Step back in time to 19th century Japan with the exquisite artwork of Taki Katei, and from 23 November to 1 December, National Lottery players will be able to see this stunning exhibition free of charge at World Museum.
Visitors who bring a lottery ticket to the Museum during those nine days will be offered free entrance to the exhibition, and the opportunity to explore the work of this remarkable artist, shown for the first time outside Japan.
Delicate drawings and paintings on silk depict the beautiful flora and fauna of the country and demonstrate why Katei became a favourite of the Japanese Imperial court.
National Lottery players have contributed to National Museums Liverpool in a variety of ways. From the development of the International Slavery Museum in 2007 to the refurbishment of the Lady Lever Art Gallery’s South End (2014), the unwavering support of National Lottery has made a huge difference to a variety of our projects, both big and small.
This is why we are very pleased to be part of the #thankstoyou campaign and mark 25 years of The National Lottery with free entry to this special exhibition.
Terms and conditions
- The offer is valid from 23 November to 1 December 2019.
- Tickets for Drawing on Nature: Taki Katei’s Japan will be issued on presentation of a valid lottery ticket/ scratchcard at the ticket desk on the ground floor of World Museum and cannot be pre-booked online or over the phone.
- Drawing on Nature: Taki Katei’s Japan is open daily from 10am with last admission into the exhibition at 3.30pm with the building closing at 5pm.
- Visitors must present one valid Lottery ticket/scratchcard per person, this will redeem one ticket only. How many draws entered on each ticket will not be taken into consideration.
- All National Lottery games qualify, including tickets for any National Lottery draw-based game (Lotto, Euromillions, Set For Life, Thunderball, Lotto HotPicks and Euromillions Hotpicks) or any National Lottery Scratchcard. Tickets for any other Lottery do not apply.
- The date of draw / purchase is not relevant.
- Lottery tickets must be original. Photocopies are not valid.
- Digital tickets are valid. Please present an email confirmation or receipt of purchase.
- The offer applies to exhibition visits only and does not include guided tours or special events.
- World Museum has the right to refuse entry in the unlikely event of the exhibition reaching capacity, as well as unforeseen circumstances.
- Not to be used in conjunction with any other offer.
If you have been following World Museum blogs or social media you will have seen that we are in the first stages of renovating our outdated World Cultures Gallery.
The project focuses on a few key display areas of the larger gallery, one of which is the Benin exhibit within the Africa displays. The project provides an opportunity to explore ways of re-thinking Benin’s history and culture as part of a wider global story to make it more relevant and responsive to contemporary audiences in Liverpool and beyond. New and engaging content for the renovated display will be developed around key questions in themed workshops with a small group of Liverpool residents with a particular interest in the past, present, and future implications of holding and displaying Benin collections in museums.. Workshops will be facilitated by Leo Asemota, an artist from Benin whose practice interrogates and links historical and cultural themes from both Britain and Benin City. A couple of weeks ago Leo came to Liverpool to explore the museum’s Benin-related archives in preparation for the workshops.
The museum’s archive includes photographs of Benin created by a Liverpool trader in the early 1890s, but Leo was also able to look through various other archival letters, newspaper articles, publications, and even hand-written accounts. Many of these related to the so-called British ‘punitive expedition’ sent to subjugate Benin City in February 1897, during which British forces looted thousands of royal artworks in bronze, brass and ivory from the palace complex. What really caught Leo’s eye, though, was something more contemporary; a newspaper article from 1981 cut from the lifestyle pages of a Sunday broadsheet newspaper. The article profiles an up-market shoe designer boasting a clientele of international celebrities. It featured the image of a Benin queen mother’s head used as a prop for advertising a collection of zebra-patterned shoes. Leo was instantly struck by this image and selected the cutting as an item of particular interest for the project.
As an example of cultural appropriation for commercial purposes, the 1981 image is especially shocking for the way that it thoughtlessly replicates the desecratory structure of much earlier photographs taken in Benin in February 1897.
In these photographs British officers with the punitive expedition are shown seated in triumph on looted brass altarpieces and other treasures stripped from the ancestral shrines in the royal palace and piled up in the palace courtyard. The image from 1981 represents a peculiar reincarnation of the photographs taken 84 years earlier in Benin. It activates a toxic colonial memory in order to urge wealthy customers to spend their ‘loot’ on zebra-striped shoes.
Museums, as theatres of memory-making and storehouses of ill-gotten colonial props, have much to do in helping to re-examine and counter the violently-fashioned memory-scapes of our colonial pasts. The workshops with Leo Asemota at World Museum are intended to play a key part in the process!
Here at National Museums Liverpool we’re lucky to be the keepers of some long held collections. The Merseyside Maritime Museum may only have opened its doors in 1986 but our collection goes back much further than that. In fact the Maritime Museum grew out of the old Liverpool Museum (now known as World Museum).
