National Museums Liverpool Blog - Thursday, April 24, 2008

Terry standing next to his painting RS Thomas Triptych.

Standing Stones, a display of work by Liverpool-artist Terry Duffy, opened today at the Walker Art Gallery.

The display consists of two diptychs and a triptych, forms that work really well with the symmetry and the classic architecture of the gallery.

Standing Stones is on show at the Walker Art Gallery until 8 June 2008 and will be followed by further exhibitions of Terry's work in various locations throughout the city during Capital of Culture.

Living Memorial to Ken Sara-Wiwa outside the International Slavery Museum

Today is the last day to catch the Living Memorial to Ken Saro-Wiwa outside the International Slavery Museum.

The 12ft high and 18ft long Nigerian steel bus, created by artist Sokari Douglas-Camp CBE, is carved with a direct quotation from Ken Saro-Wiwa. The quotation ‘I ACCUSE THE OIL COMPANIES OF PRACTISING GENOCIDE AGAINST THE OGONI’ is accompanied by the names of Saro-Wiwa and his eight colleagues who were executed on 10 November 1995 following their campaign to stop the environmental devastation of the Ogoni area of the Niger Delta in Nigeria by multinational oil companies.

Dance the Guns to Silence, an evening of poetry, music and activism will be held at the Sara-Wiwa bar in the Liverpool Guild of Students from 8pm tonight.

Some objects in our collection are so large that conserving them is a two-person job. A good example is the 'All you need is love' bedspread, which is currently being prepared for display is the upcoming exhibition The beat goes on - opening on 12 July 2008 at World Museum Liverpool.

To prepare it for display the bedspread has been stitched to a backing sheet on wooden stretchers, which support it and keep it in place. Today textiles and organics conservators Vivien Chapman and Anne-Marie Hughes have been strengthening the bedspread with supporting stitches to key areas - a delicate process which involves passing the needle through the fabric from one person to the other, without being ever able to see each other. These stitches are so small that you wouldn't know they were there when you look at the bedspread but they play an important role in supporting it when it's on display.

The bedspread was originally used in John Lennon and Yoko Ono's Montreal 'Bed-In For Peace' in room 1742 of the Queen Elizabeth Hotel, Montreal in 1969. It is just one of the fascinating pieces of memorabilia that will be on display in the exhibition.

There are more pictures in a Flickr slideshow of the bedspread being conserved.

Paul and friend

If like me you need cheering up after Riise-nt events cast your eyes on this cute fella currently being prepared for his new home at the Lady Lever Art Gallery. We’ve been lucky enough to get local artist Paul Cousins to paint our SuperLambBanana as part of the Go SuperLambBananas project which will give birth to herds of them around the city.

Paul has christened his creation ‘Cloudorama’ and it is a reflection of a series of sky paintings he has produced that highlight the threat pollution poses to the earth’s atmosphere. After Paul has put the finishing touches to the piece Cloudarama will be welcoming visitors to the Lady Lever from 16 June – 25 August. Let’s hope having him there in his blue-skied splendour will be a good weather omen for the summer. 

Rachel Porter from the Aquarium at World Museum Liverpool has exciting news about nine youngsters who have made their first public appearance this week. As she's the expert I'll let her tell you all about them:

"These adorable little babies were born in July 2007 and are now big enough to go on display on our Aquarium gallery.  They are only about 4cm long but will grow to be 20cm long and are being fed little shrimp called Brineshrimp or Sea Monkeys. 

The Seahorses were bred here at the museum from the parents who we keep in our quarantine area.  The male actually gives birth to the babies after brooding them in a pouch for only 2 weeks."

Today is day one in April's Name That Object competition and here is today's clue. To win a copy of the rather nice catalogue that accompanies the Art In The Age of Steam exhibition all you have to do is identify the object in question (it's an artwork this month) from the clues given every day this week, and email us your answer using the link on the competition page. Best of British.

Several of my friends emigrated but now, with the arrival of cheap air travel, they quite frequently return on visits. One comes every year from New Zealand. In the past emigration usually meant, for those left behind, that you were unlikely to see loved ones again. It was a drastic step.

Model of the Berengaria, which took many emigrants to new lives. Image courtesy Liverpool Daily Post and Echo

Liverpool was well-placed on the west coat of Britain to cater for the huge growth in the emigrant trade to the United States and Canada by the early 19th century. It became Britain’s most important international passenger port and probably the greatest emigrant port in world history, with some nine million people passing through in the period 1830 to 1930. Not until 1927, when transatlantic emigration was in decline, did Southampton finally surpass Liverpool for international passenger traffic.

From 1800 until the 1920s the busiest ocean travel route in the world was between the British Isles and North America. Most of the millions of passengers on this route were emigrants to the USA and Canada. Many came from as far away as Scandinavia and Russia to set off from Liverpool. From 1850 many emigrants also sailed to Australasia and other British colonies around the world.

