Posts tagged with 'China through the lens of John Thomson'
4 June 2010 by davidl
With China Through the lens of John Thomson 1868 – 1872 closing at Merseyside Maritime Museum this Sunday, our Liverpool’s Chinatown Through the lens Flickr competition has now also come to an end and it is time to reveal the winners.
We had a really interesting range of entries and exhibition curator and competition judge Betty Yao found it difficult to choose the winner from nearly 200 photos. However after much deliberation Betty chose three images, which have all also been blogged about over the course of the competition, with the overall winner being ‘Chinese New Year – People’ by Lee Carus, an image she says she ‘returned again and again to’ because ‘…there is so much there – capturing the people, the colours’. Congratulations to Lee, who wins a banquet meal for two at Yuet Ben.
The two lucky runners-up are Graham Morgan, whose enigmatic shot Betty praised ‘for capturing the moment’, and Mark McGowan, whose Chinese arch photo reminded her of two atmospheric images from the exhibition; of the pagoda reflected on the lake, and the hazy shot of a man standing by the River Min.
Congratulations to all our entrants, and one final reminder to visit the Maritime Museum this weekend for your last chance to see John Thomson’s fascinating images.
24 May 2010 by davidl
The Liverpool’s Chinatown through the lens photo competition has ended today, and there is a fantastic range of interesting photos in the competition pool on Flickr. Thanks to all those people who submitted photographs – the images make for fascinating browsing! The winner will receive a banquet for two at Yuet Ben, with two runners-up winning exhibition catalogues.
China Through the lens of John Thomson 1868-72 is only on at Merseyside Maritime Museum until 6 June, so get yourself down there and don’t miss this stunning exhibition.
The winner and runners-up will be announced shortly – watch this space! Read more…
17 May 2010 by Sam
A group of 35 elders from the Merseyside Chinese Community visited Merseyside Maritime Museum today to see the China through the lens of John Thomson exhibition. The group were given a tour of the exhibition followed by a talk on the Blue Funnel Line.
Karen Charnock, the Education Manager at Merseyside Maritime Museum, said “Most of the elders had never visited the museum before and we now hope to invite them back to the site on a regular basis to enjoy the rest of the exhibitions.” Read more…
12 May 2010 by davidl
Complex and complicated are not quite the same thing, a distinction which I think is captured in this week’s highlight from our Liverpool’s Chinatown through the lens Flickr competition, by Flickr user Lee Carus; the scene is busy with detail but not over-crowded, and carefully shot – the photographer waited patiently for some time before snapping this image.
Quite a few different subjects that I have blogged about over the past few weeks appear here – the buildings in Chinatown, the crowds, the flags - but most prominent is the saturation in vivid colour. Practically no two areas use quite the same colour or hue, and the jostling of a brilliant orange jacket to a pearlescent green flag, shimmering gold surrounded by whites, pinks and blues, mirrors the heaving crowds.
Despite the level of detail, the composition is spacious: the cream buildings in the background and the smoke whiting-out the centre is effective in both throwing the more sharply defined foreground figures into relief and receding the background crowds and buildings, a depth enhanced by the stolid black railings to the right leading into the image. Also interesting is the fact that although the crowds are the ostensible subject, those figures in the background left comprise a fairly abstract mass of curves and shapes, the effect being like a painter suggesting a figure or object with a few simple flicks of a paintbrush - they become real as the viewer steps away. See the photo in a large size. Read more…
Older buildings have often outlived most of the people who set inside them, but their meaning and significance is usually defined by the way they are used by those same people. This week’s highlight from our Liverpool’s Chinatown through the lens Flickr competition, by Flickr user diaryof70steen, is an attractive composition which, though it consists of two buildings and nothing else, says much about different cultures and communities over time.
Visually the image creates a striking parallel between the vibrancy of the Chinese arch, its curved roofs and intricate patterns, and the stoic grandeur of the Black-E centre, with its magnificent dome and Corinthian columns. With a whited-out sky the many shapes and patterns of the buildings stand out crisply in an almost abstract way.
More than the architecture however, the photo tells of a long history of different Liverpudlian communities. The Black-E – taking its name from its smoke-stained stonework that was cleaned in the 1980s – combines a contemporary arts centre with a community centre (the UK’s first community arts project), and is based in the former Great George Street Chapel, which closed in 1967. This in turn had been the centre for a programme of artistic, educational and social welfare activities as well as worship, and was itself the second Chapel on the site, opening in 1841 after the 1811 original was destroyed by fire. It seems appropriate that a building so long the hub of many community activities is captured here next to a great symbol of Liverpool’s long-established Chinese community, itself also dating from the 19th century. See the photo in a large size. Read more…
21 April 2010 by davidl
While holiday snaps are often intended to record a static memory of a place and mood - think of all those posed pictures of your family on the beach with fixed smiles - the more artistic photograph can often capture a whole narrative in a single image. I think in this week’s highlight from our Liverpool’s Chinatown through the lens Flickr competition, by Flickr user Graham Morgan (greybeats), something of both approaches is captured.
