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National Museums Liverpool Blog - Friday, February 27, 2009

 Friday, February 27, 2009

Substitutions at Only A Game?


Friday 27 February 09

The temptation to go overboard with footballing puns is almost overwhelming but I'll give it a go.

Only A Game?, the UEFA football exhibition currently at World Museum Liverpool, features lots of loaned objects including trophies, medals, shirts and football memorabilia. Over the coming weeks there are going to be more substitutions than you get in your average international friendly (well, not quite), with items going in and out of the exhibition. They are:

  • Everton Collection objects, including the UEFA Cup Winners' Cup medal but excluding the Barcelona Cup - last chance to see these is 8 March 
  • UEFA Cup - last day to see this is 3 March
  • The following all arrive on 4 March -
    • UEFA Competition for National Representative Women’s Teams trophy (1982/84 - 1987/89)
    • UEFA European Women’s Championship trophy (1989/91- 1999/2001)
    • UEFA European Women’s Championship trophy (new trophy used from 2003/05 onwards)
    • UEFA European Under-21 Championship trophy and winners' medals

There may be other changes so if you are coming to see a specific object you might want to phone the museum or check the Only A Game? webpages to make sure it is available. Either way there is lots to see during any visit.


Posted by Karen | 27/02/2009 12:54   | Comments [0]

Posted in: world museum liverpool
Tagged with: sport

George always at the Walker


Friday 27 February 09

expressive portrait painting of a man in colourful clothes'George Always I' © Maggi Hambling (2007/2008), courtesy of The Ivy

The late George Melly had a long association with Liverpool's art galleries. This dates back to before the war when as a child he would visit his cousin Emma, who would tell him all about the paintings she owned and read him Beatrix Potter in her library. Cousin Emma just happened to be a certain Emma Holt and her library and painting collection were, and still are, part of Sudley House.

Years later Melly was a familiar figure at the Walker Art Gallery, whether on official duty as a judge of the John Moores 20 exhibition or opening speaker at the Aubrey Beardsley exhibition, or just as a visitor, unmistakable in his loud suits.

It's entirely appropriate then that an exhibition of portraits of 'Good time George' by the distinguished contemporary artist Maggi Hambling, is being shown together for the first time at the Walker. George always, which opens today, is a riot of colour and personality. Melly was a great friend of Hambling's and sat for her many times. After Melly's death in July 2007 she continued to paint a series of portraits from memory and imagination. The most recently completed triptych from this series has not been on public display before.


Posted by Sam | 27/02/2009 09:28   | Comments [0]

 Thursday, February 26, 2009

Win a place on our walls


Thursday 26 February 09

lady looking at paintings in Sudley House

Calling all part time art and craft students - how would you like to have your artwork displayed in our venues during Adult Learner's Week in May 2009? You could if you win the 'Inspired by...' competition.

Entrants in this year's competition must submit a piece of artwork inspired by the collections, exhibitions or displays in either Sudley House, World Museum Liverpool or the National Conservation Centre. You may submit any art, craft, multi-media, digital work, video or animation. Participants must be over 18 and studying arts or crafts part time. Full entry criteria and downloadable application forms are on the Inspired by... web page.


Posted by Sam | 26/02/2009 15:28   | Comments [0]

Get to know the new museum from every angle


Thursday 26 February 09

museum construction site reflected in the dock, shown upside downDo not adjust your sets! A different view of the now familiar museum building reflected in the dock

As you will have seen if you've been down to Liverpool's waterfront recently, the structure of the new Museum of Liverpool building is really taking shape now. But what is going on inside those stone-clad walls? And how are staff preparing for the monumental task of fitting out the enormous galleries inside?

If you want the inside story there are two new ways to find out what's going on. Our quarterly e-newsletter has a summary of all the big news -  you can see the February 2009 e-newsletter online. To sign up for future editions complete the register with us form, remembering to tick the Museum of Liverpool box under 'Interests' and choose email updates under 'Contact options'.

You can now also follow the Museum of Liverpool on Twitter, for all the latest news about progress with the construction.

Don't forget, we'd like to hear from you as well if you have any photos of the museum building taking shape. You can add them to our Building the Museum of Liverpool group on Flickr.


Posted by Sam | 26/02/2009 09:29   | Comments [0]

Posted in: museum of liverpool

 Monday, February 23, 2009

The Little Book of Big Highlights


Monday 23 February 09

Little Book of Big Highlights

We've just published a cute little pocket guide to many of the fab happenings at NML in 2008. It's good to revisit highlights like Ben Johnson's residency, the Superlambananas, the opening of Seized! and exhibitions like Art In The Age of Steam and The Beat Goes On.

You can download your copy of The Little Book of Big Highlights here (pdf 6mb).


