The Calderstones (or Calder Stones as they’re historically known) are the fascinating remnants of a Neolithic chambered tomb in Calderstones Park. A recent project by The Reader has conserved the stones and made them accessible again – you can visit them daily 10am-4pm and explore them in detail. There is lots of great information about them and the history of the Mansion House and the Park!
The Calderstones are carved with numerous symbols dating from the Neolithic period (around 3000 BC) to modern times. Some of the most intriguing carvings are spirals which are similar to markings seen on similar tombs in Ireland and north Wales – suggesting some prehistoric cultural links around the Irish Sea.
The stones are a very special monument in Liverpool, of which I’m very proud. The spirals carved on them even inspired our floor decoration in the Museum of Liverpool!
It’s always interesting to hear people describe archaeological objects from a different point of view, though, and geologists see the sandstone of these monuments in a completely different light! Far from being 5000 years old (as the oldest carvings are) these stones themselves were formed in the Triassic, 260 to 230 million years ago! Read more…
Hi, my name is Kerrie McGiveron and I am the lead researcher on an amazing community-led oral history project ‘Hanging Out: The Histories of Liverpool’s Laundry Life.’ The project, supported by the National Lottery Heritage Fund, will explore Liverpool’s washhouses and the communities around them. I am looking forward to working with the Museum of Liverpool to produce a display based on my research and the oral history interviews I have conducted to celebrate the history and lived experience of our Liverpool community. Watch this space! Read more…
1 August 2019 by Kay
100 years ago a number of police officers across the country went out on strike. The heart of this national Police Strike was in Liverpool, Birkenhead and Bootle.
We have a number of items in the collections of the Museum of Liverpool which relate to this significant event. The most striking is this wonderful painting of Bob Tissyman who played a major organising role in the city. It was painted by renowned local artist David Jacques.
Police Sergeant Robert (Bob) Tissyman was the Liverpool leader of the ‘unrecognised’ NUPPO (National Union of Police & Prison Officers), and organiser of the union’s eight branches in the city. He was born in 1869, joined Liverpool City Police in October 1894 and lived in Edge Hill.
955 Liverpool union members went on strike for improved pay, conditions and for the right to belong to a union. Smaller strikes also occurred in London and Birmingham. Read more…
The name Codman’s Punch and Judy immediately conjures up memories for generations of Liverpool people. Many have laughed, cheered and booed at the show.
Professor Codman first brought Punch and Judy to Liverpool in the 1860s. Codman’s theatre was originally located in Lime Street, then later at Williamson Square.
A member of the Codman dynasty, Paul Codman recently came to view items in the Museum of Liverpool’s collections related to the family business.
We have the original booth with proscenium arch, Mr Punch, Judy, The Judge and Mr Crocodile puppets (previously on display in the Wondrous Place gallery and in The Museum of Liverpool Life), along with pamphlets and tickets. Seeing the objects brought back some strong memories for Paul. As a 12 year old schoolboy in the early 1970s he helped his grandad Richard Codman and Uncle Ronnie to do the shows. They performed in schools, fetes and parks across the city in the summer holidays, including Newsham, Sefton and Walton Hall Parks. They also played at The Liverpool Show. He was paid a grand total of five bob a day. Read more…
“Art College was a far more attractive idea than prison”
These fantastic artworks were recently kindly donated to the Museum of Liverpool. They were painted by Andrew Kenrick in the 1970s and evocatively capture football fan culture at the time. Andrew grew up in Hoylake and is a big Liverpool fan. He mostly painted these particular pieces whilst at Art College in London and when he worked as a teacher. He would travel back up to Liverpool for home games and attended away matches whenever he could.
Andrew tells us more about combining his love of football and painting –
“I always loved art and decided that Art College was a far more attractive idea than prison. I wasn’t evil or “off the rails” but had left a top academic school at 14 to live an alternative life. A couple of years travelling, hitch-hiking and sleeping rough enabled me to see the disadvantages of low paid jobs and the potential benefits of further education. I undertook a Foundation Couse at the (then) London College of Printing and then went to Hornsey College of Art to study Fine Art and History of Art. I painted and sculpted and became interested in the excitement of crowds and fights at football matches. Read more…
As part of our exhibition Blitzed: Liverpool Lives we are gathering responses to the images and first-hand experiences featured in the exhibition.
Jean Phillips kindly contacted us via our Facebook page with information about her family in response to the photograph of Louisa Street, Everton. I have added this poignant information to the exhibition alongside the Museum label. Read more…
26 June 2019 by Sahar Beyad
This year marks 70 years since the UN Declaration of Human Rights. It was drafted in 1948, with no more than 50 countries getting involved – and today, we have over 190 who have co-signed this much needed legal text. And never before has this been such a vital piece of affirmation, than now in present day. When there is so much uncertainty in the world. Whether it’s politics, war, and economy – we need voices to stand up for basic rights now more than ever!
