Forget the Oscars and the Golden Globes they’re for tanned people with abnormally white teeth. Last night the Wirral Tourism Awards celebrated the real people who make a difference to our days out.

Two members of staff from the Lady Lever Art Gallery were rightly rewarded for the brilliant work they do on a daily basis.

Sarah Lynch, admin assistant won the Unseen Hero Award.  This award is given to staff who show a positive, committed and willing attitude to their organisation and who demonstrate positive communication skills.

Jenni Whiteside, assistant manager in the Lady Lever Art Gallery gift shop was runner up for the Most Supportive Supervisor Award. People nominated for this award demonstrate outstanding contribution to staff development, are a positive role model, and have motivating skills.

Both Jenni and Sarah looked lovely and are certainly a credit to National Museums Liverpool. Well done ladies we’re very proud of you!

Jenni Whiteside and Sarah Lynch looking glamerous at the Wirral Tourism Awards

The Singh Twins next to Ranbindra's painting 'Oh Come All Ye Re-eds'

Is football a new religion? Can being a female artist be an advantage in some cultures? These are just some of the subjects covered in a brief interview I did with acclaimed local artists The Singh Twins. I chatted with Rabindra and Amrit at the private view of the Walker Art Gallery's latest exhibition The Rise of Women Artists, where Ranbindra's painting 'Oh Come All Ye Re-eds' is on display. One of the main things I was interested to find out was whether they ever actually define themselves as 'women artists' or if they didn't think about gender at all.

Amrit said; 'I think personally as artists we’ve never thought of ourselves as women, we’ve never defined ourselves as ‘British female artists’. I think that the gender issue is not really important, as ultimately I think the art should speak for itself and the quality of the work. Therefore it doesn’t matter if you’re a man or a woman.

But I think that it is important in the context of if you consider throughout history where there has been prejudice towards female artists then obviously that is something that needs to be re-addressed. I think there should be more incentives to support female artists especially since many of them are juggling a million things; family life and other commitments around the work they are trying to do. And it’s not always easy to take up a career in art alongside that and to commit to all your other daily activities. Essentially though, no I don’t think that gender matters. The work should speak for itself.

Rabindra said; 'From a personal perspective though, in terms of support for women, in the context of our own background and coming from an Indian family, actually we’ve had a lot more support being women than we would have done being men. Because traditionally it’s the men who are meant to be the breadwinners and go out and get a so-called ‘decent job’. There was less pressure on the women! So I think from our own cultural context I think it’s been an advantage that we’re women and we’ve had 100% support from our family in pursuing a career as artists.

You can listen to or download the full interview with The Singh Twins here and see photos from the private view on our The Rise of Women Artists Flickr set.

Emigrants on the Guion Liner, Wisconsin. Image courtesy Liverpool Daily Post and Echo.

The nearest I’ve got to emigrating is briefly wanting to flee to the Isle of Man - in the summer it matches any other exotic island in the sun. It was a bright sunny day and I was taking a lunchtime stroll while covering a heavy-going criminal trial at Liverpool Crown Court. Balmy breezes drifted off the sea. Down at the Pier Head the Manx ferry was waiting with last boarders being called.

I was sorely tempted to dash up the gangplank but then common sense kicked in.

Emigration is a drastic step into the unknown and there are usually very good reasons for people wanting to make new lives in different countries

People emigrate for three main reasons – poverty, persecution and ambition. In the great movements of people around the globe in the 19th century, many were fleeing from hardship and poverty.

Emigration was also a way of fleeing political and religious persecution. Many Jewish people left east Europe for this reason.

However, a lot of people were simply attracted by the opportunities offered by life in such places as the United States, Canada, Australia and New Zealand. The Gold Rush years in North America and Australia triggered mass emigration from Europe as prospectors sought wealth beyond their wildest dreams.

The new emigrants’ gallery at Merseyside Maritime Museum looks at many different aspects of the trade that helped generate wealth in Liverpool for shipping companies, hotels and many other businesses.

A fascinating colour print shows the emigration of Russian Jews in 1891 (pictured). They are seen crowded on the deck of the Guion liner Wisconsin as she prepares to leave Liverpool.

