Posts tagged with 'slavery'
There are less than two months left to visit our powerful exhibition Brutal Exposure: the Congo at the International Slavery Museum. Vava Tampa, founder of Save the Congo and chair of the Morel Prize, has given his thoughts on the display:
“Brutal Exposure: the Congo at Liverpool’s International Slavery Museum is notable for many things. One of the masterpieces at the heart of this brilliantly staged installation is a still, sanitised portrait of a Congolese man Lomboto.
Simple and sublime, Lomboto’s portrait, which is also the exhibition’s lead image – and one of the few images that became iconic for colonial brutality – fills the high white wall of the exhibition’s entrance space, Read more…
5 August 2014 by Richard
Last week I spoke at the ‘Untold Stories, Buried Histories’ panel event in Glasgow, part of The Empire Café, a week long exploration of Scotland’s relationship with slavery and Atlantic slave trade. It was planned so that it ran for the duration of the Commonwealth Games. This is particularly interesting as the legacy and relevancy of the Commonwealth is widely discussed and debated. It did not take me long to see the legacy of Glasgow’s role in the Atlantic slave trade and slavery as I walked to the venue past the Gallery of Modern Art (once the townhouse of William Cunninghame, a prominent Glaswegian tobacco merchant) and Buchanan and Ingram Streets, both named after merchants who also became rich on the suffering of those working on their plantations. Read more…
30 May 2014 by Richard
Sadly, the great poet, author and activist Maya Angelou – born in St. Louis, Missouri in 1928 has passed. She opened the Transatlantic Slavery gallery (predecessor to the International Slavery Museum) in 1994. Tony Tibbles, who later became the Director of the Merseyside Maritime Museum, worked closely on the development of the groundbreaking gallery and wrote an interesting article on how it came to be. He notes how they persuaded Maya Angelou to attend the opening and indeed we still have a plaque in our collection which marks this unique event. Read more…
I don’t remember the first time I heard about my Maroon ancestry, Mother would talk about Jamaica often, stories about farming, school or just sitting on the veranda watching the sun set but the Maroon heritage heartened every story. Bump Grave, the blowing of the abeng, warriors disguised as trees; stories of real people, their customs and traditions passed down to me through my Mother. I do remember feeling the immense pride in belonging to a group of such resilient, resourceful and spirited people. Read more…
1 May 2014 by Dickie
The film 12 Years a Slave, which tells the story of Solomon Northup, has gripped audiences around the globe. To coincide with the release of the movie on Blu-ray and DVD, author and historian David Fiske blogs about the man who was kidnapped and sold into slavery.
27 February 2014 by Felicity
A new exhibition titled Keywords: Art, Culture and Society in 1980s Britain opens at Tate Liverpool tomorrow. One of the key pieces in the exhibition tells the story of Britain’s involvement with the slave trade in a striking, visual form. Read more…
Today I’d like to pay tribute to leading anti-racism campaigner Dorothy Kuya who died following a short illness on 23 December, 2013. Dorothy’s impact and influence stretched far beyond the L8 streets were she was raised.
13 November 2013 by Mitty
We’re officially launching a new session for schools. It focuses on the legacies of transatlantic slavery and is designed for key stage 3 and 4 students. It has been a while in the making and has been a real challenge to do but I’m really pleased with the outcome and how the session has shaped up.
16 September 2013 by Zachary
This month Sokari Douglas Camp is exhibiting her series of six powerful welded steel sculpture at St Georges Hall just a stone’s throw from World Museum Liverpool. The exhibition, titled All the World is Now Richer, has been installed in the Dickens & Gladstone Gallery and is a fitting commemoration for the abolition of slavery. Sokari’s steel figures stand strong and erect. They are modelled on people she remembers but they were inspired by a well known quotation from William Prescott, a former slave in the United States:
“They will remember that we were sold but they won’t remember that we were strong. They will remember that we were bought but not that we were brave”.