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Posts tagged with 'painting'

Gwen Hardie: skin, light and paint

6 October 2015 by Lisa

Two 'skin portraits' in the REALITY exhibition.

Two ‘skin portraits’ in the REALITY exhibition.

We recently interviewed artist Gwen Hardie, whose ‘skin portraits’ are featured in the ‘REALITY’ exhibition at the Walker Art Gallery:  Read more…

Art, abandonment and alienation

23 September 2015 by Lisa

'No Such Thing' Graham Crowley, 1993. Image courtesy of the artist.

‘No Such Thing’, Graham Crowley, 1993. Image courtesy of the artist.

We are really pleased that ‘No Such Thing’ by Graham Crowley has returned to the Walker Art Gallery for the REALITY exhibition – it was first displayed here as part of the John Moores Painting Prize in 1993. Graham has continued to have a close relationship with the Walker, eventually becoming a juror for the John Moores in 2008.  Read more…

“What is the reality of painting?”

5 August 2015 by Lisa

Black and white paintings hanging in a gallery

From left to right: ‘Black Star’ and ‘Hollow’ in the REALITY exhibition at the Walker.

The evocative and mysterious  ‘Black Star’ and ‘Hollow’ paintings in our REALITY exhibition, are the work of contemporary artist Alison Watt. Find out more about Alison’s work and her thoughts on painting in this guest blog: Read more…

Picturing Venice: past, present and future

1 June 2015 by Lisa

Nicola at the Grand Canal in Venice.

Nicola at the Grand Canal in Venice.

The Venice Biennale is in full swing and Nicola Cunningham from our Exhibitions team was lucky enough to visit this exciting series of exhibitions during the preview week:  Read more…

Crisis Art Competition

13 May 2015 by Lucy Johnson

Painting of poppies with red and blue backgroundI have always been a strong believer that art has an important role to play in society, so I am really lucky to work closely with the Walker Art Gallery and its inspiring collection of works. I recently got the opportunity to view some more inspiring art when I was asked to be involved in a competition run by run by the homeless charity CrisisRead more…

Restoring the Falaba painting

30 April 2015 by Sam

David Crombie with a painting on an easel with with patches of paint loss

Working on removing excess fill from the losses to bring the levels in line with the rest of the paint surface – there were a lot of big losses!

This is the last of a series following the conservation of the painting ‘Falaba’ by Gerald M Burn, to prepare it for display in the Lusitania: life, loss, legacy exhibition. In previous posts I have described the structural treatment, cleaning and lining of the painting.

Once the painting was safely re-stretched onto the wooden stretcher, the two main things left to do were to fill in the paint losses and then inpaint (or retouch) the losses to match the surrounding original paint. Filling was carried out with fine chalk mixed with a water soluble synthetic resin, giving a paste that could be applied the areas of paint loss – this was done with a small palette knife which helped to imitate some of the texture of the original paint.

Once this had dried out, the excess filler could be removed with small cotton wool swabs wetted with water. After that, I could adjust and improve the fill texture as necessary. Then came the exciting stage Read more…

Cleaning and lining the Falaba painting

22 April 2015 by David Crombie

detail of a ship painting, showing a small dark dirty area of the sky

The Falaba painting during the final stages of cleaning in the sky with nearly all of the dirt layers removed

This is the third blog in a series following the conservation of the huge painting of the Falaba, which is now on display in the exhibition Lusitania: life, loss legacy. In the last post I described the structural treatment of the painting, in order to reattach the loose paint.

Once the structural treatment was complete, the painting was turned over and cleaning could begin once the facing tissue was removed. Cleaning proved quite difficult, as the thick grime layers had previously been covered by the wax facing. Read more…

Structural treatment of the ‘Falaba’ painting

16 April 2015 by David Crombie

large painting lying flat on a table with a protective cover

To stretch it, the protected painting was placed face-up within a wooden loom frame on the multi-purpose lining table before wetted brown paper strips were attached around all four sides. As these were drying, the table was set to provide moisture underneath the canvas to relax it slightly during the stretching process.

Curator Ellie Moffat recently blogged about the centenary of the sinking of the ‘Falaba’ during the First World War. In her blog post she mentioned the large painting of Falaba which has just gone on display in the exhibition Lusitania: life, loss, legacy.

Preparing the painting for display was quite a large job, not just because of its size, but also because it was not in a very good condition after suffering water damage many years ago.  Read more…

Our paintings on tour in Japan

1 April 2015 by Lisa

Man and two children riding a horse.

‘A Dream of the Past: Sir Isumbras at the Ford’ by Millais, which will go on tour to Japan.

We think it’s great to sometimes have the opportunity to show off our collections in other countries.

Our art gallery curators are excited to be working with a Japanese organisation to tour 68 works from the fine art collections to four exhibitions venues in Japan.

Read more…

Centenary of the sinking of Falaba

27 March 2015 by Ellie

men with lifting equipment hanging a large painting on a wall

The huge painting of Falaba was installed by our specialist handling team ready for the opening of the ‘Lusitania: life, loss, legacy’ exhibition

This Saturday, 28 March, marks the centenary of the sinking of the Falaba – a passenger ship of Liverpool’s Elder Dempster Line. She left Liverpool on 27 March 1915 and sighted the German submarine U-28 off the southern coast of Ireland the following day.

U-28 surfaced, sent two warnings and Falaba’s crew were ordered to abandon ship. As the final lifeboat was being lowered, a torpedo hit. The ship sank in under 10 minutes. Germany claimed that U-28 had allowed 23 minutes for evacuation. Britain said it was only 5 minutes. Read more…

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