National Museums Liverpool Blog - Thursday, November 05, 2009

BBC’s See Hear filmed at the International Slavery Museum last month as part of Black History Month. They brought a group of people with hearing impairments from London to see the museum for the first time.

You can watch their very moving response on BBC’s iplayer.

The Liverpool Cityscape by Ben Johnson

Even amidst a giant spider prowling the streets and a herd of superlambananas dotted across the city, Ben Johnson’s The Liverpool Cityscape stood out as a highlight of 2008.

Ben finished the vast painting in front of a live audience at the Walker Art Gallery early in the year. Thousands of visitors observed their city arriving on the canvas layer by layer through the intricate process the artist employed.

Once the painting was finished it took pride of place in the exhibition Ben Johnson’s Liverpool Cityscape 2008 and the World Panorama Series where it was joined by panoramas of Zürich, Jerusalem and Hong Kong and paintings representing Chicago and Paris.

Many of those who flocked to see the painting under completion and the stunning exhibition that followed have enjoyed taking part in the free events celebrating the astonishing work over the last few weeks. But don’t worry if you haven’t had a chance yet, the season of free events for all the family continues over the next couple of months. See the website for more details.

One of the events, We love Liverpool, is an opportunity for visitors to reminisce and share their memories of the city. If you can’t make it to the gallery but have got something you want share, please feel free to add it on the blog.

The events have been coordinated in partnership with the University of Liverpool.

Soldiers often send things to their loved ones at home. During the First World War they often sent embroidered postcards, some of which are now in National Museums Liverpool's collection. The postcards, known as 'World War One Silks', were mostly produced by French and Belgian women refugees and became extremely popular with British and American servicemen on duty in France. Further information about them is on this web page about Silks.

Some of the remembrance postcards that have already been made for our banner

This Saturday you are invited to make your own postcard in remembrance of those that gave their lives during the First and Second World Wars in a free drop-in workshop, 1-4pm in the Learning base in the basement of Merseyside Maritime Museum. If you leave your postcard with us we will include it in a banner which we hope to display in the The Liverpool Pals and the First World War exhibition in the Museum of Liverpool when it opens in 2011. At the workshop this weekend you will also have the chance to find out about life in the trenches and how to trace your family’s history through military records.

The Liverpool Pals and the First World War exhibition will tell the story of the First World War as experienced by the ordinary people of Liverpool, either through participation in the fighting - focussing on the story of the Liverpool Pals – or through involvement on the Home Front. The main emphasis of the exhibition will be the particular Liverpool aspects of the story, set in a national and international context.

Lord Derby recruited one of the first Pals battalions in England from Liverpool in August 1914 when he suggested that men would volunteer if they could remain with work colleagues, family or neighbours. In effect the social structure of Liverpool was transferred to the front line. This exhibition will confront the realities of the loss of 16,700 Liverpool men, how it happened, and how it impacted on – and in some cases devastated - Liverpool communities.

Details of all events this weekend are on the Merseyside Maritime Museum's events and activities page, including this workshop and a new roleplayer performance on Sunday, 'Never at sea - the Wren's story'.

Jenni Whiteside and Sarah Lynch looking glamerous at the Wirral Tourism Awards

Forget the Oscars and the Golden Globes they’re for tanned people with abnormally white teeth. Last night the Wirral Tourism Awards celebrated the real people who make a difference to our days out.

Two members of staff from the Lady Lever Art Gallery were rightly rewarded for the brilliant work they do on a daily basis.

Sarah Lynch, admin assistant won the Unseen Hero Award.  This award is given to staff who show a positive, committed and willing attitude to their organisation and who demonstrate positive communication skills.

Jenni Whiteside, assistant manager in the Lady Lever Art Gallery gift shop was runner up for the Most Supportive Supervisor Award. People nominated for this award demonstrate outstanding contribution to staff development, are a positive role model, and have motivating skills.

Both Jenni and Sarah looked lovely and are certainly a credit to National Museums Liverpool. Well done ladies we’re very proud of you!

Head of objects conservation,Vivien Chapman, (left) inspecting the flag in the textile conservation studio

This special Rainbow Flag was recently donated to the Museum of Liverpool's permanent collections and will be displayed pride of place in the People's City gallery in the new Museum of Liverpool when it opens in 2011.

This flag represents a very important first in Liverpool. It was flown above Liverpool Town Hall for the first time for the International Day Against Homophobia on 17 May 2009. It is just one of the many objects with amazing stories which curators seek out to ensure contemporary issues and events in the city are represented for the future. International Day Against Homophobia marks the day in 1990 when the World Health Organisation took homosexuality off its list of mental illnesses. It is hard to believe that until relatively recently this was still the case but with recent homophobic attacks in Liverpool it is all too apparent that there is a long way to go in challenging prejudice and intolerance.

The flag was kindly donated by Liverpool City Council. It is a fitting time to add it to the collection at the start of Liverpool's annual Homotopia festival. National Museums Liverpool has always supported the festival and will be holding a free talk about the secret language of Polari at 2pm this Saturday at Merseyside Maritime Museum as part of the programme of events. Further details are on the Sailing Proud page on the Merseyside Maritime Museum's website.

You can see more photos in the Rainbow Flag set on Flickr.

The Singh Twins next to Ranbindra's painting 'Oh Come All Ye Re-eds'

Is football a new religion? Can being a female artist be an advantage in some cultures? These are just some of the subjects covered in a brief interview I did with acclaimed local artists The Singh Twins. I chatted with Rabindra and Amrit at the private view of the Walker Art Gallery's latest exhibition The Rise of Women Artists, where Ranbindra's painting 'Oh Come All Ye Re-eds' is on display. One of the main things I was interested to find out was whether they ever actually define themselves as 'women artists' or if they didn't think about gender at all.

Amrit said; 'I think personally as artists we’ve never thought of ourselves as women, we’ve never defined ourselves as ‘British female artists’. I think that the gender issue is not really important, as ultimately I think the art should speak for itself and the quality of the work. Therefore it doesn’t matter if you’re a man or a woman.

But I think that it is important in the context of if you consider throughout history where there has been prejudice towards female artists then obviously that is something that needs to be re-addressed. I think there should be more incentives to support female artists especially since many of them are juggling a million things; family life and other commitments around the work they are trying to do. And it’s not always easy to take up a career in art alongside that and to commit to all your other daily activities. Essentially though, no I don’t think that gender matters. The work should speak for itself.

Rabindra said; 'From a personal perspective though, in terms of support for women, in the context of our own background and coming from an Indian family, actually we’ve had a lot more support being women than we would have done being men. Because traditionally it’s the men who are meant to be the breadwinners and go out and get a so-called ‘decent job’. There was less pressure on the women! So I think from our own cultural context I think it’s been an advantage that we’re women and we’ve had 100% support from our family in pursuing a career as artists.

You can listen to or download the full interview with The Singh Twins here and see photos from the private view on our The Rise of Women Artists Flickr set.

Emigrants on the Guion Liner, Wisconsin. Image courtesy Liverpool Daily Post and Echo.

The nearest I’ve got to emigrating is briefly wanting to flee to the Isle of Man - in the summer it matches any other exotic island in the sun. It was a bright sunny day and I was taking a lunchtime stroll while covering a heavy-going criminal trial at Liverpool Crown Court. Balmy breezes drifted off the sea. Down at the Pier Head the Manx ferry was waiting with last boarders being called.

I was sorely tempted to dash up the gangplank but then common sense kicked in.

Emigration is a drastic step into the unknown and there are usually very good reasons for people wanting to make new lives in different countries

People emigrate for three main reasons – poverty, persecution and ambition. In the great movements of people around the globe in the 19th century, many were fleeing from hardship and poverty.

Emigration was also a way of fleeing political and religious persecution. Many Jewish people left east Europe for this reason.

However, a lot of people were simply attracted by the opportunities offered by life in such places as the United States, Canada, Australia and New Zealand. The Gold Rush years in North America and Australia triggered mass emigration from Europe as prospectors sought wealth beyond their wildest dreams.

The new emigrants’ gallery at Merseyside Maritime Museum looks at many different aspects of the trade that helped generate wealth in Liverpool for shipping companies, hotels and many other businesses.