Posted by Lisa | 23/02/2009 11:37   | Comments [0]

Titanic togs


Monday 23 February 09

Long white maid's apron on a mannequinMiss Francatelli's apron

I have an open mind about psychic happenings and the alleged auras that surround people and things. A simple apron from a distant time has a profound effect on me. Whenever I stand next to it I feel the icy blast of the sea, hear the cries of people in distress and experience a sense of despair.

The starched white apron bears silent witness to the terrible night when the luxury White Star liner Titanic hit an iceberg and sank with the loss of more than 1,500 lives.

It is among exhibits in the Merseyside Maritime Museum’s exhibition Titanic, Lusitania and the Forgotten Empress which looks at three great shipping tragedies. The Empress was the Empress of Ireland whose loss was overshadowed by the others.

The full-length cotton apron, with lace-trimmed top, was worn by survivor Laura Francatelli on the night of the disaster. It may be the only item of such clothing on display in a public collection.

Miss Francatelli was personal maid and social secretary to the fashion designer Lady Lucile Duff-Gordon. Miss Francatelli was travelling First Class with her employer and Sir Cosmo Duff-Gordon, baronet, a champion fencer who represented Britain in the 1908 Olympics. They boarded the ship at Cherbourg travelling under the names Mr and Mrs Morgan, presumably to prevent them being pestered by social climbers.

Miss Francatelli and the Duff-Gordons were among the first to escape from Titanic. They boarded Lifeboat No 1 which had just two male passengers and seven crewmen although it was built to hold many more people. On board the rescue ship Carpathia, Sir Cosmo asked Miss Francatelli to write out £5 cheques to each of the seamen who were in the lifeboat. This led to allegations of bribery.

However, the British inquiry stated that the nature of the Duff-Gordons’ departure from Titanic was “within the acceptable bounds of civilised behaviour”. Also on display is a photograph of the occupants of Lifeboat No 1 taken on board Carpathia. Miss Francatelli, who later married and lived until1967, is pictured standing between Sir Cosmo and Lady Duff-Gordon. There's more on the apron, the Duff-Gordons and Miss Francatelli on our main website.

Most of the Titanic’s crew from the Liverpool area were lost in the sinking. On display are personal items linked to local crew members who died. A Bible, pipes and smoking accessories belonged to junior second engineer John Henry Hesketh, a 33-year-old single man from Kirkdale, Liverpool.

A poignant letter was written by a young girl called May Louise McMurray to her dad William McMurray, a bedroom steward from the city’s Kensington district. You can see the letter here.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).


 


Posted by Stephen | 23/02/2009 09:06   | Comments [0]

 Friday, February 20, 2009

Quiffs, Riffs and Tiffs


Friday 20 February 09

We billed The Beat Goes on exhibition ‘from The Beatles to the Zutons’, but has anyone heard of 'from The Hollies to the Happy Mondays'? That’s what you’ll find if you take a trip to the other end of the East Lancs Road, to Salford Museum & Art Gallery. They’re currently showing Quiffs, Riffs and Tiffs – a small but perfectly formed exhibition about the music scene in Salford.

I spent a happy hour there a few weeks ago and thought there were a few gems to be seen. Top of the list for me were notes by Morrissey and Johnny Marr – with Salford Lads Club getting its rightful mention. There’s also handwritten lyrics to Crosby, Stills & Nash’s Teach Your Children, signed by one of my all time idols,  Graham Nash. There are some childhood pictures of Graham at his home in Salford, before his success with The Hollies and later with CS&N stole him from these shores.

A ginat cut-out of a guitar forms an archway in TBGOThe Beat Goes On exhibition

Other items featured in the exhibition relate to Joy Division, Happy Mondays, Anthony Wilson including The Hacienda , The Ting Tings, and even The Salford Jets - former band of Rock Radio 106.1 DJ Mike Sweeney (yes, he's still going on radio, and very good he is too). 

On the other hand, if you are reading this from the outskirts of Manchester, hop on the train to World Museum Liverpool where you’ll find The Beat Goes On exhibition covering Liverpool’s finest music. Morrissey fans will be thrilled by the Billy Fury display. Old Hacienda heads will feel at home in the Cream and Quad sections, while first generation punks and indie kids will be bowled over by memories of  Eric's, The Las and other such legends. Oh, and then there’s that other band from Liverpool. You may well need more than one trip to take it all in.


Posted by Dawn | 20/02/2009 14:57   | Comments [0]

 Wednesday, February 18, 2009

President Obama honoured in museum


Wednesday 18 February 09

men revealing pictures on wall from behind an American flagThe crowd applaud as Wally Brown, Richard LeBaron and Simon Woolley (not shown) unveil three new plaques for the Black Achievers Wall

As Richard Benjamin explained in his last blog post, February is Black History Month in America (unlike the UK, where we celebrate it in October). So as befits an International Slavery Museum, we held our own programme of US Black History Month events, culminating in the unveiling of three new American plaques for the Black Achievers Wall.