Other exhibits are linked to the Gold Rush. A 19th century board game called A Race to the Gold Diggings has a box emblazoned with a colourful scene, tiny model sailing ships and a set of rules.

A contemporary poster advertises the Royal Charter emigrant steamer run by the Liverpool and Australian Navigation Company. Saloon passengers paid top prices of between 60 guineas (£63) and 75 guineas (£78.75) – around £4,500 in today’s money – for the voyage while Third Class paid between 16 and 20 guineas.

The Royal Charter met her cruel end in October 1859 when, heading for Liverpool, she was wrecked on the Anglesey coast with the loss of 498 lives. Exhibits include items from the wreck including a section of ornately-carved wood believed to be from the ship’s stern. There's more on the Royal Charter on our main site.

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).

I thought my school days were over, but last week I was very excited to be able to join our class of Little Liverpool Designers on their very first school trip!

I had a lovely morning spent with Class R reception class from Kingsley Community School in Toxteth, touring Liverpool familiarising themselves with Liverpool’s famous landmarks to inspire artwork for the Museum of Liverpool’s dedicated children’s gallery Little Liverpool, opening 2011.

They will be working with illustrator Kate Pankhurst to develop the final artwork for display in Little Liverpool as part of our work with the ECHO in the Community programme, which aims to inspire young people by engaging in a cross section of activities, including the arts.

A Little Liverpool Designer gives the new Museum of Liverpool the thumbs up

At four years old, Mrs Randles’ reception class were a credit to their school, and it was fantastic to be surrounded by such young, inquisitive minds who were visibly impressed by everything they saw.

The first stop on our magical mystery tour of Liverpool was at the Anglican Cathedral, and I only wish I’d had a video camera with me to record their faces on walking into that grand, vast space and filling the air ‘wows’!

We also took a trip to the Catholic Metropolitan Cathedral, or Paddy’s Wigwam as it is affectionately known locally, where they were very taken with the colours and reflections coming in from the beautiful stain glass windows. Hopefully this will transfer to the marvellous artwork they’re soon to create for our Little Liverpool Gallery.

After the cathedrals, we also took a driving tour round many iconic buildings, including St George’s Hall and William Brown Street; home to World Museum, Central Library and the Walker Art Gallery.

Spotting the Radio City Tower overhead, our whistle-stop tour also took us past the Town Hall – "where the mayor lives" – and down to the waterfront where we met Museum of Liverpool buildings operations manager Martin Hemmings – "Bob the Builder" – and had a look at the location for Little Liverpool.

A lovely day out was had by all, so thanks goes to Mrs Randles and her ‘helpers’ for organising the trip, and for inviting Julia Bryan from the Museum of Liverpool team and I along. We look forward to seeing the wonderful artwork that Class R create in their roles as Little Liverpool Designers.

National Museums Liverpool's handling team carefully slide the painting on to special lifting equipment.

Observant visitors to the Walker Art Gallery may have noticed Echo and Narcissus has been away for some time. Lent to the Royal Academy as part of their J.W. Waterhouse: The Modern Pre-Raphaelite exhibition, the beautiful painting of unrequited love returned home yesterday.

It's widely accepted by my friends and family that I am not a morning person. The most my brain can cope with before 9.30am is managing to remember my sandwich for lunch, and until this morning I was quite happy with my brain capacity.

However this was before I met the most energetic early-morning people ever. Russell Sargeant and Claude Martin Currie are members of dance company The Jiving Lindy Hoppers who will be performing at the Strictly Come Dancing with the Jiving Lindy Hoppers event on Friday 30 October from 7-11pm at the Maritime Dining Rooms (4th floor of the Merseyside Maritime Museum).

I had asked Russell and Claude to have their picture taken this morning by a photographer from the Daily Post & Echo to go into the paper. They were such good sports, getting changed into costume and dancing infront of the anchor all before I’m sure their breakfast had even digested!

Judging from the effort they put into having their picture taken I can be sure that this Friday is sure to be just as exhilarating and fun! What better way to spend a Friday evening than listening to live music, enjoying the wonderful dance of the Lindy Hop, and all in a restaurant with amazing views of the Albert Dock.

