Posts tagged with 'sculpture'
On International Women’s Day, I wanted to share some exciting news about one of the Walker Art Gallery’s newest acquisitions. It is a marble Bust of Princess Mary, Duchess of Gloucester & Edinburgh, 1853, by Mary Thornycroft (1809-1895). It was transferred to the Walker from Leighton House Museum earlier this year to join our world renowned sculpture collection. Read more…
23 March 2018 by Lottie
Last year, the Walker Art Gallery received a request for the loan of John Gibson’s Tinted Venus from the Metropolitan Museum of Art in New York. John Gibson was a neo-classical sculptor who worked from studios in Rome. He first showed this sculpture at the 1862 International Exhibition, where his use of colour on marble caused quite a stir.
While many were critical of this ‘new’ way of presenting sculpture, Gibson was in fact referencing the ancient Greek practice of fully painted statuary. Gibson went on to receive commissions for two more Tinted Venuses.
This particular sculpture hadn’t been on loan since the mid-1990s and required a thorough inspection in order for us to make an informed decision about whether it could be considered for international travel. Read more…
13 February 2018 by Siobhan
April 2019 will see the return of the biennial schools exhibition Fresh Perspectives: Art from Wirral schools at the Lady Lever Art Gallery. Fresh Perspectives is a fantastic opportunity for schools to nurture and promote the talents of their students, for young people to engage with arts and culture outside of the classroom environment and to support those with an interest in further education in the arts, offering them an insight into creative careers. This will be the fourth occasion that the exhibition has taken place but for the first time schools will have the opportunity to apply to have their students GCSE and A Level work included.
22 June 2017 by Mark Adams
This rare and exciting fragment of Anglo-Saxon sculpture was found on an archaeological excavation at Mark Rake, Bromborough, Wirral in late 2016! The carved sandstone fragment is part of a slab carved between 900 and 1100 AD, and is decorated with incised lines marking out a border around what is probably a cross. The site where it was found lies in the middle of Bromborough village, just to the north of the parish church which is dedicated to St. Barnabas, and until recently the plot of land formed part of the Rectory gardens. The site came to the attention of Museum of Liverpool’s archaeologists when a planning application was made to build houses on the site after it was sold by the church.
Little is known of the origins of villages on the Wirral, but there are hints that many of them have been occupied since at least the Roman period and possibly longer; earlier excavations at Thorstone Drive, Irby and Hilary Breck, Wallasey, had found evidence for Prehistoric, Roman and early medieval buildings and other features and Mark Rake’s location, immediately next door to a church mentioned in the Domesday Survey, suggested that it had the potential for similar finds. Read more…
I will never forget my first impression of Liverpool, almost 18 years ago. The impressive architecture of the city with its classical references was definitely an attraction to a Greek. But while it is easy to spot the classical influences on the exterior of Liverpool’s buildings, we often miss their interior decoration. The extension of our brand new café into the Mountford building is an excellent opportunity to view such prime examples and to perhaps think of the reasons why classical antiquity imagery became such an important narrative of civic pride and glory in 19th century Liverpool.
10 May 2017 by Sharon
On Saturday 6th May 2017 we held our annual ‘Remembering the Liverpool Carters’ event at Museum of Liverpool. We were overwhelmed by the number of visitors who turned up to listen to talks and join in with our flower-making activities. Read more…
2 February 2017 by Chrissy Partheni
Ancient marble sculpture is irresistibly attractive: there are strong, ideal and sensual bodies, elaborate folds and drapery, complex hairstyles and realist or ideal faces to admire at. For centuries Ancient Classical sculpture came to epitomise beauty, to connect physical beauty with spiritual one and often to promote virtue and good citizenship. But is there more than meets the eye?
9 September 2016 by Emma Martin
Last week we re-displayed some of our new Japanese netsuke in the World Cultures gallery in World Museum. This wonderful collection of carved toggles was given to the museum in memory of the well-known 20th century collector Jonas Goro Gadelius.
In April, we told you about Chrissy Partheni, Curator of Antiquities at World Museum and her involvement with this year’s Biennial in Liverpool – read it here. Working alongside curators at Tate Liverpool and Biennial, we were able to loan objects from our classical collections, in particular from Henry Blundell’s sculptural collections, forming part of the Biennial Ancient Greece Episode exhibition there. Chrissy says: Read more…