Posts tagged with 'contemporary art'
Peter Blake is perhaps most famous for designing the cover of The Beatles’ album, ‘Sgt. Pepper’s Lonely Hearts Club Band’ (1967). However, he has been a prolific artist during his career and his status in the art world far exceeds Sgt. Pepper’s.
Sir Peter is a leading figure in the development of British pop art, and became the first Patron of the John Moores Painting Prize – held every two years at the Walker Art Gallery – in 2011. Read more…
4 December 2014 by Lucy
We are delighted to announce that National Museums Liverpool has been awarded a significant grant to fund research into its Lesbian, Gay, Bisexual and Transgender (LGBT) collections in its art galleries and urban history items at the Museum of Liverpool.
The £91,863 grant from the Esmée Fairbairn Collections Fund will be used to support the ‘Pride and Prejudice’ project, which we will develop with partner Royal Pavilion & Museums, Brighton & Hove, based within one of the UK’s most prominent LGBT communities.
‘Pride and Prejudice’ is a two-year project, that will tackle the challenges faced across the museum sector, by realising the full potential of LGBT collections to ensure that objects and stories within these collections are fully researched, sensitively interpreted and made accessible online and through display to a wide and diverse audience. Read more…
12 November 2014 by Laura
Juliette Losq has won the John Moores Visitors’ Choice 2014, sponsored by Rathbones. Her epic painting ‘Vinculum’ was a firm favourite with visitors who voted in their thousands! In this guest blog she tells us more about it… Read more…
4 September 2014 by Laura
28 August 2014 by Lisa
This week’s John Moores Painting Prize guest blog is from another of our shortlisted artists, Alessandro Raho.
7 August 2014 by Laura
16 May 2014 by Laura
I wanted the works to be large as I knew because of the TV series they would become very public artworks and a lot of people would want to see them at one time. They are also very bold and colourful because after working for so many years on ceramics where colour is often quite muted and difficult to predict and scale is necessarily small I enjoy the freedom and control offered by the medium. Also the tapestries needed to be large to accommodate the detail. Read more…