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National Museums Liverpool Blog - Friday, September 12, 2008

 Friday, September 12, 2008

Stuart's stories and a proper Charley


Friday 12 September 08

I had an email from fellow Wiganer and author of ‘Pies and Prejudice’ Stuart Maconie today. (You won’t hear me utter the ‘W’ word very often being a Saints fan, and incase you were wondering Saints and Wigan drew last week. But I digress).

Actually, it was really from England’s Northwest announcing a new set of short stories penned by the Radio 2 presenter. Each tale highlights some of the fantastic things you can do in the North West. Now I am a bit of a fan of Mr Maconie on account of his excellent musical knowledge and the fact that he always turns up at local events and supports grass roots events. I like that. So I have signed up online for a free copy (yes – FREE copy) of his short stories which will go to print early next year.

One of the stories is entitled ‘Liverpool Museums’ and we don’t feature as much as you'd expect – but he does give the Lady Lever Art Gallery and the Walker Art Gallery a mention, so I’ll let him off. Infact, what he actually says is, “Liverpool has galleries the way some cities have roadworks and the Walker is the Bill Shankly and daddy of them all”. High praise (but I hope it doesn’t put the Evertonians off).

Exterior of Walker Art Gallery, LiverpoolBill Shankly - the daddy

Slightly less satisfying is the fact that The Beat Goes On exhibition is overlooked in the 'Liverpool Music' story. He does talk about Eric’s and The Beatles  though – and given Liverpool’s musical pedigree I expect it is quite difficult to squeeze it all in.

Stuart, if you are out there then come and see the exhibition because you would absolutely love it, from Billy Fury’s guitar to The Zutons’ video props, but especially all the Eric’s stuff. I’ll stand you a pie and a pint if you make it.

While I’m here I’d also like to extend that offer to Mr Charley Boorman who metaphorically sprinted through Liverpool on his latest adventure, 'By Any Means'. I have been following Charley for many a year, in the motorbike series 'Long Way Round' and 'Long Way Down' with Ewan McGregor, as well as the brilliant 'Race to Dakar'. So I was absolutely gutted when he jumped off the ferry in Liverpool, hailed a black cab and legged it onto the train at Lime Street without seeing anything at all. To add insult to injury he went on to sleep overnight at the Transport Museum in Coventry where one of his Long Way bikes resides. And he didn't even say hello!

Note to Charley - all is forgiven - but you definately should’ve used the Wacker Quacker if you were looking for different types of transport.


Posted by Dawn | 12/09/2008 15:02   | Comments [0]

Drawing Engagement


Friday 12 September 08

Want to help with a project about how drawing helps us relate to the world around us? Then come along to the Lady Lever Art Gallery this month and you can assist PhD student Pippa Sherriff from the University of Leicester, who is researching this very subject for her thesis. Pippa is inviting visitors to get involved in drawing activities at the gallery and to talk to her about their experiences to help with her research. Read on for more details from Pippa herself...


My name is Pippa Sherriff and I am a Research Student in the Museum Studies Department at the University of Leicester. My doctorial project explores the experience that adult visitors have when they are encouraged to draw in Museums and Art Galleries of Art and Design. I am interested in how the process of drawing encourages a closer engagement with the world around us and may enhance the understanding and appreciation of the object(s) encountered. 

A black piece of paper with a white drawing of a flowerGet drawing at the Lady Lever

I am inviting adults to come and participate in a drawing activity at Lady Lever Art Gallery, Monday to Friday from now until the end of September 2008. I have in situ a good supply of drawing materials or people may prefer to bring their own. Following the activity I am seeking people to talk to me (approx 10 minutes) about the experience and so contribute to my research findings.

In essence this is an opportunity for people to express their feelings about the drawing process itself and engagement with the object(s) encountered. The conversation will be conducted in a quiet space, audio recorded and then transcribed at a later date. There are no written questionnaires to complete and any confidential or sensitive information is neither expected nor required. Participants may also withdraw at any time if they so wish. 

My final thesis will include descriptions and quotations of the experiences related by drawing participants. However, importantly, each will decide how their individual contribution is attributed. A research consent form will detail this information. If anyone is also interested in being kept informed about the progress of my research I am willing to establish email contact.

Contact the Lady Lever Art Gallery for more details on: 0151 478 4136


Posted by Lisa | 12/09/2008 10:46   | Comments [0]

Posted in: lady lever art gallery
Tagged with: art | drawing

 Thursday, September 11, 2008

Escort carriers


Thursday 11 September 08

Model of a long ship with camouflage paint, and a flat deck with planes on it.The Audacity model. Image courtesy Liverpool Daily Post and Echo.

My first flight in a helicopter was on a Royal Navy facility trip to the Ark Royal aircraft carrier in Liverpool Bay. It was an amazing experience with the deck opening up underneath as a huge lift transported us below. Most of all I remember the delicious meal they served.

In contrast, HMS Audacity was the Royal Navy’s first merchant aircraft carrier. Her role was to protect convoys crossing the Atlantic with vital supplies for Britain during the Second World War. Surprisingly, Audacity started life as a German passenger ship captured early in the war. In 1941 she was converted into a flat-top escort carrier, also known as a MAC ship. She could operate just four light Grumman Martlet aircraft from her short flight deck with no hanger.

There is a 1:300 scale model of the camouflaged Audacity in Merseyside Maritime Museum’s Battle of the Atlantic gallery. She did not have a long life as she was sunk by a German U-boat submarine in December 1941 after just four escort passages.

The need to close the 400-mile ‘air gap’ in the mid-Atlantic led to the development of the MAC ships. Most were grain carriers or oil tankers fitted with a basic flight deck for three or four Swordfish bi-planes. The MAC ships not only provided air cover for convoys but also carried much-needed supplies of grain or oil for Britain. From mid-1943 at least one MAC ship sailed with every north Atlantic convoy.

They were joined by new purpose-built British and US naval aircraft carriers. US Liberator bombers closed the ‘air gap’ by late April 1943. At the same time, long-range British and American aircraft attacked U-boats in the Bay of Biscay near their French bases. Equipped with powerful searchlights for night operations, air-to-surface radar and increasingly effective weapons, these aircraft enjoyed many successes.

The fitting of highly-accurate centimetric radar on long-range aircraft was another major turning point in the anti-U-boat campaign. More U-boats were sunk by aircraft than by ships during the last two years of the war. The RAF Coastal Command played a decisive role in the Battle of the Atlantic. In all, it sank at least 155 U-boats in Atlantic waters.

Other exhibits include a green-coloured 100 lb air-dropped anti-submarine bomb from about 1941 – the earliest of its type used by the British.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from www.merseyshop.com (£1.50 p&p UK).


Posted by Stephen | 11/09/2008 10:19   | Comments [0]

 Wednesday, September 10, 2008

The Great Museum Debate


Wednesday 10 September 08

Woman standing with microphone making a speechDea Birkett argues her case

It was artefacts at dawn last night as The Great Museum Debate kicked off at the Maritime Museum.

Our distinguished panel made a case for the museum of their dreams and had some pretty unusual ideas.

Being a huge football fan I was pretty taken with teen author Bali Rai’s fantasy of a museum where you can create your own interactive sporting moment. He wanted to set Steven Gerrard’s famous goal against Olympiakos to Jimmy Cliff’s ‘You Can Get It If You Really Want’ and bask in the glory of Liverpool’s victorious 2005 Champions League campaign. This was part of Bali’s wish for a museum that was a living, breathing thing.

Janet Dugdale our Director of Urban History argued for a crystal-like museum made entirely from glass with no barriers to interaction and enjoyment. By touching objects, that were perfectly preserved to last for ever, visitors to her museum would be ‘transported through history to meet the person connected to the object’.   

