National Museums Liverpool Blog

Copyright Stephen Shakeshaft

The photographs in the exhibition Liverpool People by Stephen Shakeshaft have struck a real chord with visitors and brought back a lot of memories, as the comments made during reminiscence sessions in the exhibition have proved. Some of these comments have been included with the photos on the exhibition website now, and there are more below.

If you would like to take part in a reminiscence session there are a few more planned, with the next one taking place tomorrow afternoon. Full details are in the exhibition events programme on the website.

And don't forget that there are just a couple more days left to enter the caption competition and win a signed copy of Stephen Shakeshaft's book 'No Illusions' - so get your thinking caps on if you haven't entered yet!

"One thing which stands out is the expression of resilience mixed with hope on the faces of the people in our great city."

"We seem to have grown up in poverty but children always seemed to be laughing. The photographs made me realise this."

"The photo of the clothes rack reminds me of sitting at the kitchen table with wet clothes dripping into your dinner."

"The photograph of the lady with the washing rack reminds me of my gran's house. She always had the kettle on and cake in a tin."

"My son can't believe some of these photos. Why have an indoor washing line?"

"I love the photograph of the lady with the gas mantle. Looks like she's just come in from the wash house, is so pleased with her washing all done and is ready for that cup of tea. I can almost hear her sigh."

"The photograph of the carters reminded me of my dad and brother who used to be carters. They would dress up the horses with brasses and ribbons and go to shows. We used to take the horses back to the stables in Whittle Street."

"I'm reminded of the rag and bone man with his goldfish. Where did he put all those goldfish on his cart?"

"The photograph of the carter reminded me of having our milk delivered by Mabel in her pony and trap in West Derby in the fifties. Sometimes she'd give me a lift to the Saturday cinema in the village. I couldn't tell whether the smell was Mabel or the horse."

"The shop with the children reminds me of shops always having a bell that rang whenever the door opened."

The John Moores Contemporary Painting Prize now open to entries.

Any artists considering entering the John Moores Contemporary Painting Prize would do well to get inside the head of a previous judge. Matthew Collings, who hosted What is Beauty? last Saturday evening, was on the panel for John Moores 22 in 2002 when the artist Peter Davies won.

In the programme Collings lists his top 10 favourite “beauty experiences” in art. From an amazing bridge designed by Sir Norman Foster to pre-historic cave art, his perception of beauty is really interesting and varied. Definitely worth a watch on iplayer.

Howard Jacobson discusses Sir Lawrence Alma-Tadema's painting The Tepidarium at the Lady Lever Art Gallery. 

The press team supervised filming at the Walker and Lady Lever Art Gallery last week. The film crew, from Oxford Film and TV, were making a series on the history of British art for Channel 4.

Our galleries will feature in the episode that looks at Victorian art, in particular at nudes and themes of sensuality. I had no idea quite how many naked people there are in both galleries. In case you are unsure let me tell you there is a lot and it turns out the Victorians were not as reserved as you might have imagined.

The writer Howard Jacobson was the presenter. He is Manchester-born and has known the Walker Art Gallery since a young age but this was his first visit to the Lady Lever, which he was hugely impressed by.

Unfortunately it is a long wait before what looks to be a really fascinating and thorough insight into British art hits our screens in Autumn next year but we'll keep you posted with dates when we have them.

'Queen of the Thornbacks' Rachel Ball stands in World Museum aquarium

If I could be described as anything it certainly wouldn’t have the words ‘Queen of..’ used as a prefix, it would probably be ‘pain in the ..’. However there are people who definitely deserve to be given such a praising pseudonym.

