008, the John Moores Contemporary Painting Prize jurors started stage 1 of judging the exhibition and prize. The jurors are artists Jake and Dinos Chapman (shown), Paul Morrison, Graham Crowley and critic Sacha Craddock. Jake and Dinos are in the midst of preparing for a big show, Paul Morrison's work is on currently in lots of places including Liverpool, London and Japan, Graham Crowley has been on the news commenting on the state of art teaching in London and Sacha Craddock is a legend for her longstanding reputation as a critic and Chair of another competition, New Contemporaries. Given all this it is wonderful to me that these five will come together to spend two days in a darkened room selecting work for our exhibition in Liverpool.

At the beginning of the day over breakfast I stressed the sheer volume of art to see. With 3,448 entries I was worried that the process might run beyond the two long days everyone had set aside. Judging started at 9:30am and went on to 7pm with food breaks. Incredibly we finished ahead of schedule - the jurors were really keen, taking only short breaks before itching to get back to it.

My role is to keep the jury on schedule and coordinate with the technical team. In the main this means checking that all five jurors have agreed whether a work is to be selected or are they still pondering? Yesterday they were focused on a first sift, and if any one person liked a work it got put to one side without much debate. Already though you can see preferences for kinds of work emerging and I expect debate to really get going when we revisit the first sift.

Today we'll finish looking at all the entries and then go back to all those put on one side and reconsider them.

By the end of tomorrow, 2 May, we need to have decided which 250 or so artists will be invited to send their work to Liverpool to be judged at stage 2 in June. Watch this space!  

Our trading arm, NML Trading, is holding a Recruitment Open Day on Saturday 10th May. They're looking to recruit Team Leaders, Catering Assistants, Venue Supervisors, Chefs and Banqueting staff. They're looking for people who are passionate about catering for their daytime operation plus occasional evening work. You'll be working in Liverpool’s world class museums, providing high quality food and refreshments to over two million visitors each year.

To find out more about the roles on offer, bring your CV to World Museum Liverpool, William Brown Street, Liverpool between 10.30am and 4.30pm.

On Monday night at 9pm Channel Four are featuring a Time Team special - The Lost Dock of Liverpool. It focuses on arachaeological excavations of what's known as Old Dock - the first commercial wet dock in Liverpool and the world - plus other sites at the waterfront as they've been cleared for the canal extension, Museum of Liverpool etc. The programme will be looking at the growth of Liverpool as the world's first global city, and will feature several members of the museum archaeological staff. Quite looking forward to it.

'King Eddie' just clearing the ceiling in the conservation studio

As you may know the Pier Head is undergoing a bit of a transformation at the moment, and that extends to the statues there. King Edward VII atop his horse has undergone a face lift, spending the last few months in a studio at the National Conservation Centre - he almost didn't fit in. Work to remove the grime is now finished (this photo was taken pre-conservation) and you are invited to come along and meet 'King Eddie' before all 16ft of him is hoisted back on top of a granite plinth at the Pier Head. There's a special open day this Thursday - 17 April - from 1-4pm when you can chat to conservators and see long-obscured features up close. Just come to the information desk at the main entrance on Whitechapel and you'll be shown through to the studio.

The second of Samantha Parker's Museum of Liverpool progress videos is now available on the Liverpool Echo website. Fills you in on the progress with the steel structure, the next stage of the build and the view from those big windows at the end of the building.

Thank you to all the people who have posted comments about their experience of the International Slavery Museum on the Art Fund Prize webpage. It's really good to know that the museum is appreciated by our visitors as well as the judges.

If you've not posted your comment yet, and would like the judges to hear your views before they make their final decision next month, you still have time. Just visit the Art Fund website and tell the judges why you think the International Slavery Museum should win the prize. There you'll also find details of the evening reception we're holding on 2 April.

Can't believe no one's got this yet - thought it would have gone yesterday. The prize in this month's Name That Object game is still not won and today is the last day. This is today's clue - bit of a give away. All of this week's clues, plus the link to enter the competition, are on the Name That Object page. The prize is the catalogue from the recent Joseph Wright of Derby in Liverpool exhibition.

This month's final clue

Here's what I think is a really rather sad post from John Millard, Director of World Museum.

A press cutting book in the Central Library has revealed the facts.  A seal named Paddy was kept in the aquarium at the museum from 1919 until 1936, and he was probably an Atlantic Grey Seal. 

A cutting from the Liverpool Post and Mercury for 20 September 1933 said…

‘Paddy, Liverpool’s pet seal, lives in the Museum.  He is sleek, intelligent silver-grey creature, spending his time gazing at visitors and swimming round his tank – preferably on his back.

‘He was caught with seven other seals in the North Sea seventeen years ago, but his companions did not survive. When he was presented to the city in 1919 by the New Brighton Tower Company, Mr. Evans, who was to be his keeper, inquired what his name might be.  “Well!” said his late master, “my name is Paddy so you had better name him after me.”

‘Paddy lives almost entirely on herrings.  When herrings are difficult to obtain whitings are substituted, but he does not like them nearly so much.  At 3.30 every afternoon people gather to see him make very short work of 4lbs of herrings...

Underwater Sleep
His coat, which he changes every August, is brown for the first week or so then changes to silver-grey.  Although he does not have his coat pressed, he has it sponged down every morning while his tank is being emptied.  The toilet over he has an underwater beauty sleep of about fifteen minutes.  Some authorities contend that seals do not sleep under water - they should see Paddy.  The extraordinary thing is that he can glide around his tank when it is empty, with a perfect swimming motion.

‘Although Paddy is the very soul of good nature he is not without a little jealousy.  Should Mr. Evans look into another tank too long Paddy makes a great fuss and lashes his water into a foam.  Thousands of children would not consider their holidays complete without paying Paddy at least one visit.’

The Liverpool Post reported the death of Paddy the seal on 17 August 1936 saying…

‘Many thousands of Liverpool people, old as well as young, will be sorry to hear of the death, which took place on Saturday morning, of Paddy the seal at the Liverpool Museum Aquarium.’

Some people have said the seal was called Sammy and back in 1928 a press cutting mentioned Edgar the seal at the museum, but the story of Paddy and his keeper Mr Evans seems to be the most authentic.

Today it would seem cruel to keep a seal in a tank in the museum, but for seventeen years Paddy the seal was a star attraction at the museum.

Thursday saw the 2008 Academy Ambassador Awards which celebrate excellence in customer care in Liverpool. Three members of staff were nominated: Emma Calver from the Weston Discovery Centre in World Museum, Ros Appleby from the Learning team at the Walker, and Eddie Harvey from Gallery Services at World Museum. Emma fills us in on the night's events.
 

R-L, Ros, Emma and Emma's husband

We all had a fantastic night. The awards ceremony was at the Crowne Plaza hotel in the city centre, and as it was Valentines night there were lots of hearts decorating the ceremony, and the theme of people leaving their hearts in the city when they come to visit.
 
Several NML staff attended plus the nominees and their partners, and we were treated to a lovely three course meal.
 
