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Help bring the Mauretania home to Liverpool

27 April 2015 by Rebecca

Mauretania shipLiverpool writer George Garrett worked in the boiler rooms of Mauretania and called the ship “a big scouse boat”. Mauretania and her sister ship Lusitania, were the true ‘Monarchs of the Sea’ and were later affectionately known in Liverpool as ‘Maury’ and ‘Lucy’.

Mauretania was built by Swan Hunter of Newcastle for the Cunard Line and was one of their most successful liners. Cunard and its ships were a central part of Liverpool’s maritime story and the firm was based in the city. Cunard’s 1916 headquarters are one of the most recognisable buildings on the city’s waterfront and one of the iconic three graces.

Mauretania was a Liverpool ship through and through. She was a familiar sight at the landing stage and a link between Liverpool and New York, claiming the Blue Riband for the fastest transatlantic crossing – a record that she held for decades. Her crew were drawn from the streets around Liverpool’s waterfront communities and many of the city’s seafarers served their time at sea with her.

Her career is explored in the museum through a range of objects, including a vibrant painting in the Lusitania: life, loss, legacy exhibition showing ‘Maury’ in dazzle colours and in the painting Modern Liverpool by Walter Richards which is on display in the Titanic and Liverpool: the untold story exhibition. Modern Liverpool shows ‘Maury’ docking at the Liverpool landing stage, no doubt carrying excited passengers on a transatlantic adventure!

One of my favourite things about being a museum curator is finding new objects for the Merseyside Maritime Museum collection and one of the collections I am responsible for is the ship models.

The ship model collection is one of the most important at the Museum and the variety represented is vast, ranging from passenger ships to fishing craft. Ship models help to play an important role in recording and explaining Liverpool’s maritime history. These vessels were crucial to the life of the city through trade and passenger travel.

Mauretania model in case

Mauretania model being sold at auction. Image copyright Charles Miller Ltd.

The model of Mauretania coming up for auction is an incredible record of one of Liverpool’s most iconic and best loved ships. These vessels helped to shape the city’s identity as a unique Atlantic passenger port. The men and women who worked at sea identified themselves with ships like Mauretania and created much of the character of the city. It would be great if we could bring her back to her home.

Please help us raise enough funds to win the Mauretania model at auction.

How leaving a legacy in your will could help others

8 October 2014 by Lynn

As it’s “free wills month” throughout October, Abby Jones, from our Development office, talks here about how leaving a gift in your will could help others.

Smiling visitor with childLeaving a gift in your will, also known as a legacy, is not something that is usually on the top of people’s conversation lists. I mean it isn’t the easiest thing to talk about is it? – Leaving money to something after you are no longer here to enjoy it yourself?  But wouldn’t it be great to leave something in your will to National Museums Liverpool and experience the benefits of that gift now? Read more…

“It’s about updating the gallery in a thoughtful way…”

9 April 2014 by Vivien

Visitors take a look at plans for the gallery.

Visitors take a look at plans for the gallery.

I always enjoy the chance to work with our visitors to find out what they really think about what we’re doing in our museums and galleries. Recently I’ve been working on some consultation projects at the Lady Lever Art Gallery, where I’ve had the chance to show visitors some of the plans for the redevelopment of the south end galleries and talk about our the aims for the project.  Read more…

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We try to ensure that the information provided on our blog is accurate and that appropriate permissions to use images have been sought. The opinions in each blog are very much those of the individuals writing.