For example on Natural World on BB2 last Wednesday evening biologist Andrea Marshall was given the nickname ‘Queen of the Mantas’. This is deservedly so, as the documentary showed Andrea giving up everything for a life in Mozambique to study the endangered species of Manta Rays (to watch again click on the iplayer)

Although she would probably blush at the thought of it, Andrea reminded me of Rachel Ball, our aquarium curator at World Museum. Although she hasn’t left her life in the North West to save Manta Rays in a far flung part of the world she is making an effort to help conserve Thornback Rays.  The Thornback’s have been decreasing in numbers since the 1980’s so Rachel, her team and volunteer anglers are tagging rays in the name of conservation project RayWatch in the River Mersey and Liverpool Bay in order to track them. With this in mind perhaps Rachel should be dubbed Queen of the Thornbacks?

To get involved in RayWatch you can sponsor a ray, to do so either call 0151 478 4918 or visit www.liverpoolmuseums.org.uk/raywatch

Presenter, Paul Martin, and I at the Albert Dock

My appearance on the popular BBC 2 afternoon auction show Flog It! was broadcast on Wednesday – recorded on the Albert Dock with presenter Paul Martin.

It was shot back in April when the crew spent the day at three separate locations. My main role was setting up and supervising the BBC’s visit. The six minutes of screen time took almost three hours, including setting up the camera and getting the angles right.

Our picture shows Paul and I with the Merseyside Maritime Museum in the background - the chap in the front holds an enormous collapsible reflector which aims to literally put us in the best possible light.

You can watch the full show on the BBC iplayer. It's available until 4.29pm this Wednesday (18 November).

There was a script of sorts but the director stressed this was only meant as a guide – obviously with takes from different angles there had to be continuity. Some wasn’t used, including a close-up of my hand affectionately patting one of the huge cast iron columns.

In between takes, Paul told me that he started out as a professional musician and became involved in Flog It! through his interest in antiques. I shared some memories of the TV shows I watched as a child. They were always live and anything could – and did – go wrong.

I vividly remember two major stars on separate occasions suffering the indignity of their false teeth slipping,  watched by millions of viewers.

I’m a big fan of the Flog It!, when I can see it, and also The Antiques Roadshow on which I appeared recently talking about some 1960s films discovered at Lowlands community centre, West Derby, Liverpool.

I last appeared on Flog It! about five years ago doing a three-minute tour of the Lady Lever Art Gallery with one of the programme’ specialists, Kate Bliss. We did it in our stocking feet because of the echoes from the polished floors.

Flog It! is an in-house BBC production and takes a lot of careful preparation to bring to the screen.

The rest of the National Museums Liverpool footage is scheduled to be screened at 3.45 pm on Monday 30 November, focusing on the stunning new Museum of Liverpool on the city’s waterfront.

The show visits our workshops where some of the museum’s fabulous exhibits are being conserved. Paul interviews land transport curator Sharon Brown in a carriage from the legendary Overhead Railway.

Also featured are the Lion steam locomotive, star of the Ealing comedy classic The Titfield Thunderbolt, and the first Ford Anglia off the assembly line at Ford’s new Halewood factory in 1963.

The feature ends at the Museum of Liverpool where operations manager Martin Hemmings takes Paul on a hard-hat tour of the magnificent building.

Over the past few days you will have seen news reports on the Australian government's apology for its role in the British child migration programme (you can see the PM's apology on the BBC website). The British government is expected to follow suit shortly.

From the late 19th century Britain operated schemes which sent more than 100,000 children to Canada, Australia and other Commonwealth countries. These children did not travel with mothers or fathers but alone, in groups. Taken from poverty and disadvantage it was believed that they would have a better life working in the clean expanses of the British Empire, where they were a source of much-needed labour.

The children's experiences varied. While some were orphaned, many left families behind, and separation from their homeland often led to a lonely, brutal childhood. Some found happiness with new families, while for others it was a disastrous move. They were made to work long hard hours on farms. Some were abused. Many ended up in institutions. Some were told their parents had died, only to discover years later that this wasn't the case.

The repercussions are still being felt. Many former child migrants and their families are still coming to terms with their dislocation. It's been difficult to watch some of the displaced people on news reports; their sorrow and anger is so clear. Their lives were obviously shattered by their experiences.