Ros won the Family Friendly Award, and I won in the Arts and Culture category. It was a real surprise to win - I was over the moon.
 
Edwin was highly commended in the Visitor/Event award, and judges commented that the quality was so high in his category that any of the nominees could have won.
 
After the awards we all danced along to the Merseybeatles band.

Emma

View from the top of Liverpool Cathedral

Chris from the learning team at the National Conservation Centre has been to the top of Liverpool Cathedral (featured in the previous post oddly enough) and taken this snap of the view east-ish, out over the river to the Wirral and the Irish Sea beyond in the haze. You can see a larger version on our Flickr page (I've linked to the large version so you can see the detail but there are other sizes to view as well).

The taller red cranes mark the site of the Grosvenor/Liverpool One development, then to the left and towards the river you can see more red cranes around the emerging Museum of Liverpool. The Liverpool Echo are planning to do a month-by-month video update on the museum's building progress, with the first on the Echo website now.

If you've not been to the top of the cathedral it's well worth going on a nice day, if a bit windy. The view is fabulous. There's a lift part of the way up.

Alan Bowden, curator of Earth Sciences, told us a good few months ago now about a palm frond we'd acquired (more here). Now it's finally on display he tells us about its journey from subtropical Wyoming to the wall of World Museum.
Images from its conservation are on our Flickr page.

The conserved frond in its shiny new case in World Museum

The story of the greening of the Earth - the flora of our planet and how it has evolved to achieve the wonderful diversity of today - is a bigger story than that of the animals as it contains a record of all the changes that have occurred with our atmosphere and climate, and has the potential of demonstrating where our future lies. 

The newcomer to the museum is a frond of the extinct fan palm Sabalites sp belonging to the family Arecaceae.  This fossil leaf is 50 million years old and was found in Folly Quarry on the Lewis Ranch, near Kemmerer Wyoming, Western Lincoln County, Wyoming, USA. At that time Wyoming was a warm subtropical area with lush and exotic vegetation at the edge of a series of large fresh water lakes which were larger than the Great Lakes Region of Canada.  This is very different from the Wyoming of today, which has a high mountain desert with long winter snows and freezing temperatures.

It was found in a limestone rock known as the Fossil Butte Member of the Green River Formation.  During the Eocene (50 million years ago) this formed as sediment that was being deposited in the fresh water lakes.  A lack of oxygen in the water caused many of the lake’s animals and plants to die, and also stopped bacterial action on the bottom of the lake. This meant that the dead animals and plants which would normally have rotted away were preserved in exceptional detail.  Complete fronds like our specimen are extremely rare.

The fossil shows numerous rays with bifurcating tips branching out from a sturdy woody petiole.  The petiole is well preserved showing a fibrous structure.  The basal attachment of the frond is of an unusual shape which indicates that this specimen may belong to a new, previously un-described, tribe.

The palm frond has spent a year being prepared by members of our conservation team and earth sciences staff. When it arrived it had been crudely covered with an acrylic based paint to ‘enhance detail’ with car body filler to hide cracks. The acrylic, body filler and some rock was very carefully removed to reveal extra details such as the natural colour of the specimen, extensions to the leaves, fragmentary remains of fossil fish beneath the leaf, the fibrous nature of the petiole and unusual features of the basal attachment. The fossil is now displayed on the 4th floor of World Museum and serves as a reminder of climate change over geological timescales.

The staging for Friday's launch being built outside St George's Hall

You can't have failed to notice that Liverpool is European Capital of Culture this year. The official People's Opening takes place this Friday, 11th January, at St George's Hall plateau on Lime Street. Took a snap this morning to show you the progress made with staging. The blue containers seem to form a stage area at either end of the plateau with another stage in the centre. Also looks like there's going to be staging around Steble Fountain, just outside the Walker.

As well as Ringo Starr on the roof and a community choir there's also what the Liverpool 08 website is describing as, "an epic aerial ballet of dancing cranes, containers and scissor lifts, as Liverpool celebrates the transfromation of the 'Big Dig' into the 'Big Gig'". All kicks off at 8:08pm (20:08?)

To mark the occassion, and because we are literally a minute away from the main event, both the Walker Art Gallery and World Museum Liverpool will be staying open until 10pm, with last entry at 9.30pm which is also when the venue cafes and shops close. If you're planning to take the kids to Big Art at the Walker we suggest you go early rather than later as it will be closing at 7.30pm.

The museum will be hosting a number of environmental organisations, which will complement the launch of an international school environmental project exploring climate change and disaster risk reduction.

And to cap it all there will be fireworks! Huzzah!

Last year (!) the Antiques Roadshow visited St George's Hall and unearthed the usual hoard of gems. While there Michael Aspel popped over the road to see some more treasures at the Walker Art Gallery. If you're a fan of the AR, the Walker or both tune into BBC 1 this Sunday (13th) at 6.40pm to see the show. 

Flower Sellers of London (1875) by Louis Gustave Doré (1833-1883)

Just when I was feeling hard-done-by for being back at work after Christmas when someone people have until Monday, I was sent this image which had the dual effect of being both depressing and uplifting. It's a rather huge piece by Gustave Doré called ‘Flower Sellers of London' which entered our collections in 1880.  The reason I'm flagging it is because it's about to undergo pretty extensive conservation before going on display at the Walker, where I'm sure it'll be very popular with the public - a nice painting with a sad story, pretty protagonists and a bit of social realism thrown in.

Doré was a French illustrator and painter who, like other Romantic artists, often visited London specifically to paint such scenes of poverty. At the time London was the largest and richest city in the world with extremes of opulence and misery. Apparently Doré "was touched by the sad beauty" of such flower sellers, many of whom are thought to have been prostitutes.  

Will keep you posted on the progress of the conservation work.

That hardy soul, John Moran, donned his duffle coat and ventured out into the freezing night last week in search of meteors. And in case you missed the shower this Shadow and Substance animation shows what they should look like.

The last time I wrote a piece about one of the annual meteor showers was the 13th August Perseids, and back then I had to comment on what other people had seen, as I had no chance because of the cloud cover.

This time I'm happy to report that I had quite a successful Geminid meteor hunt. My viewing conditions were far from perfect as I was surrounded by street lights. Nonetheless within 30 seconds of bending my neck upwards, I had seen two Geminids streak just below their target constellation Gemini. As it was a very cold night, I had wrapped up well but was still only able to stand outside for about an hour before finally succumbing to the cold.  In the first half hour alone I had seen 7 and the final half hour I saw 3 more. The actual date of the Geminids maximum was to be 14th December but since this window started at 10.30pm on the 13th I thought I'd start looking from my back garden, which is more or less in the city centre of Liverpool, hence all the street lights, and my plan was to take a drive somewhere nice and dark on the 14th. I'm very glad I decided to have a go from the garden as the next day on the 14th there was the usual depressing cloud cover that normally defeats me.
 
