National Museums Liverpool Blog - Thursday, January 04, 2007

Audio downloads of the Lady Lever and Walker Art Galleries' December artwork of the month talks are now online.

At the Walker, Curator of British paintings Alex Kidson took a look at Henry Fuseli's 'The Death of Oedipus' (mp3/transcript/links). Fuseli's painting portrays a scene from the Sophocles play 'Oedipus at Colonus'.

At the Lady Lever, Dr Paul O'Keeffe gave a seasonal talk on 'The Annunciation' by Edward Burne-Jones (mp3/transcript/links). Paul discusses buying a bible and concordance, the connections between Eve and Mary, original sin, the V&A exhibition 'Renaissance domestic life in Italy', the model and her famous daughters, the history of the Grosvenor Gallery, Gilbert and Sullivan's 'Patience', Oscar Wilde, William Morris and Clause 8 of the Trust deed of the Lady Lever collection.

I popped into the Walker before to see the Sam Taylor-Wood video of David Beckham and admire his perfectly manicured thumbnail. I wonder if he had his nails done specially for the video or if they're always in that good condition?

On the way in I couldn't help notice some fencing and strange tent-like structures going up around the Steble fountain opposite the gallery's entrance. These are all part of the preparations for tomorrow evening's firework display from the gallery's roof. Originally scheduled for new year's eve, until the weather got too windy, the fireworks can now be seen from 7.30pm tomorrow.

The fireworks officially kick off the city's 800th anniversary year of celebrations, so do come to see them and wish Liverpool a happy birthday if you're in the area.

We may all be back at work again after Christmas but the party spirit is set to continue at World Museum Liverpool, where a series of events are planned over the next 2 weekends to celebrate the Arabic festival of Eid al-Adha.

Eid al-Adha is an Islamic period of thanksgiving which also marks the end of the annual pilgrimage to Mecca. It is celebrated by families and friends of all ages wearing best clothes, giving presents, eating and playing.

This morning Najib Al-Hakimi came in to drum up some support for the festival, with the help of museum staff Enes Senussi and Alex Shears. Najib, from the Liverpool Arabic Centre, has co-ordinated the events, along with the Merseyside Yemini Community Association.

The events start with a party at the museum on Saturday 6 January from 12.30-4.30pm, featuring music from Manchester's Al-Bawady Band and Sheffield's Al-Nawares Band, traditional Yemini dancing, moderm dance workshops, drama, henna hand and face painting, a clown and much more.

The following weekend the Arabic Cultural Foundation have organised activities in the Weston Discovery Centre from 12.30-3.30pm on Saturday 13 and Sunday 14 January. For more details see the What's On listings for World Museum Liverpool.

I'm afraid that after the last two informative posts, I'm going to lower the tone somewhat. I've been looking for David Beckham fansites to tell them about the Sam Taylor-Wood portrait on display at the Walker when I came across this David Beckham dressing-up dolly.

I expect it is supposed to be for children but couldn't resist sharing it with you - not least because you can also dress up a whole load of other celebrities from Johnny Depp to Paris Hilton. I have to admit though, I was very disappointed with Bjork's wardrobe selection - not a patch on the real thing.

You can also make a dressing up doll of yourself called a MeDoll but they don't have any ample dollies, only skinny minnies. Mine came out looking like Carmen Electra. How I love the web.

Note from Karen: introducing Rob Philpott, head of archaeology at National Museums Liverpool. He'll be providing regular updates on progress at the dig which is about to begin at the waterfront. If all this is totally new to you and you've no idea what is happening at the dock you can read-up on the main site.

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Tomorrow archaeologists from NML's Field Archaeology Unit are starting work on the site of the new Museum of Liverpool. The new museum will be built on the Liverpool waterfront on an area of land which was reclaimed from the estuary in the late 18th century to construct some of Liverpool's vast sequence of docks. We will be working in advance of construction to ensure that the remains of the two docks affected by the scheme, Manchester Dock and Chester Basin, are fully recorded. As the top of the docks lie close to the surface, we will first be removing the tarmac surface to expose the dock walls and quaysides. These will be mapped and photographed and a detailed plan made.

There will be an update next week, plus details of finds as we uncover them.

Rob Philpott.