The smiling face of President Obama on the middle plaque surely needs no introduction. On the left is Fannie Lou Hamer, the civil rights movement pioneer from Mississippi who famously described herself as being "sick and tired of being sick and tired". Completing the trio on the right is Dr Mae Jemison, who has the honour of being the first African American woman to travel in space after completing a mission on the Space Shuttle Endeavour in 1992.

In a short ceremony yesterday afternoon the plaques were officially unveiled by Richard LeBaron, Chargé d'Affaires at the United States Embassy in London, Simon Woolley, the national co-ordinator of Operation Black Vote in the UK, and Wally Brown CBE, former Principal of Liverpool Community College. You can see more photos of the ceremony in our US Black History Month Flickr photo set.


Posted by Sam | 18/02/2009 15:11   | Comments [0]

 Monday, February 16, 2009

Kaiser subs


Monday 16 February 09

Deck of a ship modelThe Malancha with her guns at her stern

I love studying photographs, drawings and plans of the mighty Dreadnought battleships that dominated navies about 100 years ago. I admire the high-quality engineering which combined with great design to produce beautiful fighting machines gleaming from end-to-end with polished brass and steel armour plating.

However, submarine technology advanced during the First World War when undersea warfare became a reality and, along with the development of bomber and fighter aircraft, marked the beginning of the end of battleships.

Dreadnoughts and other huge warships bristling with guns that marked the arms race in Edwardian Europe were sitting ducks to much smaller war machines swooping from the skies or lurking beneath the waves.

Upon the declaration of war in 1914 Britain had around 50 submarines while her allies the French had more than 70. The Imperial German Navy, under Kaiser Wilhelm II, had between 30 and 40 diesel and petrol-powered U-boats.

By the end of the war the UK had 137 submarines in service with another 78 being built, having lost 54 subs during hostilities. The German Navy had more than 170 operational U-boats which were surrendered to the Allies.

In the First World War submarines were slow, fragile and only capable of staying under water for about two hours at a stretch. Early submarines had five or six torpedo tubes and deck-mounted guns, making them also dangerous on the surface.

Around 5,000 ships were sunk during the First World War by U-boats. The most famous was the Cunard liner Lusitania, torpedoed off Ireland in 1915 with the loss of 1,200 lives. There are a number of exhibits from the Lusitania in the Merseyside Maritime Museum exhibition Titanic, Lusitania and the Forgotten Empress.

The most famous victim of a U-boat was probably British general Lord Kitchener, whose face graced the recruiting poster with the slogan “Your Country Needs You”. He died on a mission to Russia in 1916 when the cruiser HMS Hampshire hit a mine laid by the U-75 off the Orkney Islands.

The Maritime Museum’s display Liverpool: World Gateway has two models of ships linked to submarine warfare in the Great War, as it was also known. One is a superbly-detailed model of the cargo liner Malancha, (shown here) built in 1918 for the Brocklebank Line. It has two quick-firing guns mounted near the ship’s stern as protection against submarines.

The other is the Johnson Line’s cargo liner Barnesmore of 1905. After being sold and renamed Whitehall, she was torpedoed and sunk in the North Atlantic in 1917.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).


Posted by Stephen | 16/02/2009 15:22   | Comments [0]

 Friday, February 13, 2009

Fashion from the street...


Friday 13 February 09

To celebrate the opening of our new Fashion V Sport exhibition at the Walker Art Gallery, I've put together a Flickr gallery of some of the cool and stylish outfits worn by some of our private view guests.

Part of the exhibition examines street style and the variety of styles I saw in one evening was certainly varied and creative. Damian Quinn, the man responsible for the gold topped ‘Onthamike’ trainers from the 'Play' section, was wearing a similar pair on the night from his Supremebeing brand. On the other end of the scale, self-confessed trainer obsessive 'Mookie' told me about her Nike Air Force 1 trainers that she had customised using multi-coloured paint spatters. She had worn them on her Duke of Edinburgh hike, before giving them a new lease of life with her own design! Mookie is a creative apprentice at the moment so who knows, she might be a Footwear Director like Damian one day.

Some of my favourite outfits of the evening included; Olivia's bowler hat, shoe-boot and vintage satchel ensemble and Amina's Camden/Indian mash-up including a sports top, shawl and gold belt. Have a look through the slideshow and pick your favourite fashionistas!


Posted by Lisa | 13/02/2009 16:37   | Comments [0]

Posted in: exhibitions | walker art gallery
Tagged with: fashion | liverpool