The Geminids are one of the most abundant meteor showers of the year, with a Zenith maximum rate of 75 meteors per hour. They are also quite unique in that their parent comet isn't a comet at all but an asteroid called Phaeton, and because of this the stony material that forms the shooting star is denser and so can take longer to burn up in our atmosphere giving us a better chance of making our wish before it burns out. A colleague of mine was driving to work on the morning of the 14th and as she was looking out of her windscreen she saw probably one of the last Geminids of the night before it started to get light.
 
So as you can imagine I'm feeling quite smug about actually getting the chance to see one of the better annual meteor showers of the year. And my smugness isn't due to the fact that I got to see them while others didn't, but because I usually end up cursing the weather for spoiling the opportunity, and always feel that it deliberately clouds over just when I get excited about it. So the score for the year is Weather 9 v John 2.
 
One more thing, don't forget about the last meteor shower of the year, the Ursids, which peak on the 23rd December and has an hourly rate of 5. Although this is quite low they can be quite rich and so are still well worth a look.
 
John.

All say 'juicy'. Copyright Juice FM

Yet again the Walker has won an award, this time it was the Visitor Award at the Juice FM Style Awards on Friday night. For the last 6 weeks Liverpool has been voting through street surveys, web votes and focus groups for who they want to see crowned the people's style favourites. The Walker fought off the Tate Liverpool and Albert Dock to claim that accolade. Tracey McGeagh (Director of Marketing and Communications) and Reyahn King (Director of Art Galleries) collected the award which is now on display in the gallery foyer. The image shows Tracey and Reyahn in the centre with Aisleyne Horgan-Wallace from Big Brother on the left and Naomi Mills from Shipwrecked on the right.

Update 06.12.07: Forgot to credit Juice FM for the use of the photo - thanks very much chaps! 

The Lion in her heyday

While perusing this week's TV listings I noticed that our very own Lion locomotive will be starring this week. Channel 4 is showing The Titfield Thunderbolt at 1.30pm on Thursday 15 November.  I've never seen the movie but apparently it's an Ealing Comedy about villagers taking on the powers that be, who threaten to close down their railway, and the Lion is the star of the show. Plenty of charm and gently humour! I'm told that there's a scene where the villagers get the train down some steps but that a replica was used instead of the real Lion. Sounds like good viewing for a cold afternoon.

The Paradise Street Development

There are seven more Ben Johnson progress photos up on our Flickr page, all taken on 31st October. They include the work just beginning on the Museum of Liverpool, Neptune Developments and the Paradise Street Development. Admittedly none of these developments are actually finished yet but they will be, and so are being included. Ben has been in close contact with city planners and architects throughout the process and is including buildings which will definitely appear on the city skyline, ie have planning permission, detailed architects' plans etc. 

If you missed the Face of the City drop-in session the other day fear not. Because the session went so well the organisers are repeating the session every Monday in November starting today, 5th and then 12th, 19th and 26th. Again sessions will be held at the BBC Radio Merseyside studios on Hanover Street and will run 10am-5pm.  As ever more information is available on the project website.

Sorry this is a bit short notice - worth making the effort though. A few weeks ago I told you about a project several museums staff are involved in. Face of the City is encouraging the city's workforce to get involved in the 08 celebrations by producing their own artworks and displaying them in their own workplaces.

Paul Miller, who came up with the idea, will be in the BBC Radio Merseyside studio on Hanover Street from 10-5pm today (that's Wednesday 31st October) chatting to the public about the project and how they can get involved. More info on the Face of the City website.

Thought this snap of the Museum of Liverpool building site was a nice contrast with Sam's sunrise photo from the other morning. So much going on and really vibrant, contrasting colours. You get a better idea of the progress made.

If you're not familiar with the site you are looking from the Maritime Museum area north west (ish) towards the Pier Head. You can see the graving docks in the foreground, and Wallasey across the river on the Wirral. There's a ferry boat at the landing stage.

Noticed that tomorrow night (Tues 23 Oct) at 11.20pm BBC2 are showing a documentary looking at the making of the Beatles' second film, 'Help!' If you've not already seen our exhibition, 'Now These Days Are Gone' which is also based on 'Help!', the programme might whet your appetite for all things Fab Four.

Uber-shop assistant Lynn Taylor has scooped yet another award. She won in the Customer Service category at the North West Tourism Awards held last night in Manchester. You might remember that she's already the holder of the 'Outstanding Customer Services' The Mersey Partnership Tourism award, and now goes on to the national tourism finals.

John Moran from the planetarium at World Museum Liverpool reminisces about Sputnik 1 and reflects on its impact. There's more on the structure of Sputnik on the New York Times' site and the NASA site is carrying a retrospective.

Replica of Sputnik. Image courtesy of NASA

The 4th October marks the 50th anniversary of the launch of Sputnik 1, the world's first artificial satellite. The importance of Sputnik cannot be overestimated. Firstly, it ignited the space race between USSR and the United States. And then when you think of how far we have come in the last 50 years - landing a man on the Moon, space probes to every planet in the solar system, space stations where people can stay in space for months at a time, and (probably more important to me and you here on Earth) satellites that enable us to phone friends and relatives on the other side of the world, global positioning satellites (GPS) that stop me getting lost on my way to work, and not forgetting the ability to watch live football and news events as they happen - this was all made possible because of the direction Sputnik fired the world into.

My first memory of Sputnik 1 was when I visited this museum as a youngster, and on seeing the replica that is on display here I remember thinking, "wow, that has actually been into space", not realising that it was only a replica. I also remember being struck by how simplistic it seemed. Now that I am older and have a better understanding on the subject, I realise that I was basically right. The Sputnik 1 satellite consists of a couple of silver zinc batteries, a ventilation fan, four antennae and two transmitters that went 'beep-beep-beep'. These 'beeps' were picked up by ham radio operators all over the world. The term "brilliantly simple, yet simply brilliant" springs to mind.

There ended up being something like 40 Sputniks altogether, but Sputnik 2 was groundbreaking too, as it was the first time a living organism was sent into space in the form of a dog named Laika, which means 'barker', (being blasted into space on nothing more than a giant firework gave poor Laika plenty of reason to bark in my opinion). As a result people named it 'Muttnik'.

So on October 4th, when you are sitting down to the football, or trying to figure out how to work that GPS on the dashboard of your car, remember this was all made possible because of the Sputnik 1 satellite. We will have a birthday card in the atrium of World Museum Liverpool to commemorate the 50th anniversary of this historic event.

John

The Duke of Kent chats to Sandra Penketh

Last Friday the Duke of Kent paid a visit to the Lady Lever Art Gallery. He was in Liverpool to officially open the new cruise liner terminal on the waterfront, and while here popped over the water to the Lady Lever. Here he is chatting to gallery head, Sandra Penketh.

Update 26.09.07: caught up with Sandra who told me that HRH was amazed by the size of the collection and thought it would take several days to tour properly. He was particularly interested in the Chinese displays, and the Masonic collection as he is Grand Warden of the United Grand Lodge of England (Freemasons).