The story of the Royal Charter has fascinated me, Stephen Guy, since childhood when I took holidays on Anglesey just down the coast from where she was wrecked.

Gold and more gold. Many of the travellers had made their fortunes in the Australian gold fields and now they were anticipating lives of comfort.

In their expensive clothes, bedecked with jewellery and other symbols of their wealth, they boarded the luxury 2,700-ton steam clipper Royal Charter at Melbourne and set sail for Liverpool.

On board were 498 passengers and crew - and nearly two tons of gold plus 48,000 gold sovereigns with a total value of around £500,000 (a staggering £35 million in today’s money).

It was 1859 and the Royal Charter was one of the finest, fastest passenger ships and could cover the long journey from Australia in under 60 days.

As the ship approached Liverpool she hit one of the worst storms ever seen in the Irish Sea. The Royal Charter was tossed around like a cork as she hugged the coast of Anglesey. The anchors were dropped but ferocious seas broke the chains.

Royal Charter crashed on rocks off Moelfre and there were terrible scenes as people made frantic attempts to reach the shore. Some tried to save their fortunes by filling their pockets with gold and as they desperately tried to swim to safety, the heavy gold dragged them under. Only 39 people survived and bodies were recovered for days afterwards.

Exhibits from the wreck can be seen in Merseyside Maritime Museum’s emigrants’ gallery. They include a section of the wooden stern - the broken fragment’s carvings indicating the high standard of workmanship on the Royal Charter.

A delicate cup and saucer reflect the luxurious style of the ship. A gold signet ring with the initials SG provokes questions about who owned it.

But perhaps the most evocative is a section of thick rope. Able seaman Joseph Rogers (pictured) was the first to reach shore carrying a long length of this rope from the wreck. He lashed it to the rocks and a bosun’s chair was fitted so that some lives were saved. There were horrific tales of people plunging into the foaming seas.

And what of the gold? Most of it was recovered but who knows how much still lies scattered far and wide after nearly 150 years of tides?

There's lots more information on the people who travelled to and from Australia via Liverpool in the 19th century in a special online feature, Leaving From Liverpool.

A new Maritime Tale appears every Saturday in the Liverpool Echo.

If you are working, living or playing in Liverpool, you just can’t get away from the Beatles. And nor should you want to.

This morning comes the news the Fabs are finally going to get Royal Mail's stamp of approval. They will be celebrated with a New Year series of stamps featuring their album covers. These would make great addition to this 1980s reissue set of stamps featuring mug shots of the boys – a duplicate of a 1964 collectors' edition. You can view these and a ridiculous variety of other Beatles memorabilia in our online exhibition. You may remember Sam writing about this charming set of Beatles Russian dolls during the August festival.

Other ‘Beatle news of the day’ is the proposed recreation of the church fete where John Lennon and Paul McCartney met on July 6, 1957
The 50th anniversary of the event is to be marked with a service of celebration at St Peter’s Church in Woolton – although the details are still a bit sketchy.

Paul and John were introduced by a mutual friend at the church fete. Later that day John performed with his skiffle band The Quarrymen at the church hall and Paul watched from the sidelines. We were lucky enough acquire that very stage when it was gifted by the Parochial Church Council of St Peter's Church. It is likely to form a key exhibition in the new Museum of Liverpool when it opens.

As far as I'm concerned, you can't beat the Beatles. However, Queen, Oasis, Take That and The Rolling Stones are all in the running to do just that in the Great British Battle of the Bands poll running on Radio 2.The results will be broadcast on New Years' Day.

And if you're not all Beatled out after all that, you can still check out our Beatles Games.

Update: The result of the Great British Battle of the Bands is in. Apparently Queen are the nation's favourite band with the Beatles edged into second place. The Rolling Stones came third, followed by Oasis and Take That. If you want to follow the arguments, logic and voting that resulted in this dramtic outcome, you can listen to the show online

Welcome to the first of my online Maritime Tales. In this post I'm looking at CSS Alabama.

The warship Alabama wreaked havoc on the high seas for the breakaway Confederate States during the American Civil War – and she was built in Birkenhead. Alabama sank or captured 67 Union sailing ships and one steamer before the USS Kearsage sent her to the bottom off Cherbourg, France, in 1864.