It's now recognised that the forced removal of children from their homeland was a bad idea, and one which caused more harm than good, hence the Australian government's apology.

Coincidentally we are currently planning an exhibition on this very subject. 'On their own - Britain's child migrants' is being organised in collaboration with the Australian National Maritime Museum. It opens in Sydney in November 2010 then comes to Liverpool in summer 2011 before being toured to other museums around the country. It will focus primarily on the 1860s to 1960s and the children who travelled to Canada and Australia. Along with Glasgow, London and Southampton, Liverpool was one of the main embarkation ports for children so it's fitting that the Maritime Museum will be hosting the exhibition.

We'll be launching a website in spring next year and will be looking for the reminiscences of people affected by the programme. If you were involved we'd be keen to hear from you.

The sheet reads: The Liverpool Journal of Commerce is now enlarged and contains later and more comprehensive shipping and commercial news than any other paper. Image courtesy Liverpool Daily Post and Echo.

Sometimes you have to leave a place to find it again, if you know what I mean.

Liverpool once had many small shipping offices which did good business supplying goods and passengers to the many vessels using the port. Gradually they largely disappeared and are now a fading memory.

Some years ago I went to Las Palmas, the busy capital of Gran Canaria and a shopping mecca. I wandered off to the dock area one sunny day and stumbled across busy little shipping offices. They were like those I remembered in Liverpool with wide wooden counters and ornate metal grills.

In keeping with much of modern business, most ships today are owned by large multi-national companies. These enterprises are often involved in other ventures such as property development, finance or leisure facilities. They operate on a global scale whether by raising money, buying ships or engaging crews.

Many ships are registered in countries like Liberia or Panama where regulations are less stringent than in Britain. Until the 1950s, most ships using British ports were owned by British shipping companies with familiar names such as Blue Funnel.

Most of these concerns were founded in the mid-1800s and were often controlled by families with long maritime traditions. However, only a few independent shipping companies survive today.

On display in the Merseyside Maritime Museum’s Life at Sea gallery is a colourful spread from Liverpool’s Journal of Commerce of 1882 (pictured) showing flags and funnels of shipping companies that figured in the boom years of the port.

Britain, as an island nation, will continue to rely on merchant ships and seafarers long into the future. Most goods still go by sea and sea travel is growing in popularity.

A new exhibit in the gallery illustrates the impact of container ships in modern sea transport and trading. It is a 10 ft long model of the Liverpool Bay, built in 1971. The ship was built in Kiel, Germany, for the Ocean Steamship Group founded by renowned Liverpool shipowner Alfred Holt in 1865.

The 58,000 tonne Liverpool Bay was one of the new generation of ships designed to handle containers. She could carry more than 2,300 containers and was one of five sisters built at the same time, originally sailing to East Asia.

Huge ships are now a familiar sight on the Mersey but I remember vividly the impact of vessels like the Liverpool Bay arriving for the first time in the early 1970s.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).

Nottingham Contemporary art gallery - home to the Walker's Hockney painting for the next few months

Here's a behind-the-scenes look at one of the aspects of the work that our staff are involved in, courtesy of handling and transport technician Paula Frew. This week Paula travelled to Nottingham as a courier to supervise the installation of one of the Walker's most popular paintings, which has gone out on loan. Here's what she got up to, in her own words:

"Monday morning at 7.30am I was on the train travelling to Nottingham to act as a courier for the installation of the Walker's David Hockney painting  'Peter getting out of Nick’s pool' by David Hockney, which is on loan to the Nottingham Contemporary art gallery for their Hockney exhibition. The painting had travelled ahead of me, having been collected from the Walker on the Friday by Momart, who handle and transport art works nationally and internationally.

Twenty minutes walk from the train station, Nottingham Contemporary art gallery stands on a corner like the raised prow of a ship looming in front of a sandstone gothic church, the opposing architectural styles complimenting the space.

Entering the gallery, construction work was underway installing interior features. I signed in and was introduced to the staff who escorted me into the exhibition space. Here was a quiet eclectic mix of organised disciplines consisting of painting conservators, curators a registrar and exhibition technicians.

I instructed the technicians on the safe removal procedure of the crated work. The work was carefully removed and placed on foam blocks and leant temporarily against the wall.

Painting conservators checked the painting against the relevant paperwork and images that I had with me from National Museums Liverpool's painting conservator David Crombie, who had supplied a full report. Content with the report and the painting's condition, the conservators allowed the technicians to continue with its installation.

I observed the technicians measure a space on the wall and install the original lifting brackets. Lifting brackets are used to support this painting, as a pretty chunky frame encompasses the canvas, giving it a weight of 105kgs.

A small lifting machine (SWL 227kgs) was used to elevate the painting onto the brackets. Once installed onto the brackets, the fittings attached to the back of the painting called ‘Oz- clips’ (nothing to do with a wizard’s hair!) were used to finally secure the painting to the wall, installation professionally completed.

Visitors to the Walker Art Gallery hoping to see a David Hockney painting over the next few months won't be disappointed as the Tate have kindly loaned 'Mr and Mrs Clark and Percy', which is going on display in gallery 15 for the duration of the Hockney exhibition in Nottingham."

"Look honey, I shrunk the guitarist!"

As you will probably be aware from reading this blog over the years, there are many unsung heroes in our staff who put in a lot of effort behind the scenes to ensure that our exhibitions and events go off without a hitch. There are lots of examples of the handling and transport team hard at work in the Moving stories set of photos on Flickr.

With all that hard work, it's good to know that they have some light hearted fun occasionally, as the latest photos show. Their latest major project has been to dismantle the displays from The Beat Goes On exhibition, which closed recently. Handling and transport technician Paul Kelly took the opportunity to become a rock star with a giant guitar prop, while the joiners Jerry and Steve took a ride on a rather realistic 2-dimensional scooter.

Copyright Stephen Shakeshaft

It's competition time again and this month's picture comes courtesy of the rather wonderful exhibition Liverpool People by Stephen Shakeshaft, which is at the National Conservation Centre until 24 January 2010.

Have a look at this photograph from the exhibition - you can see a larger version on the exhibition website - and see if you can think of an amusing caption for it. Post your entry as a comment (please keep them clean) by the end of the day on Sunday 22 November and the winner will be notified the following week.

Stephen Shakeshaft himself has very kindly offered to judge this month's competition. The lucky winner will get a signed copy of his book 'No Illusions' which includes many of the pictures from the exhibition and more from Stephen's first 30 years as a newspaper photographer.

Sarah Jane Parsons in Bridlington, 1950. Image courtesy Liverpool Daily Post and Echo.

Homesickness is like seasickness – you only feel better once you’ve stopped travelling. I have suffered from both and hope I never experience them again.

Longing for home gnaws away at the soul and is almost impossible to eradicate. I found that it was just as much the loss of my cultural roots as the absence of family and friends.

The logistics of moving huge numbers of emigrants through Liverpool involved everything from supplying cabins to the plates they ate off – it was very big business indeed.

Around nine million people moved abroad through Liverpool between 1830 and 1930 making it probably the greatest emigration port in world history. It was often very emotional for the passengers as they left their old familiar homes behind for new lives in unknown countries.

Many descendants of those emigrants still have strong emotional attachments to Liverpool because it was the last place their families saw before taking the leap into the dark.

However, some did not like their new lives and returned home. There were a number of reasons for this including work and financial issues but often it was simply homesickness.

The new emigration gallery at Merseyside Maritime Museum focuses on many different aspects of this mass migration.

From the tail end of the era there is a fascinating model of the Blaco portable cabin from around 1920-30. They were made by F C Blackwell & Co of Crosby, Liverpool.

Portable cabins were used by shipping companies involved in emigration from the 19th century onwards. The detailed wood and metal demonstration model was used when shipping companies such as Cunard and Canadian Pacific employed Blaco cabins. They could be quickly installed to cater for individual needs of emigrants.

A wooden trunk was used by the Parsons family when they emigrated from Liverpool to the United States in 1906. Oliver Charles Parsons and his wife Sarah Jane were originally from Wakefield, Yorkshire.

After arriving in the USA they lived with their young family in Tennessee, Kentucky and Wyoming before returning to England in 1914.

Oliver died during the flu pandemic of 1918 and Sarah had to raise here five children alone. She kept the wood and metal trunk with its many memories until her death in 1965.

Photographs show Sarah at Bridlington in 1950 (pictured) and her daughter Minnie Chesters in 1954. Minnie was the couple’s eldest child and had emigrated with her parents.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).

 Our intrepid explorers prepare to enter the pyramid tomb

The public fascination with Ancient Egypt never seems to wane, as the opening of Howard Carter’s house as a museum in Egypt testifies. The British archaeologist’s most famous discovery was the tomb of the pharaoh Tutankhamun, and the house has been opened due to popular demand. A trip to Egypt is a little out of my reach at the moment, but I did recently have a little taste of the excitement an explorer might undoubtedly feel on entering an undisturbed ancient tomb to unravel its secrets and mysteries.

The occasion? I was part of a small audience for the dress rehearsal of ‘Ancient Egyptian Adventure – the Secret of the Jewelled Heart’ which is currently on its way to 63 selected schools in Knowsley, St Helens and Liverpool as part of a government initiative called Find Your Talent. The performance is just one part of a whole day of activities that pupils engage in on the theme of Ancient Egypt, but the great thing about it is that they get to follow the characters, intrepid explorer Jesse and archaeologist Dotty through a door and onto the stage set of a pyramid tomb! The whole show is totally immersive and there's been a great response so far with one head teacher calling it ‘outstanding’.

Ancient Egyptian Adventure is just one of the many Find Your Talent programmes currently being rolled out in the Liverpool city region, and I’ll be telling you more about others in the future. But don’t worry if you’re not part of the programme – you can still marvel at the wonder of ancient Egypt in our gallery at World Museum or learn about proverbs and witty sayings from ancient Egyptian society in our podcast.

Penguins are almost go at the warehouse. 'Look At Me' is front left. Image courtesy of Helen Burnley.

Those of you who live locally might already have heard about the imminent arrival of over 100 penguins to the streets and venues of Liverpool. Go Penguins! launches on 22 November, and National Museums Liverpool is providing homes for 13 of the happy but slightly homesick birds. They include 'Moon Waddler', aka Neil Flipstrong, at World Museum, while the Maritime is hosting 'Under the Sea' penguin. This photograph was taken at the secret penguin storage facility and shows another of our arrivals, 'Look at Me' (front left) along with some of his feathered friends.

Each of the birds has been created by either local artists, schools or community groups and adopted by a local organisation. Together they form A Winter's Trail which you'll be able to follow around the city centre, making Liverpool a proper Capital of Christmas.

As well as our usual programme of festive activities and events we'll be hosting a series of special penguin events that are guaranteed to keep the kids amused over the Christmas holidays. We're even creating a dedicated penguin shop at World Museum. There'll be more on our penguins and our other Christmas activities on our main site shortly. In the meantime there's more penguin information on the official Go Penguins! website.  

Update: Should have mentioned that some of the penguins have already been sighted in an Antony Gormley-esque arrangement on New Brighton beach (more on the Art in Liverpool website). Local comedian, Paul O'Grady, has also created his own, 'Owl Ma Penguin', and the BBC website has a slide show of some of the other designs you'll soon be seeing round and about.