The tower of the Anglican Cathedral

Getting quite exciting now! These snaps were taken on 14 September and you can really see progress even from earlier in the month. As ever the images are on our Flickr page.

When I've labelled them I've tried to pick out the main, visible landmarks. If there's a building you're not sure about or think we should mention (no advertising please!) let me know and I'll try to identify it or add the mention - or add a comment to that image on Flickr yourself.

The Liver Building in progress

Work on the Ben Johnson commission is continuing and I've put a few more progress snaps on our Flickr page.  These new images include the area around Dale Street featuring the Liver Building (shown) and our venues on William Brown Street (World Museum Liverpool and the Walker Art Gallery).

We've been posting images for just about a year now and you can really see the progress made as you browse them (dates are in the title of each).

We're running an online questionnaire where we are asking members of the public to tell us what they think of our website, what they like or dislike, what they'd like to see more of etc. I'll be taking it down in a short while so if you want to comment on the site (either this blog, our main site or any of our other sites) you'd best do it soon.

Either follow this link to go straight to the survey, or go to this page to learn a bit more about it all.

Rachel Swift has spent the last 12 month on an internship at the National Conservation Centre (NCC) in the Ceramics and Glass section. This is a review of her final major activity - a conference in Slovenia.

Rachel Swift with her poster entitled 'Interned?'

The 4 September was my last day at NCC as part of a 12 month training partnership between National Museums Liverpool (NML) and Icon (Institute of Conservation) funded through the Heritage Lottery Fund Training Bursary Scheme.  Having just spent all of last week, 27–31 August at a fantastic conference I am now all inspired and eager to share my experiences. The conference was an ICOM-CC (International Council of Museums – Conservation Committee) Ceramics and Glass Working Group Interim Meeting, held in Nova Gorica, Slovenia which is on the border with Italy. The last working group meeting was six years ago in Finland so it was a great opportunity for a range of professionals involved with ceramics and glass conservation to get together once again and take part in this information sharing forum made up of sixty five delegates from twenty one countries.  In particular it was an opportunity to meet conservators and museum professionals from Eastern Europe who may normally find it difficult to attend such events. 

Twenty three speakers provided a broad range of interesting presentations on technical, practical, scientific and education related topics.  Complementing these presentations were a display of five posters about specific ceramic and glass conservation projects or related work, which provided a colourful and interesting backdrop to the proceedings.   One of these posters (shown) was about the work I have been carrying out in the Ceramics and Glass Conservation section with Lynne Edge over the last 12 months.  My overall aim was to highlight the benefits of work based training by displaying the range of opportunities availed whilst at NCC in terms of bench-based experience, scientific research and internal and external collaborative projects.  The poster was well received with an hour set aside on the Wednesday afternoon to enable authors to answer questions and discuss the projects displayed. 

The hospitality and the welcome we received from the Slovenian people was astonishing with organised receptions virtually every evening at museums across Slovenia with traditional food and locally produced wine.  The museum hosting the event in Nova Gorica, Goriski Musej, had even re-displayed an entire gallery especially for the event.  From a professional point of view attending conferences such as this one is a highly valuable opportunity to learn, to network and to get to know peers in more sociable surroundings.  I would also highly recommend visiting Slovenia.  As a country the size of Wales with a population of 2million everywhere within Slovenia is easily accessible and from what I saw mainly remains truly beautiful and unspoilt. 

Grateful acknowledgements to: Lynne Edge, Dave Flower, NML design department for assistance with production of the poster and The Zibby Garnett Travelling Fellowship, Icon, and the North West Federation of Museums and Art Galleries for funding the visit.

We've lots of plans for our sites - this blog, our main site, diduknow etc - but want to know what our visitors want from us as well. Do you want more indepth information? Are we missing something vital? What do you think about our collections information?

We've put together an online survey so you can tell us. It should only take a few minutes. If you've any problems please let us know, and thanks in advance.

First the good news: Animated Adventures at World Museum Liverpool has been extended slightly and will now finish on Tuesday 28th August. Also, the Culture Company is organising a family festival on William Brown Street from 12 noon until 5pm on 26 and 27 August, as part of the Mathew Street Music Festival, so you could visit both over the bank holiday weekend.

The bad news is that because of the family festival William Brown Street will be closed from 6pm on Saturday 25 until 8pm on Monday 27 August. Also, because of the 800th birthday pageant which starts and finishes on William Brown Street, the road will also be closed on Tuesday 28th August, so if you were hoping to park there you will have to find an alternative. Check out the World Museum Liverpool visitor information page for alternatives.  Obviously the same arrangement applies to the Walker Art Gallery.

As promised here are some of the radio highlights for the International Slavery Museum launch. Obviously there has been a lot more coverage than this list but a lot isn't available to listen again, or is difficult to isolate within a programme. There's plenty to listen to here anyway.

• Front Row tonight (Friday 24th) will feature Mark Lawson's visit to the new museum. That's Radio 4 at 7.15pm, and hopefully for the week to come on 'listen again'
  
• As I mentioned yesterday Simon Mayo on Radio Five Live interviewed Richard Benjamin for about 20 mins on Wednesday, starting at about 1hr 47 mins into the programme. That programme should be available to listen again until Wednesday next week.
  
• Colourful Radio's Amina Taylor interviewed Richard on 20th August 2007. Just select the date from this page - the interview starts at 1hr 46mins and runs for about 20 mins. 
  
• Colourful Radio obviously like Richard as he was back on the station next day on the Elayne Smith programme. Again, select the date (21st August) and start listening at 1hr 38 mins. The interview runs for about 18 mins. In the interview Richard asked people to send him their comments and thoughts on the museum. You can do that by following this link and completing the 'contact us' form.
  

The International Slavery Museum opened today. Pleased to say that there has been lots of positive coverage in the press, on the web, tv etc. I'll post a proper 'listen again' selection of the radio coverage but in the mean time here is an interview from yesterday. Simon Mayo on Radio Five Live interviewed Richard Benjamin, head of the museum. The interview starts at about 1hr 47mins and runs for about 20 mins on either side of the news break. (NB, apparently there are a few problems with the BBC listen again feature so you might have to be patient.)

Also saw today that Anti-Slavery International has digitsed its collection of 18th and 19th century slavery literature and called it Recovered Histories. There are over 40,000 pages so it should be worth a good look. 

Our very own Stephen Guy (he of Maritime Tales fame) gives a little bit of a guided tour around the International Slavery Museum which opens on Thursday (just two more sleeps) in this video on the BBC website.

Sorry - should have put this up last week but it's still current. John Edmondson has been involved in a new exhibition showing at the Picton LIbrary - that's the round, reading room that's part of Liverpool's Central Library. It's between World Musem Liverpool and the Walker so could easily be fitted in with a visit to either.

Planetarium operator, John Moran, was up bright and early the other day for the Perseids meteor shower (rather him than me...)