Laird Brothers built the Alabama for agents of the Confederate Navy in 1862. There was a lot of support for the Confederates in Liverpool because the huge cotton industry had been badly affected by the Civil War. Cotton from the Confederate states was hit and thousands of cotton workers in Lancashire thrown out of work.

The British government had adopted a neutral stance in the Civil War. When they found out where the Alabama was destined, ministers ordered that she be detained in Birkenhead. However, the Alabama managed to slip away, steaming down the Mersey supposedly to carry out engine trials. She made for the Azores where she was fitted with armaments.

During her two-year campaign, she cruised the seas looking for prey. First she created havoc from Newfoundland to the Caribbean. Then she was off the coast of Brazil before crossing the Atlantic to South Africa.

The Alabama sailed the Indian Ocean and travelled as far east as Singapore. She met her nemesis after going to Cherbourg for an extensive refit. Her captain, Raphael Semmes, wanted to stay for several months but the French ordered him to leave. The Alabama went out to meet the Kearsage. The two ships fought while spectators watched from the shore. After being at sea so long, Alabama was no match for the Kearsage and was reduced to a battered hulk in an hour.

There are a number of fascinating exhibits associated with the Alabama at the Merseyside Maritime Museum.  A signet ring bears the name R Hobbs, possibly a Liverpool man who was quartermaster on the Alabama. He was wounded in the famous showdown with the Kearsage. A miniature anchor is believed to be made from brass from the Alabama’s engine room. 
A model of the Alabama has fine details including eight cannons on deck.  The oil painting of the ship by Samuel Walters is also on show in the Art & the Sea gallery.

On our main site you can see photographs taken on board ship, plus there's more about Liverpool's role in the American Civil War.

A new Maritime Tale appears every Saturday in the Liverpool Echo.

Subtitle: diversionary tactics part 2.

Today's foray into the world of 'kind of work' has been provided by the Guardian art & architecture blog which has posed the question 'what is your favourite Christmas painting?' In the spirit of 'diversionary tactics' I'd better go for images from our own collections. You'll know a lot of these as they are regularly used on Christmas cards. My choices are:

• Peter Doig's 'Blotter'
• The Shortening Winter's Day Is Near A Close by Farquharson (proper chocolate box stuff)
• The image shown is a detail from The Daphnephoria by Lord Leighton which, despite being used on lots of Christmas cards, isn't even about winter. The Daphnephoria was an ancient festival held every nine years in honour of the god, Apollo. So now you know.
• Snowdrift by Edward Onslow Ford is often used as well, despite being about the end of winter and the coming of spring. 
• Just realised that one our most popular Christmas pics isn't on our main site (job for the new year me thinks), Angel Playing A Flageolet by Burne-Jones.

Email me with your suggestions and I'll consider posting them here.

Guess this is the National Museums Liverpool blog signing off for a few days. Have a restful and peaceful holiday, whatever you end up doing.

 

I was looking for references to Aardman Animations (they of Wallace & Gromit fame) in anticipation of the Animated Adventures exhibition we are hosting next year, and was really gutted to come across this BBC article on the death of Joseph Barbera. Peter Lord from Aardman talks about Barbera's influence in the piece.

Hanna-Barbera were the creators of my childhood (and adult if I'm honest) favourites including The Flintstones, Scooby Doo (before Scrappy, obviously), Top Cat and, my absolute fave, Tom & Jerry.

Wikipedia pretty well covers their work, with some good links to other HB sites.

Stuck in an office that bears an increasing resemblance to the Marie Celeste on a wet bank holiday doesn't put you in much of a festive mood. My reserves of diversionary tactics, ie 'it kind of is but kind of isn't work', are running low already and I've still got to survive tomorrow and most of next week. Who'da thought the world wide web could offer so little of interest?

Luckily I wandered across this new site from the Arts Council - the catalogue of its collection. Nice design and lots of pretty pictures. That's my sanity preserved for a few more hours. Tune in tomorrow to see how far I've descended into the abyss...

Every year I plan to write all my cards at the beginning of December yet somehow my good intentions never materialise. This morning found me stuffing envelopes into a postbox in order to catch the lasting posting day for first class mail - just one of my personal Christmas traditions.

Of course in this technological age if you miss the post you can always send digital greetings with a Christmas e-card. So what are you waiting for? Spread a little festive cheer!