As the 20th century dawned, however, more and more people became tourists and travelled the oceans for pleasure rather than need. The main short-sea routes to and from Britain are to Europe and Ireland. In recent years, business and pleasure have been the main reasons for travel.

Despite the successes of Cunard’s paddle steamer Britannia and other British steam packets in the 1840s, most passengers to and from Britain still travelled by sailing ship. This was because until the 1860s travel under sail, although slower, remained cheaper. By 1870 steamships were becoming larger and more powerful and were carrying many more passengers than ever before.

There are many displays at Merseyside Maritime Museum illustrating the era of sea passenger travel. There are displays about the passenger liners, how people lived on board, what they took with them and what they ate. The Britannia, a wooden paddle steamer, took 14 days to cross the Atlantic. The Queen Mary, five times as long and nearly 70 times larger in tonnage, took just four days.

Liverpool-based shipping companies had regular passenger services to every continent until the 1960s. Competition from air travel ended the era of the passenger liners but in the recent years there has been a huge growth in cruise holidays.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo.

Here's some great news to start the week with, the International Slavery Museum has been shortlisted in the 'Large Visitor Attraction of the Year' category in The Mersey Partnership Annual Tourism Awards 2008. The winner will be announced at the end of May.

If you haven't made it over to the museum yet to see what all the fuss is about this is a great week to go, as the Living Memorial to Nigerian activist and writer Ken Saro-Wiwa will be visiting from 23 to 25 April as part of Celebrate Earth Week 2008. There's also a talk at the museum with the artist who created the memorial, Sokari Douglas Camp, on Thursday 24 April at 2pm.

On Monday night at 9pm Channel Four are featuring a Time Team special - The Lost Dock of Liverpool. It focuses on arachaeological excavations of what's known as Old Dock - the first commercial wet dock in Liverpool and the world - plus other sites at the waterfront as they've been cleared for the canal extension, Museum of Liverpool etc. The programme will be looking at the growth of Liverpool as the world's first global city, and will feature several members of the museum archaeological staff. Quite looking forward to it.

Michael Palin (copyright Basil Pao)

You’d think that Michael Palin  would have had enough of travelling, wouldn’t you? Well apparently not, because he has kindly trekked up north to open the Walker’s new transport-themed exhibition, ‘Art in the Age of Steam’. I can’t help being stoked at the prospect. Not only are his travels compulsive viewing, he’s an ex-Python.

He won’t be the only star in the gallery though, as the exhibition features pictures from the likes of Manet, Monet, Van Gogh and Hopper. I haven’t actually managed to see the finished article myself yet - so more about that later - but we’re getting a great response from those who have.

At Liverpool Cathedral’s craft fair this weekend, another star of the rail Frank Hornby will be in the spotlight. As well as model trains on display there will be a track where model enthusiasts are invited to try their own Hornby trains out. (Rather bizzarely, one of the office has just spotted French and Saunders hanging out there).

If all this transport talk has whet your appetite, there are lots of steamy activities about - as long as you’re willing to travel of course. There’s East Lancashire Railway,  Ullswater Steamers,  Ffestiniog & Welsh Highland Railways , Snowdon Mountain, Ribble Steam Railway, Severn Valley Railway, and Middleton Railway, Leeds.  

As a special treat this Summer, you can also catch a steam train from Lime Street. 2008 is the 40th anniversary of the last ever scheduled steam train, which departed from Liverpool, so the Rail Touring Company will be running some special events.

Once you’ve run out of puff, come and relax in the exhibition. I hear it's first class.  

'King Eddie' just clearing the ceiling in the conservation studio

As you may know the Pier Head is undergoing a bit of a transformation at the moment, and that extends to the statues there. King Edward VII atop his horse has undergone a face lift, spending the last few months in a studio at the National Conservation Centre - he almost didn't fit in. Work to remove the grime is now finished (this photo was taken pre-conservation) and you are invited to come along and meet 'King Eddie' before all 16ft of him is hoisted back on top of a granite plinth at the Pier Head. There's a special open day this Thursday - 17 April - from 1-4pm when you can chat to conservators and see long-obscured features up close. Just come to the information desk at the main entrance on Whitechapel and you'll be shown through to the studio.

Sir Percy Bates. Image courtesy of Liverpool Daily Post and Echo

This portrait of Sir Percy Bates is one of my favourites as it makes you want to know more about the man as he looks quizzically over his spectacles. The painting hangs in the Life at Sea gallery in the Merseyside Maritime Museum along with personal items and other memorabilia.

Cunard chairman Sir Percy (1879-1946) had the idea of building legendary liners Queen Mary and Queen Elizabeth. He was one of a long line of shipowners and shipping company bosses who had tremendous influence when British vessels led the world.