A collection this old and vast always has more surprises waiting for us and sometimes an object’s history with the museum can be just as exciting as its time before it joined us. Our museums and galleries have led some pretty exciting lives themselves, especially the older ones, and of all of them the World Museum has been welcoming visitors through its doors for the longest. The building’s got a fascinating history and so have the collections it has housed, including many of the older ship models in the Maritime collections. Read more…
We are curious. We want to know what the words ‘World Cultures’ mean to you? It is the name of World Museum’s biggest gallery, but does it really display the world? In May 2019, as we began the process of changing the World Cultures gallery we asked visitors to share their thoughts on that very question: What does World Cultures mean to you? We’ve received nearly 200 replies, so a big ‘Thank You’ if you took the time to post your comments. While each postcard was written from a personal point of view, we wanted to see if your responses had things in common that could help us make sense of what visitors get from a visit to the ‘World Cultures’ gallery. We have read and digitally scanned every card and with the help of Tim Medland, a University of Leicester MA student, we have identified a number of themes and words that appear regularly in your responses, which you can see in Tim’s word cloud. Read more…
Every Friday morning, a small group of intrepid folk meet at the World Museum on William Brown Street and head out for an hour’s walk around the city centre. For over 10 years now, National Museums Liverpool has been encouraging people to be more active with its support of the local Walking for Health scheme.
30 August 2019 by Matt Smith
We caught up with award-winning astro-photographer Mark McNeill (and his daughter Maisy) when they visited the Astronomy Photographer of the Year exhibition recently.
Mark’s stunning image, ‘Me versus the Galaxy’ won high commendation in the People and Space category of the competition. Here he tells the story behind this fantastic example of astrophotography.
“When we first arrived (at Sycamore Gap, Northumberland) the moon was in the air, with all sorts of satellites and shooting stars going over. I set my tripod up to do a time-lapse taking a photo every second. I was running up, lighting the tree with a torch to see what it looked like, so it’s actually me you see in the photo, it adds a little bit of scale and tells a story of just how small you are against the Winter Milky Way in the background.
Over the night I must have taken over twenty images of me pointing the torch this way, pointing the torch that way. The first image that I took that I liked was a colour version. I would say that 90% of Milky Way images are colour images so I decided to take the colour away to make it look a little different, more unique.
I posted the image on Twitter and tagged Brian Cox in. He said it was one of the most beautiful images he’d seen and retweeted it. It then went a bit haywire! That’s when I entered the competition. Shortly afterwards I got an email saying one of my images was short-listed, then one saying it was award winning and that I was invited to the award ceremony in London. I was over the moon, really proud!
My favourite from the exhibition is a picture of the sun. Technically, how could someone manage to do that? The effort that goes in to capturing these deep space images… it’s magical.
I would say to anybody that wants to do astrophotography – go somewhere dark, you can buy apps and maps that tell you where’s best – you don’t have to go miles – a tripod isn’t necessary but helps when you take a long exposure, you cant physically hold the camera that still. A normal camera set to manual, even a smartphone can have a good night mode; it doesn’t have to be an expensive hobby.
16 August 2019 by John Wilson
150 years ago Alfred Russel Wallace wrote about “the land of the orang-utan” and sent specimens to Liverpool
2019 is the 150th anniversary of the first publication of Alfred Russel Wallace’s The Malay Archipelago: The land of the orang-utan, and the bird of paradise. A narrative of travel, with studies of man and nature.
Although best known as the co-discoverer of the theory of evolution by natural selection alongside Charles Darwin, The Malay Archipelago firmly established Wallace as one of the greatest natural history explorers.
The release of the film ‘Finding Nemo’ saw a rise in the popularity of ‘Dory’, the forgetful but lovable Blue Regal Tang. Here, Robert Woods from Fishkeeping World advises that keeping such a beautiful fish in a home aquarium can be challenging, noting the key considerations to their successful care.
About the Blue Regal Tang
Also known as the Blue Hippo Tang, the Royal Blue Tang, the Regal Tang and the Palette Surgeonfish, the Blue Tang is a very popular fish in the aquarium industry, rising to fame after the release of the films Finding Nemo and its sequel Finding Dory. It is a brilliant blue colour with black markings stretching from its tail to its eyes and sunshine yellow pectoral and caudal fins. Read more…
3 July 2019 by Patrick Kiernan
“O, swear not by the moon, the fickle moon, the inconstant moon, that monthly changes in her circle orb…”
Romeo and Juliet (William Shakespeare)
Think about your living room. The items on a shelf, or a table. How often do you look at them, really look at them?
You know there’s a photo of you and a friend, or there’s a statue that Auntie Edwina gave you tucked in a corner. You know they’re there, but you’re so used to them that you barely give them a second glance. Could you, without looking, describe them? The colours, the pose, the material, or would you have to think really hard? It’s amazing how when we get used to something, we become blasé about it, not giving it a second thought.
We tend to do this with the moon. We know it’s there. Occasionally we might notice it when it’s bright and full, or if a story appears about a ‘super-moon’. How often do you look for it in the daytime? Or when it’s a thin crescent or a half moon? Read more…