A meteor from the Perseids shower. Image courtesy of NASA

As is always the way when I look forward to annual meteor showers, especially the major ones like the Perseids, I was beaten by the broken cloud, which gives you the added frustration of being able to see parts of the sky in between and consequently gives you false hope. This was how I spent the early hours of 13 August in Newsham Park, Liverpool. Fortunately others I've spoken to had better luck than I did. One of our regular visiters to the Planetarium described how she had set her alarm clock for 3am and had trudged off to the nearby woods with her grandfather, and spotted at least 10 meteors, which is deserved reward for the commitment and patience shown by a 12 year old just discovering the wonders of our night sky. The passion and excitment in her eyes was a joy to see as she described how, "one meteor streak went on for ever" and how another, "broke apart mid-flight". This kind of feedback from someone so young is, in my opinion, one of the biggest rewards of being a Planetarium operator.
 
Another successful night of 'Perseid hunting' was achieved by our own Tony Morgan of the Natural History Centre, who along with Wendy Simkiss from Geology and a few friends, organised a star party. As a way of keeping everyone keen and focused, Wendy not only supplied binoculars and star maps, but also created a clever little test where everyone had to find 16 selected objects in the night sky.  This is such a brilliant way of not only keeping interests peaked, but also an opportunity for friends who may not be as familiar with the celestial sky. Another reason why star parties are a great idea is because unfortunately the sky does not always do as predicted, so if you end up disappointed because of clouds at least you are among friends and can still have good time.
 
I always try to imagine what it would be like to witness a meteor shower from the middle of the sea or even a desert, because being a city dweller makes it much more difficult to view events like meteor showers because of light pollution - the enemy of all star gazers. I often speak to retired seamen who are not necessarily familiar with the constellations but talk about how unbelievable the stars were at sea, and how the sighting of shooting stars became commonplace. I can't help but feel a tinge of envy. Of course you don't always need an annual meteor shower to be able to spot meteors, because on any given night of the year there are millions of tons of space debris entering our atmosphere, most the size of a grain of sand. The great thing about annual showers is that you can get prepared for them. The best way to do this is by getting yourself a meteor shower chart (see below) which lets you know what date meteor showers start and finish.

John

Download: Meteor shower chart [.pdf 55k]
Download: Meteor shower chart [.rtf 72k]

The British Bryological Society is holding its annual general meeting at World Museum Liverpool on 29-30 September. If you're new to the world of bryology (the study of bryophytes, aka mosses and liverworts) and want to learn more then the Saturday morning session is for you, with a workshop on identifying bryopgytes - feel free to drop in.  More on the BBS website.

The Guardian has an interview with illustrator, Shirley Hughes, on the homepage of its books channel - you can listen here.  There's also an article about her latest collection (in case you're wondering why I'm telling you this, we had a Shirley Hughes exhibition a few years ago and still get a fair few enquiries about it).

The installation of the new access ramp at the Lady Lever Art Gallery is continuing this week with the fitting of the new glass balustrade. Did a previous post on the ramp itself if you are interested.

The first piece of glass is lowered into position

Just 36 more sleeps until the opening of the International Slavery Museum (cue hysteria from the project team). Joking aside, the fit-out, ie installing the actual exhibits, is well underway and I've put a few progress snaps on our Flickr page. This pic shows the Igbo compound in the west gallery.  I'll put more up as the museum develops over the next few weeks.

Igbo compound

If you missed it when it was at the Museum of Liverpool Life (RIP), you'll be pleased to hear that our hugely successful exhibition,  Living With The Romans, is on at the Museum of Lancashire, on Stanley Street, Preston from this Saturday until December 21.  The museum is open Monday - Wednesday, Friday and Saturday, 10.30am until 5pm. Admission prices are adults £3, concessions £2 and children free.

Part of the new Egyptian gallery (which I am ridiculously excited about and it doesn't even open until next year) will explore the ancient Egyptians' relationship with their environment, including animals. Ashley Cooke's sent me snaps of some of the objects that will feature in this section of the gallery (the snake and crocodile are on our flickr page, along with other pics from the gallery development).

The hollow base of this beautiful little bronze statue contained the mummified remains of a mongoose; admired for its ability to kill snakes and crush crocodile eggs. During the Late Period (664-525BC) statues like this one were mass produced and purchased by private individuals. They donated them to the priests of temples when they went on pilgrimages to different cult centres throughout Egypt - almost like a holiday I guess.

The ancient Egyptians respected the violent power of the crocodile, despite it being their close Nile-neighbour. The god, Sobek, was portrayed as a crocodile and had a temple cult centre in the Fayuum region, which is where this bronze Late Period figure was excavated (see it on our Flickr page).

The snake was similarly admired, mainly for its ability to seemingly regenerate after shedding its skin. This Late Period bronze statue of a snake contained the mummified remains of a snake within the hollow rectangular base (again, check out our Flickr page).

We get a lot of enquiries from people asking if we hold passenger list records for people leaving and entering the UK. Just seen that findmypast.com in association with the National Archives have made available the passenger lists for people who left the UK between 1890 and 1960 (actually, they just got up to 1929 for now - the rest follows in the next few months and you can register to be kept informed). 

While I'm here, Karen in archives recommends the 'Watching the Boats Go By' website. It shows live vessel movements in the Mersey and other areas around the coast, so you can check out what's afloat at any time of the day. You can click on the map to see the individual ships, their stats, what sort of vessels they are, where they're from/going etc and photos.  Its great if you have seen a ship in the river and wondered what it was.

Detail of the mandala

Progress photos on the mandala at World Museum Liverpool are now in the mandala flickr set. You can see in a couple that the pattern isn't flat - crests of coloured sand.

Check out my post from Wednesday to see what the project is about.

A post from John Edmondson on a new book he's worked on.

Cover of the new edition of Linnaeus' travel diaries

2007 is the 300th anniversary of the birth of famous Swedish scientist Carl Linnaeus, who published the first Flora of Sweden. To mark the event a number of publications have appeared, including one with a Liverpool connection. John Edmondson, head of science at World Museum Liverpool, has edited an English translation of Linnaeus’ travel diaries of his tours of the Baltic islands of Öland and Gotland in 1741. There, Linnaeus observed many plants and animals previously unrecorded from Sweden as well as many aspects of the local folklore, geology, agricultural practices and copies of runic inscriptions.

The account, which was translated into English by William T. Stearn and Marie Åsberg, has been brought right up to date, with the plant, animal and fossil names revised by numerous scholars including Guy Knight, Ian Wallace and Alan Bowden of World Museum Liverpool as well as specialists at the Natural History Museum and elsewhere. It has been published (ISBN2: 978 91 633 0361 6) by the Swedish publisher Gyllene Snittet, and includes photographs of Linnaeus’ plant specimens and notes from the Linnaean herbarium in London. A new Runic font has been designed for the book, which reproduces and translates the inscriptions on ancient memorial stones found during the expedition.

John

The monks working on the mandala

This week World Museum Liverpool is really lucky to be hosting a group of Tibetan Buddhist monks from the Tashi Lhumpo monastery. They are creating an intricate sand painting called a mandala in the Treasure House Theatre. Millions of colourful grains of sand are positioned using tubes and scrapers to create the most beautiful painting - this one depicts a celestial mansion of the Buddhist deities. The concentration is amazing and helps the monks in their meditations. You can see the progress so far on flickr (it's good to watch the progress in the slideshow).

The mandala won't be on display at the museum for long though - just as a ceremony marks the beginning of the process so another ceremony marks the destruction of the mandala, symbolising the impermanence of existence and warning against attachment to worldly goods. So if you would like to see the mandala there are talks at 2pm and 3pm today, tomorrow and Friday, and the destruction ceremony at 10.15am on Saturday (7 July). Hopefully have snaps of that ceremony next week. More info on these and other talks in the what's on section on the main site.

And if you want to learn more about mandalas check out wikipedia.

You might have seen this BBC article last week on the discovery of the mummy of Queen Hatshepsut. It is being described as the biggest archaeological find in Egypt since Howard Carter found Tutankamen's tomb in 1922. We have a few pieces related to Hatshepsut so Ashley Cooke, curator of antiquities, agreed to do a blog post on who Hatshepsut was.

Statue of Hatshepsut as a sphinx in the Metropolitan Museum of Art, New York

Egyptologists in Cairo believe they have identified the mummy of Queen Hatshepsut - one of the most famous queens of Ancient Egypt. Alongside her nephew, Tuthmosis III, she ruled Egypt as a crowned king during the prosperous Eighteenth Dynasty (about 1473 – 1458 BC). She was a the daughter of king Tuthmosis I and Queen Ahmose Nefertari. She married her half-brother, Tuthmosis II and gave birth to daughter called Neferura. When her husband died his son by another marriage assumed the throne of Egypt. However, he was only a child so Hatshepsut ruled as regent and later assumed full royal titles and enjoyed a long co-regency, thus effectively blocking him from full power.

Hatshepsut was a very successful ruler and built many monuments that can still be seen today, including a spectacular terraced temple, set within the cliffs at Deir el Bahri (near to the Valley of the Kings) (see a pic on our Flickr page). It is from this temple that a carved relief of Hatshepsut’s father was recovered in the early 1800s, probably from the ruined Anubis chapel within the temple complex, and is now within the Egyptology collection at Liverpool. You can see it on our flickr page.

This is a fragment of limestone fallen from a temple wall, 35 cm high and carved in raised relief, representing the pharaoh Tuthmosis I, the father of Hatshepsut. The king wears the long royal beard and a coiled uraeus over a wig cover. The carving of Hatshepsut’s father is unusual because it reveals that the sculptor has obviously changed his mind about the position of the arms. A previous outline reveals that the king’s right arm was originally raised, but a decision was made to place the arm by his side. The earlier carving would have been covered by a layer of plaster and concealed in the final painting of the temple wall.

Last Friday the web team attended the Museums on the Web Conference at Leicester Uni. We were all pretty impressed by Sebastian Chan from Powerhouse Museum in Sydney and the work the team there has done on folksonomies. Encouraged us to just do it with our own collections. You can check out their blog, Fresh + New(er), which is also pretty good. Not sure if the conference papers are going to be available on the site but you might want to check back at some point.

Then yesterday I saw that a fab bracelet currently featured in the Peter Chang exhibition comes from Powerhouse and has a zoomification on their site (the same feature we use), so you can see the piece in all its shiny detail.

National Museums Liverpool have developed a draft disability equality scheme and would like to know what you think of it. The document outlines what we are doing to meet the requirements of the Disability Discrimination Act. What do you think of our plans? Is it enough or appropriate? What could we be doing better?

You can find the document on our main website. You may also want to read our access standards and our equality and diversity policy which are on the same page. You can get in touch either through our 'contact us' system or by calling Human Resources on 0151 478 4677, with comments to reach us by Monday 16 July 2007.

It's just over 14 hours until a receation of the famous slave ship, Amistad, sets sail from its home port of New Haven, Connecticut, USA on a 14,000 mile round trip to Europe and Africa. The ship will retrace the slave triangle travelled by thousands of European slaving ships during the 18th and 19th centuries, with a crew augmented by English and American students including 19 year old Michael Simon from Toxteth.

The Amistad became famous in 1839 when the slaves on board - who were being taken to the Americas - revolted, captured the ship and eventually won their freedom.  

The ship will be in Liverpool in a few weeks time for the opening of the International Slavery Museum on 23 August, which is also Slavery Remembrance Day.

You can learn more the background to the trip, Amistad America Inc, and the orginal Amistad on the official website.

Martin Greenland, the artist who won the John Moores 24 prize last year with 'Before Vermeer's Clouds' is holding his first solo exhibition since his win. It's at Farfield Mill, just outside Sedbergh, Cumbria, and is on until 11th July 2007. It's a mix of new and older work, including drawings and paintings on paper, none of which have been seen before. More info on Martin's website.

(l-r) Jenni Whiteside from Lady Lever, award-winner Lynn Taylor, and Big Art marketing officer, Sam Vaux.

A few weeks ago I told you we had been nominated in two categories at the The Mersey Partnership 2007 Tourism Awards. Well, we're pleased to report that we won, and in both categories.  'Big Art for Little Artists' won in the 'Large Visitor Attraction' category, and Lynn Taylor from the Lady Lever Art Gallery won the 'Outstanding Customer Service' category. Obviously we're pretty chuffed with both awards and proud of Lynn's individual achievement.

More on the awards can be found on the icLiverpool website.

Here's a few progress images from work on the International Slavery Museum which will open in August. The other images are on our Flickr page and include the Igbo compound in the west gallery.

the outer wall of the Middle Passage immersive

This image shows the Middle Passage immersive in the middle gallery. You can see its curved outer wall - there are two walls which form almost a peanut-shape which you go inside. The text on the wall,  in case you can't read it, says:

My hopes of returning home again were all over.
Cuguana, 1787

dis poem
shall speak of the wretched sea
that washed ships to these shores
of mothers cryin for their
young swallowed up by the sea.
Mutabaruka, 1985

Clare Hamilton's Sunday programme came from the newly-reopened Sudley House. You can catch it on BBC Radio Merseyside's 'listen again' facility. Featured are decorative arts curator Robin Emmerson, talking about the history of the house and the Merchant Palaces exhibition, and George Holt (aka Paul O'Keefe) taking about his life and collection.

The Sawfly

Guy Knight at World Museum Liverpool has sent me more photos from the fieldwork the entomology team are conducting at Smardale Gill National Nature Reserve in Yorkshire. You can see them all on our Flickr page. One of the more exciting finds so far has been the sawfly Macrophya albipuncta (left), known from few localities outside Scotland. There's a bit more on the research in this previous post.

Guy also thought like-minded people might be interested in the Tullie House Museum virtual fauna website.  There is a new area of the site linking the museum's collections with the wildlife records database, so you can examine their insect collections, with details of over 25,000 specimens available so far.

