Posts tagged with 'painting'
100 years ago a number of police officers across the country went out on strike. The heart of this national Police Strike was in Liverpool, Birkenhead and Bootle.
We have a number of items in the collections of the Museum of Liverpool which relate to this significant event. The most striking is this wonderful painting of Bob Tissyman who played a major organising role in the city. It was painted by renowned local artist David Jacques.
Police Sergeant Robert (Bob) Tissyman was the Liverpool leader of the ‘unrecognised’ NUPPO (National Union of Police & Prison Officers), and organiser of the union’s eight branches in the city. He was born in 1869, joined Liverpool City Police in October 1894 and lived in Edge Hill.
955 Liverpool union members went on strike for improved pay, conditions and for the right to belong to a union. Smaller strikes also occurred in London and Birmingham. Read more…
“Art College was a far more attractive idea than prison”
These fantastic artworks were recently kindly donated to the Museum of Liverpool. They were painted by Andrew Kenrick in the 1970s and evocatively capture football fan culture at the time. Andrew grew up in Hoylake and is a big Liverpool fan. He mostly painted these particular pieces whilst at Art College in London and when he worked as a teacher. He would travel back up to Liverpool for home games and attended away matches whenever he could.
Andrew tells us more about combining his love of football and painting –
“I always loved art and decided that Art College was a far more attractive idea than prison. I wasn’t evil or “off the rails” but had left a top academic school at 14 to live an alternative life. A couple of years travelling, hitch-hiking and sleeping rough enabled me to see the disadvantages of low paid jobs and the potential benefits of further education. I undertook a Foundation Couse at the (then) London College of Printing and then went to Hornsey College of Art to study Fine Art and History of Art. I painted and sculpted and became interested in the excitement of crowds and fights at football matches. Read more…
Artist Pete Clarke blogs about his painting doubt and distance… of lost content, which was exhibited at the Walker Art Gallery as part of John Moores 2018. It is one of two works from the show purchased by the Walker for its permanent collection. The other is David Lock‘s El Muniria.
1 May 2019 by Jacob Spruce
Sadly this weekend is your last chance to visit the fantastic Fresh Perspectives exhibition at the Lady Lever Art Gallery which closes on Bank Holiday Monday, 6 May. GCSE and A-level students from five local secondary schools are exhibiting an inspirational array of artworks. Whether that’s a ceramic flamingo or an oil portrait, the level of talent on show this year is incredible.
To mark the end of this vibrant exhibition students from Birkenhead School who created a series of print and collage pieces on the theme of travel, will be running a free family printing workshop on Saturday 4th May between 1-4pm in the Activity Rooms. Families are welcome to drop in and have a go and make their own artwork using maps and bird imagery. Read more…
The annual poll aims to find the public’s favourite Art Funded work of the year, and to celebrate a year of helping museums and galleries acquire great art. You can help and support us by voting!
‘Am Not I a Man and a Brother’ is a significant acquisition for the Museum- and the UK.
It is the first painting in our collection to show the powerful and resonant iconography of abolition. The artwork dates from around 1800 and the artist is unknown. The foot of the canvas reads, ‘Am Not I a Man and a Brother’, a variation on the more common version, ‘Am I Not a Man and a Brother’. Read more…
The Walker Art Gallery’s painting collection spans a broad spectrum of work from the Renaissance to the modern era. It includes artwork made in an engaging variety of contrasting styles, from the refined tempera paintings of the early Renaissance to the painterly, expressive brushwork and bold colour of the Impressionist era, to abstraction and beyond. Taken together, the collection illustrates the development in painting technique over eight centuries of artistic practice.
8 June 2018 by Alex Patterson
My research for the Whistler & Pennell: Etching the City exhibition at the Lady Lever Art Gallery uncovered some really interesting information about James McNeill Whistler (1834-1903) and his connection to Liverpool and Lancashire area. Read more…
13 February 2018 by Siobhan
April 2019 will see the return of the biennial schools exhibition Fresh Perspectives: Art from Wirral schools at the Lady Lever Art Gallery. Fresh Perspectives is a fantastic opportunity for schools to nurture and promote the talents of their students, for young people to engage with arts and culture outside of the classroom environment and to support those with an interest in further education in the arts, offering them an insight into creative careers. This will be the fourth occasion that the exhibition has taken place but for the first time schools will have the opportunity to apply to have their students GCSE and A Level work included.
The practical treatment of Bartolomé Esteban Murillo’s altarpiece Virgin and Child in Glory (1673) finished in August, marking the end of a year-long major conservation project, which you can track in my previous blog posts.
The dramatic history of the painting, including the cutting and removal of the central section of the Madonna and Child, meant that two pieces from the same artwork had separate histories, and thus visually aged differently.
The practical treatment of Bartolomé Esteban Murillo’s altarpiece Virgin and Child in Glory (1673) has been progressing at a steady pace. My initial examinations, discussed in my last blog, involved investigating the layer of varnish on the surface of the painting…