National Museums Liverpool Blog - Thursday, October 16, 2008

I can hardly contain myself. I am in a state, somewhere between excitement, panic and terror. You see, AC/DC concert tickets go on sale tomorrow and I will be frantic until I have acquired my little piece of heaven. (Why on earth am I telling anyone this? I should be keeping it secret ... more tickets for me). I’ve been waiting 8 years for them to tour again and it is 20 years since I first saw them – I’ve been there, done that and bought the t-shirt (infact I’ve still got the 1988 t-shirt but it’s got moth holes in it). I even called my little boy Bon after the legend that is Bon Scott. So you could say I consider myself something of a fan.

But even I was surprised to see an image of AC/DC bass player Cliff Williams in The Beat Goes On exhibition at World Museum Liverpool. What could these hard rocking Aussie / Scots (with a Geordie twist) have to do with Liverpool?

Well, the story goes that Cliff (who was born in Romford) moved to Liverpool at the age of 9. His first band were based here and ironically named ‘Home’. (Even more bizarrely, his next group Bandit featured eighties crooner Jim Diamond and Bucks Fizz drummer Graham Broad – but that’s another story). I’m really intrigued as to which school Cliff went to and which area of Liverpool he lived in, so if anyone remembers him or better still has photos, I’d be very interested. Maybe he has even been to the museum … perhaps the new single Rock N Roll Train is about Lime Street  … my mind is positively buzzing with the possibilities!  

Anyway, if like me you cannot wait for Monday’s release of ‘Black Ice’ you can listen to it for free at AC/DC’s official site. But there’ll be none of that new-fangled downloading as AC/DC only release ‘real’ albums. Perhaps next time they tour Cliff could schedule a gig on his ‘home’ turf. (Of course, there may not be a next time. Angus is 53, despite the school uniform).

Cliff Williams – we salute you!

PS - We have recently added a fanatstic musical resource to our website. You can find out more suprising information about Liverpool's rich musical heritage at The Beat Goes Online.  

Despite being an Evertonian through and through, last week was quite a week for me in terms football encounters of the red variety.

Ben Johnson helps Rafa Benitez draw his square for the People's Panorama

First we had ex-captain and coach of Liverpool FC Phil Thompson attending the press launch of our new UEFA exhibition Only a Game? at World Museum Liverpool, and then I was lucky enough to meet some other famous LFC faces for a completely unrelated project.

This month’s national Big Draw campaign is aimed at getting people across the country to uncover their artistic abilities through a variety of creative projects, and in its 2008 Capital of Culture year Liverpool is having its Biggest EVER Draw.

Teaming up with a number of cultural centres around the city, NML has put on a programme of events which included a return visit to the Walker Art Gallery from Liverpool Cityscape artist Ben Johnson at the weekend.

Ben has worked with NML to encourage people to take part in an exciting project to recreate his Liverpool Cityscape as The People’s Panorama; dividing it into 400 squares and inviting Liverpool’s people - including Liverpool Manager Rafa Benitez! - to each draw a square…

So, in the name of art I swallowed my blue-pride and accompanied Ben Johnson on a trip to Liverpool FC’s Melwood training ground last week to get Mr Benitez to draw his square. Stepping into his office I couldn’t have gone any further into the heart of the ‘enemy’ if I’d tried, and the disloyalty to my team felt almost too much to bear. This feeling quickly vanished however on ‘bumping into’ Sammy Lee and the legend that is Kenny Dalglish as they left Rafa’s office. So, feeling quite overwhelmed, I resolved to enjoy the encounter…and help complete the mission to get Rafa to draw his little piece of Liverpool!

Rafa's drawing of North Western Hall on Lime Street

Rafa’s artwork can now be seen in the Liverpool Cityscape gallery at the Walker, alongside that of the Lord Mayor’s and 398 other people of Liverpool!

Just seen a Black history interactive on the Guardian site that's worth a look. It's a timeline that runs from AD43 and the arrival at Hadrian's Wall of an African auxiliary unit from the Roman Army, to Barack Obama securing the Democrat's nomination. There are also links to Guardian articles of relevance and a guide to key Black figures - not unlike our own Black Achievers Wall at the International Slavery Museum. Have a look. It's been produced to coincide with October being Black History Month - we've a full schedule of events to link in as well.

It now seems but a dream, but I'm told that the other day it was sunny. These latest snaps of the Museum of Liverpool construction seem to bear that out. Check out the Flickr set - you can almost feel the heat! 

We're still looking for Flickr snaps from the public - there are some beautiful efforts in this group.

The build is progressing well. The cladding is still going on, the window frames are going in and internal walls are going up.

If you have you ever wondered what the North West was like millions of years ago then get yourself down to 'From coal to carnations', the new exhibition at the Grosvenor Museum in Chester, which runs until 30 November 2008.

The exhibition tells the story of plant evolution starting more than 500 million years ago, when the local area was positioned on the equator on a dense forest-covered plain. The displays include fossilised evidence of the ancient plants that thrived in this environment, including material from a recently discovered fossil forest near Wrexham.

A number of items from National Museums Liverpool's Science collection are on loan to the exhibition, including seven Brendel plant models from the Botany department which are shown in this photo. The Geology department have also loaned nine fossil plant specimens, the oldest of which is around 370 million years old, and a replica of an ancient Argentine arthropod called Megarachne, that lived in forests during the Carboniferous age.

Image courtesy of Liverpool Daily Post and Echo

Whenever I look at Merseyside Maritime Museum’s collection of miniature ship models I marvel at these wonders created without the aid of plans or drawings. I could manage plastic construction kits of HMS Hood and the Bismarck but when I see these beautiful sailings ships – some little more than and inch long – I’m amazed. They are the ship model equivalents of beautiful humming birds – tiny vessels built by French prisoners-of-war.

Many of these models have - comparatively speaking - as much detail as those at the other end of the spectrum in the museum’s collections, such as the 20 ft-long model of the Titanic.

The Pilkington Collection of French Prisoner-of-War Models illustrates a vanished art when prisoners used materials such as wood chips or shavings, bone and straw to create wonders of model building. This collection of 39 miniscule warships and boats is one of the museum’s outstanding treasures.

Little is known about the captives who honed their skills to create masterpieces which they could sell or barter to improve their poor food, illustrating that hunger is a great motivator. The talents of the model-makers indicate that they may have been trained as jewellers or watchmakers. The prisoners were held in Britain during the Revolutionary and Napoleonic Wars which lasted between 1790 and 1815.

Many French prisoners were held in Liverpool as well as other places around Britain. There is no evidence that the models in the Pilkington collection were made in Liverpool. They were discovered in Dublin and brought to England on behalf of Sir George Pilkington in the early 20th century. The models were in poor condition and they were skilfully restored by renowned model-maker AW Kiddie, of Southport. He used hair from the heads of his wife and daughter to repair the rigging – a very unusual practice at that time. 

Kiddie (born 1844) had had an extraordinary life, serving three years on sailing ships when he was regularly beaten and flogged. He jumped ship and trained as an engineer which no doubt sharpened his eye for detail and trained his nimble fingers.

The collection was bequeathed to Liverpool Museum in 1921 by Lady Dame Mary Elizabeth Pilkington, of the St Helens-based glass-making family.

The models on display are built to different scales. Some are in miniature wooden glass cabinets, others under glass domes.They range from men o’war and other ships of the line bristling with cannons to two-masted brigs and rowing boats.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).

October's 'Name That Object' competition starts today. Here's the first clue with a slightly larger version on the competition page. As ever there'll be another clue every day this week with the answer on Saturday. The first person to mail me the correct answer, using the contact form on the competition page, wins the prize which this month is a copy of the John Moores 25 exhibition catalogue. Lotsa luck.

The clue for day 1

Yes, today is National Poetry Day and the theme this year is work! Not too sure how inspiring that is as a subject, however, the aim of this day is to get poems into places you may not normally expect to find them. This might be; on toilet doors, on trains, on tablecloths in cafés and anywhere else that a poem will fit!

Here at the Walker Art Gallery, we have a free poetry workshop today from 2-4pm, with local writer Gladys Mary Coles. She will be taking a group of visitors around the gallery to hopefully get some inspiration from the paintings and then assist the group in writing some poetry. To book, call 0151 478 4178.

Get inspired!

The Bluecoat's first Chapter & Verse Literature Festival also kicks off today and you can go to free workshops and cool performance nights there for the next ten days. The final night of the festival, on Sunday 19 October, will be taken over by Heart Beats Poetry Night. This night will feature three exciting young poets, a band and free cake.

You can also send a free e-card, featuring poems from well-known writers if you want to spread some poetry love today. Just go to the National Poetry Day website.

Or if all this seems like a bit too much effort, why not just pick up some poetry and have a read at home with a cuppa? Sounds good to me.

All four European trophies - UEFA European Championship (EURO) trophy, UEFA Champions League trophy, the UEFA Cup and the UEFA Cup Winners' Cup.

Yesterday saw the official launch of our UEFA exhibition - Only A Game? at World Museum Liverpool. Focusing on the pride, passion, cups and culture of European football it's bound to be a hit in such a footie mad city. Ex-Liverpool player, Phil Thompson, was there to do the honours.

Only A Game isn't all Everton and Liverpool, although there's plenty from both clubs. There's lots for every fan of the game including all four European trophies (shown here) which are rarely displayed together. They're not all on show for the duration of the exhibition (dates are here) so if you want to see all four you'd best get down to the exhibition pretty soon. It opens to the public this Saturday (11th).

Wow. What a great feeling it is to give rather than to receive, yes?! Well you have the power to help decide who will get the grand sum of £2008! All you have to do is get voting in our Visitors' Choice award for the painting you like best in the John Moores Contemporary Painting Prize exhibition at the Walker Art Gallery.

Take a good look through the exhibition and think about which painting deserves your vote. Which one jumps out at you? Which one leaves a lasting impression? Is there one that really gets under your skin?

Once you've made your decision, just cast your vote while you're in the gallery by filling in a Visitors' Choice card by Sunday 2 November 2008.

To get you thinking, here is a video with some of our judges;  Sacha Craddock, Paul Morrison and Graham Crowley, talking about some of their favourites:

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Here's an update from curator of Egyptology Ashley Cooke about the work on the new Ancient Egypt gallery which opens at World Museum later this year:

"Last week a team of forensic Egyptologists from the KNH Centre for Biomedical and

Forensic Egyptology at the University of Manchester came to visit two mummies in our collection. The one you can see in the photograph will soon be displayed in the new Ancient Egypt gallery that opens on 5th December. It is the mummy of a young adult woman of the Roman Period (probably about AD 100 - 400) but actually quite little is known about this type of mummy and this is why the team from Manchester came to visit us. Painted bandages carefully reproduce the shape of her body and her feet have been wrapped to appear as if she is wearing sandals. Across the chest of the mummy a plant fibre framework supports gilded amulets to protect the dead person in the Afterlife. Unlike other Egyptian mummies the top of the skull is left uncovered and her hair is still preserved in places. The other mummy the team looked at shares similar characteristics.
 
The mummies were donated to the museum in 1867 by the goldsmith and antiquarian Joseph Mayer. He purchased the mummy from the collection of Joseph Sams (1784-1860) who visited Egypt in 1832-3 and brought back an important collection of antiquities, much of which is now in World Museum, Liverpool and the British Museum. The mummies belong to a group of eight that all share distinctive characteristics and may indeed all be related. The mummies are divided between 5 museums: 2 in Liverpool, 3 in Leiden, 1 in London (British Museum), 1 in Rio de Janerio and 1 in Avignon. Over the next few years we are looking forward to learning more about these remarkable mummies that are quite unlike others in our collection."

Modern Liverpool 1907 by Walter Richards

I am particularly proud that Modern Liverpool 1907 (shown here) was acquired by Merseyside Maritime Museum last year as a result of my Maritime Tales column in the Liverpool Echo. The owner of this important oil painting rang me after I wrote about several historic views of Liverpool in our collections. He revealed that he had this large oil painting showing the city at the height of its Edwardian prosperity.

Ships of all sizes can be seen around the waterfront in this stunning aerial view of the bustling port. The city panorama was painted by Walter Richards as part of Liverpool’s 700th anniversary celebrations. There is a fascinating wealth of detail, particularly around the Pier Head, Prince’s Stage and nearby docks, some of which have long vanished.

A huge four-funnelled Cunard liner is moored alongside the Prince’s Stage. No name can be seen on the bows so it could be either the Mauretania or her doomed sister Lusitania, sunk by a German submarine in 1915. Many other ships can be seen, some from shipping lines identifiable by their funnels.

Three ferry boats, including a paddle steamer, are moored at the Pier Head while passengers come and go. In 1907 there were many more ferries than today, including services to New Brighton, Egremont, Rock Ferry, New Ferry, Seacombe, Birkenhead and Eastham. When the ferry service to Eastham ended in 1929, it marked the last use of paddle steamer ferries on the River Mersey.

Other ships depicted in the painting include tugs and tenders which assisted the big liners. Most of the vessels are steamers but there are a few sailing ships moored in the docks. Among the vanished docks depicted in Modern Liverpool 1907 is the George’s Dock standing between the Liver Building and the Port of Liverpool Building.

I recently went into the basement of the Cunard Building, which now stands on the site, to see a surviving section of the George’s Dock wall. I closely examined the huge sandstone blocks which are almost seamlessly mortared together. It was quite emotive for me because my Guy ancestors were living and working within sight of the dock when it was built. One was mariner Peter Guy, who was 35 in 1771. He worked as a tidesman – a customs officer who boarded merchant ships. For a time he was also employed as Liverpool’s postman or letter carrier – when only the rich and influential generally received letters.

Modern Liverpool 1907 is currently on show at the Walker Art Gallery in the 'Historic Liverpool Cityscapes' section of the Ben Johnson's Liverpool Cityscape 2008 and the World Panorama Series exhibition. The exhibition is open until 2 November.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).

The QE2 in Liverpool with the Museum of Liverpool in the foreground

The latest batch of Museum of Liverpool construction progress snaps is on our Flickr page. The cladding is going on and the end is in sight!

On a vaguely related subject (I say vaguely because I hurriedly took this slightly blurry snap at the dock at lunchtime - it was very cold!) the QE2 is in Liverpool at the moment. The Liverpool Echo have a video of it sailing into the Mersey, past Crosby Beach and the Antony Gormley ironmen (or 'Another Place' as they're officially known). Wonder how close the two ships in the video really were? Anyhoo, it's a good vid and worth a peek.