More familiar as a writhing, twisting creature, the Chinese dragon here is seen as a massive, still block of colours, occupying the whole right side of the image: the lack of body makes it hard to imagine its full size, and it certainly looks like it is towering menacingly over the people on the left. However what is especially interesting about the dragon and the people are their positions and their masks: all of the figures are to some extent covering their faces and none appear to directly acknowledge the others; instead all are facing different directions in a curious, almost posed manner.
The viewer knows that there are really people inside the dragon, hidden under the costume - similarly the man in the foreground half-covers his face, presumably against smoke and noise, the figure behind is half-masked (or half-unmasked?), and those further back still are almost gone completely behind the smoke; everyone is only half-revealed, as though hovering between two personalities, or emerging from a chrysalis. Though it is Chinese New Year, it seems apt that this reminds me of the Roman god Janus (from whom we get the name January), often depicted with two faces looking in opposite directions: back to the old year and forward to the new. This image captures that idea of uncertain but exciting transition, change and ambiguity. See the photo in a large size. Read more…
Sometimes a minimalist approach can achieve dramatic effects: I think this is the case with this week’s highlight from the Liverpool’s Chinatown: Through the lens Flickr competition, by Flickr user Abi , in which a black and white photograph is tinted with a powerful yellow with captivating results.
I don’t know if the photographer chose yellow for a particular reason, but the symbolism of the colour in Chinese culture makes it an interesting choice. Yellow represents, amongst many other things, earth, the balance of yin and yang, and stability, making it an apt colour for a photo mostly comprised of shades of two opposites, black and white, and with so volatile a subject as smoking firecrackers.
Visually it is a very arresting colour to use, but though the flag draping dramatically on the left is one of the first things the eye is drawn to, there are spots of the colour discreetly added throughout the rest of the image – a coat or hat, the firecrackers, the sun-like decoration above the doorway - as though the warmth and joy of the colour is seeping into the pores of the photo.
There is more to the image than just this immediate colour element however. The flag and smoke make a neat vertical symmetry which frames the doorway in the background: the crowds and upstairs windows have a similar effect on the horizontal; this makes a complete frame which concentrates the gaze to the partially-obscured doorway, making it a subtle third subject for the viewer after the yellow flag and the firecrackers, which are the main focus of attention for the crowd. See the photo in a large size. Read more…
1 April 2010 by davidl
Keeping with the black and white theme from last week, this week I’ve chosen another monochrome masterpiece as a highlight from the Liverpool’s Chinatown: Through the lens Flickr competition, by Graham Lloyd.
Taken during a performance at the Black-E Centre, the play of pattern and light captures many interesting details in one frozen moment of dance. The ornate swirling patterns of the dragon’s head and back contrast sharply with the even lines of the wooden floor, which, whoosing diagonally across the photo, enhance the sense of frenzy and dynamism seen in the dancing dragons of Chinese New Year.
One tale of Ancient China tells of a solar eclipse, thought to be caused by a huge dragon slowly devouring the sun: only by shouting and causing a commotion did the people scare the dragon away from its meal. The picture reminds the viewer of this idea that dragons are not just creatures from fantasy films and celebrations, but represent something genuinely frightening – the perspective here, looking down on the dragon like spectators viewing a dangerous caged animal, enhances this sense of danger… until the viewer notices the contemporary footwear and the mood suddenly lightens. See the photo in a large size. Read more…
24 March 2010 by davidl
To complement John Thomson’s photographs in the China: Through the lens exhibition, and after the vibrant colours of previous highlights from the Liverpool’s Chinatown: Through the lens Flickr competition, this week I’ve chosen an interesting black and white image by Aidan McManus (adebⓞnd), which has both a geometric beauty of its own and a strong human element.
The structure of the photo is simple, bold and effective: the lines and rectangles give a sense of harmony and balance, as though the viewer has zoomed in on a Piet Mondrian painting. The various shades of grey and black and the two bright white smudges of light give the photo an almost abstract quality, but, despite occupying only a small part of the image, the girl intently and patiently watching the New Year’s celebrations below is the actual focal point of the picture.
This human element is further enhanced by the marks scribbled and smeared in the steamed-up glass, the sense of now-absent fingers and hands – save for a solitary artist at the far right – chaotically clearing a view to the street below a reflection of the excited activity of the New Year parade. See the photo in a large size. Read more…
17 March 2010 by davidl
After a couple of entries bustling with activity, for this week’s highlight from the Liverpool’s Chinatown: Through the lens Flickr competition I’ve chosen an image almost completely devoid of people: this 2009 photo of Liverpool’s iconic Chinese arch, added to the pool by Mark McGowan.
Taken just before the Chinese New Year celebrations, there is a sense of expectation and mystery to the image, the sunlight just glinting off the brilliant gold of the arch and the viewer imagining the crowds that will be filling the ghostly streets.
The different architectural styles contrast but compliment each other; there are no absolutely horizontal or vertical lines, but various angular perspectives which draw the eye in different directions. At once the viewer is invited in through the arch by the receding buildings and flags of Nelson Street, but at the same time to the top of the image: neither the square pillars of the arch nor the round pillars of the Black-E Centre to the left are straightforwardly vertical, both tapering up towards the shrouded sun and pulling the viewer’s gaze with them. The result is a constant shifting of perspectives, never settling, like an MC Escher print. See the photo in a large size. Read more…