Sir Percy, a baronet, began his career with the family shipping firm of Edward Bates & Co. He joined Cunard in 1910 and was chairman from 1930 to 1946, a crucial period in the Liverpool-based company’s history when both the Queens were built and Cunard merged with rival White Star.

In December 1930, Sir Percy’s dream of two world-leading ships had begun to take shape when the Queen Mary’s keel was laid at John Brown’s Shipyard at Glasgow. Work was delayed because of the Depression before the Queen Mary was launched and sailed on her maiden voyage in May 1936. The Queen Elizabeth was completed in 1940 and both Queens became troopships in the Second World War. Queen Elizabeth did not enter normal passenger service until 1946. Sadly, Sir Percy died from a heart attack, aged 67, at this time.

Items on display include a beautiful illuminated scroll carrying the speech Sir Percy made at the launch of the Queen Elizabeth in 1938. A cigarette box is made from oak off the Cunard liner Aquitania. A gold medal produced to mark the launch of Queen Mary. Only four others were produced – for Edward VIII, Queen Mary, President and Mrs Franklin D Roosevelt. In contrast, a simple leather briefcase was used by Sir Percy when he was Cunard chairman.

Other leading shipping figures are featured. A photograph of members of the Liverpool Shipowners’ Association 1890-1 shows the top-hatted grandees standing proudly in rows.Alfred Holt (1829-1911), founder of the Blue Funnel Line, was also an engineer and designer of the compound engine. His work ensured the ultimate success of the long-distance steamer.

Sir Alfred Read (1871-1955) brought together a number of small companies to form Coast Lines in 1912. Until the Second World War, Coast Lines was the largest trading group between British ports, including Ireland.

Lord Kylsant (1863-1937) was chairman of the Royal Mail Steam Packet Company from 1903 to 1931.The group was broken up in 1931 after financial problems and irregularities for which Kylsant was convicted.

Merseyside Maritime Museum is open seven days a week, admission free. A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo.

Gallery attendants Brian and Dave meet Aled Jones at the Walker Art Gallery

BBC’s Songs of Praise filmed at the Walker Art Gallery yesterday. Presenter Aled Jones met up with local artist Cecelia Matson who introduced him to the gallery by showing him work by her favourite artist and source of inspiration JMW Turner. Cecelia told Aled how the Walker was a great place for contemporary artists to learn from old masters.

The feature, which is part of a programme dedicated to Capital of Culture will be aired on Sunday 4 May.

There will be more Turners to feast on over at the Lady Lever Art Gallery this summer when Masterpiece Watercolours and Drawings opens from 28 June- 9 November 2008.  The exhibition features other big names such as Constable, Burne-Jones and Cox and offers a rare opportunity to see a selection of the gallery’s most delicate artworks.

Image courtesy Liverpool Daily Post & Echo

I’m always fascinated by the ‘what ifs?’ of history and the sinking of the Titanic might never have happened if the rivets had been different.

Riveters played a vital role in shipbuilding when Britain’s shipyards boomed as the Empire expanded and the Royal Navy dominated the seas. Riveting was the only method of fastening together the plates and frames of early iron and steel ships. It was a very laborious process and accounted for much of the banging and clattering associated with traditional shipbuilding.

About three million rivets were used to hold Titanic together. Rivets recovered from the wreck were apparently made of poor quality iron. One theory about the sinking claims that the impact with the iceberg caused the heads of the rivets to break off and sections of Titanic to break up. Better quality rivets, it is argued, may have prevented the ship sinking.

The most effective way of making rivet holes was with an hydraulic punch. By the 1870s such machines were capable of punching up to 30 holes a minute in half-inch thick plates. When riveting was done by hand, large shipyards such as Cammell Laird’s employed more than 100 riveting squads, each with five men. They were:

• The heater, usually the youngest of the team, who softened the rivets in a portable forge before picking them up with long-handled tongs and throwing them to …
• The catcher who caught the rivets in a tin then, with short-handled tongs, placed the rivets in the holes where they were held by …
• The holder up whose 14 lb hammer kept the rivets in place while they were hammered by …
• The riveters who worked in pairs with hammers weighing between  three and five lbs to round over the ends of the rivets, thus fastening the plates together.

On display at Merseyside Maritime Museum is a riveting hearth and examples of plates riveted together.

The death-knell for riveting was sounded in 1920 when Cammell Laird launched the Fullagar, the world’s first all-welded steel ship. Welding was perhaps the greatest development in shipbuilding in the 20th century. The time-consuming and labour-intensive process of riveting was replaced by the stronger and more efficient method of welding steel plates. There was no need for overlapping plates or connecting flanges so less steel was used.

The speed of construction was greatly increased and automatic welding machines could be used. Today large sections of hull and superstructure can be built under cover so that final assembly is simplified.

Merseyside Maritime Museum is open seven days a week, admission free. A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo.