National Museums Liverpool Blog - Monday, December 08, 2008

For some people shoes are just a practical necessity to stop your socks getting wet and tatty, while for others shoes can be more of an obsession. Here's an early Christmas present for anyone in the second category.

There are lots of shoes of all shapes and sizes in the collections at National Museums Liverpool's venues. For the first time ever we've gathered together a selection of them in a brand new shoes online exhibition. The online exhibition features a range of fabulous footwear, from the rather bling Terry de Havilland platforms shown here, to a fragment of a leather heel from a 17th century shipwreck. There's also a lot of publicity material from the archive of local shoe makers and retailers J Collinson & Company, which is now held in the Maritime Archives and Library.

Most of the shoes and shoe-related items in the online exhibition are currently in storage, so the only place to see them all together is on the website. So indulge your inner Carrie Bradshaw and take an online stroll round the collections. Go on, you know you want to.

The Pegasus panel from the Mauretania II

I believe that style and elegance go in and out of fashion and we tend to think people in the past had more poise and élan than now. In my opinion we are currently not in a very stylish age but things are changing. Land transport may still be largely utilitarian but once again lovely ships sail the seas.

Ships often feature beautiful artworks from the majestic figureheads of the sailing era to stunning displays on great liners.

A painting by Norman Wilkinson is perhaps the most famous artwork on a ship. The Approach to Plymouth Harbour hung above the mantelpiece in the First Class smoking room on the Titanic. It has been represented in many films and TV documentaries about the disaster. Thomas Andrews, the Titanic’s designer and a hero of the tragedy, was last seen staring fixedly at the painting, awaiting his fate. Shortly afterwards Titanic plunged beneath the waves, taking Andrews and about 1,500 people to their deaths.

At Merseyside Maritime Museum there are a number of artworks which once graced famous ships.

There is one of a pair of glass panels removed from the officers’ wardroom on the doomed Lusitania, sunk by a German U-boat submarine in 1915.The pretty oval panel has a flower design and subtle tones and shades. It was removed by a joiner in Liverpool because the other one of the pair was cracked.

There are six stunning decorative glass panels from the Mauretania II, built at Cammell Laird’s in 1939. They were rescued when the ship was broken up in 1965. The panels were originally displayed in the Cabin Class (1st Class) restaurant. Each image – based on the signs of the zodiac – represents a specific date in the history of Mauretania II. One is shown here.

There is a large, intricately-painted mural from a lesser-known ship, the Blue Funnel line’s Ixion. John Mansbridge painted the panel in 1951 for the officers’ lounge. When Liverpool Blue Funnel founders Alfred and Philip Holt began naming their ships, they chose names taken from the Odyssey and Iliad.

Homer’s heroes provided inspiration for their own epic adventures as shipowners – their ships were among the most advanced of their time. Other mythical figures are depicted in the mural including Mrs Lawrence Holt, who launched Ixion, as Britannia with her husband as Neptune.

The Cunard Line’s Queen Mary 2 (2004) has many exquisite artworks including massive polished bronze reliefs, murals and tapestries.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).

Monday will be an exciting day on the National Museums Liverpool website with the launch of two competitions.

Five lucky sports fans and their friends could win the opportunity to do what many footballers can only dream of - that is lift the UEFA Champions League trophy, which is currently on display in the Only a Game? exhibition at World Museum Liverpool. Keep an eye on the exhibition website from 9am on Monday to find out how - but be quick as you'll only have until 12 noon on Wednesday 10 December to enter.

Monday also sees the return of the Name that Object competition, with a new clue unveiled every day next week. This month's prize is a mounted print of the popular 'Liverpool Cityscape' by Ben Johnson and a 2009 desktop calendar featuring a different detail from the painting each month.

"Look what you could have won" - these Ben Johnson goodies could be yours if you're the first person to 'Name that object'...

You've probably heard the expression that 'worse things happen at sea'. Sailor Robert Bruce wanted to make certain that these unspecified terrible things didn't happen to him when he was an engineer the Merchant Navy in the 1940s, so he carried this leather cosh and swichblade knife with him. Apparently he never needed to use them, but - to trot out another cliche - better to be safe than sorry, I suppose. The cosh and knife were donated to the Maritime Museum by his son Gary and are now on display in the Life at Sea gallery.

According to curator of port history, Ian Murphy, sailors were paid at the end of their voyage, sometimes getting several months back pay at once. This made them targets for all sorts of unsavoury types once they were ashore, so sailors felt most at risk in port. However, the tensions created by crews being shut up together for long periods and the presence of weapons on board, meant that many incidents actually happened aboard ship.

As you will have seen from the many posts on this blog, the new Ancient Egypt gallery at the World Museum opened to the public today. Last night some visitors were invited along to the preview opening and were greeted by the Ya Raqs Dance Troupe, who performed traditional Egyptian dances in truly glamorous costumes. The red velvet number was a particular favourite of mine. 

Lady in red:  'Meroe', the lead dancer from the Ya Raqs Dance Troupe.

I spoke to 'Aziza' who said she had been dancing for about three years. The dancers were from Chester and the Wirral - I had no idea that these were such exotic places!

The gallery itself has a good spooky atmosphere now that the lighting is low, in particular the 'Realm of Osiris', which has several mummies in it. I also had a go at one of the interactives and found out what my adopted Egyptian name ('Fire Spirit Goddess' in case you were wondering!) would be in hieroglypics. You can check out more photos from the opening event on our Egyptian gallery Flickr set.

Some of the last Egyptian artefacts to go on display are unwrapped

Have I mentioned recently that the new Ancient Egypt gallery opens tomorrow at World Museum Liverpool? Only a few dozen times! There's a sneaky look at part of the new gallery, along with lots of other photos of the preparations over the last two years, on our Ancient Egypt gallery Flickr page.

If you come to see the new gallery over the next few days you may notice that Mandy the Superlambanana, who usually stands in the atrium at World Museum, isn't there. This is because we need lots of extra space over the opening weekend so we sent our best shepherds (also known as Richard Roberts and Andrew Mountfield from the handling and transport team) to herd her away to the safety of a side room. You can see them settling her into her temporary abode on our Moving stories Flickr page. Mandy will be back out on display from Monday.

Here's the latest photo from the installation of the new Ancient Egypt gallery at World Museum Liverpool. It shows one of the 14 coffins on display in the gallery being installed by the handling team.

This is the coffin of Padiamunnebnesuttawy, who worked in a temple as a ‘Wab-priest of Amun’. His coffin (dated from about 664-525 BC) is decorated with images of different gods and events from the Book of the Dead. At the centre of the coffin you can see an image of Anubis preparing the mummy for the Afterlife.

The new gallery was reviewed on the Night Waves programme on BBC Radio 3 yesterday by Mike Pitts, editor of British Archaeology Magazine. If you missed the programme it's available on the BBC website for one week in their How to make a good Egyptian gallery feature.

David Whitty places an Egyptian artefact in its specially made display stand

Many people will be going to the new Ancient Egypt gallery when it opens on Friday to see the incredible Egyptian artefacts from our collections, many of which haven't been on display for decades. But have you ever looked underneath and behind these priceless objects at the display stands and mounts that are supporting them? It may surprise you to know that these have all been specially custom made by the highly skilled technicians in our technical services studio at the National Conservation Centre.

I popped into the studio earlier this week to see Bill Sillitoe and David Whitty busy preparing the last few display stands for the Ancient Egypt gallery. They produce everything pretty much from scratch, cutting and bending sheets of Perspex to create stands and soldering together the wires to make supports for some of the objects. You can see more photos of them at work in our Making display mounts for the Ancient Egypt gallery Flickr page and I hope that you go to the gallery to admire their handiwork from Friday.

The Clara Monks

The idea of a fleet of small ships being mustered to support the Normandy landings in the Second World War is something I find very inspirational.

It was part of an audacious plan to hoodwink Hitler’s forces but it paid off handsomely. I also think this element of surprise is very British and the D-Day landings rank with other victories over the centuries.

They were workhorses of the sea, but 362 coasters played a vital role in Operation Neptune – the landings in northern France which heralded the end of the war.

The Battle of Normandy was launched on 6 June 1944 when the Allies landed on the beaches of German-occupied France.

Once they had a foothold and had forced the Germans back, substantial Allied contingents poured through the beachhead and joined the battle to liberate Europe.

One of the little ships involved was the 577-ton Clara Monks, a sturdy Liverpool-owned steam coaster dating from 1920.

She was part of convoy ETC.16 which left Southend on 23 June 1944, arriving the following day at Seine Bay, east of Cherbourg, with crucial supplies.

There were a total of 24 merchant ships in the convoy, with two escort ships. Small coasters were perfect for maintaining the continuous flow of supplies of ammunition, cased petrol and general stores from more than 20 Allied ports to the Normandy beaches.

There is a model of the single-funnelled Clara Monks in the Life at Sea gallery in Merseyside Maritime Museum which captures the robust construction of the original ship.

She had a long and varied career carrying diverse cargoes around the west coast of England for John S Monks of Liverpool, one of the major coastal companies of the day. After the war the Clara Monks carried goods between Le Havre and the Channel Islands and Liverpool before being scrapped in 1959.

A photograph shows her at sea with members of the crew on the monkey island (the roof of the wheelhouse).

Two similar ships are featured in the display – the Cornish Trader, also of 1920, and the Slievenamon.

A plan of the Cornish Trader shows the layout of crew accommodation as well as cargo holds. There is a page from the cargo book of the Slievenamon dating from 1922, the year of the Irish uprising, when her cargoes included coal, stout – and IRA prisoners.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).

Our venues were going Viking crazy in November, with several Viking themed events to link in with the Nordic International Cultural Events (NICE) festival. There was the opportunity to meet a Viking warrior and his wife at the World Museum and a free conference at the Maritime Museum discussing Viking finds in the North West, such as the Huxley Hoard. At the Lady Lever Art Gallery, visitors were treated to a concert by Icelandic musicians and Learning Officer Lauren Gould has all the details from this unqiue event:

Acclaimed Icelandic musicians: Bjorg Thorhallsdottir and Elisabet Waage.

As part of the NICE 08 festival, visitors to the Lady Lever Art Gallery were delighted with beautiful music provided by soprano, Bjorg Thorhallsdottir and harpist, Elisabet Waage. Both musicians travelled over from Iceland to perform at the gallery on 26 November, after appearing on BBC Radio Merseyside the night before.

The recital was a wonderful opportunity to enjoy two acclaimed Icelandic musicians performing Icelandic music, English folk songs and variety of church music. Icelandic art songs were premiered as well as new arrangements of traditional folk songs for soprano and harp.

The acoustics and setting of the gallery was a stunning backdrop for the performance, which was thoroughly enjoyed by everyone. They’ve promised to return next year and Bjorg has said she will sing ‘You’ll Never Walk Alone’ for us then; there are some Liverpool FC fans in her family!

It takes a lot of guts to get up in front of an audience and talk confidently - anyone who's ever had to do a presentation will know all about this! At the Lady Lever Art Gallery, they've been training up groups of young people from all over the Wirral to be junior guides, enabling them to talk about the paintings in the gallery to visitors. Learning officer Lauren Gould can tell us more about it all:

Taking over the gallery: one of the new recruits talks to a group of visitors.

Over the past six weeks, young people from Bebington High Sports College, The Oldershaw School, and Neston High School have been training as junior guides at the Lady Lever Art Gallery.  They have been learning from staff as well as their five mentors, who trained as junior guides in 2007.  In addition to learning about the gallery and its collection, they’ve also developed their confidence, leadership, and presentation skills,

On Tuesday 25 November they delivered their first tour to Rock Ferry Primary School and received a round of applause for their efforts!  After providing four more tours for primary schools in the run up to Christmas we’ll be looking to keep this group of committed young people involved as volunteers while they complete their Arts Council England Youth Arts Award Bronze and Silver.

Sunday is a special day. Yes, I know it is the last day of November, and that many of us will be counting down to Christmas from Monday – but it is also the very last day of voting for the very last The Beat Goes On Top Ten.   

The digital jukebox is now full – packed to its limit with fantastic, home-grown tunes for your listening pleasure – and so we won’t be having any more Top Tens for the moment. But at least you can escape the Slade, Roy Wood and the like – not to mention the controversial X-Factor cover of Hallelujah that’s about to be inflicted on us - and come down to the museum for some proper music. Infact, I suggest you suspend all X-Factor related activities and vote for The Beat Goes On instead!

There’s just one more tune to be added. Who will it be? You decide:

Aeris Presley 

Emma Jane’s Monkey Mind 

Puzzle 

Little Miss Strange

Rude Ruby

15 Storeys

The Sums

BeakerFolk of The Bronze Age

Polaris

Great North Western Hoboes 

Lilian Thuram (on the left) – the most capped French footballer ever - on a visit to the International Slavery Museum

Hello there.

Well for those of you who are regular followers of my blog (surely double figures?) then you will know I have a penchant for the beautiful game. We were fortunate enough to be visited last week by the great French defender and World Cup winner Lilian Thuram who was in Liverpool as a patron of the Only a Game? exhibition at World Museum Liverpool.

Lilian is now retried from football but he is looking to start an origanisation which tackles issues such as racism and discrimination in Europe. As a result he wanted to come to the International Slavery Museum to look at some of exhibits which focus on this subject as well as talk about the possibility of some sort of collaboration. Lilian was particularly impressed with our Black Achievers Wall. A message he thinks is important to get across to children of African descent across Europe. 

Some of my colleagues had a good laugh at the attached picture. I have to admit myself it is not difficult to spot the famous footballer and the museum professional. Maybe if I had not smiled quite as much and looked all excited it would have been harder to choose! Sad as it might seem, after the tour and our official discussions, I could not resist asking him to come out of retirement to play a few games for my own team (Leeds United for those who don’t already know). He smiled and asked what league we were now in? He genuinely looked surprised when I told him it was the third tier of the English league. Well, if you don’t ask you don’t get as they say.

I also recently gave a talk to the Merseyside Archaeological Society one evening. I knew the organiser from my days as a PhD student at the University of Liverpool so it was good to catch up. It was held in the Friends Meeting House in Liverpool. This is particularly interesting because of the relationship between Quakers and the abolition movement. Now by no means were all Quakers always against slavery, many owned slaves themselves in the 17th and 18th centuries in particular. That said, when the Society for the Abolition of the Slave Trade was formed in 1787 with William Wilberforce as its parliamentary spokesperson, several of the founding members were in fact Quakers.

I am also very excited at the prospect of flying to Atlanta, Georgia, later this week, to attend the launch of the Trans-Atlantic Slave Trade Database at Emory University. I have been invited to be a panel member which will discuss some of the ways the database can be used. The database has information about almost 35,000 slave voyages and will be an essential tool for research in my opinion. Whilst there I hope to be able to visit a number of institutions and historic sites connected to Martin Luther King Jr, who was born in Atlanta. In particular the King Center and his birthplace.

I will update you on my return.
 
Bye for now.