Posts tagged with 'sculpture'
16 February 2010 by Sam
Last week a special fundraising dinner was held at the Museum of Liverpool, giving guests a unique preview of the interior space before any of the displays are installed.
The evening was also attended by a goddess, several penguins, a few vehicles, some works of art and a whole flock of superlambananas. These items, which are mainly from National Museums Liverpool’s collections, although the superlambananas were on loan, were put on temporary display for the evening to give a taster of the wide variety of objects that will go on display in the new museum when it opens in 2011.
If you were not lucky enough to attend the dinner itself you can see some great photos from the evening on the Art in Liverpool blog. Read more…
22 January 2010 by Lisa
Today’s object featured on Radio Merseyside for the BBC’s ‘A History of the World’ project, is the Ince Athena statue from our Classical collections. You will be able to hear Gina Muskett, curator of classical antiquities, talking about the statue on ‘listen again’ here. Here is Gina to tell us more about this beautiful and statuesque sculpture!
I’ve been a curator at World Museum for less than six months, and so many exciting things have happened in such a short time. As well as a new gallery opening for a display of the museum’s collection of Greek objects, I was so pleased when Athena was chosen as one of the objects for the BBC’s ‘A History of the World’ project.
The statue has brilliant links with the local area, as it used to belong to Henry Blundell, who lived at Ince Blundell Hall. Many of you will have seen the entrance to the hall when travelling by road from Liverpool to Southport. We’ve just had an anniversary too – in 2009 it was 50 years since the statues came to the then Liverpool Museum, as a gift.
I’m so lucky to be the curator of the ‘Ince Athena’ statue. I knew about her (yes, I know the statue’s not a real human!) even before I worked at World Museum. I visited the museum a lot when I was a student, and can remember seeing Athena in the old Ancient World gallery, and am really pleased that she’s going back on display again. Read more…
18 January 2010 by Richard
Well it is with great shock and sadness that I write this blog in light of the devastating earthquake in Haiti. Nobody could not have been shocked at the images shown in the media this past week but it was particularly difficult for those of us associated with the museum as Haiti is central to the museum’s history and ethos for several reasons.
On 23 August 2007 the International Slavery Museum was opened. This is a significant date as it commemorates an uprising of enslaved Africans on the island of Saint Domingue (modern Haiti) in 1791. The date has been designated by UNESCO as Slavery Remembrance Day, a reminder that enslaved Africans were the main agents of their own liberation. Resistance to injustices and discrimination is a central theme of the International Slavery Museum. Read more…
18 January 2010 by Lisa
I don’t know about you, but I think it’s always good to start the new year by having a bit of a spruce up – whether it’s spring cleaning or a bit of a make over! We’re used to giving important objects a new lease of life here at National Museums Liverpool and this week we have Sculpture Conservator, Lottie Barnden, to tell us about the work she’s been doing to help celebrate the World Museum’s 150th anniversary…
To commemorate the 150th Anniversary of William Brown’s gift of a library and museum to the city of Liverpool, a marble bust of the man himself has been brought out of storage for conservation treatment, prior to going out on public display. This portrait bust by Isaac Jackson was sculpted in 1851, just nine years before the William Brown Library was completed.
When it arrived at the sculpture conservation studios, it was thought to be one of the filthiest objects we’ve had in for a long time! I suspect that it hasn’t been cleaned since it was first made. The bust section is attached to a socle (a type of small round plinth) using a section of copper dowel. The plaster fill around this dowel has become brittle and loose and the bust now wobbles and turns on its base, making it quite unstable and unsuitable for going on public display as it is. Read more…
16 September 2009 by Sam
Several statues from the Lady Lever Art Gallery have recently been out on loan to the V&A for the ‘Thomas Hope:Regency Designer’ exhibition. On their return they made a quick pitstop in the sculpture conservation studio, where they were checked and re-waxed before being ready to return to public display.
You can see the sculptures making their way back to the Lady Lever Art Gallery in our Moving stories Flickr set. As you can imagine, moving several large, heavy sculptures without damaging them is quite an operation, which required the combined efforts and specialist skills of the technical services team, sculpture conservators, conservation technologies and the handling and transport technicians, as well as some serious heavy lifting equipment. The good news is that the move was a success and the sculptures are now back on display. Read more…
17 August 2009 by Lisa
Earlier this month I was lucky enough to be allowed to tag along on a shoot of a video interview with internationally acclaimed artist, Emma Rodgers.
I went with our audio visual team to her house on the Wirral, where she has her studio. They needed to film Emma because her work is going to be included in our forthcoming exhibition ‘The Rise of Women Artists’ , which will be at the Walker Art Gallery from 23 October 2009 – 14 March 2010. This video would be used to create one of the interactive displays for visitors to explore in the gallery and also to make video clips for our website. Read more…
14 August 2009 by Sam
As I’ve mentioned many times before, there’s never a dull moment for the handling and transport team. Since I last reported on their activities they have safely transported a huge variety of objects from our collections, including ship models, paintings, a stained glass window and some Hindu Gods (well, sculptures of them, anyway). Some have been moved from storage to the conservation studios for treatment and back again, other objects have been gone on or off display and a few have ben loaned to other organisations. Read more…
10 August 2009 by Sam
It’s my first day back in work after a short break today, and I feel that I’ve returned with a whole new level of understanding of the works of art that I promote on the blog and website. For while I was off I did more than just DIY and sunbathing. I actually experienced what it feels like to be a work of art myself when I spent an hour on the Fourth Plinth in Trafalgar Square as part of Antony Gormley’s One and Other project. One hour, one plinth, one Sam. Read more…
27 July 2009 by Lisa
Angelica Vanasse is currently pursuing postgraduate studies in MRes Art & Design (Curatorial Practice) at Liverpool John Moores University. Angelica recently lead a drawing workshop at the Walker Art Gallery and is here to tell us how it went. You can see more photos of the group and their work on Flickr.
My research involves looking at the role of participants in art galleries, using the gallery as an immersive space for experiencing and interpreting artwork. Using the Walker Art Gallery’s sculpture collection as inspiration, I lead sculpture drawing workshops to explore this concept.
At one session, I gave the group a variety of tools and techniques that they could use during the workshop. With pencil, graphite, charcoal, conte crayon and a variety of papers, the group spread out in the gallery to begin their creative investigation. It was fascinating to see the varied ways in which all of the participants were negotiating their drawings. Read more…
22 October 2008 by Lisa
I’d seen the preview photos of the new ‘unfolding’ exhibition at Sudley House, but seeing the sculptures in reality was still quite a surprise! The sheer size of each piece was much bigger than I had imagined, which gave them real impact. Seeing them in situ at the house allowed you to see how they fit in with the building and its rooms. Each sculpture has subtle details that link them to each room – whether this is its furnishings or the original use of the room. At the same time, each piece has been designed to represent different aspects of the mind.
Below is the ‘Shell’ sculpture that is in the morning room (also known as the study), which you can see has a floral pattern on the inside. This is inspired by the wallpaper that is in this room.
The red pointy creations seen below are laid out on the dining room table of the house.You can see that the darkest shades match the red upholstery on the chairs. Read more…