Posts tagged with 'painting'
13 May 2015 by Lucy Johnson
I have always been a strong believer that art has an important role to play in society, so I am really lucky to work closely with the Walker Art Gallery and its inspiring collection of works. I recently got the opportunity to view some more inspiring art when I was asked to be involved in a competition run by run by the homeless charity Crisis. Read more…
This is the last of a series following the conservation of the painting ‘Falaba’ by Gerald M Burn, to prepare it for display in the Lusitania: life, loss, legacy exhibition. In previous posts I have described the structural treatment, cleaning and lining of the painting.
Once the painting was safely re-stretched onto the wooden stretcher, the two main things left to do were to fill in the paint losses and then inpaint (or retouch) the losses to match the surrounding original paint. Filling was carried out with fine chalk mixed with a water soluble synthetic resin, giving a paste that could be applied the areas of paint loss – this was done with a small palette knife which helped to imitate some of the texture of the original paint.
Once this had dried out, the excess filler could be removed with small cotton wool swabs wetted with water. After that, I could adjust and improve the fill texture as necessary. Then came the exciting stage Read more…
This is the third blog in a series following the conservation of the huge painting of the Falaba, which is now on display in the exhibition Lusitania: life, loss legacy. In the last post I described the structural treatment of the painting, in order to reattach the loose paint.
Once the structural treatment was complete, the painting was turned over and cleaning could begin once the facing tissue was removed. Cleaning proved quite difficult, as the thick grime layers had previously been covered by the wax facing. Read more…
16 April 2015 by David Crombie
Curator Ellie Moffat recently blogged about the centenary of the sinking of the ‘Falaba’ during the First World War. In her blog post she mentioned the large painting of Falaba which has just gone on display in the exhibition Lusitania: life, loss, legacy.
Preparing the painting for display was quite a large job, not just because of its size, but also because it was not in a very good condition after suffering water damage many years ago. Read more…
1 April 2015 by Lisa
We think it’s great to sometimes have the opportunity to show off our collections in other countries.
Our art gallery curators are excited to be working with a Japanese organisation to tour 68 works from the fine art collections to four exhibitions venues in Japan.
This Saturday, 28 March, marks the centenary of the sinking of the Falaba – a passenger ship of Liverpool’s Elder Dempster Line. She left Liverpool on 27 March 1915 and sighted the German submarine U-28 off the southern coast of Ireland the following day.
U-28 surfaced, sent two warnings and Falaba’s crew were ordered to abandon ship. As the final lifeboat was being lowered, a torpedo hit. The ship sank in under 10 minutes. Germany claimed that U-28 had allowed 23 minutes for evacuation. Britain said it was only 5 minutes. Read more…
23 March 2015 by Sam
Our photographer Keith Sweeney has taken these fascinating pictures as part of his behind-the-scenes work preparing for a new exhibition. He explains:
“This painting, ‘Grey Venice’ by Charles Napier Hemy from the Walker Art Gallery’s collection, is one of many pictures of Venice from our collection that has been considered for inclusion in the upcoming Picturing Venice exhibition, which opens at the Lady Lever Art Gallery on 1 May.
28 January 2015 by Felicity
The Walker Art Gallery’s Henry VIII portrait is one of the most recognisable paintings in our collection. It is derived from the Whitehall Mural, painted by Hans Holbein in 1537.
But did you know that the portrait was used as inspiration for the costumes in BBC drama series, ‘Wolf Hall’?
Clare Vyse, Assistant Costume Designer for the program, tells us how portraits of the king proved to be an invaluable resource when designing his costumes:
“We used all the available portraiture when researching King Henry’s clothes for Wolf Hall, but Holbein’s paintings were particularly influential because his work is so clear and detailed – they are such a valuable resource.
The Henry in our story is younger and slimmer than the one in this portrait, but in later episodes he wears an outfit that is based on this very painting. Read more…