A fascinating colour print shows the emigration of Russian Jews in 1891 (pictured). They are seen crowded on the deck of the Guion liner Wisconsin as she prepares to leave Liverpool.

Other exhibits are linked to the Gold Rush. A 19th century board game called A Race to the Gold Diggings has a box emblazoned with a colourful scene, tiny model sailing ships and a set of rules.

A contemporary poster advertises the Royal Charter emigrant steamer run by the Liverpool and Australian Navigation Company. Saloon passengers paid top prices of between 60 guineas (£63) and 75 guineas (£78.75) – around £4,500 in today’s money – for the voyage while Third Class paid between 16 and 20 guineas.

The Royal Charter met her cruel end in October 1859 when, heading for Liverpool, she was wrecked on the Anglesey coast with the loss of 498 lives. Exhibits include items from the wreck including a section of ornately-carved wood believed to be from the ship’s stern. There's more on the Royal Charter on our main site.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).

I thought my school days were over, but last week I was very excited to be able to join our class of Little Liverpool Designers on their very first school trip!

I had a lovely morning spent with Class R reception class from Kingsley Community School in Toxteth, touring Liverpool familiarising themselves with Liverpool’s famous landmarks to inspire artwork for the Museum of Liverpool’s dedicated children’s gallery Little Liverpool, opening 2011.

They will be working with illustrator Kate Pankhurst to develop the final artwork for display in Little Liverpool as part of our work with the ECHO in the Community programme, which aims to inspire young people by engaging in a cross section of activities, including the arts.

A Little Liverpool Designer gives the new Museum of Liverpool the thumbs up

At four years old, Mrs Randles’ reception class were a credit to their school, and it was fantastic to be surrounded by such young, inquisitive minds who were visibly impressed by everything they saw.

The first stop on our magical mystery tour of Liverpool was at the Anglican Cathedral, and I only wish I’d had a video camera with me to record their faces on walking into that grand, vast space and filling the air ‘wows’!

We also took a trip to the Catholic Metropolitan Cathedral, or Paddy’s Wigwam as it is affectionately known locally, where they were very taken with the colours and reflections coming in from the beautiful stain glass windows. Hopefully this will transfer to the marvellous artwork they’re soon to create for our Little Liverpool Gallery.

After the cathedrals, we also took a driving tour round many iconic buildings, including St George’s Hall and William Brown Street; home to World Museum, Central Library and the Walker Art Gallery.

Spotting the Radio City Tower overhead, our whistle-stop tour also took us past the Town Hall – "where the mayor lives" – and down to the waterfront where we met Museum of Liverpool buildings operations manager Martin Hemmings – "Bob the Builder" – and had a look at the location for Little Liverpool.

A lovely day out was had by all, so thanks goes to Mrs Randles and her ‘helpers’ for organising the trip, and for inviting Julia Bryan from the Museum of Liverpool team and I along. We look forward to seeing the wonderful artwork that Class R create in their roles as Little Liverpool Designers.

National Museums Liverpool's handling team carefully slide the painting on to special lifting equipment.

Observant visitors to the Walker Art Gallery may have noticed Echo and Narcissus has been away for some time. Lent to the Royal Academy as part of their J.W. Waterhouse: The Modern Pre-Raphaelite exhibition, the beautiful painting of unrequited love returned home yesterday.

John Barnes, Howard Gayle and Tony Lloyd at Black History Month event at International Slavery Museum

Last week we were delighted to have both John Barnes and Howard Gayle join a question and answer session with local school children at the International Slavery Museum. 

The event was arranged by Kick It Out as part of Black History Month.

Excited gasps and hurried whispers came from the children when John Barnes entered the room. Despite them all being too young to actually remember John's amazing career with Liverpool FC the children were clearly still aware they were in the presence of a legend and quickly crowded both him and Howard (Liverpool's first black player) for autographs.

The two footballers were also joined by Tony Lloyd from the Anthony Walker Foundation in the discussion.

The children were keen to find out who their early influences had been, what they had wanted to be when the were young and to hear more from the footballers about their fondest memories of playing for Liverpool. They were captivated by the personal and often poignant responses from all three.

To mark the end of a fantastic Black History Month a free Strictly Come Dancing with the Jiving Lindy Hoppers event is being held at the museum tomorrow.