Helmet worn by a hoplite soldier

Well, we might as well be honest about it! Apparently there's a football match of some sort tonight - I wouldn't know, I only have eyes for Everton - and curator Ashley Cooke thought it appropriate to wheel out something vaguely Athens-related for the occassion, so here goes. Actually, we do have a pretty substantial Greek collection so this post isn't entirely without its merits.

This helmet is bronze and dates from around 460BC. It was beaten from a single piece of metal into a pretty distinctive style, and would have been worn into battle by a heavily-armed solider, known as a hoplite soldier. This hoplite soldier was from Corinth, a city state nestled between Athens and Sparta. During the fifth century BC the city states of Sparta and Athens were at war with each other and Corinth fought with Sparta against Athens, so there's a good chance this helmet was worn in a battle against Athenians. 

 

Bubbles by Sir John Everett Millais

Recently saw this Guardian article on Millais and a new Tate exhibition. Reading it I felt quite sorry for Millais and I'm a bit puzzled about his work needing rescuing. A lot of people like 'Bubbles', which is on long loan at the Lady Lever Art Gallery and will be returning there once the Tate exhibition is over. Ok, it might seem a bit sugary and sentimental to our modern eyes but that's a lot of people's cup of tea and fair play to them.

In case you don't know Millais didn't paint 'Bubbles' to advertise soap; instead he intended the bubbles and the innocence of the child to represent the fragility of life, and the painting as a whole is meant to encourage us to ponder the brevity of our existence. Some people think that Millais wasn't best pleased when it was used to advertise Pear's soap, but he'd sold the copyright so there wasn't a whole lot he could do about it. Others suggest that he was happy with the sale as long as the reproduction was of a suitable quality

'Bubbles' actually fits in quite well at the Lady Lever, partly because we've a good few Millais's in the collection (you can explore them in this Millais online feature), but also because of the gallery's history and links to the soap industry. Lord Leverhulme began buying art, not just Millais's work, in the late 1880s to use in advertising for his 'Sunlight Soap' brand. Pieces like The Wedding Morning, Girl With Dogs, Besieged, His Turn Next, A Dress Rehearsal and The Centre of Attraction were purchased to promote soap, and many a home still has a print, postcard, jigsaw or tea tray depicting one of them.

So, if 'Bubbles' is your cup of tea you can read more about it here or listen to a gallery talk on our main site.

Curator of Egyptology, Ashley Cooke, tells us about a student project he's working on.

Carolyn (antiquities curator) and myself have been working with three students as part of a museum work experience the department offers to archaeology and Egyptology students. Rebecca Cessford, Nicola Davies, and Michael Fairclough are students in the School of Archaeology, Classics and Egyptology at Liverpool University. As part of their degree course they need to gain some experience of museum work and have been working on a variety of projects including help piece together hundreds of pottery sherds.

Group of sherds showing hieroglyphs including the ankh (sign meaning 'life')

Painting on Egyptian pottery is not very common before the New Kingdom (1550-1069 BC), but appears often in the late 18th Dynasty. Painted vessels can be colourfully decorated with floral motifs using cobalt blue and other mineral pigments mined from the deserts of Egypt. These vessels were not your everyday containers and would originally have contained luxury liquids such as wine.  This blue-decorated pottery was first recognised on a bigger scale at the palace of king Amenhotep III (1388-1351/50 BC). The painted pottery in the Liverpool collection comes from the palace site at Tell el-Amarna, built by Amenhotep III’s son, king Akenaten.

The museum has an extensive collection from Tell el-Amarna – ranging from gold rings from royalty to reed sandals worn by residents of the town.  Like many large museums, World Museum Liverpool gave financial support to British archaeologists working in Egypt in the late 19th and early 20th centuries. The museum sponsored excavations at Tell el-Amarna in the 1930s and in return, the museum received a share of the artefacts that were found.

More photos of the sherds can be found on our Flickr page (the last three images).

The winning touring exhibition, Eye for Colour

Last week our exceptionally successful exhibition, 'Eye for Colour', won in the 'Temporary or Touring Exhibition' category at the annual Museums & Heritage Awards for Excellence. The awards recognise and celebrate best practice in the industry, so to win is a real pat on the back.

Head of exhibitions, Fiona Philpott, was thrilled to receive the award, especially as the exhibition was developed and designed in-house by our own team. In her acceptance speech she thanked the eTEC consortium as this award is very much a tribute to the success of this unique consortium (National Museums Liverpool, At-Bristol, W5, Magna and Science Projects) and thanked the Millennium Commission who gave us a very substantial grant towards the cost of the exhibition.

More on the awards and all the categories and winners on the Museums & Heritage website, and more on 'Eye for Colour' on our main site.

If you missed 'Eye for Colour' at World Museum Liverpool you can catch it now at W5 in Belfast. The good news is that it will return to World Museum Liverpool later this year (Oct 07 - Feb 08), before it travels to Magna in Rotherham. It is also available for hire (contact our exhibitions dept.).

And while I'm on the subject of awards, 'Big Art for Little Artists' is nominated in the 'Large Visitor Attraction' category of The Mersey Partnership 2007 Tourism Awards. Lynn Taylor from the Lady Lever is also short-listed in the 'Outstanding Customer Service' category. Fingers crossed for the ceremony on 1 June.

A couple of programmes to catch over the next couple of weeks. On Wednesday 16 May at 7pm on BBC2, Jonathan Meades: Abroad Again will be looking at urban regeneration, and visits Liverpool when he'll be checking out the Art and the Sea gallery at the Merseyside Maritime Museum.

Then, 26 May sees the reopening of Sudley House. BBC Radio Merseyside are marking the occassion on the Sunday (27 May) at 1-3pm with a mix of pre-recorded and live interviews from the gallery. 

Planetarium operator John Moran explains all the fuss over the latest planetary discovery.

An artist's impression of an exoplanet. Image couresy of NASA.

After discovering some 200 or so planets orbiting distant stars, scientists have finally found what looks like an Earth type planet. Gliese 581c is the smallest "Extrasolar planet" ever discovered. Most Exoplanets discovered so far have been many times the size of Earth and more resemble gas giants like Jupiter. But the detection of a world so close in size to the Earth, has got the scientific community very excited.
 
But even more significant is the planets location around its parent star: Gliese 581c orbits around its Sun in a narrow band of space known as the "Habitable zone", defined as the region around a star where liquid water is stable. And as we all know, where there is water, there is a good chance that some kind of life may have formed.
 
Over the last few years, scientists have discovered hundreds of Exoplanets. How they do this is by studying a star's spectrum and looking for periodic shifts. These are tell-tale signs that the star is wobbling - rocking to and fro because of the gravitational pull of an orbiting planet. This wobble was detected in a small and quite dim star called Gliese 581, which is in our galactic  neighbourhood, 20.5 light years away. This wobble was the sign that it had a companion, and this companion turned out to be a Neptune sized planet orbiting very close to the star and completing its course every 5.4 days. But they noticed that the wobble did not fit the usual pattern, something  else seemed to be tugging at the star. As it turned out there where two more low mass planets  orbiting Gliese 581 and it is the middle of the three that has caught the attention. Not only is it the lowest mass planet ever found, but the distance from its Sun means it may  have a surface temperature of around 0 to 40 degrees Celsius and consequently water would be liquefied not frozen.
 
