Guest blog from Emy Onuora
(Emy Onoura is the author of Pitch Black. Emy Onuora has an MA in Ethnic Studies and Race Relations from the University of Liverpool and has lectured extensively on issues of Race and Sport within higher education)
Raheem Sterling’s willingness to put himself forward as the spokesperson for a generation of black footballers is commendable, if only in the context of previous generations of footballers who were forced to suffer racist abuse in silence, even in some cases going as far as to insist that they used racist abuse as a motivator for improved performance. His challenge to the game’s leaders and opposition fans, and support for his team mates has marked a significant shift in black footballers demand to be treated with respect and dignity, has given other players the confidence to speak out and demand change. However, it’s his focus on racist attitudes within the media that’s had the most wide-ranging impact.
Sterling highlighted how his City team-mates, one black and one white received very different treatment by the Daily Mail. Tosin Adarabioyo and Phil Foden had each purchased a home. The headline on the Adarabioyo story read “Young Manchester City footballer, 20, on £25,000 a week splashes out on mansion on market for £2.25 million despite having never started a Premier League match.” The headline for his white team mate Foden, read “Manchester City starlet Phil Foden buys new £2m home for his mum.”
Sterling’s exposé prompted several days of hand-wringing and self-reflection from both the print and TV media. They openly wondered how it could be that they could be so discriminatory and how it was they had no or few minorities in their newsrooms or making editorial decisions. They began to throw around terms like unconscious bias and wondered what they could be done to make sports media more reflective of the range of diverse groups who love and have a stake in the game.
However, clearly missing from the debate was any detailed discussion of the role that the mainstream media plays in generating and supporting a climate of outright hostility and overt racism against immigrants, their children and grandchildren, inner-city youths, black music, black crime, black gangs, black parents and so on and so on, all of it designed to generate click-bait and sell papers and generate advertising revenue.
Football as has been said often and quite correctly, reflects society, and the rise in racist incidents both in English and European football, is a reflection of an environment that serves to empower the far-right and racists more widely, and is fuelled by the normalising of hateful ideas, speeches and actions by mainstream politicians and mainstream and social media.
Outside the rarified environment of football, there has been a significant rise in racist violence against groups and individuals, and increased racist attacks on mosques, synagogues and Jewish cemeteries, but the media’s willingness to support opposition to racism on its back pages, enables the same business-as-usual hate-filled, opinion pieces, leader comments, headlines and articles to be written about minority groups on its front pages. What’s happened, is that In football parlance, the sports departments have taken one for the team. This has allowed the blame to be shifted to sports journalism, and enable the media to state its commitment to anti-racism in football while its hostile reporting continues.
Of course, the fact that in 2019, Sterling, Danny Rose and other black footballers are still the cause of debate as to how they should be protected, reflects the fact that football’s leadership has never prioritised their duty of care, to allow them to play free from racist abuse is an indictment of the game we all love and of the society we are all a part of and have a stake in. Raheem Sterling, Danny Rose, Wilfred Zaha and many other high profile and not so well-know players are doing us all a favour and reminding us that to create a society free from discrimination, requires opposition to racism not just when it concerns football, but also when it is actively fostered by those with the means and power to shape and form opinions.
Who is Sara Collins?
I studied law at the London School of Economics and worked as a lawyer for 17 years before pursuing my lifelong ambition of writing a novel. I obtained a master’s degree in Creative Writing from Cambridge University, where I started writing my novel in late 2015.
Why are you going to know all about Sara next month?
The Confessions of Frannie Langton will be published by Penguin (Viking) in the UK on 4 April 2019. Read more…
We are proud to have added two exceptional BAME women to our Black Achiever’s Wall this International Women’s Day (8 March 2019). Sandi Hughes is a feminist film-maker, DJ, poet and activist. And Lady Phyll is a celebrated speaker, writer and LGBTQI campaigner. Read more…
The annual poll aims to find the public’s favourite Art Funded work of the year, and to celebrate a year of helping museums and galleries acquire great art. You can help and support us by voting!
‘Am Not I a Man and a Brother’ is a significant acquisition for the Museum- and the UK.
It is the first painting in our collection to show the powerful and resonant iconography of abolition. The artwork dates from around 1800 and the artist is unknown. The foot of the canvas reads, ‘Am Not I a Man and a Brother’, a variation on the more common version, ‘Am I Not a Man and a Brother’. Read more…
Shaina West is a real life superhero, with a backstory to rival an Avenger and an alter ego fighting to change the stigma around Black women on screen. In this guest blog, Shaina explains how she overcame the adversity of a road accident to reinvent herself as a pioneering stunt actor and the anime-inspired Instagram star: The Samurider:
“The choice to become a stunt actor was not a particularly hard one, I feel like through minimal shaping of my own, my life led me towards it – it’s been an incredible ride! It all started when I was 20 and the unthinkable happened. I was in a terrible motorbike accident. It left me stranded in hospital for weeks with a fractured neck and broken thumb. My boyfriend of the time broke up with me and I lost my job. A series of unfortunate events indeed! Read more…
In this guest blog for the Sankofa project and as part of Black History Month, artist Helen Woolstencroft reveals how family and history play an important role in her sense of identity as an artist. In this moving tribute to her grandparents, Helen tells us about the source of inspiration for her work:
“From a young age, I was always curious about my family. Being of mixed race heritage, I always wanted to know where I fit into the world. I was captivated by my Grandad Lionel, and always wondered what his life was like in Barbados before he came to England during the Second World War. Read more…
We are honoured to have a guest blog from Joyce Bailey, daughter of the late Lois K Alexander Lane who is celebrated on our Black Achievers Wall at the Museum.
As a young girl, Lois K Alexander would look in boutique store windows and sketch the clothes she liked. She was clearly gifted, but not allowed to go in the stores to buy anything because of her race. She later set out to dispel the myth ‘that Blacks were new found talent in the fashion industry’ and studied for a Master’s Degree from New York University. From there, her career in fashion was unstoppable. Read more…
5 October 2018 by Andrew Bullock
In addition to celebrating historic civil rights activists, International Slavery Museum’s exciting new exhibition Journey to Justice also aims to raise awareness of the ways that the fight for social justice can be continued and led by people like us. To showcase the fantastic work of activists working within DIY self-publishing networks, we invited Over Here Zine Fest to curate a selection of zines by BAME artists and writers. Here, Heena Patel discusses their involvement in organising Over Here Zine Fest and selecting the zines for the exhibition: Read more…
23 August 2018 by Stef
This Slavery Remembrance Day, join International Slavery Museum Young Ambassadors and artist Hwa Young Jung (http://slyrabbit.net/) of Re-Dock (http://re-dock.org/) to find out more about civil rights movements in Britain and the USA and try out their ‘Civil Rights and Freedom Fights’ card game. Here, project artist Hwa Young Jung discusses the process of creating the game.