Posts tagged with 'art'
Dr Jo Stanley, creative historian, made a textile artwork of the interior of the Magic Clock pub, Roe Street, Liverpool, especially for our Tales from the city exhibition. Jo, originally from Crosby, was a barmaid at the pub, over Christmas 1968 and Easter 1969, in vacations from teacher training college.
The Magic Clock was popular with gay men. It was situated in Liverpool’s original ‘gay quarter’ around Queen Square. Read more…
16 February 2018 by Ann Bukantas
We are half way through the selection process for the John Moores Painting Prize 2018, the year in which we celebrate the competition’s 60th anniversary. The first stage of selection took place last month, when the jury met to decide upon the shortlist of paintings that will be brought to Liverpool for the intense few days that make up the Stage 2 selection.
Love between LGBT+ people has existed throughout the whole of history, and our own collections testify to that fact. Here we’ve taken the opportunity to highlight some historical LGBT+ relationships that we think you should know about.
The artworks and objects discussed here are part of National Museums Liverpool’s collections and all relate in some way to intimate relationships between members of the same sex, both real and fictional, which go beyond platonic friendship in some way. All of these partnerships offer, in their own way, an alternative to the type of heterosexual relationship that continues to be socially dominant. Read more…
13 February 2018 by Siobhan
April 2019 will see the return of the biennial schools exhibition Fresh Perspectives: Art from Wirral schools at the Lady Lever Art Gallery. Fresh Perspectives is a fantastic opportunity for schools to nurture and promote the talents of their students, for young people to engage with arts and culture outside of the classroom environment and to support those with an interest in further education in the arts, offering them an insight into creative careers. This will be the fourth occasion that the exhibition has taken place but for the first time schools will have the opportunity to apply to have their students GCSE and A Level work included.
5 February 2018 by Ann Bukantas
What unites the paintings in our new display of past John Moores Painting Prize winners since 1957 is of course the fact that they have all won the UK’s most prestigious painting prize, which is celebrating its 60th anniversary this year. But across this diverse group of canvases from different decades, other common links start to emerge, and this week we have mostly been spotting the variety of grids in the room!
To accompany The Singh Twins’ major new exhibition Slaves of Fashion: New Works by The Singh Twins at the Walker Art Gallery, National Museums Liverpool and the University of Liverpool School of Histories, Languages and Cultures are hosting a one-day conference, open to the public to explore the issues raised by The Twins’ new artworks.
11 January 2018 by Alex Patterson
I’m thrilled to be working on the John Moores Painting Prize while it celebrates its 60th Anniversary! I’m Assistant Curator of Fine Art for National Museums Liverpool and this year I have joined the Prize’s Project Manager, Katherine Lloyd, to oversee various stages of the competition.
15 December 2017 by Ann Bukantas
Whilst the recent entries to the 2018 John Moores Painting Prize are being prepared for the first stages of judging which will take place early in the new year, we’ve prepared a re-display of some of the works by past first prize winners that opens this weekend at the Walker Art Gallery. The display celebrates of 60 years of the John Moores Painting Prize and includes works since the first competition in 1957.
As one of the most recognisable works from the Lady Lever Art Gallery’s collection and among William Holman Hunt’s most famous paintings The Scapegoat often attracts a lot of attention. In art gallery circles this results in frequent requests to loan the painting for exhibitions across the world. It is our role at National Museums Liverpool to ensure above all that artworks are accessible to as many people as possible, and that they are preserved for generations to come to enjoy as we do today.