Posts tagged with 'art of solidarity'
This Saturday (5 August), come and explore self-publishing as a creative method of activism in our free workshop on zine-making! Inspired by our Art of Solidarity exhibition, which closes this weekend. Here, Seleena Laverne Daye, who will be running the event, blogs about zines, identity and activism: Read more…
As we come to the final weeks of Art of Solidarity, an exhibition of vibrant Cuban posters from the 1960s and 70s showing solidarity with African liberation movements including the opposition to South African Apartheid and Angola’s fight for independence, we will be taking inspiration from these revolutionary Cuban poster artists to offer visitors the opportunity to participate in events that aim to further explore the capacity of art forms to be a powerful tool of activism and a means to create dialogue.
“For the closing weekend of Art of Solidarity, we will be exploring activism through self- publishing, in an artist-led workshop delivered by Manchester based zine-maker Seleena Laverne Daye.
“A zine is a small circulation, self- published work, normally produced very cheaply using a photocopier and distributed through friends, fairs or by sale online. A zine can cover any topic from politics, popular culture, film, photography, history, food to perzines (personal zines), which focus on the individual experiences of the writer. Due to the lack of censorship within this medium, zines can also offer their authors an empowering platform to challenge established narratives and share their views with others, arguably forming an important record of social history that may explore viewpoints that are marginalised in mainstream media channels.
“Author of DIY publications ‘Poor Lass’ and ‘Brown Girl’, Seleena’s zines explore topics related to race, class and gender:
“Growing up as a working class woman of colour, I aim, through my art and zines, to create a space for working class people and women of colour. To be able to tell and share their stories in their own voices, as they so often don’t get the chance to.” – Seleena Laverne Daye
“We are delighted to welcome Seleena to International Slavery Museum on Saturday 5th August to discuss the activism within her own zines and art, share some of her favourite zines and explain how to get involved in making and distributing DIY publications. Visitors will also have the chance to begin their own zine projects and make a badge to take away too!
Seleena’s zine-making workshop will take place on Saturday 5th August 1-3pm. Free but booking is advised due to limited places.
We will also be offering a tour of Art of Solidarity before this workshop at 12.30pm
If you are interested in finding out more about zine culture, our closest zine library is Salford Zine Library, a unique archive of self published materials housed at Nexus Art Café in Manchester, where visitors can find over 1500 publications to browse.
Look out for Wednesday’s special blog, from Seleena Laverne Daye , who is running the zine workshop!
As we come to the final weeks of Art of Solidarity at the International Slavery Museum, an exhibition of vibrant Cuban posters from the 1960s and 70s showing solidarity with African liberation movements, we will be taking inspiration from these revolutionary Cuban poster artists to offer visitors the opportunity to participate in events that aim to further explore the capacity of art forms to be powerful tools of activism and a means to create dialogue.
Protest Through film
With DIY cinema projects such as volunteer- run Liverpool Small Cinema, Liverpool Radical Film Festival, exciting new film projects such as the Kinematic and Empty Spaces, as well as grassroots community ventures such as recent pop-up screenings with local filmmakers- including Sandi Hughes- as part of Granby Four Streets Market, it’s safe to say that our city already has an impressive legacy of DIY film programming. However, how does someone get started doing their own film screenings, licencing films or getting the word out about these types of events?
Join us on 15th July to find out, as we welcome Scalarama for the ‘I Want to be a Cinema’ workshop, designed to support anyone interested in learning how to programme, license and promote their own film events, with advice and resources from experienced film programmers, including former programmers of Liverpool Small Cinema. Participants will also be offered the chance to be involved in Scalarama film festival this year by supporting a screening or hosting their own event in a community centre, local library, business, film club or even their garden!
With their manifesto that ‘Scalarama is by everyone, for everyone, everywhere, with DIY in its veins’, Scalarama aspire to fill UK cities with film throughout the month of September, providing an opportunity for anyone to get active in their communities, showcase the films that they would like to see and frame new discussion.
International Slavery Museum will also be participating in Scalarama this year with a free screening of Selma in the Martin Luther King Jr building on 9th September 1pm, along with the chance to get hands on with a selection of civil rights objects from our Human Rights and Freedom Fights collection as well as the opportunity to view rare Black Panthers materials from our archive.
For the full programme of Scalarama events across all of our venues, click here.
14 February 2017 by Sarah
Mike Tyler is the collector and architect who owns the striking array of 32 Organisation in Solidarity with the People of Africa, Asia, and Latin America (OSPAAAL) posters currently on display in our Art of Solidarity exhibition. We asked Mike what he looks for when adding to the collection:
“The bulk of my collection dates from OSPAAAL’s founding in 1966 to the mid 70s, which is referred to as the ‘Golden Period’ of Cuban poster art. It is no coincidence this was a time of great political and social unrest with the civil rights movement, Vietnam War, Watergate scandal and struggles against apartheid all providing fuel to creative fire.
Many collectors are interested in the politics whilst some have an affinity with Cuba. For me, the appeal is their artistic merit, which has long been revered in the world of both propaganda art and graphic design. In terms of desirability, there is a big collectors market for civil rights and Black power material so these posters command the highest demand. Posters featuring Che, Nixon or the more well know conflicts such as the Vietnam War have a broader appeal. Then you have the more renowned artists such as Alfredo Rostgaard, Rene Menderos, Jesus Forjans & Faustino Perez who created some of the most iconic posters.
In terms of the actual posters, given they are paper and were designed to put up on walls, that means stains, tears, holes etc are to be expected. Considering their age, the fact they even exist is impressive but for the serious collectors condition is important. Provided they aren’t too bad, I don’t mind a few scars as they show they have been used as intended. The posters were issued folded within Tricontinental magazine so for me fold-lines are a good thing as it implies they are originals rather than later print runs.
I also like to know a little about the person who owned the posters before me. To date I’ve dealt with musicians, activists, curators, journalists, TV presenters, antique book dealers and even the artists themselves. It all adds to their story.”