To book your tickets for this free event please e-mail bookingsmmm@liverpoolmuseums.org.uk or call 0151 478 4441

Claude Martin Currie (left) and Russell Sargeant have their picture taken while they dance the Lindy Hop

Model of RMS Mauretania

Throughout our lives chance can play a decisive part – perhaps I am tempting fate but I believe you can change the course of events. I do not subscribe to the theory that events follow a predestined path.

The following story, though, tests my credulity. It really looks as if this was all pre-ordained, not simply a German U-boat captain seeing his chance and ruthlessly taking it.

They were both hugely popular in Liverpool but one of the beautiful sisters was to have a tragic end while the other carried on until the close of her natural life.

The Lusitania and Mauretania were both built in 1907, the pride of the Cunard fleet. They were bigger, faster and more luxurious than any liners before them – but were soon eclipsed by other giants of the seas as the race to capture lucrative business became ever faster.

The two ships were the first express transatlantic liners fitted with steam turbines. Although more renowned for their luxurious elegance, they also carried many Third Class passengers emigrating to the USA on the Liverpool – New York route.

The 31,550-ton Lusitania had a successful career until she was torpedoed by a submarine in May 1915 while heading for Liverpool, with the loss of 1,201 lives.

There were plenty of famous people on board, many of whom died. The artistic world lost such talents as the playwright Charles Klein and the founder of Dublin Art Gallery Sir Hugh Lane.

The business world was devastated by the loss of leading moguls such as multi-millionaire Alfred Vanderbilt and Paul Crompton, a director of the Booth Steamship Co, who died along with his wife and six children.

Lusitania sank in just 18 minutes and there was a terrifying scramble for the boats, and many people were trapped below decks because of the speed of the sinking.

An etching by W L Wyllie in the new emigrants’ gallery at Merseyside Maritime Museum shows the Lusitania in the River Mersey shortly before the First World War.

A 1:6000 scale model depicts the Mauretania at the Princes Landing Stage in 1911 (pictured). Among other ships on the river are tugs, a paddle steamer, ferry boats and fishing craft.

Mauretania captured the coveted Blue Riband (westerly) in September 1909 when she crossed the Atlantic at an average speed of 26.06 knots – a record which lasted 20 years.

She served as both a troopship and hospital ship during the First World War before resuming passenger services. Mauretania was scrapped in 1935.

There's more on the Lusitania, including items recovered from the ship, on our main site.

Maritime Archvies has also put together an information sheet on the Lusitania. There are also sheets on the great transatlantic liners and the Cunard Line. 

A new Maritime Tale by Stephen Guy appears every Saturday in the Liverpool Echo. A paperback – Mersey Maritime Tales (£3.99) – is available from the museum, newsagents, bookshops or from the Mersey Shop website (£1.50 p&p UK).

We're pleased to report that we've been shortlisted for yet another award, and again we need your help to win. The nomination is for our Engaging Refugees and Asylum Seekers programme and recognises our efforts to help people for the benefit of the whole community and generally change society for the better.

There's more on the awards themselves, the DSC Social Change Awards, and details of how to enter on the award website. Voting closes on 6 November with the winners announced on 26 November. Vote for us now!!!

This Saturday (24 October) World Museum is running several events designed for our visually impaired visitors. Each is based around our highly successful 'The Beat Goes On' exhibition and covers the people, objects and stories behind Liverpool music history.

Events kick off at 12 noon (there's a full list of sessions on the exhibition events page), and you'll need to collect tickets from our information desk as places are limited. For more information contact the information desk on 0151 478 4353.

The conversation waned somewhat while they waited for the butler to appear with the superglue remover.

Remind me not to pick such a risque image next time. Some of the suggestions weren't exactly suitable for a family audience, even if rather amusing.

Anyway, a randomly gathered group of NML staff has decided that Clair Sharp has won the October caption competition with her caption: 'The conversation waned somewhat while they waited for the butler to appear with the superglue remover'. Well done to Clair. You can see all of the other suggestions on the original post.

Another image and another prize next month.