Nick Poole from the Collections Trust wanted his museum to be a shop ‘which transacts in experiences and knowledge’, doing away with the need for public funding for museums while historian Andrew Wheatcroft wanted an interactive museum featuring 3D virtual guides to show visitors around that left people hungry for more.

Dea Birkett from Kids in Museums suggested doing away with the word museum altogether to make them more attractive and wanted to create a space that stimulated all five senses.

Ideas from the audience included a huge museum dedicated to musicals, a philosophers museum of morals, values and magic and a virtual reality travel museum allowing visitors to step into different countries and experience different cultures – definitely a good one for those scared of flying.   

Personally, I think I’d opt for a museum of taste. Visitors would be treated to a whistlestop tour of different countries and ages by eating the delicacies associated with them. I might skip the East End gallery though - jellied eels really aren’t for me.


Posted by Angela | 10/09/2008 15:09   | Comments [0]

 Friday, September 05, 2008

Ask a silly question ...


Friday 05 September 08

Too many questions, not enough answers. Like who will win the Big Brother final? Will St Helens or Wigan win the big clash at Knowsley Road tonight? And who will replace Kevin Keegan? All of these questions will resolve themselves in time.

But imagine if you were faced with a mind-boggling task – like the creation of a museum from scratch. It could have anything in it and be made to your exact specifications  - built of marshmallows and smarties, contain only items beginning with D, and be staffed by trapeze artists. What would yours be like?

The Great Debate 2008 is asking exactly that question. There’s no right or wrong – it’s just a chance to get involved in the fantasy world of museums and let your imagination run riot. National Museums Liverpool has got together with Kids in Museums for the debate which starts at 6pm on Tuesday 9th September at Merseyside Maritime Museum. Tickets are free but you need to book in advance. (If you can't make it then you can still email in your ideas via the website - the best ones will get read out at the debate).

The event will be chaired by broadcaster John Waite, and has a distinguished panel including teen fiction author Bali Rai, Nick Poole chief executive of the Collections Trust, National Museums Liverpool's director of urban history Janet Dugdale and historian Andrew Wheatcroft.

Now excuse me while I go a think up a museum entirely made of chilli peppers and staffed by an army of rock gods – hot, hot, hot!


Posted by Dawn | 05/09/2008 15:44   | Comments [0]

"I'm just not keen on spiders"


Friday 05 September 08

I’m determined to get to Manchester Art Gallery to see Green Drops and Moonsquirters: The Utterly Imaginative World of Lauren Child before it ends. Lauren Child is the author of the wonderful Charlie and Lola series. The trouble is, everytime I try and get there, there’s just too much happening in Liverpool and I end up spending the weekend at visiting one of our venues.

Take this weekend for example. It’s the BA Festival of Science. Now science isn't really my bag – but the festival isn't what you think. At World Museum Liverpool on Saturday, for instance, we’ve got some opening events with Adam Hart-Davis. (I know him best from TV’s 'What The Tudors Did For Us' series). These include firing rockets, digging for fossils, creating your own big bang and lots of other stuff happening

Something else that took my eye was 'The Search For Extraterrestrial Life' lecture at the University of Liverpool which is being hosted by leading experts in astrobiology Professors Monica Grady, Barrie Jones and John Zarnecki. Any budding Mulder and Scullys out there? And I also stumbled across the Magical Memory Tour  which is supported by The Beatles Story (amongst others). This scientific study about memory is based on people’s reflections and experiences of the Beatles and Beatle-linked events. You can add your own thoughts on the website and the findings are to be revealed during the festival.

An ecard featuring a mature lady and a giant spiderWish You Were Here? A World Museum e-card.

If you are of a nervous disposition you may not want to venture into town at all this weekend with La Princesse on the move courtesy of Sultan’s Elephants’ spectacular Company La Machine . (Listening to The Cure on iTunes is really not helping at this time). And if a giant mechanical spider isn’t enough to scare you silly can always bob into the Bug House to see if the short fat hairy ones do the trick.