BBC’s See Hear filmed at the International Slavery Museum last month as part of Black History Month. They brought a group of people with hearing impairments from London to see the museum for the first time.

You can watch their very moving response on BBC’s iplayer.

The Liverpool Cityscape by Ben Johnson

Even amidst a giant spider prowling the streets and a herd of superlambananas dotted across the city, Ben Johnson’s The Liverpool Cityscape stood out as a highlight of 2008.

Ben finished the vast painting in front of a live audience at the Walker Art Gallery early in the year. Thousands of visitors observed their city arriving on the canvas layer by layer through the intricate process the artist employed.

Once the painting was finished it took pride of place in the exhibition Ben Johnson’s Liverpool Cityscape 2008 and the World Panorama Series where it was joined by panoramas of Zürich, Jerusalem and Hong Kong and paintings representing Chicago and Paris.

Many of those who flocked to see the painting under completion and the stunning exhibition that followed have enjoyed taking part in the free events celebrating the astonishing work over the last few weeks. But don’t worry if you haven’t had a chance yet, the season of free events for all the family continues over the next couple of months. See the website for more details.

One of the events, We love Liverpool, is an opportunity for visitors to reminisce and share their memories of the city. If you can’t make it to the gallery but have got something you want share, please feel free to add it on the blog.

The events have been coordinated in partnership with the University of Liverpool.

Soldiers often send things to their loved ones at home. During the First World War they often sent embroidered postcards, some of which are now in National Museums Liverpool's collection. The postcards, known as 'World War One Silks', were mostly produced by French and Belgian women refugees and became extremely popular with British and American servicemen on duty in France. Further information about them is on this web page about Silks.

Some of the remembrance postcards that have already been made for our banner

This Saturday you are invited to make your own postcard in remembrance of those that gave their lives during the First and Second World Wars in a free drop-in workshop, 1-4pm in the Learning base in the basement of Merseyside Maritime Museum. If you leave your postcard with us we will include it in a banner which we hope to display in the The Liverpool Pals and the First World War exhibition in the Museum of Liverpool when it opens in 2011. At the workshop this weekend you will also have the chance to find out about life in the trenches and how to trace your family’s history through military records.

The Liverpool Pals and the First World War exhibition will tell the story of the First World War as experienced by the ordinary people of Liverpool, either through participation in the fighting - focussing on the story of the Liverpool Pals – or through involvement on the Home Front. The main emphasis of the exhibition will be the particular Liverpool aspects of the story, set in a national and international context.

Lord Derby recruited one of the first Pals battalions in England from Liverpool in August 1914 when he suggested that men would volunteer if they could remain with work colleagues, family or neighbours. In effect the social structure of Liverpool was transferred to the front line. This exhibition will confront the realities of the loss of 16,700 Liverpool men, how it happened, and how it impacted on – and in some cases devastated - Liverpool communities.

Details of all events this weekend are on the Merseyside Maritime Museum's events and activities page, including this workshop and a new roleplayer performance on Sunday, 'Never at sea - the Wren's story'.

Forget the Oscars and the Golden Globes they’re for tanned people with abnormally white teeth. Last night the Wirral Tourism Awards celebrated the real people who make a difference to our days out.

Two members of staff from the Lady Lever Art Gallery were rightly rewarded for the brilliant work they do on a daily basis.

Sarah Lynch, admin assistant won the Unseen Hero Award.  This award is given to staff who show a positive, committed and willing attitude to their organisation and who demonstrate positive communication skills.

Jenni Whiteside, assistant manager in the Lady Lever Art Gallery gift shop was runner up for the Most Supportive Supervisor Award. People nominated for this award demonstrate outstanding contribution to staff development, are a positive role model, and have motivating skills.

Both Jenni and Sarah looked lovely and are certainly a credit to National Museums Liverpool. Well done ladies we’re very proud of you!

Jenni Whiteside and Sarah Lynch looking glamerous at the Wirral Tourism Awards