I was so happy to learn that National Museums Liverpool was taking part in the anniversary of the human right declaration. This year, to mark the occasion, artist and activist Ai Weiwei designed the flag which seems simple and unassuming at first glance, but then inspecting in detail, the footprint, which has lots of tiny white dots, actually represents those who are fleeing conflict – who are often barefoot – with nothing but the shirt (if) on their backs. It was inspired by a recent trip he took to the Rohingya refugee camp – this therefore became the symbol of the human struggle.
Across National Museums Liverpool, we have an array of programmes, events and exhibitions that give the voiceless and voice, and portray images of unity, peace and demonstrate our efforts to strive for a better world. Read more…
18 June 2019 by Kay
Our new exhibition, Blitzed: Liverpool Lives brings together dramatic images of Blitz-damaged Liverpool alongside evocative spoken memories of people who experienced the aerial bombardment first-hand. One of those people is John McEwan. John grew up in Salisbury Street, Everton and was evacuated after his family had a very close shave. John’s is one of many interviews in our Liverpool Voices archive which I spent many hours listening to and selecting highlights to be included in the exhibition.
John was invited to our press call the day before the exhibition opened to be interviewed by the local media. Just before it began I had the pleasure of showing him around the exhibition. He listened to the audio of himself in the central ‘cinema area’ and read his quote I used to bring to life a photograph of children outside of bombed homes. It brought back lots of memories for him and he was an absolute pro, recalling many experiences for Radio Merseyside, The Guide Liverpool, Liverpool Echo, Culture Liverpool, Wirral Globe etc.
Read this transcript of John’s audio in the exhibition –
“My dad would be home on leave and he heard sirens and the blackout was on and he made his way home expecting to find my mother and the three children, Betty, Tommy and myself in the air raid shelter. When he went to the air raid shelter we weren’t there. He then went to the house and my mum was under the kitchen table, or under the dining table, with the three children. Obviously my dad was very concerned about this. I don’t know exactly what went on other than the fact that the decision was made to evacuate us. My mother was also pregnant at the time with my younger brother Peter, who is a year younger than myself. And as a result the three children, myself, Betty and Tommy were evacuated to St Joseph’s Children’s Home in Freshfield near Southport, and that would be sometime in 1940, in around maybe the autumn of 1940. Read more…
17 June 2019 by Sharon
Dorothy is one of the stars of the Liverpool Overhead Railway gallery. Her story of a school trip on the railway ends with her being given a mystery fruit (which turned out to be a pineapple) by a docker on the return journey. The story is based on one told to me when I did a talk many years ago and I adapted it to use in the gallery.
Now we have more evidence of the fun and excitement of a school trip on the iconic overhead railway! A few weeks ago we were contacted by a lady whose friend was a teacher in Liverpool in 1949 and had taken her class on a trip on the LOR. She still had her plan for the day and some reviews of the trip written by her pupils. They have been very kindly donated to the museum and hand-delivered (by her friend Jan) all the way from Derbyshire.
Miss Ireland was a student teacher and recorded arrangements for the trip including the cost of 6 ½ d per child, plus 3d bus fare. Crossville put on an extra bus to take the 45 children from their school, Forefield Lane in Crosby, to Seaforth Sands Station on the LOR. Here the children were met by a guide who explained all the sights to them as they travelled along to Gladstone Dock Station were they got off the train.
On their tour of the dock they marvelled at all the products they were shown; crates of pineapples and coconuts, rubber, hides, hemp and huge teak logs, and were delighted to hear about the baby elephants, mongoose and snakes that had arrived the previous week! Read more…
This guest blog by Major (Retired) Eddie McMahon TD continues our series of blogs commemorating D-Day.
“Cyril Lancelot Askew enlisted with the King’s (Liverpool) Regiment in 1935 and served in the Second World War. Unusually, he served on both the Eastern and Western fronts. His service is described in an earlier blog and in a display at the Museum of Liverpool.
I first met Sergeant Cyril Askew in 1975, while I was still serving with the King’s, before I became involved with the Regimental Association. I was intrigued by this interesting man kitted out in his Corps of Commissioners uniform, proudly wearing his medal ribbons. The Corps was set up to help ex-servicemen into employment after demobilisation and Cyril had welcomed people at many of Liverpool’s amazing buildings, including the Three Graces and The Liverpool Empire.
I listened to him talk about patrolling the dangerous Khyber Pass territory in India, or coming under heavy German fire in the weeks after D-Day while pushing inland. Read more…