Posts tagged with 'slavery'
26 June 2019 by Sahar Beyad
This year marks 70 years since the UN Declaration of Human Rights. It was drafted in 1948, with no more than 50 countries getting involved – and today, we have over 190 who have co-signed this much needed legal text. And never before has this been such a vital piece of affirmation, than now in present day. When there is so much uncertainty in the world. Whether it’s politics, war, and economy – we need voices to stand up for basic rights now more than ever!
I was so happy to learn that National Museums Liverpool was taking part in the anniversary of the human right declaration. This year, to mark the occasion, artist and activist Ai Weiwei designed the flag which seems simple and unassuming at first glance, but then inspecting in detail, the footprint, which has lots of tiny white dots, actually represents those who are fleeing conflict – who are often barefoot – with nothing but the shirt (if) on their backs. It was inspired by a recent trip he took to the Rohingya refugee camp – this therefore became the symbol of the human struggle.
Across National Museums Liverpool, we have an array of programmes, events and exhibitions that give the voiceless and voice, and portray images of unity, peace and demonstrate our efforts to strive for a better world. Read more…
Who is Sara Collins?
I studied law at the London School of Economics and worked as a lawyer for 17 years before pursuing my lifelong ambition of writing a novel. I obtained a master’s degree in Creative Writing from Cambridge University, where I started writing my novel in late 2015.
Why are you going to know all about Sara next month?
The Confessions of Frannie Langton will be published by Penguin (Viking) in the UK on 4 April 2019. Read more…
The annual poll aims to find the public’s favourite Art Funded work of the year, and to celebrate a year of helping museums and galleries acquire great art. You can help and support us by voting!
‘Am Not I a Man and a Brother’ is a significant acquisition for the Museum- and the UK.
It is the first painting in our collection to show the powerful and resonant iconography of abolition. The artwork dates from around 1800 and the artist is unknown. The foot of the canvas reads, ‘Am Not I a Man and a Brother’, a variation on the more common version, ‘Am I Not a Man and a Brother’. Read more…
In the case under the stairs on the ground floor of the Museum of Liverpool you can see more of the objects recovered from the excavations on the site of the Museum in 2007. It’s the first chance we’ve had to show off properly some of the huge collection of sugar refining pottery that we excavated from this very site before the Museum was built . Most of it was badly broken but it is all that is left from the many small sugar refineries which existed right in the centre of Liverpool 200 years ago, long before the large factories like Tate and Lyle developed on Love Lane, now Eldonian Village. Read more…
6 August 2018 by Jeff
The Museum of Liverpool’s archaeology team have put together two new displays of pottery which may look very different but on closer inspection have interesting connections.
One is a display of ‘Cumbrian Blue(s), The Cockle Pickers’ Tea Service’ by artist, Paul Scott. Made to commemorate the Chinese cockle pickers killed in Morecombe Bay in 2004 and modern slavery, it also links to Britain’s involvement in the Transatlantic Slave Trade.
18 June 2018 by Richard
I am pleased to announce the addition of three new achievers to the Museum’s Black Achievers Wall. This popular exhibit celebrates the many different forms of achievement by people of African descent. The connection is that to reach their goals, to achieve in their field, they have in their own way broken barriers, put their heads above the parapet, taken risks, led the way. They have and do inspire.
The three new additions were nominated by Uniglobal members, a global trade union representing 20 million working people in 13 sectors of work around the world, with whom we work closely. Read more…
As part of our International Women’s Day and #Vote100 programme, our visitors worked with textiles artist Seleena Daye to create a banner celebrating inspiring female abolitionists who fought to end slavery.
In this blog, Seleena shares the processes she used to create the banner and more about the inspiring women who are featured.
“So much of what we read around slavery and the abolition of it is very male centric, so to sit down with a bunch of women of all ages and celebrate through a medium often deemed as ‘women’s work’ was a great way to celebrate International Women’s Day.
“The reasons why each participant made the piece they did were so varied, from the felt portrait of Sojourner Truth, which was made as a personal challenge to the creator as it was something she had never done and didn’t think she could do. To the embroidered portrait of the Forten Sisters, which was chosen because the creator of that piece is herself 1 of 3 sisters? The Mary Prince piece was chosen because Mary Prince came from Bermuda, like the grandparents of another attendee. Even the piece including an afro comb has a connection both to the creator and to slavery, bringing up discussions around Black hair and the heritage of hairstyles, for example around cornrows being used by enslaved women who, rarely being allowed time or opportunity to do their hair, may have desired a style that would last.
“When bringing the contributions together into a finished piece, I added imagery of other women abolitionists such as Harriet Tubman and Ellen Craft and also explored ways in which people escaped from enslavement, through the Underground Railroad, quilt codes and navigating escape using constellations. There is the quilt code included in the banner, that meant ‘follow the North Star’ and the constellation in the centre is of The Big Dipper which features the North Star.
“In the banner’s corner are some dates, ‘1865 – 2018’, making reference to the date of abolition in the United States of America, and the words ‘Keep Fighting For Freedom’ sitting next to a portrait of Malala Yousafazi, who is a modern day female activist fighting for the freedom of young girls, pointing out that POC are still not truly free. In the opposite corner sits a square with bananas and a cotton plant, things we use today, that one time were picked by the hands of enslaved people, and in some cases still picked by people who don’t have basic human rights.
“I have also included coloured hessian within the banner to represent the goods being packed into hessian sacks, to indigo and African batik inspired fabrics that are a nod to the continent enslaved people were taken from, Africa. I hand dyed the centre piece fabric which was originally a pale blue cotton. I dyed one end green and the other midnight blue, signifying the huge journey many people took, from earth to the sky. The central image of the banner is a silhouette of a woman in shackles under the slogan ‘Am I not a woman and a sister’ which is inspired by abolition imagery used by campaigners at the time, but can also be a message that rings true today.
“It was such a pleasure to be able to create something so important amongst other women who stitched and spoke of solidarity and hardships and how far we’ve come and how far we still have yet to go.
We are women and sisters.”
Our new female abolitionists banner is here at the International Slavery Museum within the Anthony Walker Education Centre.
This workshop was part of our Adult Creative Offer.
To accompany The Singh Twins’ major new exhibition Slaves of Fashion: New Works by The Singh Twins at the Walker Art Gallery, National Museums Liverpool and the University of Liverpool School of Histories, Languages and Cultures are hosting a one-day conference, open to the public to explore the issues raised by The Twins’ new artworks.
20 July 2017 by Sarah
How do you create a “choose-your-own-adventure” computer game about a hidden history that was conducted in secret, out of sight and under the cover of darkness? This task was explored by five remarkable students from Belvedere Academy as they created a series of scenarios, each with choices and consequences based upon the Underground Railroad, the code name for a network of secret routes, places and people that aided fugitives in the United States escape from Slave States to Free States.
24 November 2016 by Liz
Today we have a guest blog from Kerry Massheder-Rigby, History of Place Project Coordinator:
“For Disability History Month 2016 the History of Place project partnered with the Museum of Liverpool to launch a ‘Blind School’ trail on the Merseyside Map in History Detectives. This trail, about the history of the Royal School for the Blind, Liverpool, has been researched by volunteers as part of the History of Place Project, delivered by Accentuate. History of Place is a nationally significant social history programme which will chart disabled people’s lives from the middle ages until the late 20th century in relation to built heritage. In Liverpool the project is investigating the Royal School for the Blind, established in 1791. Read more…