The fact that a Red dwarf is of much lower mass than our Sun makes the detection of small rocky planets that much easier. All in all, both the low luminosity and the low mass of Red dwarfs favour the detection of Earth-like planets around such stars, and with Red dwarfs being the most abundant stars in the Galaxy, the possibility for similar discoveries is very real. 
 
John Moran

Marketing Assistant Enes updates us from "On the Road"

Geir Tonnessen, hotel general manager and Ben from Childwall

The latest addition to Museum of Liverpool - On the Road  was launched this morning at the Radisson SAS hotel. The child-sized post box was specially made for the children at Fazakerley Children’s Home to post their letters and cards.

National Museums Liverpool curator Kay Docherty, hotel general manager Geir Tonnessen, and local lad Ben appeared for regional press who attended the presentation.

Update 14.05.07: Sorry, we originally spelt Mr Tonnessen's name wrong.

Last August I told you about a project that staff from the Earth Sciences section at World Museum Liverpool were undertaking. They were trying to find out what sort of plants were growing in the Merseyside area about 240 million years ago. Wendy Simkiss from the team provides an update:

Modern and Triassic horsetail.

"A 240 million year trip back in time to a Triassic site on Wirral revealed plant fossils in some of the rock strata.  These were collected during last summer, transported to the museum, examined, drawn, and numbered.  What we found was that most of the remains were from horsetails and conifers.  They are being identified and photographed in more detail at the present time.

One of the mysteries facing us is why all the fragments are so small.  We are attempting to find this out using examples of modern plants related to the fossil ones and seeing what happens as they dry up and disintegrate.  The photograph shows one of these tiny plant fossils from the Wirral site."

The top image shows modern horsetail growing wild. The lower image shows fossilised horsetail. This piece of rock is just 5mm tall. Images by Alan Bowden.

The two sides of the commemorative medal

Our new curator of antiquities, Carolyn Routledge, has been rummaging round her new charges and come up with this rather timely little gem. It's a 1907 medal commemorating the 700th anniversary of the foundation of Liverpool (in case you didn't know we are celebrating the city's 800th birthday this year).

On the left (the obverse view) we can see King John bestowing the charter that made Liverpool a city, along with a liver bird crest. The reverse view on the right shows a sailing ship, the dates 1207 and 1907, and the words 'Deus nobis haec otia fecit'. This is the motto of the City of Liverpool and means 'God has provided us this rest' or ' this tranquility' or 'this leisure for us', depending on your translation. The quote originally comes from Virgil's Eclogue I (37BC) and was suggested for the coat of arms by James, 10th Earl of Derby. The things you learn.

This section shows St Johns Tower, the roof of Lime Street station just to the left, and the Royal Liverpool Hospital in the background.

A few more progress snaps from the Ben Johnson project are now on our Flickr page (the last five are the most recent), including both Goodison Park and Anfield stadia (those who know me will admire my restraint there).

Should point out that these images are optimised for web use, and that the originals show really, really fine detail. You definitely need to see the original or hi-res pics to appreciate it fully.

Following on from Sam's post about the reopening of St George's Hall next week, a symphony of bells will ring out across the city to mark the occasion, from 1.40 - 2.40pm on Monday afternoon. World Museum Liverpool is getting involved by playing host to three musicians who will be stationed on the balcony just above the main entrance on William Brown Street. They'll be playing beer-barrel sized 'bells', constructed from scrap metal and hanging from a small scaffold.  If you're in the vicinity keep an eye out for them.

It's generally assumed that you need to be pretty smart to work in a museum. To find out just how smart watch Eggheads on BBC 2 at 6pm this coming Friday (20th) when a team from the museums will be pitting their collective wits against the resident team.

Last week Woman's Hour featured an interview with Pamela Robertson, curator at Glasgow's Hunterian Art Gallery, about the Doves and Dreams exhibition which is currently drawing the crowds at the Walker Art Gallery (and which finishes this Sunday). If you missed it you can still 'listen again' via the website for a day or two more (sorry for the lack of notice).

Finally, refering back to the Lilies post a few months ago, we've had an enquiry about the churches that featured in the series. Sorry, we don't know which they are and suggest that the person who contacted us gets in touch with Liverpool Film Office (we did try to email you but it kept bouncing back).

Just seen this interesting article on the Stanford University School of Medicine site. An ophthalmologist there is interested in the relationship between art and eye disease - he's even written a couple of books on the subject. He's now gone one step further and recreated artworks as the artist would have seen them, suggesting that the work we see now isn't what the artist intended. He's concentrated on Degas and Monet because, as he explains, they had well documented conditions, and has put together a slide show of what he thinks they would have seen - it's pretty interesting.

The new ramp at the (soon to be) new entrance to the Lady Lever Art Gallery.

Changes are afoot at the Lady Lever Art Gallery. Last week saw the installation of a new ramp for visitors who can't manage the steps. This photo shows work in progress at what will be the new entrance - it's to the right of the front entrance as you currently look at the building. The new entrance and foyer will be a big improvement on the current cramped, inaccessible one, and will lead people right into the heart of the building. Fans of the building should rest assured that all of these changes are totally in keeping with the building and its listed status. More on the improvements we're making to the gallery are on the main site.

Update 10.04.07: sorry, that should read 'to the left of the front entrance as you curently look at the building', so that's the west side of the building.

You might have seen in local press a rather big splash about our Bunny Run event over the Easter weekend. Sorry to disappoint folks but that's a bit of an error (not ours you understand) and there's no chasing of rabbits or any other animal for that matter at our venues this weekend.  There are lots of other events though (check out the 'what's on' section of the main site), and there are actually a good few rabbits in the Wallace & Gromit section of the Animated Adventures exhibition so it's not a totally bunny-free weekend after all.

Mark Adams from the archaeology team with an update on activity at the Manchester Dock site. Photos from the dig are still on our Flickr page. If you've missed any of the excavation posts follow the 'museum of liverpool' link at the foot of this post.

After a lull of about three weeks whilst we recorded the dock structures exposed in the first phase of the dig, excavation has begun for the new museum foundations. This is being undertaken as a 'Watching Brief' which entails the Museum's archaeologists monitoring the excavation of the site by machine. The site is being excavated in this way because test-pits and boreholes taken earlier in the project showed that the quaysides were constructed over dumps of sands, gravels and rubble dumped into the Mersey to form this part of the docks. The vast majority of this material is of little or no archaeological interest, most is probably dredgings taken from the river, and hand digging of this material is not realistically feasible or productive. However, it does contain pockets of very interesting deposits. So far we have found more sugar moulds (below) similar to those found earlier in the excavation, including one which although broken may be complete, and another with a complete makers stamp for W. Ashcroft of Prescott.

An intact sugar mould. Tried to find an image of the type of sugar cone that would have come out of a mould like the one shown, and