Hmmm – perhaps I’ll get off my tuffet and go to Manchester. As Lola would say, "I'm just not keen on spiders". I’d rather meet Soren Lorenson.


Posted by Dawn | 05/09/2008 12:19   | Comments [0]

 Thursday, September 04, 2008

Black History Month Achievers Awards nominations


Thursday 04 September 08

Don't forget that if you haven't sent in nominations yet for the 4th annual Black History Month Achievers Awards then today is your last chance to do so - you can either drop a form in or email it to the organisers, the Merseyside Black History Month Group.

Full details, downloadable nomination forms and the address to send them to are in the Black History Month section of the International Slavery Museum website (and please don't forget your favourite venue when filling out the form!)

Full details of the events programme for this year's Black History Month at our venues will be available on the website next week.


Posted by Sam | 04/09/2008 10:13   | Comments [0]

 Tuesday, September 02, 2008

Museum of Liverpool update


Tuesday 02 September 08

Just added a few more Museum of Liverpool construction snaps to our Flickr page  - the slideshow of the set is embedded here (roll over the image and click the bottom right icon to see a full screen view).

Update 18.09.08: Been meaning to point out that the Flcikr slideshow doesn't seem to be working too well with IE7 - fine with Firefox I think. You might want to skip straight to our Flickr page 



Posted by Karen | 02/09/2008 10:07   | Comments [0]

Posted in: museum of liverpool

 Monday, September 01, 2008

Heavy metal


Monday 01 September 08

photo of 3 semi-circular structures on their sides in a row

As a child I had some difficulty grasping how the huge metal ships on the Mersey stayed afloat. I could understand wooden ships floating – after all twigs and sticks thrown in our local brook never sank – but steel and iron? This was the big question nobody seemed to be able to answer – just as, how do planes stay in the air?

The notion of building a ship entirely of iron challenged many owners and shipyards in the 19th century: “Who ever heard of iron floating?” was a familiar cry. But float it did and within a few decades ships made entirely of wood were the exception rather than the norm.

Prior to the 19th century, for many centuries ships were built of wood. As Britain became a naval world power, ancient forests were cleared to build warships.

The Napoleonic wars between 1803 and 1815 marked the high point of Britain’s naval sea power under sail. They were followed by 100 years of comparative peace when new sea technologies came to the fore. Before the Napoleonic wars, merchant ships were relatively small. Although much of the globe had been explored, maritime trade hadn’t developed enough to support an industrial society.

The Industrial Revolution, which began in Britain and saw the start of the factory system, created a demand for larger ships to carry more raw materials and manufactured goods. The material which made their construction possible was iron. At first the builders of iron ships tried to copy the trusted methods used in wooden ship production. Iron hulls were vulnerable to corrosion and marine growths, since no effective anti-fouling paints had yet been developed. As a result, ship builders compromised by constructing an iron framework covered with wooden planking.

At Merseyside Maritime Museum there are three models (shown here) showing cross-sections of hulls made from wood, iron and wood and iron alone. Copper sheathing remained the most effective barrier against barnacles and marine worms before the arrival of anti-fouling paints. From the 1870s steel, with its greater strength, began to offer overwhelming advantages over iron. Plate thickness and other metal parts of the hull and superstructure could be reduced by 25% with no loss of strength. This weight-saving resulted in greater speeds, fuel economy or cargo carrying capacity – whatever the needs of the owners.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from www.merseyshop.com (£1.50 p&p UK).


Posted by Stephen | 01/09/2008 10:13   | Comments [0]

August's competition answer


Monday 01 September 08

Paitnign showing an angle hovering above a calm looking womanThe Annunciation by Edward Coley Burne-Jones

If you didn't have access to a computer over the weekend you mightn't have seen the answer to August's 'name that object' competition. The answer was 'The Annunciation' by Edward Coley Burne-Jones, and the winner was C Sharp of Liverpool. Another competition and another prize next month.


Posted by Karen | 01/09/2008 09:02   | Comments [0]