Posts tagged with 'exhibition'
With the exhibition The Blind School: Pioneering People and Places drawing to a close this week, History of Place Project Coordinator, Kerry Massheder-Rigby tells us more about the next stage of the project:
“We are keen to capture additional first-hand memories of what life was like for students who attended the Royal School for the Blind in Liverpool, the first of its kind in Britain when founded in 1791. Read more…
On what would have been the couple’s 49th wedding anniversary we are very proud to announce a major new exhibition, telling the story of John Lennon and Yoko Ono Lennon’s profound personal and creative chemistry at the Museum of Liverpool. Read more…
It’s your last chance to see Turner Prize winner Lubaina Himid’s exhibition ‘Meticulous Observations and Naming the Money’ at the Walker. To celebrate this powerful exhibition, featuring works by women artists all selected by Lubaina, we’re giving away six exhibition posters signed by the award-winning artist herself!
Dr Jo Stanley, creative historian, made a textile artwork of the interior of the Magic Clock pub, Roe Street, Liverpool, especially for our Tales from the city exhibition. Jo, originally from Crosby, was a barmaid at the pub, over Christmas 1968 and Easter 1969, in vacations from teacher training college.
The Magic Clock was popular with gay men. It was situated in Liverpool’s original ‘gay quarter’ around Queen Square. Read more…
National Museums Liverpool is marking International Women’s Day (Thursday 8 March) with a programme of free exhibitions and events on the day and the following weekend (Saturday 10 and 11 March).
Through exhibitions, talks, workshops and poetry there are a variety of ways for everyone to get involved and celebrate this important date.
We’re looking forward to hosting Rethinking Disability on Friday 9 March. A symposium for the museums and galleries sector, the aim is to bring together individuals committed to creating to bringing about real and lasting change.
Esther Fox, Head of Accentuate said:
“We know that Museums and Galleries are wanting to support better access and representation for deaf and disabled people. We also know there have been significant strides towards this over the last 10 years. However we still have a long way to go and we are not at the point where inclusive practice is the norm. This event provides an opportunity for people to share, learn and most importantly challenge thinking, encouraging people to take more risks.”
We have recently added some fantastic new items to our community case in the Tales from the city exhibition. This case enables us to reveal LGBT+ stories not represented in the exhibition, which people contact us about and would like to share.
The items were very kindly loaned by Emma and Ann Miller-McCaffrey and tell the story of their relationship. Read more…
The Han Dynasty (206 BC – AD 220) was one of the longest surviving Chinese dynasties and rivalled the almost contemporary, but smaller Roman Empire. Following a period of civil war after the succession of Qin Shi Huang’s son in the Qin Dynasty, rebel leader Liu Bang defeated his rivals and became Han Gaozu, the First Emperor of the Western Han Dynasty. Spanning more than 400 years with only minor interruptions, the Dynasty was charaterised by significant advances in science, technology, mathematics, astronomy and literature which can still be felt in China today.
Explore this golden age of Chinese history through some of the objects that feature in our China’s First Emperor and the Terracotta Warriors exhibition:
Terracotta cavalrymen and horses
The rulers of the Han Dynasty followed in the footsteps of the Qin kings and showed a strong belief in gods, spirits and the afterlife. Discoveries so far suggest that, like the First Emperor of China, they had armies of terracotta warriors and horses to protect them, as well as servants, entertainers and animals. These cavalrymen and horses are two of more than 500 figures buried near the tomb of a general at Yangjiawan. Originally, the cavalrymen held the reins in one hand and a weapon in the other, and details of the saddles, harnesses and bridles were painted on the figures with bright colours.
People decorated many objects with images of wild and mysteries animals during the Qin and Han periods. In the Han Dynasty, the animal mask became a popular motif used to decorate the handles of various objects such as doors, vessels and coffins. This ornamental handle was probably attached to a coffin, and is missing a bronze ring which would have hung from the mouth of the creature.
A comparison of major tombs dating from the Spring and Autumn Period (771 – 476 BC) to the Han Dynasty, reveal a great increase in the use of jade between the third and second centuries BC. Jade was more valuable than gold as it was strongly associated with immortality, and its use was restricted to the highest members of society. Coffins of high-ranking individuals were embellished with protective jade discs such as this one which is the largest ever discovered in China. The hole in the centre of the disc is designed to allow the spirit of the deceased to travel in and out.
Pottery model of a well
Models of buildings and real-life objects such as houses, granaries, cooking stoves and wells were very popular in the Han Dynasty, and were produced specifically for burial in tombs. This was not the life-sized world of the scale created by China’s First Emperor, but miniature versions of the world the deceased had lived in. In modern China, many people still believe in the afterlife and worship their ancestors in cemeteries or at home. They buy miniature paper models of servants, horses, houses, cars, money and even iPhones as offerings for their relatives so they can enjoy their life in the next world.
Emperors used gold ingots as gifts to reward their subjects or as gold reserves to store their wealth. Many ingots were stamped or engraved with inscriptions such as family names or good luck messages, and more than 400 gold ingots dating to the Han Dynasty have been found in China so far.
Pottery zun 樽 wine container
Containers of this shape were made to store liquors such as wine. Ancient Chinese wine was made from fermented grain and rice wine is still one of the most popular drinks in China today. This green glazed pottery ‘zun’ is decorated with cloud designs around the sides. Its lid is in the shape of a mountain; probably representing the mythical ‘Isles of the Immortals’.
It was common for wealthy individuals to have a stone door built at the entrance of their tomb which was carved with images of mythical creatures to guard against evil spirits. On the lintel at the top of this doorway, the sun is shown on the right as a red circle with a black bird, while the moon appears as a circle on the left. Together with the clouds depicted on the doorframe, they represent a celestial space high above the human realm. Images of dancing figures and chariots on the doorframe illustrate the activities at the tomb site during the ceremonial service. Two immortals in black at the top on each side of the doorframe are poised ready to guide the deceased to heaven.
Coins with Greek script
Bearing Parthian-style Greek inscriptions on one side and decorated with a Han-style dragon on the reverse, these coins offer a glimpse into the cultural exchange between China, Greece and Central Asia via the Silk Road. The establishment of this huge network of trade routes linking China to the Mediterranean extended over 7,000 kilometres and created new opportunities for Chinese merchants who traded silk, lacquerware and salt in exchange for gold, jade, silver, ivory, glass, spices and exotic goods.
Brass incense burner
Up until the Han Dynasty, people burned fragrant plants as incense. In later times, it became more common to heat scented wood with charcoal. Exotic incense imported via the Silk Road became one of the most expensive goods traded in the Han Dynasty.
Discover more fascinating objects from the Han Dynasty at our landmark exhibition, China’s First Emperor and the Terracotta Warriors which runs from 9 February until 28 October 2018.